Very cool - a bit more extensive than your earlier video on this material. Quick thought on 417b-5 - I see how it might have been an earlier idea for the Hosanna fugue, but, how about it maybe being an idea for Et Vitam Venturi? Mozart would certainly have needed a fugue for that movement. Levin decided to compose his own based on a countersubject in the Kyrie for his completion...but I wonder...
![W.A. Mozart - Piano Concerto No. 20 in D minor, K. 466 [Robert Levin, Philharmonia Baroque]](http://i.ytimg.com/vi/_n8jp7OLBYY/mqdefault.jpg)
The sketch to one of mankind's finest masterpiece of musical work taken under scope by only a few men.
Comparing the sketch with the real Christe eleison was fascinating.
The beauty of the solfeggio is undescribable!!
Very cool - a bit more extensive than your earlier video on this material.
Quick thought on 417b-5 - I see how it might have been an earlier idea for the Hosanna fugue, but, how about it maybe being an idea for Et Vitam Venturi? Mozart would certainly have needed a fugue for that movement. Levin decided to compose his own based on a countersubject in the Kyrie for his completion...but I wonder...
Listen to the Et Vitam section of K. 262 - there's quite the resemblance!
realy Mozart