@Zebrahead6000 This part focuses on on-camera microphones. Dual-system recording solutions, such as Zoom recorders, will be covered in an upcoming installment. Thanks for watching.
Check out the Canon EOS Rebel T3i Digital Camera with EF-S 18-55mm IS II len (B&H # CAEDRT3IQ). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
+Daníel Andri Þorvaldsson A basic microphone that is virtually plug and play with most HDSLR cameras is the SHURE VP83 LensHopper Shotgun Microphone - a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. B&H # SHVP83. bhpho.to/1bK6BEY Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
@JacanaProductions It is not usually recommended as it can add unwanted noise to the signal but you could split the microphone signal with a Y cable into the two inputs so you can level one lower than the other. It is more recommended to record to the single channel and monitor and ride the levels to avoid it from peaking.
In my own unscientific and admittedly biased, side by side test -the Rode VideoMic Pro was the clear winner. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
RODE has recently redesigned this mic by adding a new Rycote integrated shock mount: B&H # ROVMR. The issues you and others are experiencing will be remedied by this redesign. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Rob clearly states that the Azden mics offer a terrific improvement over the DSLR's built-in mics but there is a noticeable noise floor and some hiss. These microphones do offer tremendous value and performance for the price.
@ToasterShow The Zoom H4n is a wonderful device for most field recording applications and is excellent as a direct mic into a DSLR in many situations as well. Where a more directional audio pick-up pattern is desired - using the Rode VideoMic is a sound choice and highly recommended.
Unfortunately the Canon EOS Rebel XSI Camera does not have a movie mode. It was added in later versions of the Rebel line.This camera has no external microphone input. So adding an external mic to improve the audio over the camera's internal mic is not feasible. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com.
@Jim Hase The ME66 is an XLR microphone so you would need a different Juiced Link device to use it on a DSLR. On the B&H site, search the part# JUCX231 This will allow you to connect two XLR microphones to the DSLR camera with a mini mic input.
As far as small shotgun mics for DSLR's go I like the Shure VP83 LensHopper Shotgun Microphone (B&H # SHVP83). It is small and compact and very well built with fantastic battery life from a single AA battery. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
@F1A2B2I456789 We often use the Audio-Technica AT899 Condenser Lavalier Microphone - B&H # AUAT899. Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
The VideoMic with Rycote Lyre Suspension System from Rode is the superior combination. There are no packages that combine both mics and accessories. We do offer the mics with furries: B&H # ROVMRK, B&H # ROSVMPK, B&H # RODEADKITTEN. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S
I didn't think much of the Rode Video Mic Pro so I bought an Oktava M012 and a Tascam DR-100mk2. I've tested them, see my videos. obviously not as good for 'gun & run' but nice for film making. Just like with colour grading footage, editing the audio with eq and compression / limiting is really important and most people overlook this.
This video is amazingly excellent video. I have a Canon 70D, and a "RODE Videomic Pro - Compact Shotgun Microphone". I am experiencing significant audio "hiss" when I am doing some face-to-face indoor interviews. The hiss is there when I use the on-board built-in mic, or the RODE Videomic Pro. I'm not sure if it's a problem with the 70D camera, or if it's some sort of audio setting in the camera. I have tried changing some settings, but it's still there. Any suggestions?
Unfortunately your camera will not supply phantom power so these mics cannot be used without a DSLR adapter. Please contact us via e-mail if you have additional questions: askbh{at}bandh
The RODE VideoMic Pro has a differently designed suspension that does require an upgrade. I have not encountered any retrofitted Canon SX50 cameras. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S
The Zoom H1 is an easy-to-use, versatile stereo digital audio recorder that fits into the palm of your hand. Perfect for musicians, journalists, podcasters, and more, the H1 records high-quality WAV and MP3 files to meet any professional need. The H1 has a stereo X/Y microphone configuration that captures perfect stereo images. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
The RODE family of microphones are great performers and rarely demonstrate "hiss". Hiss or other noise is usually attributed to high gain settings at the camera or the audio source being very low or far removed from the microphones. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Most would agree that Sound Devices make some of the best gear around for filmmakers: Sound Devices 702T - High-Resolution 2-Channel Compact Flash Field Recorder with Time Code (B&H # SO702T). The Schoeps CMIT5U is designed for professional film, video and music recording applications, capturing both dialog and instruments with great detail and accuracy (B&H # SCCMIT5U). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
So is the stereo microphone the better option for travel video? I figured a shotgun would be counterproductive as it would cut out much of the ambient sound that gives a shot its sense of reality. An example would be taking a shot of my wife sitting in audience listening to a concert but barely being able to actually hear the music because the shotgun isn't pointed at the stage. I'm not into doing interviews while traveling - I just shoot the scenes and the family occasionally walking through shots.
I like the Rode for its more advanced shock mount and the 3-way level control and the power/HPF switch lets you turn the mic off, set it for a flat frequency response, or engage the 80Hz high pass filter. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S
The Canon PowerShot SX50 HS Digital Camera offers no provision for connecting an external microphone. Consider using an external recorder and Red giant PluralEyes to"sync" in post. B&H # SIPLAVSS. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
I would like to interview people and thought the Rode VMC Pro was the best option. Then you made a good point about the MKE-400 focusing on midrange frequency. I'm inexperienced and need some guidance. I only want to buy one mic one time.
I like the Shure VP83. It's a compact camera-mount condenser shotgun mic, that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. It offers a robust build quality, superior battery life and excellent sonic qualities. B&H # SHVP83. bhpho.to/1bK6BEY Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
So, which Rode mount is better for not knocking in the field while moving around a lot, the new Rycote integrated shock mount on the VideoMic or the mount on the VideoMic Pro? And, I'll probably buy both the VideoMic Pro and the Stereo VideoMic along with dead cat and dead kitten. Is there a package deal on that?
In the video you mention your choice og deadcat for RODE stereomic pro. What is the best deadcat for RODE videomic pro ??? I have heard that Rode`s original deadcat for videomic pro is pretty bad??
greenhippo31 Eliminate the choice and consider the Shure LensHopper VP 83F that includes a built-in recorder in a shotgun microphone that is equal to, or better than the RODE VideoMic Pro in terms of build quality,design, battery life and overall performance: Shure VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder B&H # SHVP83F. bhpho.to/18Q6RlR Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
you say that the "5D MKII Rode VideoMic" has a greater sound but costs a little bit more. actually my impression is that especially if you used it in this video there was a pretty rumbling background noise ...
How do I adjust the recording levels on a canon 650d? I have the rhode video mic pro. Have been using it at -10db and wondering why results were less than expected. The 650d manual doesn't explain much on sound levels or external mics.
Latin Dance Videos The Canon T4i offers auto recording level. It should be switched off from the MENU for the best results when using an external microphone. Manual Mode: For advanced users. You can adjust the sound recording level to one of 64 levels. Select [Rec. level] and look at the level meter while pressing the < > key to adjust the sound recording level. While looking at the peak hold indicator (approx. 3 sec.), adjust so that the level meter sometimes lights up the ?12? (-12 dB) mark on the right for the loudest sounds. If it exceeds ?0?, the sound will be distorted. Page 193 of the Canon Instruction manual: bit.ly/1T8QCoo Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
Typically speaking, camcorders with XLR inputs will have superior mic preamps than either DSLR cameras or consumer grade camcorders with 1/8" (3.5mm) audio inputs. The tips and insights offered by Rob in our video apply to camcorders as well. Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
Hi! I have a question. I will film wild animals (such as mostly bears but also wolverines and wolfs) from a bear hide in Finland. The animals will probably be on a range from 30-50 meters but possibly as close as 5 meters. If I want to achieve great noiseless sound when filming and recording these animals, what would you recommend? I have tried a videomic röde pro but was heavily disappointed as it could not quite pick up the sounds of the animal which required me to amp up the sound so much that it all became very noise. Thanks, hope you can help me, I really want to achieve good sound!
+Henrik Nilsson - At5 meters a quality long shotgun microphone should work. At farther distances, a parabolic microphone dish would be necessary.Audio can be picked up from as little as 3.0' (0.9m) or as much as 500.0' (152.4m) depending on wind and weather conditions. bhpho.to/1JYTKigMark S
Hello! I'm looking to use lav mics for recording voice, much like what you did with this video. Are there some recommendations that you can offer for lav mics in various price ranges? I shoot on a Nikon D3300 and am looking for a beginner/basic lav mic set up. Thanks in advance!
I have just bought a Canon 100d. I have a Sennheiser mic which plugs straight into and the pickup quality is great but the hiss is dreadful. Will the DS214 JuiceLink illuminate the hiss?
Steve Rainbow The Canon EOS 100D is known as Canon EOS SL1 in the USA. Please e-mail us at the address provided below and include the model number of the Sennheiser microphone and the type of cable you are using as well. Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
In case you answer the comment below, I'll be using an iPhone 4s. The people will be 5 to 10 ft from me. I will record in an enclosed room in the library or living room of my apartment. Not counting the Azden mics what would you suggest?
The RØDE iXY Stereo Recording Microphone for iPhone/iPad (B&H # ROIXY) provides an ideal way to record live music, meetings, lectures, reporting, dictation and any other applications that require stereo audio recordings by using a compatible iPhone or iPad. It's also well suited for use as an on-camera external mic. Two half-inch cardioid condenser capsules and onboard A/D conversion ensures highly detailed recordings for all your audio selections. bhpho.to/1zbBAoi Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Very useful video. Thank u for sharing. I got a canon eos 70d. I wanna make a short film. Would u please tell me about what I should do for recording performers' speech in my film properly and conveniently? Thank u in advance.
I recommend using a separate audio recorder and shotgun mic. Consider this kit: Tascam DR-60D with Rode NTG-2 Shotgun Mic and Boompole Kit Includes Free: Red Giant PluralEyes 3 (Activation Card) - B&H # TADR60DK1 (B&H Kit) - bhpho.to/1ro9HCw Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
Thank you very much. I will buy soon those equipment. Could you please tell me on how I could make video transit from one performer face to another performer rapidly? For example, a video clip about talking between two friends each sitting face to face. Sometimes video focuses only one face, and rapidly it transit/focus/move to another face. How they make it?
Often the best solution is using two cameras, pre-focused on each individual. Quick focusing may be also be accomplished manually on many cameras that offer this feature. Preset lens markings enable focus that "snaps" sharply into place for each subject. Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
Fila Perez I recommend a two microphone set-up like this one: The Audio-Technica AT4040SP 40 Series Studio Package (B&H # AUAT4040SP) delivers 2 high quality studio recording microphones and accessories for a modest price. The package includes the AT4040 large diaphragm, side-address condenser microphone and AT4041 small diaphragm condenser microphone. The AT4040 is ideal for vocal and general instrument capturing while the 4041 is well suited for instrument and amplifier cabinets. The package is intended to provide project studios and musicians with 2 quality microphones for capturing vocals and instruments. bhpho.to/1aVHUta Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
Looking for a mic for my D3200 to record a rock band and vocals in pubs and bars - the Rode Pro sounds good and around the right price, but what do you recommend?
The Rode VideoMic pro is a good choice. For a similar price, I prefer the Shure VP83 (B&H # SHVP83) for its robust build and overall audio quality: The VP83 LensHopper Shotgun Microphone from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. The VP83 LensHopper features an easily accessible three-position gain adjustment and low-cut filter, allowing it to adapt for different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83 easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The convenient, attached 3.5mm cable connects to your camera's audio input. Its efficient operation boasts 130 hours of battery life on just one AA alkaline battery. A foam windscreen is included to guard against wind and environmental noise. Capture Detailed, Accurate Audio Full low-end response High sensitivity Low self-noise Wide frequency range Highly directional polar pattern Effective RF immunity bhpho.to/1bK6BEY Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
i have problem and i want to see if you guys can help me. i use the T4i to record my live videos and mix/render on adobe Premiere. now here's the weird problem: when i use my Rode mic (directly into camera) i get sound from left and right on my pc and youtube PC and Cell phone. BUT, when i use my lavalier mic, i get sound from both sides on my PC but NOT on youtube using my cell phone. when i plug in my headphones on my cell phone, i get sound from both sides. Even though lavalier levels on my T4i says its recording L & R at same lvls (like the Rode mic). i thought since the lavalier was mono (Right?) and i was just importing it onto a stereo track, (like i did with ROde mic audio) maybe that was creating the problem. i did tests, by creating a mono track on Premiere and imported and tested it. Still same problem on cell (with lavalier). Did another test and now panned the mono track to the Right and only then i get sound on youtube using my cell. However, i get sound only from right side on youtube using my PC. i hope you guys understand me. any help would do. im still testing things out.
Hi... What microphone are you using to record the video in the first part and the end. I see than you have a mic in your shirt? I like the sound. Can you help me with that please?
Rode VideoMic (originally) causes knocking noises and is very bad with camera handling noises on DSLR's, what microphone would you say is better? Tile the camera left or right with VideoMic on and it knocks. Have replaced rings etc etc.. Surely there is a better solution and a better mic that doesn't have such a pick up for camera handling and doesn't knock as you 'run and gun' ? What mic is best for fast style shooting that also needs sound recording?
+AbeOnline - The back drop was Savage Seamless Paper. Unfortunately, the studio no longer has the backdrop they used in this video, so we cannot check on the exact color. But, it was either Smoke Grey or Stone Grey. Though, keep in mind that how the backdrop is lit will have a large impact on how it looks. *Christina* AskAudio@bhphoto.com bhpho.to/21hlo0Dbhpho.to/1R3mZrm
I need to direct the sound of one mic into two channels and set the levels different on each, one lower than the other. How can I do this with inexpensive recorders. I'm aware the pro gear has limiters that negate the need for this. In the ideal world we'd all have Sound Devices 302s ;)
Hi, were you guys using the stereo vide mic when you were talking about it or were youusingthe lav mic, i want to see a test of the stereo vide mic indoors
Hi Paul. While I'm talking about the Stereo VideoMic and Stereo VideoMic Pro I'm using the lav mic. The only demos for those are the ones we shot outside. Thanks for watching
I'm not a pro shooter but I'm looking for a better solution for recording audio for my kid's singing, concert and piano recitals. My camera is the Panasonic GH3 and would like to have the option of shotgun or stereo. Thinking a mid-side solution would be good and I'm looking at the Sony ECM-957PRO but can't find much in the way of reviews. Most recording is done from a good distance away (20+ feet) so I'm wondering on better solutions and ideally would not want to spend more than $300. Ideas?
The Sony mic you have selected is not appropriate for use at a distance. It is ideal for close miking at the stage or atop the piano. This distance demands a shotgun style. Consider the Shure VP83. It will connect to your camera without adapters. B&H # SHVP83. bhpho.to/1bK6BEY Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
A simple remedy would be to choose this microphone: The VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. It records 24-bit/48kHz WAV audio files to MicroSDHC cards, supporting capacities up to 32GB. The VP83F also features one-button recording and an intuitive operating menu, making it easy to use. Additionally, an integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. The VP83F LensHopper features a 60dB gain range, adjustable in 1dB increments, as well as a low-cut filter for adapting to different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83F easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The detachable 3.5mm cable connects to your camera's audio input, while the stereo headphone output allows you to monitor incoming audio. Despite its extensive functionality, the VP83F offers 10 hours of battery life on two AA alkaline batteries. A foam windscreen is included to guard against wind and environmental noise. B&H # SHVP83F Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
Is the Zoom H4n with the Rode Video Mic a good choice? I have currently the Rode Video Mic but if I plug it to my Canon 600D the sound s not that great but to the Zoom H4n (I ordered) would it better, [the zoom h4n is also buyed for the future, so that i didn't must buy a new one in 1 1/2 year]
So, Rode only offers the better suspension with the lower-price VideoMic and not the better VideoMic Pro? Off the subject but relevant - does anyone retrofit the Canon SX50 with a mic jack? I use the T4i mainly, which already has a jack but I'm doing insect field videos so the 50x zoom of the SX50 is good but the audio is almost omnidirectional so the viewer hears the insects 5ft away and above in a tree louder than the one in the video 15 ft away and straight ahead. Thanks.
+Trey Khali - Professional camcorders include XLR inputs for use with high quality microphones. You may want to contact us via e-mail for the wide variety of cameras, microphones, adapters, and software available to you depending upon the nature of your project and the range of your budget. Please contact us via e-mail with the details of your project: askbh@bandh.com >Mark
B and H I have the T6, and do handheld videos, I got a tascam dr-05 for better audio and it makes popping noises when handled with an external mic. What should I do?
@Zebrahead6000
This part focuses on on-camera microphones. Dual-system recording solutions, such as Zoom recorders, will be covered in an upcoming installment. Thanks for watching.
Check out the Canon EOS Rebel T3i Digital Camera with EF-S 18-55mm IS II len (B&H # CAEDRT3IQ). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
+Daníel Andri Þorvaldsson A basic microphone that is virtually plug and play with most HDSLR cameras is the SHURE VP83 LensHopper Shotgun Microphone - a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. B&H # SHVP83. bhpho.to/1bK6BEY
Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
***** The Sennheiser MKE400 mic is plug and play with your camera.
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
B and H plz recommend me a mic for d3300?
@JacanaProductions It is not usually recommended as it can add unwanted noise to the signal but you could split the microphone signal with a Y cable into the two inputs so you can level one lower than the other. It is more recommended to record to the single channel and monitor and ride the levels to avoid it from peaking.
In my own unscientific and admittedly biased, side by side test -the Rode VideoMic Pro was the clear winner.
Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
RODE has recently redesigned this mic by adding a new Rycote integrated shock mount: B&H # ROVMR. The issues you and others are experiencing will be remedied by this redesign.
Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Rob clearly states that the Azden mics offer a terrific improvement over the DSLR's built-in mics but there is a noticeable noise floor and some hiss. These microphones do offer tremendous value and performance for the price.
@ToasterShow
The Zoom H4n is a wonderful device for most field recording applications and is excellent as a direct mic into a DSLR in many situations as well. Where a more directional audio pick-up pattern is desired - using the Rode VideoMic is a sound choice and highly recommended.
Unfortunately the Canon EOS Rebel XSI Camera does not have a movie mode. It was added in later versions of the Rebel line.This camera has no external microphone input. So adding an external mic to improve the audio over the camera's internal mic is not feasible. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com.
@Doomic (MY) Thanks for your interest. We'll have Part 2 out by the end of the year
@Jim Hase The ME66 is an XLR microphone so you would need a different Juiced Link device to use it on a DSLR.
On the B&H site, search the part# JUCX231
This will allow you to connect two XLR microphones to the DSLR camera with a mini mic input.
As far as small shotgun mics for DSLR's go I like the Shure VP83 LensHopper Shotgun Microphone (B&H # SHVP83). It is small and compact and very well built with fantastic battery life from a single AA battery.
Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
awesome, didnt realize how much better the stereo mic was than the videomic for indoor interview type shots
what type of battery does the rode video mic pro run on?
Excellent, clear set of videos....many thanks guys
@F1A2B2I456789 We often use the Audio-Technica AT899 Condenser Lavalier Microphone - B&H # AUAT899. Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
Great video, thanks for posting this! Can't wait for part 2.
those are great additional features by the sounds of it, but what about the quality of the sound ? Better on rode would you say?
Great video. I'll forward this video when I get hit with the standard audio questions.
thanks for uploading, i just read an article you guys had on the site about this, i need to get an external mic asap but i need a new cam first
The VideoMic with Rycote Lyre Suspension System from Rode is the superior combination.
There are no packages that combine both mics and accessories. We do offer the mics with furries: B&H # ROVMRK,
B&H # ROSVMPK, B&H # RODEADKITTEN. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S
I didn't think much of the Rode Video Mic Pro so I bought an Oktava M012 and a Tascam DR-100mk2. I've tested them, see my videos. obviously not as good for 'gun & run' but nice for film making. Just like with colour grading footage, editing the audio with eq and compression / limiting is really important and most people overlook this.
These videos are excellent, thank you!
This video is amazingly excellent video. I have a Canon 70D, and a "RODE Videomic Pro - Compact Shotgun Microphone". I am experiencing significant audio "hiss" when I am doing some face-to-face indoor interviews. The hiss is there when I use the on-board built-in mic, or the RODE Videomic Pro. I'm not sure if it's a problem with the 70D camera, or if it's some sort of audio setting in the camera. I have tried changing some settings, but it's still there. Any suggestions?
thats all i wanted to hear! :) thanks Mark!
Unfortunately your camera will not supply phantom power so these mics cannot be used without a DSLR adapter. Please contact us via e-mail if you have additional questions: askbh{at}bandh
"guys, get the dead cat. i have a video idea"
^ a term i will be using in the near future
The RODE VideoMic Pro has a differently designed suspension that does require an upgrade. I have not encountered any retrofitted Canon SX50 cameras. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S
The Zoom H1 is an easy-to-use, versatile stereo digital audio recorder that fits into the palm of your hand. Perfect for musicians, journalists, podcasters, and more, the H1 records high-quality WAV and MP3 files to meet any professional need. The H1 has a stereo X/Y microphone configuration that captures perfect stereo images. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
The RODE family of microphones are great performers and rarely demonstrate "hiss". Hiss or other noise is usually attributed to high gain settings at the camera or the audio source being very low or far removed from the microphones.
Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
I will soon get myself a Nikon D3200 and soon after that a microphone for my studies. My budget is about 200$. What do you recommend?
Most would agree that Sound Devices make some of the best gear around for filmmakers: Sound Devices 702T - High-Resolution 2-Channel Compact Flash Field Recorder with Time Code (B&H # SO702T). The Schoeps CMIT5U is designed for professional film, video and music recording applications, capturing both dialog and instruments with great detail and accuracy (B&H # SCCMIT5U). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
So is the stereo microphone the better option for travel video? I figured a shotgun would be counterproductive as it would cut out much of the ambient sound that gives a shot its sense of reality. An example would be taking a shot of my wife sitting in audience listening to a concert but barely being able to actually hear the music because the shotgun isn't pointed at the stage. I'm not into doing interviews while traveling - I just shoot the scenes and the family occasionally walking through shots.
Thanks for the info B and H! Good times
What would you recommend for just making very clear home movies? My budget is $50-$100, its kind of a low budget to work with.
Which mic is better Audio Technica atr 6550 or Rode videomic GO . My budget is max $100 and i'm using a canon 600D. Awesome video !
whihc one is better? the seinnheiser mke400 or the rode video mic pro?
Great video! I'm really thankfull for it~ that was just what i was looking for!!
This was so helpful.
I like the Rode for its more advanced shock mount and the 3-way level control and the power/HPF switch lets you turn the mic off, set it for a flat frequency response, or engage the 80Hz high pass filter. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S
The Canon PowerShot SX50 HS Digital Camera offers no provision for connecting an external microphone. Consider using an external recorder and Red giant PluralEyes to"sync" in post. B&H # SIPLAVSS. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Can you please do a video covering XLR adaptes and which one are the best?
@AGameEveryDay "It's coming in early 2013. Thanks. Thank you for watching".
I use a cheap Takstar SGC-598 for recording my videos; any idea how to eliminate the hiss from the microphone?
Thanks
@misterosc
No, there is not.
I like these educational videos... take that best buy :)
I would like to interview people and thought the Rode VMC Pro was the best option. Then you made a good point about the MKE-400 focusing on midrange frequency. I'm inexperienced and need some guidance. I only want to buy one mic one time.
I like the Shure VP83. It's a compact camera-mount condenser shotgun mic, that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. It offers a robust build quality, superior battery life and excellent sonic qualities. B&H # SHVP83. bhpho.to/1bK6BEY
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
So, which Rode mount is better for not knocking in the field while moving around a lot, the new Rycote integrated shock mount on the VideoMic or the mount on the VideoMic Pro? And, I'll probably buy both the VideoMic Pro and the Stereo VideoMic along with dead cat and dead kitten. Is there a package deal on that?
Great comparison. Thanks.
In the video you mention your choice og deadcat for RODE stereomic pro. What is the best deadcat for RODE videomic pro ??? I have heard that Rode`s original deadcat for videomic pro is pretty bad??
Which mic would be best for skateboarding? Not the stereo mics because they will get sound from everywhere right? I only want what im filming.
Great video!
What would be a better buy? The Rode VideoMic Pro or the regular Rode VideoMic and the Zoom h1?
greenhippo31 Eliminate the choice and consider the Shure LensHopper VP 83F that includes a built-in recorder in a shotgun microphone that is equal to, or better than the RODE VideoMic Pro in terms of build quality,design, battery life and overall performance: Shure VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder B&H # SHVP83F. bhpho.to/18Q6RlR
Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
you say that the "5D MKII Rode VideoMic" has a greater sound but costs a little bit more. actually my impression is that especially if you used it in this video there was a pretty rumbling background noise ...
How do I adjust the recording levels on a canon 650d?
I have the rhode video mic pro.
Have been using it at -10db and wondering why results were less than expected.
The 650d manual doesn't explain much on sound levels or external mics.
Latin Dance Videos The Canon T4i offers auto recording level. It should be switched off from the MENU for the best results when using an external microphone.
Manual Mode:
For advanced users. You can adjust the sound recording level to one of 64 levels. Select [Rec. level]
and look at the level meter while pressing the < > key to adjust the sound recording level. While looking at the peak hold indicator (approx. 3 sec.), adjust so
that the level meter sometimes lights up the ?12? (-12 dB) mark on the right for the loudest sounds. If it exceeds ?0?, the sound will be distorted.
Page 193 of the Canon Instruction manual: bit.ly/1T8QCoo
Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
Will the Videomic pro work perfectly with the 3200 as well?
Insightful video! thanks a lot :)
The first azden mic sounds like crap, i even prefer the built in camera mic
It was clipping.
Which mic work perfectly with the Nikon D7100 ? I want good sound .
Are camcorder preamps better than DSLR preamps. Also is everything you said equally applicable to camcorders as well?
Typically speaking, camcorders with XLR inputs will have superior mic preamps than either DSLR cameras or consumer grade camcorders with 1/8" (3.5mm) audio inputs. The tips and insights offered by Rob in our video apply to camcorders as well.
Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
Hi! I have a question. I will film wild animals (such as mostly bears but also wolverines and wolfs) from a bear hide in Finland. The animals will probably be on a range from 30-50 meters but possibly as close as 5 meters. If I want to achieve great noiseless sound when filming and recording these animals, what would you recommend? I have tried a videomic röde pro but was heavily disappointed as it could not quite pick up the sounds of the animal which required me to amp up the sound so much that it all became very noise. Thanks, hope you can help me, I really want to achieve good sound!
+Henrik Nilsson - At5 meters a quality long shotgun microphone should work. At farther distances, a parabolic microphone dish would be necessary.Audio can be picked up from as little as 3.0' (0.9m) or as much as 500.0' (152.4m) depending on wind and weather conditions. bhpho.to/1JYTKigMark S
I have a Canon 60D I use a Rode video mic with Magic lantern software hack it's great for turning off the AGC this system works great.
Hello! I'm looking to use lav mics for recording voice, much like what you did with this video. Are there some recommendations that you can offer for lav mics in various price ranges? I shoot on a Nikon D3300 and am looking for a beginner/basic lav mic set up. Thanks in advance!
+Evan Rouse -
Basic wired lavalier: Polsen
OLM-10 Omnidirectional Lavalier Microphone B&H # POOLM10
Upgrade:
Tram TR50 Omnidirectional Lavalier Microphone ...
Connector B&H # TRTR50BNLSET
Wireless:
RODE RodeLink
Filmmaker Kit RORODLNKFM
Please contact us via e-mail if you have additional questions: askbh@bandh.com
>Mark
I have just bought a Canon 100d. I have a Sennheiser mic which plugs straight into and the pickup quality is great but the hiss is dreadful. Will the DS214 JuiceLink illuminate the hiss?
Steve Rainbow The Canon EOS 100D is known as Canon EOS SL1 in the USA. Please e-mail us at the address provided below and include the model number of the Sennheiser microphone and the type of cable you are using as well.
Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
In case you answer the comment below, I'll be using an iPhone 4s. The people will be 5 to 10 ft from me. I will record in an enclosed room in the library or living room of my apartment. Not counting the Azden mics what would you suggest?
The RØDE iXY Stereo Recording Microphone for iPhone/iPad (B&H # ROIXY) provides an ideal way to record live music, meetings, lectures, reporting, dictation and any other applications that require stereo audio recordings by using a compatible iPhone or iPad. It's also well suited for use as an on-camera external mic. Two half-inch cardioid condenser capsules and onboard A/D conversion ensures highly detailed recordings for all your audio selections.
bhpho.to/1zbBAoi
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
What is the best solution for me. I am taking a drum solo video. And some times a video on a rock concerts.
Very useful video. Thank u for sharing. I got a canon eos 70d. I wanna make a short film. Would u please tell me about what I should do for recording performers' speech in my film properly and conveniently? Thank u in advance.
I recommend using a separate audio recorder and shotgun mic. Consider this kit: Tascam DR-60D with Rode NTG-2 Shotgun Mic and Boompole Kit
Includes Free: Red Giant PluralEyes 3 (Activation Card) - B&H # TADR60DK1 (B&H Kit) - bhpho.to/1ro9HCw
Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
Thank you very much. I will buy soon those equipment. Could you please tell me on how I could make video transit from one performer face to another performer rapidly? For example, a video clip about talking between two friends each sitting face to face. Sometimes video focuses only one face, and rapidly it transit/focus/move to another face. How they make it?
Often the best solution is using two cameras, pre-focused on each individual. Quick focusing may be also be accomplished manually on many cameras that offer this feature. Preset lens markings enable focus that "snaps" sharply into place for each subject.
Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
can I ask two questions
does the canon Eos 700d have an external mic input?
if so what is the best mic for the cannon Eos 700d?
What would be a decent mic for recording live music for example someone singing and playing the piano?
Fila Perez I recommend a two microphone set-up like this one:
The Audio-Technica AT4040SP 40 Series Studio Package (B&H # AUAT4040SP) delivers 2 high quality studio recording microphones and accessories for a modest price. The package includes the AT4040 large diaphragm, side-address condenser microphone and AT4041 small diaphragm condenser microphone.
The AT4040 is ideal for vocal and general instrument capturing while the 4041 is well suited for instrument and amplifier cabinets. The package is intended to provide project studios and musicians with 2 quality microphones for capturing vocals and instruments.
bhpho.to/1aVHUta
Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
which one is best for DSLR long distance voice recording ?
Looking for a mic for my D3200 to record a rock band and vocals in pubs and bars - the Rode Pro sounds good and around the right price, but what do you recommend?
The Rode VideoMic pro is a good choice. For a similar price, I prefer the Shure VP83 (B&H # SHVP83) for its robust build and overall audio quality:
The VP83 LensHopper Shotgun Microphone from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83 LensHopper features an easily accessible three-position gain adjustment and low-cut filter, allowing it to adapt for different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83 easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The convenient, attached 3.5mm cable connects to your camera's audio input. Its efficient operation boasts 130 hours of battery life on just one AA alkaline battery. A foam windscreen is included to guard against wind and environmental noise.
Capture Detailed, Accurate Audio
Full low-end response
High sensitivity
Low self-noise
Wide frequency range
Highly directional polar pattern
Effective RF immunity
bhpho.to/1bK6BEY
Please contact us via e-mail if you have additional questions: askbh@bandh.com.>Mark
i have problem and i want to see if you guys can help me. i use the T4i to record my live videos and mix/render on adobe Premiere. now here's the weird problem: when i use my Rode mic (directly into camera) i get sound from left and right on my pc and youtube PC and Cell phone. BUT, when i use my lavalier mic, i get sound from both sides on my PC but NOT on youtube using my cell phone. when i plug in my headphones on my cell phone, i get sound from both sides. Even though lavalier levels on my T4i says its recording L & R at same lvls (like the Rode mic).
i thought since the lavalier was mono (Right?) and i was just importing it onto a stereo track, (like i did with ROde mic audio) maybe that was creating the problem.
i did tests, by creating a mono track on Premiere and imported and tested it. Still same problem on cell (with lavalier). Did another test and now panned the mono track to the Right and only then i get sound on youtube using my cell. However, i get sound only from right side on youtube using my PC. i hope you guys understand me. any help would do. im still testing things out.
Hi... What microphone are you using to record the video in the first part and the end. I see than you have a mic in your shirt? I like the sound. Can you help me with that please?
We typically use the Audio-Technica AT899 Condenser Lavalier Microphone
Rode VideoMic (originally) causes knocking noises and is very bad with camera handling noises on DSLR's, what microphone would you say is better? Tile the camera left or right with VideoMic on and it knocks. Have replaced rings etc etc.. Surely there is a better solution and a better mic that doesn't have such a pick up for camera handling and doesn't knock as you 'run and gun' ?
What mic is best for fast style shooting that also needs sound recording?
Sounds great
I love the backdrop color.
Where can I get that?
+AbeOnline - The back drop was Savage Seamless Paper. Unfortunately, the studio no longer has the
backdrop they used in this video, so we cannot check on the exact color. But, it was either Smoke Grey or Stone
Grey. Though, keep in mind that how the backdrop is lit will have a large impact on how it looks. *Christina* AskAudio@bhphoto.com
bhpho.to/21hlo0Dbhpho.to/1R3mZrm
I need to direct the sound of one mic into two channels and set the levels different on each, one lower than the other. How can I do this with inexpensive recorders. I'm aware the pro gear has limiters that negate the need for this. In the ideal world we'd all have Sound Devices 302s ;)
Hi, were you guys using the stereo vide mic when you were talking about it or were youusingthe lav mic, i want to see a test of the stereo vide mic indoors
Hi Paul. While I'm talking about the Stereo VideoMic and Stereo VideoMic Pro I'm using the lav mic. The only demos for those are the ones we shot outside. Thanks for watching
I'm not a pro shooter but I'm looking for a better solution for recording audio for my kid's singing, concert and piano recitals. My camera is the Panasonic GH3 and would like to have the option of shotgun or stereo. Thinking a mid-side solution would be good and I'm looking at the Sony ECM-957PRO but can't find much in the way of reviews. Most recording is done from a good distance away (20+ feet) so I'm wondering on better solutions and ideally would not want to spend more than $300. Ideas?
The Sony mic you have selected is not appropriate for use at a distance. It is ideal for close miking at the stage or atop the piano. This distance demands a shotgun style. Consider the Shure VP83. It will connect to your camera without adapters. B&H # SHVP83. bhpho.to/1bK6BEY
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
great stuff. thank you
Rode Video Mic Pro or VP83 which is best for d7100 ? confused !!!!!!!!!! plz help me!
What is the best mic for a Nikon D5500 to record orchestra performances? Thanks.
+Daniel Vázquez Guevara - I would recommend a stereo microphone . Consider the Rode Stereo VideoMic Pro
B&H # ROSVMP >Mark
hey nice vid.! but what if im using a dslr camera that has no headphone jack. how can I deal with those stuff?
A simple remedy would be to choose this microphone:
The VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. It records 24-bit/48kHz WAV audio files to MicroSDHC cards, supporting capacities up to 32GB. The VP83F also features one-button recording and an intuitive operating menu, making it easy to use. Additionally, an integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83F LensHopper features a 60dB gain range, adjustable in 1dB increments, as well as a low-cut filter for adapting to different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83F easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The detachable 3.5mm cable connects to your camera's audio input, while the stereo headphone output allows you to monitor incoming audio. Despite its extensive functionality, the VP83F offers 10 hours of battery life on two AA alkaline batteries. A foam windscreen is included to guard against wind and environmental noise. B&H # SHVP83F
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
what kind of lavalier mic do you use?
Whats the best shotgun mic or field recorder for short films?
Does the first Azden normally have that static noise? Or was that just poor gain settings?
Is the Zoom H4n with the Rode Video Mic a good choice? I have currently the Rode Video Mic but if I plug it to my Canon 600D the sound s not that great but to the Zoom H4n (I ordered) would it better, [the zoom h4n is also buyed for the future, so that i didn't must buy a new one in 1 1/2 year]
What's the best mic for the canon 1200d camera?
Surprised to see NO product links in the video description. Why so??
Hi,Can I do this for a Canon EOS Rebel XSI Camera. I'm thinking about buying one.Thanks!
So, Rode only offers the better suspension with the lower-price VideoMic and not the better VideoMic Pro? Off the subject but relevant - does anyone retrofit the Canon SX50 with a mic jack? I use the T4i mainly, which already has a jack but I'm doing insect field videos so the 50x zoom of the SX50 is good but the audio is almost omnidirectional so the viewer hears the insects 5ft away and above in a tree louder than the one in the video 15 ft away and straight ahead. Thanks.
If I were to record a we series, what would be the best camera to use for audio and would I have to add the audio in during editing?
+Trey Khali - Professional camcorders include XLR inputs for use with high quality microphones. You may want to contact us via e-mail for the wide variety of cameras, microphones, adapters, and software available to you depending upon the nature of your project and the range of your budget. Please contact us via
e-mail with the details of your project: askbh@bandh.com >Mark
At 8:33 which metal bracket is that on top of the 5DMKlll?
What is the best mic for the panasonic Gh4
thanks man!
When I heard 5Dmk2, I realized I was getting a history lesson.
thanks Rob
540,000th subscriber
noticed the rode video mark had a hissing noise but not the Video mark Pro so i think the upgrade would be worth it.
Does the Canon 1200d,support an external mic being that it has manual audio control?
The Canon EOS 1200D (EOS T5) does not offer an external microphone input. >Mark
B and H I have the T6, and do handheld videos, I got a tascam dr-05 for better audio and it makes popping noises when handled with an external mic. What should I do?