I saw the previous comment asking about drying and I was thinking the same thing. So when you don’t flash each layer… okay let’s just go through it- you lay the first color, not white. When you go to lay the second color, and the screen then pushes against your fist layer, does it mess with the texture or look of that first layer? Also, you’re smooshing all those colors into your white underbase- won’t that lighten your color or make it inconsistent? I’m so confused- this looks amazing! I just don’t understand how it works lol.
These are great observations... There can be a slight texture effect with wet-on-wet printing but its not something that ruins the print. The white underbase is flashed, the rest of the colors were wet-on-wet. So the white acts as a base that the other colors can sit on top of... ensuring they stay bright on the dark garment.
Most of the time, you do. But when the prints don't touch you can use a wet-on-wet technique to speed up production... That's what we did here, good eye!
Also, your next screen then has ink from the previous… and then you go and push that onto another shirt. Screens are registered together and to one shirt. But there’s no way to have all your shirts and the same EXACT spot… wouldn’t this cause some blur and unintentional transfer onto that next shirt? Guess I’ll just have to try it and see what happens lol
All arms of the press are going to drop the screens in the exact same spot on each shirt. So regardless of the shirt position, the print will be made in the same place. This is what allows wet-on-wet to be possible. There is some ink on the back of the screen but it doesn't smear the print because its all happening in the same spot. I hope that helps. I may make a seperate video explaining this process if there's interest
I have the purple emulsion and I can’t get it to burn with a night 51 w floor light ? Do I need a better light ? And the sun didn’t burn it either ? What do I need to try ?
This is great looking work!!!
Appreciate that!
just knocked out an 8 color last week. I loved how it turned out, but it was way too much work. lol.
keep it going!!
#squeegeejockey
#slingingink
Niiiice one!!
Wow mam ❤
Super neat
Very interesting. 👍🏼
Thanks!
Cool!
Thanks!
I saw the previous comment asking about drying and I was thinking the same thing. So when you don’t flash each layer… okay let’s just go through it- you lay the first color, not white. When you go to lay the second color, and the screen then pushes against your fist layer, does it mess with the texture or look of that first layer? Also, you’re smooshing all those colors into your white underbase- won’t that lighten your color or make it inconsistent? I’m so confused- this looks amazing! I just don’t understand how it works lol.
These are great observations... There can be a slight texture effect with wet-on-wet printing but its not something that ruins the print. The white underbase is flashed, the rest of the colors were wet-on-wet. So the white acts as a base that the other colors can sit on top of... ensuring they stay bright on the dark garment.
Very interesting
So pretty!! What kind of machine is that?
Riley Hopkins 6 color x 4 station
your back is looking huge 💀🥵
You don’t have to wait for each layer to dry?
Most of the time, you do. But when the prints don't touch you can use a wet-on-wet technique to speed up production... That's what we did here, good eye!
Hi what does it mean by “when prints don’t touch?” Soorry. I am very new at this
@@tdodo3026I think he means when the screen print designs go together like a puzzle its fine since they wouldnt overlap
Also, your next screen then has ink from the previous… and then you go and push that onto another shirt. Screens are registered together and to one shirt. But there’s no way to have all your shirts and the same EXACT spot… wouldn’t this cause some blur and unintentional transfer onto that next shirt?
Guess I’ll just have to try it and see what happens lol
All arms of the press are going to drop the screens in the exact same spot on each shirt. So regardless of the shirt position, the print will be made in the same place. This is what allows wet-on-wet to be possible. There is some ink on the back of the screen but it doesn't smear the print because its all happening in the same spot.
I hope that helps. I may make a seperate video explaining this process if there's interest
Yes pls
I have the purple emulsion and I can’t get it to burn with a night 51 w floor light ? Do I need a better light ? And the sun didn’t burn it either ? What do I need to try ?
I would find an exposure calculator and make adjustments based on the results of exposing with that
Curious what are you using to record this content? Super crisp
This was a while ago but I think it was shot with a GoPro Hero 8
What is the price of this machine pleez tell me
You can find it on screenprinting.com. We paid a couple thousand in 2007, you’ll have to check for an updated price
What kind of colour you use sir
Plastisol inks
The age old debate….flood in….push out….not flood in. Pull in.
Whatever works to make the best print!!
Is that water based ink sir?
For this project, we used plastisol inks
What is price
Price of what?
how much did the machine cost?
I think $3000 back in 2007. You can check @ryonet for their updated models and pricing
@@antiDesigns617 appreciate it