There are tunes that are high waters marks for a genre, that just hit a level of personal achievement that can't be replicated. A signature piece, or a solo that is iconic. Vinnie Nobile's trombone solo in Chawalaleng by Pilfers is one such example. As someone whose tried and failed (and watched others try and fail) to emulate it, and only now performs a sometimes passable facsimile of it, evoking the spirit of the thing if not the same actual notes, I can certify just how challenging it is, what it takes to nail stuff like that on the regular. This song is one of those pieces for keyboard player Oki Yuichi. On the original recording they brought in arguably one of the best jazz pianists in the world, Hiromi Uehara. The fact that Oki has not only risen to the challenge, but surpassed the original solo is one of those highwater marks for the genre of ska as a whole. There's a reason that TSPO punches so much higher in terms of its weight class than any other ska band in Japan, and arguably the world. It's stuff like this, that no one else has the chops to pull off consistently. Truly one of the best to have ever done it.
There are tunes that are high waters marks for a genre, that just hit a level of personal achievement that can't be replicated. A signature piece, or a solo that is iconic. Vinnie Nobile's trombone solo in Chawalaleng by Pilfers is one such example. As someone whose tried and failed (and watched others try and fail) to emulate it, and only now performs a sometimes passable facsimile of it, evoking the spirit of the thing if not the same actual notes, I can certify just how challenging it is, what it takes to nail stuff like that on the regular.
This song is one of those pieces for keyboard player Oki Yuichi. On the original recording they brought in arguably one of the best jazz pianists in the world, Hiromi Uehara. The fact that Oki has not only risen to the challenge, but surpassed the original solo is one of those highwater marks for the genre of ska as a whole. There's a reason that TSPO punches so much higher in terms of its weight class than any other ska band in Japan, and arguably the world. It's stuff like this, that no one else has the chops to pull off consistently. Truly one of the best to have ever done it.
Wonderful piece of art
Just only 4 Wind Instruments sounds like a whole bunch of Brass instruments!! Sheeeeshhh❤❤❤
Q bien suena sin la amarilla diosa del piano