One of my favourite tracks from Badalamenti. That first section from 0:00 - 1:00 sounds like the complete loss of hope, and the triumph of evil. The rest mourns over an untimely fate.
Exquisitly beautiful, sinister, scarring, bewitching...seems something calls you, to other dimension and you can't run and come back.. addicting. 🖤🖤🖤🖤 I love Angelo Badalamenti and David Lynch...🖤⭐⭐⭐
I think that was the concept. Everything we knew about Twin Peaks was totally displayed differently, because let's face it... everyone got old. Cooper, whose struggle from getting out of the Black Lodge and the outcome of "reincarnation" every iconic music was just slightly used till he came back to Twin Peaks as a 100% Dale Cooper... in ... the 17th episode. Because that was the moment the old team finally came back together... but... the idea/expectation turned out to be totally wrong, as it was also just a "checkpoint" for Cooper for the next mission, not to mention, most of the scenes were outside Twin Peaks, hence... the old times are staying in the past, as the iconic musics just slightly being heard, as reminders. (for example Bobby looking at Laura Palmer's picture in the Sheriff Office, and the Palmer theme is played)
@@Botrytis18 I think that was one of the themes of the show to be honest. Revisiting places years later is never the same, and Lynch pretty much highlights the fact that you can't go back to the past the way it was in the new series. All I wish though is that Cooper would have had more than a flying visit to the Sheriff's Office and the staff after all those years considering how close he had gotten to the mall on his original visit.
@@MysteryManfrom79 I understand that was the theme of the new show, and I can respect that intellectually, but the way it was approached in practice simply wasn't very enjoyable to watch, for me, except now and again. And Lynch at his best (and even sometimes not as his best) has always been entertaining as well as disturbing and challenging.
@@DanieleBrunengo For the complete quote, the first line should be repeated three times. T S Eliot wrote it that way in "The Hollow Men". I believe it was quoted in Stephen King's The Stand, among other works of fiction. This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
Annie Blackburn walking the path to the Black Lodge... [*praying*] Our bones are scattered at the grave's mouth / As when one cutteth wood upon the earth / But mine eyes are unto thee, O God the Lord: / In thee is my trust: leave not me / Keep me from the snares they have laid for me / And the gins of the workers of iniquity / Let the wicked fall into their own nets / Whilst that I withal escape.
My gosh, just reading the psalm and recalling that scene in my head gives me chills. Just another day of fellow Twin Peaks fans restoring my faith in humanity!
It takes big talent to make cinematic music that's this captivating, extraordinary and haunting ... with synthesizers, and not an orchestra. I expect this would not feel the same at all if played with genuine strings or flute or anything else.
This hits me as Slow Speed Orchestra, both are atemporal music because both sounds very contemporary but we are talking about music that was composed 30 years ago and both represents the misteryous aura from Twin Peaks. RIP Angelo Badalamenti
I like the theory that Annie is a being sent from the black lodge to the world to make Cooper "vulnerable", or something like that, by making him fall in love, and, therefore, lose his 'mental strength' that made him somewhat resistant to the Black Lodge influence. The theory makes more sense if you analyse her name "Annie Blackburn", like Annie from Angela, angel,: and blackburn from, well, "black burned", like a dark angel of some kind. If thats the case, it would make sense as to why she's not acknowledged in the book, since apparently the spirits of the Black Lodge can manipulate time, or something related to the 'Is It Future Or Is It Past?" idea. So, she was sent and later erased from history, and if reality can be altered (like the last scene in the diner from S3E7 seems to indicate), at some point her existence was "deleted".
Definitely something to this. Another interesting thing is she's supposedly Norma's sister, but in the last episode Norma doesn't seem the least bit concerned that her sister was kidnapped and is now missing, and she never mentioned having a sister before Annie was introduced. Like she just wasn't aware of her existence before and after she was there.
okay, so I've got a few issues with this re: how it takes the mythology of TP season 2 a bit too seriously, because stuff was getting wild all around there. but taking it at face value-- why, then, did Annie reach out to Laura in FWWM? why did she try to help her if she was a servant of the Black Lodge?
But, she's in the book though. There's a whole bit about her being in a mental ward for the rest of her life without saying anything more than "I'm fine" every 5 years or something.
it sounds like a faster and more subtle version of the Fire walk with me and Laura Palmer's themes mixed together, which fits since Bob is in Cooper's doppleganger now.
A shot in the dark but do you happen to have the piano only version of Trueman & Josie?. I know they played it once on the Episode where Pete offers to buy Katherine (In Disguise) a warm saki.
![LYNCH/BADALAMENTI - Dark Mood Woods [1 HOUR]](http://i.ytimg.com/vi/exZWxhH5iwk/mqdefault.jpg)
![LYNCH/BADALAMENTI - Dark Mood Woods [1 HOUR]](/img/tr.png)
Pete, the loglady did not steal your truck. The loglady will be here in one minute. 🙌
RIP to both Jack Nance and Catherine Coulson...and how could i forget Angelo Badalamenti 😔
Remember after the stunning final image of Cooper in the bathroom, both that and this music repeated on your mind all night!
One of my favourite tracks from Badalamenti. That first section from 0:00 - 1:00 sounds like the complete loss of hope, and the triumph of evil. The rest mourns over an untimely fate.
Loved the unique feel ep 29 had because of new music.
Yeah you really felt it was the last episode.... Scary music and still beautiful...
It has a very mysterious feel
The best episode for last
This makes me think about the endless dark, the silent edge of trees.
Judy
I was rewatching the show and this is stuck in my head .
One of the many Badalamenti tunes to really get under my skin.
The BEST 50 hours of entertainment in all of cinematic history!!!!!!!!!!!!!!!!!!
.............
.................i'll see you in the trees
Шедевр ушедшей эпохи глубина резкости чувств и эмоций и эмоций в голове
Да❤
Exquisitly beautiful, sinister, scarring, bewitching...seems something calls you, to other dimension and you can't run and come back.. addicting. 🖤🖤🖤🖤
I love Angelo Badalamenti and David Lynch...🖤⭐⭐⭐
5:05 call out to Laura's Theme
Love Badalamenti's use of her theme as a motif throughout nearly all of the tracks in Twin Peaks. Brilliant.
Indeed - even Hank's Theme (surprisingly unreleased) uses it if you listen carefully to the tune!
"this is a story about many, but it begins with one. laura is the one."
Perfect to lost myself in the dark of my spirit and the wood
I need to brush my teeth.
How's Annie? How's Annie?
It struck me as funny.
@@kimmolaine8069”you’re going back to bed” (says the doctor to the guy with blood all over his head and face)
Thanks for putting this up, I know it seems like a random track but I remember this specifically.
WHEN YOU GET THERE YOU WILL ALREADY BE THERE
This still scares me.
good.
@@LovecraftianToenail bob ? Are you here ?
This track was criminally underused in the 2017 revival.
Except for Dougie, which was criminally overused. Fuck me sideways, ugh.
I think that was the concept. Everything we knew about Twin Peaks was totally displayed differently, because let's face it... everyone got old. Cooper, whose struggle from getting out of the Black Lodge and the outcome of "reincarnation" every iconic music was just slightly used till he came back to Twin Peaks as a 100% Dale Cooper... in ... the 17th episode. Because that was the moment the old team finally came back together... but... the idea/expectation turned out to be totally wrong, as it was also just a "checkpoint" for Cooper for the next mission, not to mention, most of the scenes were outside Twin Peaks, hence... the old times are staying in the past, as the iconic musics just slightly being heard, as reminders. (for example Bobby looking at Laura Palmer's picture in the Sheriff Office, and the Palmer theme is played)
@@Botrytis18 I think that was one of the themes of the show to be honest. Revisiting places years later is never the same, and Lynch pretty much highlights the fact that you can't go back to the past the way it was in the new series. All I wish though is that Cooper would have had more than a flying visit to the Sheriff's Office and the staff after all those years considering how close he had gotten to the mall on his original visit.
@@MysteryManfrom79 I understand that was the theme of the new show, and I can respect that intellectually, but the way it was approached in practice simply wasn't very enjoyable to watch, for me, except now and again. And Lynch at his best (and even sometimes not as his best) has always been entertaining as well as disturbing and challenging.
"I tell you they have not died. Their hands clasp, yours and mine."
Шедевр ушедшей эпохи глубина резкости чувств и эмоций и любви
The glass broke when my head struck it. It struck me as funny, Harry. Do you understand me?
You're going right back to bed.
But I haven't brushed my teeth yet...
It struck me..as funny.. 🚦
This song sounds like the end of the world.
"This is the way the world ends
Not with a bang but a whimper."
@@DanieleBrunengo For the complete quote, the first line should be repeated three times. T S Eliot wrote it that way in "The Hollow Men". I believe it was quoted in Stephen King's The Stand, among other works of fiction.
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
Funny enough, that's where Windom Earle said he was taking Annie in that episode.
@@grandmofftarkin77 Hey, that's a good catch. Wish I had remembered that! :)
Annie Blackburn walking the path to the Black Lodge... [*praying*] Our bones are scattered at the grave's mouth / As when one cutteth wood upon the earth / But mine eyes are unto thee, O God the Lord: / In thee is my trust: leave not me / Keep me from the snares they have laid for me / And the gins of the workers of iniquity / Let the wicked fall into their own nets / Whilst that I withal escape.
That's one of the most amazing moments in all of Twin Peaks
Mark Bell Gives me chills to this day!! 👌👌 I couldn't find anything about that prayer anywhere on the interwebs so I guess maybe Frost dreamed it up.
Riveting!
My gosh, just reading the psalm and recalling that scene in my head gives me chills. Just another day of fellow Twin Peaks fans restoring my faith in humanity!
I'm in the black lodge with Dale Cooper.
We're waiting for you
My most favorite piece
It takes big talent to make cinematic music that's this captivating, extraordinary and haunting ... with synthesizers, and not an orchestra. I expect this would not feel the same at all if played with genuine strings or flute or anything else.
This hits me as Slow Speed Orchestra, both are atemporal music because both sounds very contemporary but we are talking about music that was composed 30 years ago and both represents the misteryous aura from Twin Peaks. RIP Angelo Badalamenti
The Twin Peaks 2 seasons from 1990 are the Best, literally the BEST ❤️. The third one is just different, I really miss the old Twin peaks
1970?
@@alexandertownsend2609 typo, 1990 😁
@@xw6475 I figured as much :)
Didn't really like season 3...was extremely disappointed....
I actually liked season 3 much more, too little Lynch in the first 2 seasons.
Been trying to get the full version of this for years - thanks so much for putting it up!!
Same here!!! :)
There is another version (that was used more)...
Mystérieuse, étrange, inquiétante... une musique à l'image de la série.
Comme ton nom ;)
Une musique qui imprègne notre âme d'angoisse
Не земное творение, шедевр)))
12 rainbow trout!
I like the theory that Annie is a being sent from the black lodge to the world to make Cooper "vulnerable", or something like that, by making him fall in love, and, therefore, lose his 'mental strength' that made him somewhat resistant to the Black Lodge influence. The theory makes more sense if you analyse her name "Annie Blackburn", like Annie from Angela, angel,: and blackburn from, well, "black burned", like a dark angel of some kind.
If thats the case, it would make sense as to why she's not acknowledged in the book, since apparently the spirits of the Black Lodge can manipulate time, or something related to the 'Is It Future Or Is It Past?" idea. So, she was sent and later erased from history, and if reality can be altered (like the last scene in the diner from S3E7 seems to indicate), at some point her existence was "deleted".
Definitely something to this. Another interesting thing is she's supposedly Norma's sister, but in the last episode Norma doesn't seem the least bit concerned that her sister was kidnapped and is now missing, and she never mentioned having a sister before Annie was introduced. Like she just wasn't aware of her existence before and after she was there.
One more thing. Hawk pointed out to Frank Truman on the map that the black corn combined with fire makes Black Fire. Black Burn. Black Fire.
okay, so I've got a few issues with this re: how it takes the mythology of TP season 2 a bit too seriously, because stuff was getting wild all around there. but taking it at face value--
why, then, did Annie reach out to Laura in FWWM? why did she try to help her if she was a servant of the Black Lodge?
She is in the book.
But, she's in the book though. There's a whole bit about her being in a mental ward for the rest of her life without saying anything more than "I'm fine" every 5 years or something.
Our hands clasped together yours and mine.
it sounds like a faster and more subtle version of the Fire walk with me and Laura Palmer's themes mixed together, which fits since Bob is in Cooper's doppleganger now.
haunting
Cool Music !!!!!!🎵🎵🎵🎵🎵🎵
how's Annie?? ...how's Annie? mhuh... how's Annie? uhahahahah... how's Annie? AHAHAHAHAH... UHAHAHAHAHAH...
“If you give me your soul I’ll let Annie live”
inimitable
Scary dark music. But really like it... Remember this music from the last episode of Season 2
"I need to brush my teeth."
"Good Idea."
"How's Annie? How's Annie? HAHAHA!"
annie is not doing so hot if you've been reading the books, sadly. stop laughing, it isn't funny. damn it, coop. go back to bed.
@@LovecraftianToenailwhat became of her
Maestro and Maestro!♾
Sinister
Los pelos de punta...y más sabiendo lo que representa:
El Terror Absoluto.
Soundtrack to my life (apart from Nasheeds).
Also greatest show of all time.
Your username says Torah but aren’t nasheeds Islamic
nasheeeeeiiitt
come into the circle
“How’s Annie? How’s Annie? How’s Annie? How’s Annie? How’s Annie?”
I LOVE IT! - Laureen
“I need to brush my teeth”
I'm in the train on my way to my hometown, where there are trees and wind
I love this song so much. The other one that resonates with me is the song playing while Señorita Dido rocks on the couch...
Somehow that watermark text fits well and makes it weirder/scary
Right?!
The scare comes at 7:01
just heard this used in a Belgian investigative documentary on the use of antipsychotics. random af
Fear opens the doorway
"Where are they? WHERE THEY HELL ARE THEY?!"
"Why if I could just get my hands on those criminals..."
We have an appointment.... AT THE END OF THE WORLD
Hmmm. . . stop. Forever the pudddlllllle. I am unknown. Stop. Unbeknowst - forever the ring! The RING.
Does anyone else notice how this sounds like Nurse With Wound “Spiral Insana”(which came out several years before)?
"My god..." - Harry
No, sorry, I'm sure it's available from the TP Archive but I've only got the tracks I uploaded.
Would you plz make a 30 min loop of this?
Someone posted an hour version ua-cam.com/video/exZWxhH5iwk/v-deo.html
Thank you so much!!!!!!
@@amt-vi1uour welcome
A shot in the dark but do you happen to have the piano only version of Trueman & Josie?. I know they played it once on the Episode where Pete offers to buy Katherine (In Disguise) a warm saki.
Anyone know what kind of synth it's played on?
probably a Roland D50
Edlan thanks
I thought it was a Yamaha DX-7
Roland JX-10
Twin Peaks.
Pin Tweaks
anyone still have a copy of this?
I guess its released on soundtrack. Really people you dont remember how things are released?
how's annie?
HOW'S ANNIE?!?!?!
I thought you Germans were always on time?
Except when the Mongels of Moscow were breathing fire on their asses.
J'ai une âme solitaire