Dude at 2:12 is one of those composing moments where you like what you hear and then you figure out the placement of your fingers. That slide into that last dissonance chord, guaranteed he had an "oh fuck yeah" moment. Love it when that happens.
The chord notes he plays are C B C B C D. It's a D13sus chord in 3rd inversion with the 4th, 5th, and 9th omitted. The song is in the key of C. Its funny cause the chord sounds off but it's still diatonic.
0:16 "In this century, we're going to talk a little bit about..." I knew it, he's an immortal God who transcends through all the ages to teach us djent.
I love these types of chords. If you listen to Deathspell Omega, Ulcerate, Zhrine, Portal, ect you'll see they use this playstyle almost always and make it sound fucking amazing
Great tutorial ! "Any note can be played at anytime." What a relief. I inadvertently boxed myself in with standard chords. I forgot to CREATE. Thanks, man.
@@xXxThelegend27xXx "When you apply it in the right context, it sounds like it was done on purpose". Mark said so himself in the video and he's not wrong. The problem is he doesn't give us the context, just the chord. I love Periphery, and Mark is an extraordinary guitar player, but he's not really the guy I go to when I want to learn something.
@@nuke97 The only thing that is important is what he gave. Knowing the notes, chord name and key only gives you the tools to copy him not using it with your own twist.
There is no wrong way to play a instrument. Just because you can go and take all these fancy classes and learn how to "properly" play does not mean that any other way is wrong. I would get that out of your head now or you will be writing some boring music the rest of your life. Think out of the box but keep it toned in. There is nothing wrong by learning the "proper" ways either just dont think that is the true and only way to play your respected instrument which I will assume is guitar. And im not saying you actually believe that but by saying that someone can see that and take it to heart and can severely limit them. It happen to me for a long time once someone tried telling me there is only a 4/4 timing no other way just because he couldnt keep up with the timings i was playing. messed me up for a long time till I quit for a good while and pretty much told my self im starting from fresh and didnt think about it a whole lot like i used to and just made what came out. sorry for the rant but just would hate to see it to happen to someone else over something as minor to you
@@jim7300 he isn't bad guitarist, and he used to play really well, but his health condition prevents his hands from playing the way he could, so it's totally different, and honestly, it's rather sad
For anyone curious, I suppose the first chord Mark shows would be considered a variation of a major 7 add 9, only played without a 3rd or fifth. The notes are C (Root), B (Seventh), and D (9th). The second one would be a b9add9 (I guess?) where the only notes are C, C#, and D. I just thought that was cool to observe, and if anyone knows a better way to name these chords feel free to do so!
Michael Avery From what I found, a lot of progressive dudes like the extensions of the chords with the root, not necessarily a third or fifth. It's a different type of color, but not too colorful I guess, hahaha.
Dissonant chords aren't a new concept that Periphery, Mark, or any relatively new band started. Stephen Carpenter has been doing this with Deftones since they started, and is 30+. Lol. And that's just one example.
Honestly never was that much of a prs fan I will admit they are pieces of art and they have a tremendous fan base I've played many different models great guitars just not for me but when I played mraks model it sorta changed my opinion . If I were ever to buy a prs this one would be the pick for me .but at age 8 I was given a Jackson soloist as my first guitar ( which I was incredibly lucky to have as a first guitar to learn on) it made learning how to play at the time a cake walk so I stuck with Jackson as my main weapon of choice for the past 13 years next purchase is a mayones duvell 7 . Bolt on all day
Very strange... Cool none the less! Not really a lesson per say but a nice way of telling/showing musicians to have a play with dissonance and that sometimes it can create wonderful results.
Sounds awesome, although (with no offense to Mark, he is very talented) I just want to warn some of the viewers that some of the intervals he refers to erroneously as minor 2nds (specifically, between the 6th and 5th strings as well as the 4th and 3rd) are actually major 7ths, which do provide a similar level of dissonance. But the chord is still really cool.
A major 7th inverted would be a minor 2nd, I believe he refers to them that way to simplify the intent of adding dissonance, as minor 2nds would be a term most would use to describe such a sound more generally than a major 7th. However you are correct in theory, also assuming he is looking at the jump from these strings as Root -> M7, rather than M7 -> Root (minor 2nd).
Dissonance for dissonant's sake! By spreading the half steps apart by an octave a less obtrusive and richer effect can be obtained. Listen to Jacob Collier and other practitioners of " negative harmony " for their take on half step intervals in chord construction. Love your Omega pickup!
Dissonance for emotion's sake; Metal is meant to be obtrusive. The world doesn't need Periphery to sound like Jacob Collier, artists should be celebrated for their differences.
Tuning : "First off, I tune my guitar to drop-D, then additionally tune all six strings down a whole step (low to high, C G C F A D), so everything sounds a whole step lower than normal." www.guitarworld.com/holcomb-mania-mark-holcomb-building-chords-single-note-riff-ideas-video
It is no different than using a root 5 chord constantly and then because it is so ambiguous (no third) you can solo and harmonize practically anything over it. It is Metallica riff-o-rama approached from the other extreme direction of defining intervals, but being dissonant, what the hell, solo whatever over it, or, like Periphery does, solo melodic stuff over it, or go further and reverse harmonize what the scale is and solo from that.
AlchemyOmega He is saying because power chords only have root and fifth. A person can play pretty much anything due to lacking the 3rd. The 3rd note (and seventh note) of the chord usually tells if the chord is minor or major etc. So this entails that the performer doesn't need to use a certain scale or interval in soloing over the powet chord. Thats what got from this person statement
Darkdragons777 Basically, yea :) And to be clear, these guys are using more than power chords they are expanding on this basic concept. It is pretty brilliant.
they're not chords.... however... you usually do perceive them to function as chords because a few of them strung together usually establishes the harmonic environment... remember the stuff about horizontal and vertical harmony..? a chord sequence using powerchord gives up its tonal information horizontally... e.g. if I play some cheesy Blink-182 style thing: E5 -> B5 -> C#5 -> A5 none of the chords give up their character on their own but you perceive the E to be major after 1 time around because of the stuff that surrounds it... so, they're not chords... but if they function as chords... they are chords. So in fact you will have to play certain scales because it's in the key of E major.
+Ming Wu Exactly. Check out this reddit post I made a while back. www.reddit.com/r/musictheory/comments/2yv310/why_is_it_okay_to_use_exclusively_power_chords/cpd9lrz
That's it, folks... mock what you don't understand. This has basically been the Extol approach to melody (broken chords) for years, but aiming at more dissonance.
No, he's not. This song is in drop C. He even explains that in the description. As for his string gauge... Mark has stated he uses 10-52 in studio, but 11-56 for live or practice.
Me:Oh what is this? A well spoken individual offering me free metal guitar lessons - let me take a peek, lovely audio 0:53 : EARRRRAAPPEEEEE Dang that chord sounds amazing
I was getting so used to pretty sounding stuff that it wouldnt interest me at all. Know I prefer music with a elements of dissonance and unpredictable stuff---maybe just a short-term phenomena, though. Cool with some crazy ideas!
+steeldragonjovi I dunno. It isn't my style to play on guitar at all, but I love hearing it. It is musical. Stravinski was pretty frikken jarring, and people find it musical.
this tone is so obnoxious you can't hear any note separation, just saws in your ears. i understand that it may make sense within the context of the production, but at least have a decent tone for demonstration purposes.
I remember the first day I picked up a guitar every chord I played sounded like this. I didn't realize how advanced I was until now lol
Hahhaha dude you're funny
Lololol
your guitar might be out of tune
Haha that's hilarious
curtis skaper some say uneducated. I say innovative...
To me, at least, that chord isn't ugly at all. Dissonance has its own beauty.
Diogo Lana Monte-Mór yeah ulcerate perfected it just beautiful extremety!!!
EXACTLY ULCERATE MAN!
Yes, but it should resolve somewhere. A song full of dissonant chords will sound more dissonant with some consonants.
@@ModernDecay70 eh (shaking my hand like I have slow Parkinson's)
yes
Nice lesson! My favorite chord is BLERGGGHH major.
***** That's my favourite too
***** I prefer BLAAARGH minor.
+AeonsOfFrost i think the diminished BLERGGGHH sounds better for me
Honestly the BLERGGGHH Dominate 7th is for me.
ha ha I like GGHHHEE!**CHUMP in the minor position
2:03 That entire riff is nasty good.
Pure filth. Can’t help but love it!
Dude at 2:12 is one of those composing moments where you like what you hear and then you figure out the placement of your fingers. That slide into that last dissonance chord, guaranteed he had an "oh fuck yeah" moment. Love it when that happens.
His guitar tone sounds like he's ripping someones face off.
***** That's a good thing
Tim Blaisdell Exactly.
Tim Blaisdell Thats the Bad Thing.
I hate myself for saying it as well, don't worry.
***** Wrong. He's ripping EVERYONE'S faces off...
Jay Degraffenried He's ripping off 22 Faces.
I'm so sorry.
The chord notes he plays are C B C B C D. It's a D13sus chord in 3rd inversion with the 4th, 5th, and 9th omitted. The song is in the key of C. Its funny cause the chord sounds off but it's still diatonic.
Thanks, that was more useful than the whole video 😂
@@acmesalute76 right? Kind of seems like he doesnt know what he's doing really. Like he has the idea but not really.
I wouldn’t say he doesn’t know what he’s doing, just that he’s not as good a teacher as a musician.
@@nuke97 when I go on stage I like to play the music, not speak it.
@@zacksguitarhacks6390 the idea is to do all the thinking before you hit the stage. If you hit the stage and still thinking you're fucking up.
God, that PRS is pure pornography !
0:16 "In this century, we're going to talk a little bit about..." I knew it, he's an immortal God who transcends through all the ages to teach us djent.
In this ENTRY
@sREUDIAN fLIP It doesn't, and he said entry
I love these types of chords. If you listen to Deathspell Omega, Ulcerate, Zhrine, Portal, ect you'll see they use this playstyle almost always and make it sound fucking amazing
If you like those bands you should also check out bands like Ad Nauseam, Imperial Triumphant, and Suffering Hour.
Subscribe to OdiumNostrum, that channel posts dissonant gold all the time
Gotta check these bands out, stumbled across ulcerate and now they’re in my daily playlist
Those chords are beautiful not ugly!!!! I love the sweet enthralling dissonance!
Great tutorial ! "Any note can be played at anytime." What a relief. I inadvertently boxed myself in with standard chords. I forgot to CREATE. Thanks, man.
That’s an absolutely GORGEOUS chord tbh.
2:02 A demon born out of their right in throes! :)
This is the truth I am!
His guitar is one of the most stunning ive ever seen!!!!
Honestly I don't like Periphery but the guys are super knowledgeable and can really explain things very well
He didn't really explain much. Just the intervals. No notes, chord names, or what key he's in.
@@nuke97 lol
nuke97 who gives a flying fuck as long as you know how to play the chord
@@xXxThelegend27xXx "When you apply it in the right context, it sounds like it was done on purpose". Mark said so himself in the video and he's not wrong. The problem is he doesn't give us the context, just the chord. I love Periphery, and Mark is an extraordinary guitar player, but he's not really the guy I go to when I want to learn something.
@@nuke97 The only thing that is important is what he gave. Knowing the notes, chord name and key only gives you the tools to copy him not using it with your own twist.
1:00 Sounds really cool picked individually. Sounds like something Steph Carpenter from Deftones would play.
How to play wrong the right way.
There is no wrong way to play a instrument. Just because you can go and take all these fancy classes and learn how to "properly" play does not mean that any other way is wrong. I would get that out of your head now or you will be writing some boring music the rest of your life. Think out of the box but keep it toned in. There is nothing wrong by learning the "proper" ways either just dont think that is the true and only way to play your respected instrument which I will assume is guitar. And im not saying you actually believe that but by saying that someone can see that and take it to heart and can severely limit them. It happen to me for a long time once someone tried telling me there is only a 4/4 timing no other way just because he couldnt keep up with the timings i was playing. messed me up for a long time till I quit for a good while and pretty much told my self im starting from fresh and didnt think about it a whole lot like i used to and just made what came out. sorry for the rant but just would hate to see it to happen to someone else over something as minor to you
@@allendittmaier5406, What they mean is, "How to play something _unsettling_ the right way."
@@allendittmaier5406 you literally can play an instrument the "wrong way", using improper technique and still getting a sound doesn't make it right
@@jim7300 he isn't bad guitarist, and he used to play really well, but his health condition prevents his hands from playing the way he could, so it's totally different, and honestly, it's rather sad
For anyone curious, I suppose the first chord Mark shows would be considered a variation of a major 7 add 9, only played without a 3rd or fifth. The notes are C (Root), B (Seventh), and D (9th). The second one would be a b9add9 (I guess?) where the only notes are C, C#, and D. I just thought that was cool to observe, and if anyone knows a better way to name these chords feel free to do so!
Michael Avery Basically non-tertian chords.
Michael Avery From what I found, a lot of progressive dudes like the extensions of the chords with the root, not necessarily a third or fifth. It's a different type of color, but not too colorful I guess, hahaha.
Cliff Scott I like to think of it as a purely diatonic Root, flat-flat-flat Third, flat-flat-flat-flat-flat-flat Fifth.
Karsten Johansson Ah yes, the Ultra Super Diminished Altered Aug chords.
In super serious music theory technical terms, it would be spelled out C-TripleMinor(bbbbbb5)
Nobody over the age of thirty understands this, keep 'em coming!
JayKarnage1 Nor below that age...
JayKarnage1 I think Mark is over 30.
JayKarnage1 Look up Igor Stravinsky. Russian classical composers have been doing this for over a hundred years.
Dissonant chords aren't a new concept that Periphery, Mark, or any relatively new band started. Stephen Carpenter has been doing this with Deftones since they started, and is 30+. Lol. And that's just one example.
lol
There is beauty in dissonance
The best breakdowns in history are dissonant ones. Just straight up table throwing.
"A demon born out of their right in throes!" - 2:03
Great job with the sig PRS. Nothin ugly here, all comes out awesome in the harmonic wash :)
Honestly never was that much of a prs fan I will admit they are pieces of art and they have a tremendous fan base I've played many different models great guitars just not for me but when I played mraks model it sorta changed my opinion . If I were ever to buy a prs this one would be the pick for me .but at age 8 I was given a Jackson soloist as my first guitar ( which I was incredibly lucky to have as a first guitar to learn on) it made learning how to play at the time a cake walk so I stuck with Jackson as my main weapon of choice for the past 13 years next purchase is a mayones duvell 7 . Bolt on all day
Shining is a wonderful,wonderful band.
The most beautiful sounds I’ve ever heard!!! 💪💪
Good stuff! Never mentioned what tuning he’s in tho
I can`t pay attantion to your hand because of this gorgeous guitar you`re holding
Back guitar playing disonant while chugging a breakdown, damn best metal shit
F❤❤king awesome. More plz. Feels great to try and play this stuff !
Very strange... Cool none the less! Not really a lesson per say but a nice way of telling/showing musicians to have a play with dissonance and that sometimes it can create wonderful results.
Damn, sounds like some Godflesh chords! Look forward to learning these...
Am I right in saying that Korn was one of the first bands to use dissonance to this degree?
I believe that too
Sounds awesome, although (with no offense to Mark, he is very talented) I just want to warn some of the viewers that some of the intervals he refers to erroneously as minor 2nds (specifically, between the 6th and 5th strings as well as the 4th and 3rd) are actually major 7ths, which do provide a similar level of dissonance. But the chord is still really cool.
Karl Kim neeeeeerd! Just kidding friend, I was thinking the same thing. If you haven't studied theory past basics it's basically the same thing.
How do you name that chord?
and does he play notes based on standard tuning on altered tuning or the notes changed in altered tuning.
Well put, he is just keeping it simple I believe, so that everyone can follow. The theory folks would get it! Good comment though.
A major 7th inverted would be a minor 2nd, I believe he refers to them that way to simplify the intent of adding dissonance, as minor 2nds would be a term most would use to describe such a sound more generally than a major 7th. However you are correct in theory, also assuming he is looking at the jump from these strings as Root -> M7, rather than M7 -> Root (minor 2nd).
Baddest looking PRS I've ever seen
how i get guitar sound like him with vst any suggestions ?
Buy '"Bias Amp" and download the Haunted S'Mores tone made by himself! Just give a little tweak for your guitar and you're done.
Dissonance for dissonant's sake! By spreading the half steps apart by an octave a less obtrusive and richer effect can be obtained. Listen to Jacob Collier and other practitioners of " negative harmony " for their take on half step intervals in chord construction. Love your Omega pickup!
Dissonance for emotion's sake; Metal is meant to be obtrusive. The world doesn't need Periphery to sound like Jacob Collier, artists should be celebrated for their differences.
I can't figure them out, pls write the chord shapes.
This tone is so insane
I make chords like that all the time! Always looking for the most dissonant chord. Half steps all day!
these so called "ugly" or "messy" chords are beautiful as fuck
Very reminiscent of Artifact Implications's, "the brightest day".
I tune my guitar to ...
BLEUGHHHHHHH!
Tuning : "First off, I tune my guitar to drop-D, then additionally tune all six strings down a whole step (low to high, C G C F A D), so everything sounds a whole step lower than normal." www.guitarworld.com/holcomb-mania-mark-holcomb-building-chords-single-note-riff-ideas-video
noted .. as long as we play confidently everything will sounds good 👌
So you grew up playing jazz 😎
This dude is bad ass
It is no different than using a root 5 chord constantly and then because it is so ambiguous (no third) you can solo and harmonize practically anything over it.
It is Metallica riff-o-rama approached from the other extreme direction of defining intervals, but being dissonant, what the hell, solo whatever over it, or, like Periphery does, solo melodic stuff over it, or go further and reverse harmonize what the scale is and solo from that.
I feel like what you're saying is interesting, but I don't really understand. I think your wording is confusing me.
AlchemyOmega
He is saying because power chords only have root and fifth. A person can play pretty much anything due to lacking the 3rd. The 3rd note (and seventh note) of the chord usually tells if the chord is minor or major etc. So this entails that the performer doesn't need to use a certain scale or interval in soloing over the powet chord. Thats what got from this person statement
Darkdragons777 Basically, yea :) And to be clear, these guys are using more than power chords they are expanding on this basic concept. It is pretty brilliant.
they're not chords.... however... you usually do perceive them to function as chords because a few of them strung together usually establishes the harmonic environment...
remember the stuff about horizontal and vertical harmony..? a chord sequence using powerchord gives up its tonal information horizontally...
e.g. if I play some cheesy Blink-182 style thing:
E5 -> B5 -> C#5 -> A5
none of the chords give up their character on their own but you perceive the E to be major after 1 time around because of the stuff that surrounds it... so, they're not chords... but if they function as chords... they are chords. So in fact you will have to play certain scales because it's in the key of E major.
+Ming Wu Exactly. Check out this reddit post I made a while back. www.reddit.com/r/musictheory/comments/2yv310/why_is_it_okay_to_use_exclusively_power_chords/cpd9lrz
what is the tuning?
Does he ever say what tuning he’s in or am I dumb?
"This is a repositioned version of that with slightly different relationships between notes."
Translation: Its way different
How do you make the big pretty chords tho
What tuning is he in? Drop C?
What song is that at the beginning?
I want to know too..😞
what is the harmony here? he knows what is he playing?
Eric Draven finally teaches us dissonance!
hey man what gauge strings you using? tnx!
That's it, folks... mock what you don't understand.
This has basically been the Extol approach to melody (broken chords) for years, but aiming at more dissonance.
WHAT TUNING IS THIS IN 6 STRING GUITAR?string gauge?
4huge4 The tuning is drop C; I believe the string gauge is 10.
+4huge4 this guy is in drop b
No, he's not. This song is in drop C. He even explains that in the description. As for his string gauge... Mark has stated he uses 10-52 in studio, but 11-56 for live or practice.
Hi, The tuning is it Drop A# Or B?
+Marcel du Crocq AGCFAD
+Marcel du Crocq But Omega is just Drop C.
I wonder if he has any idea what the chords are, name wise, or if he just jams notes that don't normally belong together, together.
intro song?
What song is it in the intro?
Omega by Periphery 👍🏻
Love that freaking guitar
whats the song on the intro?
Marko Đorđević In case you're not trolling, it's the song he's teaching, called "Omega".
TastesLikeVictoryTV i had the same question
What amp is he using ?
Fractals Axe-FX II
Me:Oh what is this? A well spoken individual offering me free metal guitar lessons - let me take a peek, lovely audio
0:53 : EARRRRAAPPEEEEE
Dang that chord sounds amazing
Brandon Boyd??
very cool, what is he tuned to? also thats gotta be the one of the sexiest prs guitars i've ever seen!
Toezly His guitar is tuned in Drop C.
Hey guy, are you using a noise gate? So quiet!
Dissonance is basically the "Error Chord"
Thank you!
I the only one who thought that Omega chord was pretty? Like when he picked each note it sounded aggressive and emotional
Wait what's periphery?
BLACKMETALWILL the band hes in
Nice t-shirt, the Norwegian band SHINING...
2:58 it actually sounds beautiful to me haha
Peavey 6505?
axe fx which is definitely simulating that kind of amp
I dig that Shining shirt.
2:21 Sounds Like Deathcore
Pretty much any early 2000 metalcore/Hardcore band... or Misery Signals
This guy is not from Periphery, his guitar does not have nearly enough strings. He is clearly from Opeth, as he is playing a 6 string PRS.
svbassist guess what, Jake and even former Alex Bois used mostly six string guitars
I feel like this is sarcasm
They have used six strings for awhile now
Djentspell Omega
3:27
Chug! Chug! Chug! Chug! Chug! Chug!... GO HOME GUITAR YOU'RE DRUNK!
That PRS though ....
omega, una de mis favoritas del juggernaut sino es qe la mejor...
I think his playing would sound sooo much better if it were spaced out instead of such like a math rock vibe
I was getting so used to pretty sounding stuff that it wouldnt interest me at all. Know I prefer music with a elements of dissonance and unpredictable stuff---maybe just a short-term phenomena, though. Cool with some crazy ideas!
DOES ANYONE ELSE GET GORGUTS VIBES
Yeaaaaaah! JVM!
COOL
How do people find this musical? It's just jarring sound.
+steeldragonjovi context.
+Mark Holcomb fair enough. To each their own!
+Joey Dennis There is
+steeldragonjovi I dunno. It isn't my style to play on guitar at all, but I love hearing it. It is musical. Stravinski was pretty frikken jarring, and people find it musical.
They have ears. It's a good start.
Shining (NOR) shirt!!
Kill the distortion! I want to hear the chords!
Cool! Nice guitar! \m/
It didnt help me at all, ive been building nasty chords for a while, but this was very well done and explained. Wish i had this video 7+ years ago.
For the metal haters who think its all 0 0 0 0 1 1 1 10 0 0
this tone is so obnoxious you can't hear any note separation, just saws in your ears. i understand that it may make sense within the context of the production, but at least have a decent tone for demonstration purposes.
Mark and Brandon Boyd from Incubus kinda look alike.