Shadows of Forgotten Ancestors | City Cinematheque
Вставка
- Опубліковано 25 лис 2022
- Shadows of Forgotten Ancestors adapts a classic 1911 novel by Ukrainian writer Mykhailo Kotsiubynsky about his stay in the Hutsul region of the Carpathian mountains. Ivan falls in love with Marchka, the daughter of his father's killer. With bold style the film celebrates aspects of Hutsul life and incorporates elements of folklore. Myroslav Shkandrij
Guests:
Myroslav Shkandrij - Columbia University
Recording Date
10/07/2022
First Air Date
11/26/2022
The best in world cinema is showcased in City Cinematheque, CUNY TV's much-loved flagship weekend film series. Hosted by Professor Jerry Carlson and co-produced with the Department of Media and communication Arts of The City College, CUNY, each film is followed by lively discussion with scholars, film professionals and critics.
Watch more at tv.cuny.edu/show/citycinemath...
Subscribe to the CUNY TV channel: bit.ly/2GmGb13
Follow CUNY TV:
Facebook: / cunyedu
Twitter: / cuny
Instagram: / cunyedu
UA-cam: / cunytv75
LinkedIn: / cunytv
Find more from CUNY TV at tv.cuny.edu
CCT202204 V1 - Розваги
Very interesting. Thank you 🙌✨🎺
With all due respect to the deep and beautiful Ukrainian culture and story, the guest dismisses Parajanov’s creative ownership of this film, claiming this was an example of Ukrainian film. No, this film became a jewel precisely because of Parajanov’s illustrious imagination and painterly style, as well as his own tragic Armenian diaspora experience, and respect for his adopted Ukrainian home. Therefore, he was able to infuse a passion for things that are dismissed by the movement of politics and time, and make it into something colorfully majestic and poetic. Yes, Parajanov went to study in Moscow and Kiev but his films were unremarkable until he watched Tarkovsky’s work shortly before he started Shadows. This was a turning point in his style, and yet I would argue that it took a displaced Armenian like Parajanov to appreciate old culture and to brush each scene with flourishing detail and punch, making every one a still painting, evident in Armenian illuminated manuscripts and khatchkars. I am glad for this mix of cultural influences and someone like Parajanov should not be swept under the rug.