Excellent rendering this kriti in the raga 'ShaNmugapriya'. Ir evokes or kindles the spirit of bhakti that is dormant in us; abundant vaazhththukkaL to Dr. L. Subramaniam, the great violinist of our times. - "M.K. Subramanian."
33.43 onwards the niraaval type of pattern...arumai..what a lightening speed on violin..soooooooooo much precision on kutty kutty sangatheengal..decimal point precision .semma👍👍👍👍👍👍👍👍
It would have been useful to students of music if the structure of the Pallavi were given such as the sahityam or bandish talam eduppu and Arudhi of the Pallavi.
Why should accompanying musicians sit with the principal performer for so long, poor fellows? Why not join the main performer when required, in this case some 25 min. from start?
@@tansuaksu Probably is the one responsible for the down vote too. And I can almost guarantee never listened to the whole piece. Very restrained mridangam playing.
🙏🙏my great pranamas to Dr Subramaniam sir..his way playing classical raga keerthanas in violin is simply amazing...soul cleansing effect 🙏
A splendid RTP in Shanmukhapriya before delving into :
35:12 - Kaapi Ragam.
38:38 - Sindhubhairavi Ragam.
40:49 - Jog Ragam.
Excellent Sir, So soothing , heart melting raaga played with excellence...
Excellent rendering this kriti in the raga 'ShaNmugapriya'. Ir evokes or kindles the spirit of bhakti that is dormant in us; abundant vaazhththukkaL to Dr. L. Subramaniam, the great violinist of our times. - "M.K. Subramanian."
Pl. correct it as 'it' instead of what has been given above. It is a typing error. - "M.K. Subramanian."
Arputhamaana Intricare playing..years of hardwork and practice reflects..this is like a tapas..neat and perfect ....aruvi maaathri sangathi kotrathh
⁰⁰00
Dr. L. SUBRA GREAT BALANCE APROACH, SOUTHERN MOST PRECISION AND NORTHERN MOST
PREFFERED APPRECIATION.
GOOD LESSONS WIN HEART.
Hearing for the first time such music by drls. Marvelous. Best for calmness and stress 👍
Overwhelming!! I wish I could sit next to mirudhangam vidwan and enjoy the entire play like him!!
The finishing ragamalikai exposition in ragas Kapi sindhubharavi thillang(?) was awesome!
More like Jog than Tilang
Amazing. A thousand pranams.
Simply marvellous! Mesmerising and Hypnotising!
Trills technique on 23.42 minute is superb👍👍👍👍👍👍👍👍 enjoyed....... eththanai adukku kutti kutti swarangal..aahaa
23:42
33.43 onwards the niraaval type of pattern...arumai..what a lightening speed on violin..soooooooooo much precision on kutty kutty sangatheengal..decimal point precision .semma👍👍👍👍👍👍👍👍
Great sir.
Mesmerizing!
Soulful
excellent treat to the ears
Out of the world💝💝💝💝
brilliant
🙏🙏🙏🙏🙏🙏🙏🙏🙏
🙏🙏🙏
🎉🙏
❤
❤️❤️❤️❤️🥰🥰🥰🥰
W O W ! 🎉
Ом!
Sir wanted to understand if rag Madhuvanti is the hindustani classical equivalent of Shanmugapriya ragam?
It is hindustani equivalent of dharmavati.
Madhuvanthi is the derivative of Dharmavathi, which is Melakartha Raga.
It would have been useful to students of music if the structure of the Pallavi were given such as the sahityam or bandish talam eduppu and Arudhi of the Pallavi.
Thank you for your feedback. We will consider it for our further videos.
@@drlsubramaniamkavitakrishn1637 superb .
Why should accompanying musicians sit with the principal performer for so long, poor fellows? Why not join the main performer when required, in this case some 25 min. from start?
They are witnessing and enjoying a master at work.
Lot of Hiss in the recording.
dude!
is that the best thing you could say?
@@tansuaksu Probably is the one responsible for the down vote too. And I can almost guarantee never listened to the whole piece. Very restrained mridangam playing.
I'm taking a guess that he's mistaking the depth in the violin sound + Shruthi in the background as Hiss