It is beautiful how the notes of each instrument come together for the same purpose: to cheer the heart, and, as Bach desired with all his music, to give glory to God. "Soli Deo Gloria." His music is a latent cry of the extraordinariness of the right focus on feelings; his good purpose led him to find the solution to great problems. Bach, without a doubt, is the best at expressing his feelings in the most sincere way. Why will Bach's music endure and has no rival? His decision to give the phrase: "The aim and final reason of all music should be none else but the glory of God and the recreation of the soul. Where this is not observed, there will be no music but only a devilish hubbub." Although it may sound strong, he has the authority to say it, being the man who wrote masterful works, one of the strongest arguments for all absence of faith. Bach is an example of perfection, diligence, and intelligence; but he struggled with many things as the sinful man that he was. His vocation encourages me to continue on my path of music and Christianity. Glory to God for Bach's music, and may it be an encouragement for us, whether we believe in God or not, to do what we love and believe with passion. Gary M.
One of my favorite sonatas, I really like the sound, it is what it must have sounded like at the time it was composed, thank you very much for such a beautiful piece.
The efficiency of Marten Root's technique is indeed amazing. The wonders of modern streaming and the internet allow me to observe close up the techniques and sounds of Root, Kuijken, and others of their caliber in ways not possible back in the 80's, when I was first exposed to period baroque performance by ensembles such as Musica Antiqua Koln in rare concerts. Thanks to Netherlands Bach Society for producing these great renditions of Bach.
Sense l'obra de Bach, la història del nostre planeta no gaudiria del que jo crec que és la perfecció. Més enllà de la immensitat, dels milions i milions d'anys llum, restarà la música per sempre la música del GENI... Sigui lloat per a SEMPRE. ❤
Marten Root on traverso flute is unbelievable, he manages to bring a heavenly sound into his flute! Seldom have I heard a traverso played so good. BRAVO!
Wunderschöne und detaillierte Aufführung dieser perfekt komponierten Triosonate im veränderlichen Tempo mit mildem doch gut phrasiertem Ton der Querflöte, tiefem Ton der Gambe und schimmerndem Klang des Cembalos. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den drei Virtuosen ist wahrlich ergreifend. Einfach wunderbar!
There is so little movement when playing except for the occasional bending of the knees. It is always a meditative experience listening to his interpretation.
Can anyone tell me what model of traverso Marten has chosen? Is it a Naust? Marten's strength is he's a dutiful servant to the music, not to himself. There's not a hint of showmanship; as clean and stoic as the room. ❤🇨🇦
That's correct: the flute is an instrument after Eichentopf, an ivory original which is now part of the collection of the instrument museum in Leipzig. Since the builder (Fridtjof Aurin) had to make the necessary adjustments to this model (for example, the instrument is made of ebony instead of ivory), he calls this instrument not an 'Eichentopf' but an 'Eigentopf'
I'd love to see a serious analysis of the first movement, it is so hard to make sense of the phrases, could it be possible the work originated as a duet?
Please find an explanation on the work on the AllofBach-website: www.bachvereniging.nl/en/bwv/bwv-1034 This kind of chamber works could be seen as duets between a solo instrument (i.c. traverso) and the continuo group (i.c. gamba and harpsichord)
Sorry to tell, but I have the strong impression that the balance between the instruments is about 2/3 basso continuo and 1/3 flute, which is barely audible at some points... At least balance it 50%-50%, and maybe even less for the bass, I still feel it is a sonata for flute, not a concerto! The traverso has such a mellow and "velvet-ey" texture that it is easily overwhelmed by the enthusiastic viola di gamba...
This is exactly the real balance of those instruments. In a palace room they must have been heard as they are heard here. The traverse is heard above the rest by its high frequency register. I have no problem listening to it clearly and as the main voice. On the other hand, the sound power of the baroque transverse is not comparable to the modern traverse flute. So everything is right here 😊
To The True Mathematician, two question ideas ~ Might You return when ev'ry musical combination has been aired on earth? and Whoever wonders so except one whom relies upon The Great Physician.
@@ElrondTheGreat Please share a link to the recording you consider better, because it must be great indeed. But I wonder that you call this version "very bad". Technically, it is in tune, from the highest to the lowest register and in the long tones as well, which is a challenge with traverso. The three musicians flow very well together, and the contrast between the various parts is well done. I thoroughly enjoyed the performance, more than some other interpretations that sometimes miss the freedom and flow that characterizes the best of the baroque.
0:13 Adagio ma non tanto
3:33 Allegro
6:26 Andante
9:47 Allegro
what a time to be alive, to have such good quality performances at the tip of the fingers....what a time to be alive
Indeed my friend . ❤
Just fantastic!!! Thank you so much for making this available
What would life be without music like this? A long walk in the desert without water I guess. This music gives us water, again and again.
I agree with all my heart . ❤
It's one of the few joys I have, following the wonders of this channel. Thank you very much! ❤️
Following your comments is also a joy for me.
I completely relate my friend. ❤
The andante is simply sublime.
Thank you for this fantastic opportunity you gave us to listen to this piece today
It is beautiful how the notes of each instrument come together for the same purpose: to cheer the heart, and, as Bach desired with all his music, to give glory to God. "Soli Deo Gloria." His music is a latent cry of the extraordinariness of the right focus on feelings; his good purpose led him to find the solution to great problems. Bach, without a doubt, is the best at expressing his feelings in the most sincere way. Why will Bach's music endure and has no rival? His decision to give the phrase: "The aim and final reason of all music should be none else but the glory of God and the recreation of the soul. Where this is not observed, there will be no music but only a devilish hubbub." Although it may sound strong, he has the authority to say it, being the man who wrote masterful works, one of the strongest arguments for all absence of faith. Bach is an example of perfection, diligence, and intelligence; but he struggled with many things as the sinful man that he was. His vocation encourages me to continue on my path of music and Christianity. Glory to God for Bach's music, and may it be an encouragement for us, whether we believe in God or not, to do what we love and believe with passion.
Gary M.
Very well said. Solo Del Gloria indeed.
How sensitive and intimate, yet totally perfect.
Totally exquisite
What an amazing performance with the gamba! Thanks for sharing ❤
One of my favorite sonatas, I really like the sound, it is what it must have sounded like at the time it was composed, thank you very much for such a beautiful piece.
> Thank You! Bravi !
sublime ❤❤
Good morning. It's my favourite sonata for flute. Gorgeous 😍 Lovely
.
Thanks for your performance
.
21.9.24
Fantastic!
Thank you All Of Bach! This is a brilliant performance! ❤
Mtro. Root's tiny finger movements are just incredible.
The efficiency of Marten Root's technique is indeed amazing. The wonders of modern streaming and the internet allow me to observe close up the techniques and sounds of Root, Kuijken, and others of their caliber in ways not possible back in the 80's, when I was first exposed to period baroque performance by ensembles such as Musica Antiqua Koln in rare concerts. Thanks to Netherlands Bach Society for producing these great renditions of Bach.
Heel mooi! Prachtige interpretatie!!! Groetjes uit México!
Sense l'obra de Bach, la història del nostre planeta no gaudiria del que jo crec que és la perfecció. Més enllà de la immensitat, dels milions i milions d'anys llum, restarà la música per sempre la música del GENI... Sigui lloat per a SEMPRE. ❤
Ya era hora. Excelente
Very beautifully performed thank you🍃
아름다운 음악을 들려주셔서 감사합니다~♥
Marten Root on traverso flute is unbelievable, he manages to bring a heavenly sound into his flute! Seldom have I heard a traverso played so good. BRAVO!
So beautiful this is actually my favorite Bach piece
Wonderful performance of a masterpiece!
Bach will be Bach. Honor and Pleasure.
Imperfecte uitvoering? Maakt niet uit, hoe beter. Bedankt.
My favorite sonata. Thank you very much. Expecting other sonatas too.
I'm trembling with pure beauty. Thank you
Es ist die wunderbare Musik!
Herzliches Dank!
Absolute beauty.
One of my favorites! Thank you ❤.
Divine ♥️
Wunderschöne und detaillierte Aufführung dieser perfekt komponierten Triosonate im veränderlichen Tempo mit mildem doch gut phrasiertem Ton der Querflöte, tiefem Ton der Gambe und schimmerndem Klang des Cembalos. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den drei Virtuosen ist wahrlich ergreifend. Einfach wunderbar!
Thank you so much.
Magique ce flûtiste et surtout sans Bach que serions nous ?
Thank you very much NBS for this beautiful gift. 🤗
Beautiful
When I was a high school student, I always play this one on my way home...
Bravo!!!!!
Masterpiece . wonderful
Bach💜
So soothing!
Lovely.
Mooi!!!! ❤❤❤
My jam ❤🎉😊
Very nice
This is IMO the best of Bach’s flute sonatas, and the performance is great.
There is so little movement when playing except for the occasional bending of the knees. It is always a meditative experience listening to his interpretation.
I'm back to 16yo 🥰
🌷🌹🌷🌹🌷🌹🌷🌹🌷🌹🌷
Ayo did NBS just drop
Man spielt leider die Flötenstücke von Bach nicht oft.
사람들이 안타깝게도 바흐 플루트 곡들을 자주 안 연주해.
14:49
Can anyone tell me what model of traverso Marten has chosen? Is it a Naust? Marten's strength is he's a dutiful servant to the music, not to himself. There's not a hint of showmanship; as clean and stoic as the room. ❤🇨🇦
It’s an Eichentopf, probably the “Eigentopf” model by Marten’s preferred maker Fridtjof Aurin
That's correct: the flute is an instrument after Eichentopf, an ivory original which is now part of the collection of the instrument museum in Leipzig. Since the builder (Fridtjof Aurin) had to make the necessary adjustments to this model (for example, the instrument is made of ebony instead of ivory), he calls this instrument not an 'Eichentopf' but an 'Eigentopf'
I'd love to see a serious analysis of the first movement, it is so hard to make sense of the phrases, could it be possible the work originated as a duet?
Please find an explanation on the work on the AllofBach-website: www.bachvereniging.nl/en/bwv/bwv-1034 This kind of chamber works could be seen as duets between a solo instrument (i.c. traverso) and the continuo group (i.c. gamba and harpsichord)
Bach the mathematician
7:46 😬
Looks deliberate
It’s called a flattement and it’s a baroque ornamentation.
S.D.G.
Soli Deo Gloria.
Wat n Fees!! En voorreg om.dit te kpn luister!!!
What kind of flute is that, anyone?
This is the Flauto traverso, which was used during the Baroque period.
@@H1RAD0N Thank you! Love how it sounds
Specifically, it looks like the "Eigentopf" model made by Fridtjof Aurin. I've seen Mr. Root playing one in another NBS video.
Sorry to tell, but I have the strong impression that the balance between the instruments is about 2/3 basso continuo and 1/3 flute, which is barely audible at some points... At least balance it 50%-50%, and maybe even less for the bass, I still feel it is a sonata for flute, not a concerto! The traverso has such a mellow and "velvet-ey" texture that it is easily overwhelmed by the enthusiastic viola di gamba...
I don’t agree with you, it makes this music so much more interesting as a dialogue. To me this is the best performance ever.
This is exactly the real balance of those instruments. In a palace room they must have been heard as they are heard here. The traverse is heard above the rest by its high frequency register. I have no problem listening to it clearly and as the main voice. On the other hand, the sound power of the baroque transverse is not comparable to the modern traverse flute. So everything is right here 😊
I will make a flute of bamboo!
To The True Mathematician, two question ideas ~
Might You return when ev'ry musical combination has been aired on earth?
and
Whoever wonders so except one whom relies upon The Great Physician.
I have another version of this by Stephen Preston its the best
this one is very bad
You are the best, no doubt.
@@jaroslavjanca9406 ?
Ok... What are you doing to ensure that humanity doesn´t become stupid? I have respect. 👍
@@anettesobottka9270Idk what are you talking about , I’m just sharing my opinion.
@@ElrondTheGreat Please share a link to the recording you consider better, because it must be great indeed. But I wonder that you call this version "very bad". Technically, it is in tune, from the highest to the lowest register and in the long tones as well, which is a challenge with traverso. The three musicians flow very well together, and the contrast between the various parts is well done. I thoroughly enjoyed the performance, more than some other interpretations that sometimes miss the freedom and flow that characterizes the best of the baroque.
Marten Root > Emmanuel Pahud 🪄🪈
Fabulous 🎵 WOW thanks