Kadence Vocal Textures For Kontakt - Preset Demo
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- Опубліковано 4 лис 2024
- Explore now - komposeaudio.c...
Create emotional vocal soundscapes with Kadence, Kompose Audio’s new vocal instrument for Kontakt, featuring the stunning voice of Robyn. Perfect for film, meditation, and relaxation music, Kadence offers 5 presets with 2 vocal layers and a rich pad layer. Control depth, tone, reverb, and more with 8 smart controllers, all MIDI-assignable for easy integration into your DAW. Let Robyn's vocals add warmth, texture, and emotion to your compositions.
I've been waiting (in)patiently for this one!! Just purchased it and it is stunningly beautiful🥰 Thank you for sharing your gifts...all of your libraries are wonderful!!💫💛💫
You are most welcome and so pleased to hear that you like Kadence and the other instruments. Lots more on the way! :)
Been waiting for a vocal library that gives an ENYA feel. Well-done.
Thank you! Yes, Kadence definitely has that 'Enya' feel :)
This sounds PHENOMENAL. Definite buy. This is going to be a perfect mix match and blend with Heavyocity’s Sonara! Excellent product.
Thank you so much! Yes, they would sound amazing together! :)
Holy S - - - ! AMAZING!
@Kompose Audio - You referred me here to hear the presets for my Kadence. Question - that applies to most of such multitimbral instruments:
I tend to layer chords, i.e. high, mid, low, but find that even chords can sound muddy. Looking at the keyboard being played here seems to suggest keeping it very simple, maybe not even using full chords - diads or basic triads. Or using a triad in higher octave and only diad in lower.
What is the ideal keyboard range for Kompose Audion instruments overall? C6 too high, C1 too low?
Appreciate feedback. Thanks.
Hey there! When it comes to using Kadence (or really any instrument), it’s all about what feels right for you! Personally, I enjoy playing both simple melodies and full chords with it - sometimes just a couple of notes, other times more complex chords. There’s no one "ideal" keyboard range for any of my instruments; it all depends on the kind of soundscape you’re creating and what your composition needs. A preset that sounds perfect in one piece might not fit as well in another, and that’s totally normal! If a sound is mapped to C6 or C1, it’s ready to be played, so go with what works best with your music. Thanks :)
@@KomposeAudio - Totally sensible reply. But curious: what chords/number of stacked notes did you use for this preset? It looks like it was played and recorded live, so maybe you don't know exactly, but an approximation would be useful. Thanks.
It sounds super gorgeous, but unfortunately it also seems to be way to cpu demanding.
I actually developed Kadence on my 2013 Intel iMac, 4 core, i7 with 24GB Ram and it runs really well. As with many Kontakt instruments, CPU varies depending on the system Kontakt is running on and the effects and source modes that are used in the instrument. I have used Time Pro and Replika, which do use CPU but equally they form part of the Kadence sound. I also created this preset video on the same iMac (2103). Not bad for a 11 year old iMac! Personally I like to create/test instruments on an older machine as this allows for a decent amount of system spec headroom, given that many users will have much newer systems. If it works well on my 2013 iMac, it will also work well on systems that are 11 years newer!
@@KomposeAudio Thanks for the explanation.
It's totally understandable that you choose this approach. Then I suggest you provide the viewer with this information in the video description.
I will probably end up buying your instruments later on, but I need a new computer first 😄