the introduction as well as its translation into french are both so perfect "old fashioned" that they bring you in the right mood for the ensuing immaculous performance
A year later, 3 am again by pure coincidence, found out my comment from a year ago. Something changed and something didn't, the feeling while listening to the song still remains unchanged.
¡Oh, dejame llorar, llorar para siempre! ¡Que mis ojos no conozcan más el sueño! Me esconderé de la luz del dia y, suspiro a suspiro, liberaré mi alma. ¡Él se ha ido, se ha ido! ¡Lamaentad su pérdida puesto que nunca más lo volveré a ver! GRACIAS PURCELL, BELLISIMO
Beautiful song. There is something wrong with this reproduction here on UA-cam. I have the BluRay and the sound is great but here there is a kind of whistling, like crickets chirping along with the track, the louder it is, the louder the crickets... disappointing given how tender the song is.
Yvonne Kenny est manifestement habitée par le livret de Purcell et sa mélodie. Sa voix est magnifique. Peut-être l'accompagnement est-il un peu trop présent. C'est tout de même très beau...mais il y a Alfred Deller...!
I'm sure most of you would have been very disappointed to have seen a castrati countertenor doing the role as Purcell wrote it and as was the standard of the day... Nothing like a bit of five O'clock shadow on the object of your lust from a distance...
I love it when singers explain what they're singing, it is so much fun!
actually I enjoyed her explanation. It allowed me to look out for the things she was trying for, the change of tone, shading in her delivery.
@@musicexperiments yes :))
Totally agree!! It's so elegant!
the introduction as well as its translation into french are both so perfect "old fashioned" that they bring you in the right mood for the ensuing immaculous performance
FANTASTIC. Beautifully sung Yvonne Kenny.
3 o'clock in the morning, listening it like if there is no tomorrow.
A year later, 3 am again by pure coincidence, found out my comment from a year ago. Something changed and something didn't, the feeling while listening to the song still remains unchanged.
@@yuntongyang3393'Let's forget about tomorrow, for tomorrow never comes'
Catherina Casselli, The yellow Rolls-Royce OST
just beautiful!!!
Gorgeous and that oboe!
¡Oh, dejame llorar, llorar para siempre!
¡Que mis ojos no conozcan más el sueño!
Me esconderé de la luz del dia y, suspiro a suspiro, liberaré mi alma.
¡Él se ha ido, se ha ido! ¡Lamaentad su pérdida puesto que nunca más lo volveré a ver!
GRACIAS PURCELL, BELLISIMO
marvelous
thanks medhi
awesome
Beautiful song. There is something wrong with this reproduction here on UA-cam. I have the BluRay and the sound is great but here there is a kind of whistling, like crickets chirping along with the track, the louder it is, the louder the crickets... disappointing given how tender the song is.
Yvonne Kenny est manifestement habitée par le livret de Purcell et sa mélodie. Sa voix est magnifique. Peut-être l'accompagnement est-il un peu trop présent. C'est tout de même très beau...mais il y a Alfred Deller...!
So beautiful...but Alfred Deller, still the best .on this one, is just my opinion.
'Purcell' could be a surname identical to the Catalan 'Porcell', of a writer with hebrew ancestry.
Isn't Titania supposed to be a mature woman? I imagine her as a woman in her forties.
I'm sure most of you would have been very disappointed to have seen a castrati countertenor doing the role as Purcell wrote it and as was the standard of the day... Nothing like a bit of five O'clock shadow on the object of your lust from a distance...
Nunov Yurbiznez Why would a castrato have facial hair? :)