Czerny / Vivien Harvey Slater, 1969: The School of Velocity Op. 299, Book 1
Вставка
- Опубліковано 5 жов 2024
- Complete recording: • Czerny: School of Velo...
Vivien Harvey Slater was born August 4, 1917 in Toronto, Ontario to Sidney Harvey of Wales and Lina Haddock Harvey of England. For many years, Vivien was Pianist-in-Residence at Colgate University in Hamilton, NY, where she taught piano to generations of students, both at Colgate and at her long time home in Poolville, NY. She performed for over forty years in numerous recitals at Colgate, the Munson Williams Procter Institute in Utica, NY and many other venues in upstate New York. Vivien was an active member of the B Sharp Musical Club of Utica, NY and the Fortnightly Club of Hamilton, NY. Her travels with her beloved husband of 62 years, Joseph Locke Slater, Professor Emeritus of Colgate University (deceased, 2001) lead to performances in London, Granada, Seville, Wiirzburg, and Prague. Vivien studied piano with Severin Eisenberger at the Cincinnati Conservatory and composition with Arthur Shepherd at Western Reserve University. She made her Town Hall debut in 1952.
Carl Czerny (* 21. Februar 1791 in Wien; † 15. Juli 1857 ebenda) war ein österreichischer Komponist, Pianist und Klavierpädagoge.
Carl Czerny (21 de febrero de 1791 - 15 de julio de 1857) fue un pianista, compositor y profesor austriaco. Tuvo entre sus maestros a Clementi, Hummel, Salieri y Beethoven y entre sus alumnos a Franz Liszt y Sigismund Thalberg. Más recordado por sus libros de estudios para piano, la producción musical de Czerny es amplia y se encuentra en un proceso de redescubrimiento.
Карл Че́рни (нем. Carl Czerny, 21 февраля 1791, Вена - 15 июля 1857, там же) - австрийский пианист и композитор чешского происхождения; считался в Вене одним из лучших преподавателей игры на фортепиано. Знаменит созданием огромного количества этюдов для фортепиано.
카를 체르니(독일어: Carl Czerny, 1791년 2월 21일 ~ 1857년 7월 15일)는 오스트리아의 피아니스트, 작곡가이다. 그의 이름을 딴 피아노 교본으로 유명하다.
كارل تشيرني (بالألمانية: Carl Czerny) هو ملحن وعازف بيانو ومدرس نمساوي من أصل تشيكي، وصلت إنتاجاتُه الموسيقية لأكثر من ألف عمل. وما زالت تُستخدم مؤلّفاته التي ألّفها في تدريس البيانو حتّى اليوم. ولد في 21 فبراير 1791 في فيينا، ودرس في فترة من الفترات على يَد المُلحّن المعروف لودفيج فان بيتهوفن، وتوفي عن عمرٍ يناهز الـ66 في 15 يوليو 1857.
Ο Καρλ Τσέρνι (Λέοπολντστατ, προάστειο της Βιέννης, 21 Φεβρουαρίου 1791 - Βιέννη 15 Ιουλίου 1857) ήταν Αυστριακός πιανίστας και συνθέτης, σημαντικός εκπρόσωπος του κινήματος του Ρομαντισμού.
קארל צ'רני (Carl Czerny; 21 בפברואר 1791 - 15 ביולי 1857) היה פסנתרן, מלחין ומורה אוסטרי. כיום הוא זכור הודות לספרי האטיודים שלו לפסנתר.
카를 체르니 / Карл Че́рни / 卡尔·车尔尼 / Καρλ Τσέρνι / קארל צ'רני / Կառլ Չեռնի / カール・ツェルニー
Book II - Book II - ua-cam.com/video/QtSdHYqYVF4/v-deo.html
I had the pleasure of knowing Prof. Slater. She was an incredible pianist and a wonderful person.
Enjoying . . . in AWE !
Thanks, david !
Simply amazing
It's very difficult to perform an apparenly easy piece in the manner as it should be. The pianist responded to the task excellently with her perfect technique and innate lyricism. Simply beautiful!
From the notes: "Speed is of essential importance ... Czerny conceived of the etudes as being played no slower than allegro molto or presto; one is even marked presto volante. The etudes are only pianistically duill when they are plodded through, and only musically dull when they are played with no melodic imagination or dynamic variety. Only then does Czerny become the enemy of the pianist and an intense bore!" :)
Thanks for your quick reply! Perfect explanation of the character of this masterpiece and the intent of its composer!
Please send a link to Wim Winters! Of course then he will reply: "but you see I'm right, she's still playing them slower than the metronome indiciations".
Thanks for your caveat. But I don't think the metronome indications are the sole criteria for the speed of playing piano. I think there are several other factors such as rhythm processing, dynamic articulation, emotive evocation, etc.
Of course - that's why I tend to ridiculize Winter's "musicological" ideas. Even if this lady here plays them not quite in the rather impossible metronome indications, the Etudes sound infinitely better in her tempo than in the "double-beat" pedestrian plodding that he advocates.
Highly developed music in a harmonic and melodic sense and its structure.
It's a must for every pianist! Thank you, david!
BEAUTIFUL ! MANY THANKS @davidhertzberg 💟💟💟💟💟
Wonderful! Is there your own transfer from LP? I know there was one from Russia and the turntable must have been faulty as it played too slowly and below pitch.
Yes, this is my transfer. Glad you like it.
I wonder if she knew my two teachers in the Buffalo, New York area ... Professors Anne Moot and Frina Arshanskaya Boldt. They never mentioned her.
She was incredible! ... and as I understand she was a third generation Czerny student. Who would know his pieces better?
Thank you for the share and the New York memories.
Thanks for your note, greatly appreciated! david
I believe she moved from Toronto to Ohio as a child in the early 1920's.
@@ron1685 Thank you.
Pre-requisite to Op 740 maybe.
i wish i was that microphone there
;)))