I am still in the process of watching your video, but I needed to stop and express how grateful I am that you showcased colour theory!! Most people teaching would just explain how to do it, but would not support any of the fundamentals. Much appreciated! Loving the video so far!
Thank you so much Boris. Your skills in darktable are on of a kind. It's always an inspiration watching your tutorials even after using DT for a while. I would love to see more usages of chanel mixer for artistical purposes.
Amazing tutorial as always! I have watched your tutorials multiple times and am so confident using darktable now to the point that I cancelled my Lightroom subscription! I am not kidding!
@@s7habo When you get chance would love to see a tutorial on light and airy editing preferably with a wedding photo. I have tried few times but cant handle amount of clipping I see in there after editing.
@@sherebiahtishbi To be able to do this, I need a link to the specific version of this look you have in mind, because there are countless versions of it and also a pair of wedding raw files.
Thankyou very much, Boris. I really appreciate your instruction of "what, why and how" without all the self aggrandisement bling. I'm grateful - Thankyou!
Your third example was absolutely brilliant. Your point that styles can’t be universally applied is well taken… I see them as notes that I can use to apply to other photos in the future
Amazing. Love your ideas and your explanation. It's about understanding the theory of applying the channel mixer that matters and I'm getting there thanks to you.
I have a dreaam.. (not really connected to this interesting video): I suggest a separate video exclusively focusing on the technique of using two successive instances of Tone equalizer in order to enhance details in the lightest areas - demonstrated on a number of suited images, preferably including one with initially high values in white clouds. Would the realization of such a dream be within reach, Boris?
Thanks! I'm always learning something new in Darktable because of your videos :) Hopefully Darktable can get more traction and exposure now with the recent Adobe debacle.
Amazing video again. Your videos make darktable work so easy. But after all, I think that when darktable is created by photographers for photographers, the control of some modules should not be so technical, but a little closer to the photographer user. When driving a car, no one knows what is happening under the hood, but simply steps on the pedals and knows what will happen. That's how I would expect darktable as well. But that's what makes your videos so helpful! Thanks a lot for them.
Darktable IS made by photographers for photographers. The difference to commercial tools is the perception of how much photographers are expected to master in terms of image processing. By not being forced to sell the product, and therefore not having to satisfy every potential user, the development of darktable focuses on high quality editing techniques that need to be mastered first. Accordingly, the modules in the darkable are very advanced in functionality but not very intuitive at first glance. The use forces you to immediately deepen into the techniques that you can avoid at first in commercial products until you reach a level where you can't get any further without this knowledge acquisition. I see it as my task to convey this knowledge through these videos.
Hi Boris. Thank you so much for this video. Darktable is so simple with you! Could you continue to give us some recipies of effects or looks of films (kodac gold etc ...) ?
Thanks. I see many reviews of Hasselblad etc having “ lovely colour out of the camera” . This is obviously BS in Raw. I would love a video about profiling raw images for a given look etc
This is actually BS as far as JPEGs are concerned also, because the camera's internal color adjustment follows a certain “recipe” that is applied equally to all motifs. Some subjects may be aesthetically enhanced that way, but not all. Even the camera manufacturers are aware of this and accordingly offer different styles that can be selected in the camera. To be able to imitate these styles the camera offers, you have to have both internal JPEGs and raw files, which I don't have for Hasselblad. If you can point me to specific sources, I can take a look.
I am still in the process of watching your video, but I needed to stop and express how grateful I am that you showcased colour theory!! Most people teaching would just explain how to do it, but would not support any of the fundamentals. Much appreciated! Loving the video so far!
Thank you so much Boris. Your skills in darktable are on of a kind. It's always an inspiration watching your tutorials even after using DT for a while. I would love to see more usages of chanel mixer for artistical purposes.
Super, made me smile - thanks Boris
Amazing tutorial as always! I have watched your tutorials multiple times and am so confident using darktable now to the point that I cancelled my Lightroom subscription! I am not kidding!
Great to hear!
@@s7habo When you get chance would love to see a tutorial on light and airy editing preferably with a wedding photo. I have tried few times but cant handle amount of clipping I see in there after editing.
@@sherebiahtishbi To be able to do this, I need a link to the specific version of this look you have in mind, because there are countless versions of it and also a pair of wedding raw files.
@@s7habo I replied multiple times and not sure but it disappears!
@@sherebiahtishbi Then go to the discuss.pixls.us/ forum and contact me privately.
Thankyou very much, Boris. I really appreciate your instruction of "what, why and how" without all the self aggrandisement bling. I'm grateful - Thankyou!
Your third example was absolutely brilliant. Your point that styles can’t be universally applied is well taken… I see them as notes that I can use to apply to other photos in the future
Great!! Thank you! Very good explanation!!
Amazing. Love your ideas and your explanation. It's about understanding the theory of applying the channel mixer that matters and I'm getting there thanks to you.
Thank you very much Boris. Your videos help me a lot in my learning Darktable.
Thank you again. I can't say how much I appreciate your videos!
Bonjour
Vidéo très qualitative c'est une grande aide merci à vous
DarkMaster U R great. Thanks a lot for sharing your knowledge.
I have a dreaam.. (not really connected to this interesting video): I suggest a separate video exclusively focusing on the technique of using two successive instances of Tone equalizer in order to enhance details in the lightest areas - demonstrated on a number of suited images, preferably including one with initially high values in white clouds. Would the realization of such a dream be within reach, Boris?
I've learned so much from a few videos on this channel.
Plz do more trendy looks in DT
Thank you, very powerful tool.
Thanks! I'm always learning something new in Darktable because of your videos :)
Hopefully Darktable can get more traction and exposure now with the recent Adobe debacle.
Fantastic
Can you please do the infrared look next .. thank you
Amazing video again. Your videos make darktable work so easy. But after all, I think that when darktable is created by photographers for photographers, the control of some modules should not be so technical, but a little closer to the photographer user. When driving a car, no one knows what is happening under the hood, but simply steps on the pedals and knows what will happen. That's how I would expect darktable as well. But that's what makes your videos so helpful! Thanks a lot for them.
Darktable IS made by photographers for photographers. The difference to commercial tools is the perception of how much photographers are expected to master in terms of image processing. By not being forced to sell the product, and therefore not having to satisfy every potential user, the development of darktable focuses on high quality editing techniques that need to be mastered first. Accordingly, the modules in the darkable are very advanced in functionality but not very intuitive at first glance. The use forces you to immediately deepen into the techniques that you can avoid at first in commercial products until you reach a level where you can't get any further without this knowledge acquisition. I see it as my task to convey this knowledge through these videos.
I’ve been struggling with dark table to make those looks
Hi Boris. Thank you so much for this video. Darktable is so simple with you! Could you continue to give us some recipies of effects or looks of films (kodac gold etc ...) ?
Yes, if you provide me with links, with styles that you would like to see in darktable.
@@s7habo Could you please make tutos for that kinds of effect? ua-cam.com/video/pwZCahEP3DU/v-deo.html Thank you :)
Is it possible to do the same color grading with rgb primaries instead of color calibration?
Saludos desde Costa Rica. Muchas gracias.
Thanks. I see many reviews of Hasselblad etc having “ lovely colour out of the camera” . This is obviously BS in Raw. I would love a video about profiling raw images for a given look etc
This is actually BS as far as JPEGs are concerned also, because the camera's internal color adjustment follows a certain “recipe” that is applied equally to all motifs. Some subjects may be aesthetically enhanced that way, but not all. Even the camera manufacturers are aware of this and accordingly offer different styles that can be selected in the camera.
To be able to imitate these styles the camera offers, you have to have both internal JPEGs and raw files, which I don't have for Hasselblad. If you can point me to specific sources, I can take a look.