Dear Pina,
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- Опубліковано 7 лют 2013
- Dear Pina, is a dance/theater tribute to the late German choreographer Pina Bausch. The performance was held at the Shelburne Farms Breeding Barn over six sold-out nights in June 2012.
Dear Pina, was created by Hannah Dennison. The film of Dear Pina, was directed by Lukas Huffman.
www.hannahdennison.org
Pina Bausch revolucionou por completo o conceito de dança, é como se todos nos pudéssemos encontrar no ar a dançar. É uma poesia do movimento toda nova cheia de possibilidade e de vida, mesmo quando ela toca a morte. Saudosa Pina Bausch, obrigado por tanto amor.
Dios pagaría lo que fuera por ver un performance de sus danzas... Transmiten cosas ❤❤❤
Je suis toujours bouleversé par la danse de Pina, quelle modernité ! ce style me touche profondément
good to see a really nice looking black guy representing us in the cast
QUÉ HERMOSO TRABAJO. QUE BAILARINES TAN MARAVILLOSOS.
Hi, James, I was only speaking of US critics holding back dance in the US, not in Europe or any other country. Sorry for the misunderstanding. Love that NDT energy and variety. Tanztheater Wuppertal is picking up the pace as the pandemic subsides. Annie-B. Parsons and Dance Umbrella group in the US creates some wonderful dances. Christy Sheffield Sanford, artist-writer
That WAS Pina Bausch !!! Well done!!!!!!
A favorite place in VT and so beautiful to know this was for Pina B.
Meraviglia!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Emozione!!!!!!!!!!!!!!!!!!!!!!!
Un regroupement d' artistes fabuleux, bien sûr, merci chère Pina :: Qui saurait me dire où se trouve ce lieu magique the SHELBURNE Farms Breeding Barn ? Thanks a lot
Somptueux. Merci beaucoup
Voltei a estudar e tô na matéria de artes uma benção
Assistindo a ese video, que saudades dá do Teatro... Momentos maus felizes da minha vida...
素晴らしい。ピナも喜んでると思います。
wirklich wunderschön. Pina würde es auch lieben
❤️❤️❤️
Anything that perpetuates the legacy and memory of Pina Bausch is to be applauded. I like the use of space and the elegiac tone in the piece. However, many of the dancers, although obviously competent, are not inhabiting their bodies but rather performing steps. How to make that total physical commitment remains mysterious, but I think it has to do partly with individual dancers recognizing their back and sides and being comfortable with the breath while in motion. In "Dancing Dreams" I could see how difficult it was for JoAnn Endicott to get Joy to be totally present in her body while running, that's it. The scene here of the two women running beautifully echoes that type of moment, but the head to toe feeling of the body is somehow missing. For years, I've thought about the emotional power in the Tanztheater Wuppertal experience. And I know Hannah Dennison has studied this in ways I could not because she is a dancer with a depth of experience and sensitivity in her art form.
I think the American critical resistance to Bausch's work was unconscionable and has set back various efforts at fusion for a decade. I have a creative essay I'm circulating called "The Ostinato and the Furniture or Stiffen" about the Bausch ensemble's essence. Happy to share if I wasn't too off-putting. I can tell "Dear Pina" was a labor of love and much effort. I hope the work continues to be performed. Christy
In the opening scene, I don't feel the weight on the back or a sense of the arduousness of carrying the baggage.
Thank you Christy. I found your insight very enlightening. As a relative new-comer to Pina's work, having only seen "Pina" and "Dancing Dreams" as well as segments of other works, I understand what you say. Under Pina's tutelage the dancers, their bodies, their feelings and expressions were all the same. I agree that this is a very sincere work and applaud the dancers who performed it. And, like you, I hope it continues to be performed. But I disagree that American resistance has set the art form back at all. It thrives in Europe. I'm a big fan of the Batsheva and Vertigo dance companies in Israel for example. As an American I know how juvenile, immature and ignorant my culture is compared to the world stage. I watch European films instead of American ones for that reason. As a former film teacher I deplore the American childish cartoons they call movies. Give me any Russian, German, Swedish, Danish, Norwegian, Polish or Spanish film any day.
Christy articulate!
Any how we can read the essay?
View Wuppertal's incredible production of Stravinsky's "Rite of Spring" and one can see what's been lost.
@@jamesparker5011 I would recommend Chantal Akerman's superb film "Un jour Pina m'a demandé". Although I am a Wenders fan, I felt that his "Pina" didn't capture the strength of Bausch's work, and in fact diluted it a lot in the dance scenes located in various urban environments (which reminded me of the countless images, and now full Instagram accounts, of ballerinas photographed on the streets, and went for the aesthetic when Bausch's work goes much deeper). I downloaded "Dancing Dreams" today and look forward to watching it. There is also a documentary called "Dancing Pina", I believe, that just came out or is about to. And of course there are books.
Linda obra!!
coisa linda !!!!!!!!!!!!!
Divina
grazie.
E esse trabalho de Pina Bausch é genial : dança - teatro!!!!
Не знаю английского языка. Но это для меня прозвучало, как история человека, семьи, рода, человечества
incantevole
Magnífico
sonho de fazer parte numas das peças dela.
5 formas de humillarte cuando te ponen que hagas alguno de estos bailes XD
!
Pina Bausch reste pour moi la plus grande chorégraphe de la seconde moitié du XX me siècle, mais cette production me laisse froid et je ne suis vraiment pas convaincu ... hormis le choix du lieu et de quelques prestations spécifiques ... je passe à coté !
Min 35:50
jajajaja levantese perro 11:00
Bella struttura.....ballerine peccato un po grassottelle
Questo commento potevi proprio evitarlo Mauro...
Peccato per la musica di merda... Il resto sarebbe decisamente buono...
esto es abracito al corazón que danza, que bello