This padam is about a lovelorn maiden (devotee) who looks out for the passing chariot--palanquin/procession carrying the lord of Cidambaram hoping to have a darshan and a loving glance of compassion from him to assuage her longing for the lord Nataraja. She is wondering whether the street in which she lives will be on the procession route and whether the lord will cast a glance at her waiting at her door-front. She wishes that the lord will halt in front of her door and whisper sweet nothings to her.❤❤
Mam it's just awesome..! I'm Ur big fan..! U r crafting beauty of feminine nature in such a way even the stone will start to dissolve when it watch Ur performance..! Me too..! God bless you mam.. expecting more videos from you..!
Arushi is so beautiful. Her traditional look is amazing and her expressions r Wonderful. I don't understand this language, but watching again n again, just to watch her. Song, music, dance, location...everything is so beautiful.
a brilliant padam Composed by Muthu Thandavar ,One among the famous 'Tamil Trinity' of early Carnatic Music. The other 2 were Arunachala Kavi and Marimuthupillai. 🙏 Love From Kerala
i get a feeling of natya sastra is essence of life by watching performances like this ,any indian classic art is engrained in our souls only such performances touch such cords of heart..., thank you
@@brightstar6386 you're a classical dancer/musician or affiliated in any way to Indian classical dance? Can you tell me how this is bharatanatyam and not odissi?
@@Hdaran yes I am a bharathanatyam dancer trained in traditional pandanallir style. Every Indian classical dances are said to be originated from natya shastra. But it's not completely true. Natya shastra deals with the music and hand gestures and postures and does not talk anything about any specific dance. Every dance from each state is heavily influenced from its state folk arts. Odissi has a unique hip movements throughout and even the postures with have a unique style, again influence from the odissa folk arts. Whereas bharathanatyam is from TAMILNADU, which is unique in its own way like feet tapping according to the music, more rigid postures and gestures !!
my salutations to a trained bharathanatyam dancer. I am but a former odissi dancer whose life and knee injury got in the way of further dancing. But during my training I learned enough to make the distinctions you speak of. I am aware that the Natya Sashtra speaks of the various hastas, mudras, and padavedas, owing to no single type of classical repertoire. I am also aware that early, primordial folk dance heavily influences Indian classical dance. I would like to also kindly and humbly correct you on one aspect. Odissi does not involve hip movement to my best of knowledge, not the modern revival of odissi at least, (I speak of post colonial reincarnation of odissi by the great gurus of yesteryears, Guru Kelucharan Mohapatra, Guru Deba Prasad Das, Guru Pankaj Charan and Guru Gangadhar Pradhan). It is actually the torso that moves/isolates and that may be misconstrued for the hips swaying. This was what I was taught coming from the Deba Prasad gharana of odissi. Odissi would look a lot different if hip movements were involved! :) However, my question to you was, how do you correct me and claim the above piece to be bharatanatyam? As for my end of observations, the prominent and exaggerated tribanghi poses, characteristic of odissi in the piece; the rounded arm movements as well as chin movements; plus the fluidity that loops without a defined finish tells me this is odissi. Plus, Arushi Mudgal happens to be a leading odissi danseuse with a reputation for extensive knowledge, perfection and contribution in and to odissi. I do not know Arushi ji to perform bharatanatyam although, I admit, it would be naive of me to assume that bharatanatyam eludes her. Again, my salutations to you and I do hope you understand that my replies and comments aren't to challenge or belittle you. I am simply seeking clarification, comprehension and elaboration.
@@Hdaran I feel sorry for you that your body is not allowing you to perform as you did earlier. Hope you get well soon. I have very little knowledge about odissi dance form. Ya that could be a misunderstood that the torso movements looked hip movements to me !!. My apologies to you on that. That was my mistake. To be very clear. Most of her expressions are subtle which is again a unique thing about bharathanatyam. The abhinayam mostly would be casual and subtle. But other than that the dance at 1:50 clearly is bharathanatyam. The rigid torso with aramandi (half sitting) and before she takes the nataraja pose she stamps her leg, that is very prominent bharathanatyam adavu. Yes I know Arushi is a exemplary odissi dancer. But this piece is a famous bharathanatyam padam.
I liked the concept a lot. It's more of a cinematography piece in itself, with sprinkles of Bharatnatyam elements. What I enjoyed the most is the details : with the kajal, mirror, the well. There's no denying that this can get better, but indeed a great start.
one of my favourite song ... sung so beautifuuly and aarushiji u added a soul into it by ur gorgeous abhianaya... beautiful concept and cinematography... i ws jst wondering why it ended so soon.... Beautiful..
Excellent! Haven't seen such abhinayanam so well executed in the recent past. Great choreography, cinematography, singing and superb, enchanting abhinayanam of Arushi. 2min49sec to 3min is the best part.
'Theruvil Varano'- Is Natarjan* (Lord Shiva) arriving on the street? Won't he just give a glance at me? The one who burned the TriPuram(three worlds) with his fierce vision.(It's just a gist of the song not a complete translation) *Natarajan- Natarajan is the epithet given to Lord Shiva , who is the performing cosmic dance in Chidambaram Temple,Tamilnadu.
Ek kothai opurbo. Nērttiyāṉa. Just one small example : I haven't seen any other dancer shift to a Nataraja like stance so regally and naturally, and stand so rock- steady on one foot.
I don't know how I came to this video....but seriously the video glued my eyes till last. Really awesome.... everything was too good and gave me a kind of peace in my heart and made to subscribe.
This song was taught by AIR. Tiruchirapalli in the later 1940s , if I remember correct.
I used to learn those songs by heart.
I am now 88 .
Do u know any other songs sir. Please mention it
யார் பாடல் என்பதை வலையொளியில் சொல்லலாமே
This padam is about a lovelorn maiden (devotee) who looks out for the passing chariot--palanquin/procession carrying the lord of Cidambaram hoping to have a darshan and a loving glance of compassion from him to assuage her longing for the lord Nataraja.
She is wondering whether the street in which she lives will be on the procession route and whether the lord will cast a glance at her waiting at her door-front.
She wishes that the lord will halt in front of her door and whisper sweet nothings to her.❤❤
Thanks
But I imagined Lord Shiva walking down in dignity and sringara...
Surprising that you knew this much. More than the average viewers.
@@cmohanc haha. Thank you sir
@@shahanaparveen6708 thattathin Marathu ninnu ethrayum pratheekshichillah
Mam it's just awesome..! I'm Ur big fan..! U r crafting beauty of feminine nature in such a way even the stone will start to dissolve when it watch Ur performance..! Me too..! God bless you mam.. expecting more videos from you..!
Arushi is so beautiful. Her traditional look is amazing and her expressions r Wonderful. I don't understand this language, but watching again n again, just to watch her. Song, music, dance, location...everything is so beautiful.
a brilliant padam Composed by Muthu Thandavar ,One among the famous 'Tamil Trinity' of early Carnatic Music. The other 2 were Arunachala Kavi and Marimuthupillai.
🙏
Love From Kerala
Tamil just how melts to... is so nice about the beauty of the languages
زياره
Purely sikkil magic... ✨️💚
i get a feeling of natya sastra is essence of life by watching performances like this ,any indian classic art is engrained in our souls only such performances touch such cords of heart..., thank you
Atluri Murali for sure I feel it's part of me and I must learn it.
Odissi with carnatic music..... The heartstrings are touched....
This is bharathanatyam dude !!!
@@brightstar6386 you're a classical dancer/musician or affiliated in any way to Indian classical dance? Can you tell me how this is bharatanatyam and not odissi?
@@Hdaran yes I am a bharathanatyam dancer trained in traditional pandanallir style. Every Indian classical dances are said to be originated from natya shastra. But it's not completely true. Natya shastra deals with the music and hand gestures and postures and does not talk anything about any specific dance. Every dance from each state is heavily influenced from its state folk arts. Odissi has a unique hip movements throughout and even the postures with have a unique style, again influence from the odissa folk arts. Whereas bharathanatyam is from TAMILNADU, which is unique in its own way like feet tapping according to the music, more rigid postures and gestures !!
my salutations to a trained bharathanatyam dancer. I am but a former odissi dancer whose life and knee injury got in the way of further dancing. But during my training I learned enough to make the distinctions you speak of. I am aware that the Natya Sashtra speaks of the various hastas, mudras, and padavedas, owing to no single type of classical repertoire. I am also aware that early, primordial folk dance heavily influences Indian classical dance. I would like to also kindly and humbly correct you on one aspect. Odissi does not involve hip movement to my best of knowledge, not the modern revival of odissi at least, (I speak of post colonial reincarnation of odissi by the great gurus of yesteryears, Guru Kelucharan Mohapatra, Guru Deba Prasad Das, Guru Pankaj Charan and Guru Gangadhar Pradhan). It is actually the torso that moves/isolates and that may be misconstrued for the hips swaying. This was what I was taught coming from the Deba Prasad gharana of odissi. Odissi would look a lot different if hip movements were involved! :) However, my question to you was, how do you correct me and claim the above piece to be bharatanatyam? As for my end of observations, the prominent and exaggerated tribanghi poses, characteristic of odissi in the piece; the rounded arm movements as well as chin movements; plus the fluidity that loops without a defined finish tells me this is odissi. Plus, Arushi Mudgal happens to be a leading odissi danseuse with a reputation for extensive knowledge, perfection and contribution in and to odissi. I do not know Arushi ji to perform bharatanatyam although, I admit, it would be naive of me to assume that bharatanatyam eludes her.
Again, my salutations to you and I do hope you understand that my replies and comments aren't to challenge or belittle you. I am simply seeking clarification, comprehension and elaboration.
@@Hdaran I feel sorry for you that your body is not allowing you to perform as you did earlier. Hope you get well soon. I have very little knowledge about odissi dance form. Ya that could be a misunderstood that the torso movements looked hip movements to me !!. My apologies to you on that. That was my mistake. To be very clear. Most of her expressions are subtle which is again a unique thing about bharathanatyam. The abhinayam mostly would be casual and subtle. But other than that the dance at 1:50 clearly is bharathanatyam. The rigid torso with aramandi (half sitting) and before she takes the nataraja pose she stamps her leg, that is very prominent bharathanatyam adavu. Yes I know Arushi is a exemplary odissi dancer. But this piece is a famous bharathanatyam padam.
I liked the concept a lot. It's more of a cinematography piece in itself, with sprinkles of Bharatnatyam elements. What I enjoyed the most is the details : with the kajal, mirror, the well. There's no denying that this can get better, but indeed a great start.
Beautiful performance by Arushi... Sikkil does his own abhinaya with his lilting vocals...great collaboration..
Omg!!! I just got melted into the music,her dance and her Beauty...
one of my favourite song ... sung so beautifuuly and aarushiji u added a soul into it by ur gorgeous abhianaya... beautiful concept and cinematography... i ws jst wondering why it ended so soon.... Beautiful..
Arushi you are beautiful and talented. Awesome performance!
Whoa. That was amazing. Camera work is too good. I loved the costumes n jewellery. I want to get to that world .Great work.
Wonderful. Words cannot do justice to performance of both the beautiful song & beautiful performance of the dance artist.
Wow fantastic, pleasant to watch and hear, rendered in a natural way.amasing.🤗🤗😍😍🎉🎉🎉
Beautiful Cinematography. Rare meeting of many arts. Mika nandri.
Superb singing. Superb abhinayam. What a great blessing for the eyes and ears !
Amazing Convergence ! The way to go in the future ! Congratulatuions ! it has a mesmerising flow and rejuvenating music....
Wonderful dance Arushi, lovely music, and very well shot and edited. Love it! Thanks for sharing. Need more!
Oh my God .. The expressions , the simple subtle acts of uncovering the beauty .. amazing !!!
Graceful Arushi,beautiful setting too well picturised
Excellent! Haven't seen such abhinayanam so well executed in the recent past. Great choreography, cinematography, singing and superb, enchanting abhinayanam of Arushi. 2min49sec to 3min is the best part.
This is such a beautiful concept and so brilliantly executed. I hope a lot more people could adapt to this style and give this a try :)
'Theruvil Varano'- Is Natarjan* (Lord Shiva) arriving on the street? Won't he just give a glance at me? The one who burned the TriPuram(three worlds) with his fierce vision.(It's just a gist of the song not a complete translation)
*Natarajan- Natarajan is the epithet given to Lord Shiva , who is the performing cosmic dance in Chidambaram Temple,Tamilnadu.
LawUntoMyself
what a beautiful song ! beautiful abhinayam !God bless you dear!
நேர்த்தியான பாடல்,நேர்த்தியான ஔிப்பதிவு ரசனையான அபிநயனங்கள்.
Excellent, I can see a lot of Leela Samson influence, excellently done, Sikkil and Anil as always brilliant
I am in so much love with this vedio. Feel like watching it again n again.
Beautiful Arushi ❤️...this video was shot in Kalakshetra
Absolutely Amazing Arushi! I love this piece and your video has added such a nostalgic charm to it!
brilliant cinematography and abhinaya
Incredibly beautiful cinematography and of course choreography. Thanks for sharing
Have never seen anything so beautiful. No words to describe.. God bless.
I am watching it after a year but I can still feel the same warmth like what I felt the first time.
Magnificent frames ! ! ! ! !
Waaawooo our Kalakshetra... She is looking so cute in ds vdeo.
nice vdeo.thank u
very beautifully filmed and you are soo damn pretty .. you really look soo gorgeous ..am ur fan
Soul Touching.
Thanks to the entire team.
You are able to convey every emotion through your eyes. Splendid.
Fantastic Performance and Collaboration
Ek kothai opurbo. Nērttiyāṉa. Just one small example : I haven't seen any other dancer shift to a Nataraja like stance so regally and naturally, and stand so rock- steady on one foot.
I don't know how I came to this video....but seriously the video glued my eyes till last. Really awesome.... everything was too good and gave me a kind of peace in my heart and made to subscribe.
what an amazing expression!
Very tastefully done !
just wonderful, dance is subtle and beautuful. love the concept of mise en scene.Thank you for the wonderful job!
So beautiful
simply heavenly! God bless Arushi!
The most beautiful thing I saw today.
Great start to the day.
Thank you, Arushi.
Keep up! :thumbsup:
Bless you!
Beautiful choreography, beautiful expressions ...meaningful lyric..
really touching....no words to explain... that's bhava....good job!!!
exquisite Aarushi.Me and my daughter adore you:)-.She always think to do a small piece as an inspiration.
Ousome mam waooooo it's very very much incrbule performance mam. ...act is very nice
Pure gorgeousness
oh lovely!!padmapushkarini.. my home Kalakshetra 😍😍😍😍😍 lovely cinimatography!!!!
Ys so Lovely
Beautifully choreographed and picturaised
It is so beautiful and inspiring. thank you.
too beautiful for words....so soothing....keep it up
സൂപ്പർ.
beautiful, beautiful, beautiful ...thank you
:) sometimes words can express the beauty of simplicity. Kudos to you
Sooooo beautiful
This is so beautiful
Annya ninnu pokunna muthu thandavar padam ithrayum beautiful aahi choreography cheytha mam ne valare nandi
enthralling, engrossing
Gurucharan voice.....golden voice
Lovely
Beautiful!!
beautiful loacation selected!
Picturised very very nice
Nice Avishkar!
Beautiful and Peaceful :)
lovely
Who is d singer??
wat a romantic voice...!!
Nice Kamaas Raga
Exquisite aarushi mam :) you are an inspiration !
Beautifulll
beautiful.
Very well done.
amazing mam .....
Expressions are great, Do more concepts on Carnatic Music.
Most satisfied song..😎
its amazing
Lovable blends with Spiritual include classical in Tamil (Thamizh)!
Wonderful
Hermosa ,diosa!!
beautiful...
omg.. your expressions
wow that one step u jumped and ran was seems like peacock.
exactly.. it was soo beautiful
great
Amazing
amazing!!!
amazing
🌼🌼🙏🙏
so nice
Looks amazing Arushi!! Where did you film??
it's my favorite padham, and the total presentation was graceful and evocative!
Are there ottu veedu in chennai with well on the back? Wow! Ive ever seen such a house around
Where can I buy these sarees!!!!!
:-) good question
Ya, i also wnt
❤️❤️❤️❤️❤️
excellent
Beautiful... i see a lot of amazing Leela Samson influence. Maybe it’s just me dunno !
Wow