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Nick Spinelli - 2018 Redbull Thre3style Submission - USA
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- Опубліковано 29 тра 2018
- It's always been a HUGE goal for me to enter the Redbull Thre3style Competition and I'm proud to say I finally accomplished this goal. Whether or not I'm selected, I had a great time putting this together and it would mean the world to me if you could check it out!
Also, big shout out to Fatman Scoop for helping me out with the drop, Joseph Pagliuca for always having my back with media and filming, and Jason Jani for letting me use his buttery smooth Technics in that beautiful damn piece of furniture. 🙏🏼
This is Nick Spinelli's 2018 Redbull Thre3style 5 Minute Submission for USA. Please like, comment and share! #playwithmusic
#DJNickSpinelli
IG: / djnickspinelli
#SCEEventGroup
IG: / sceeventgroup
The Red Bull Music 3Style World DJ Championships have been advancing the culture of DJing and entertaining audiences all around the world since 2010. Last year’s World Final in Krakow, Poland was absolutely incredible and they are now set to embark on their ninth year as a global event series and don’t worry, it promises to be even bigger and better!
From April 15th - June 1st, 2018, DJs from all over the world can enter the championships with a 5 minute #3STYLE performance video submission that will be evaluated by their panel of past World Champions. In late June, the participants of the World Tour will be announced and starting in September, National Final Events will be taking place all over the globe.
The winners of these events, along with a select few global wildcards (from countries without National Final Events), will then make their way to Taiwan for an all-expense-paid trip to participate in the Red Bull Music 3Style World Finals IX.
You a bad mon wedding dj! 🔥
Clean mix..put on for the wedding DJs 🙌🏼
Thanks bro, I'm trying to represent!!!! -NS
Nice mix, like the tone play specially Intoxicated to iSpy. All dope stuff and the energy!
Niiiiice!
THIS WAS ACTUALLY FUN, GREAT JOB!!!!! LIKE AWAYS!!!!!!!!!!
Killed it !! Totally Enjoyed this !! Big Up Nick Spinelli!!!
This is a fun set
Thank you!
already won, sent very well, several tony play
style of sounds thank you bro!! -NS
Respect !
Bruh....thats dirty...good work!
Thanks avs!!!! -NS
Nice work, Nick! Good luck!
Jake Hill thanks bro, you too! Loved your vid!!! -NS
DOPE!
thanks bro!
Mad skills bro!
Thank you! -NS
awesome man absolutely awesome
Thanks KEM!! -NS
This is has to qualify for sure. Nick demonstrated the following which is perfect for a Application routine
1.Clean and sharp. While live routines can be forgiven when time is slightly off due to nerves etc, its never when its recorded, you can tell nick practice this routine meticulously which produced clean transitions with time,scratch and flow.
2. Minimal serato face, piggybacking from the first, due to nick practicing, his face rarely looked at his laptop.
3. Music selection was on point, even his timing on using his own voice added comedy and his style to the mix.
4. He fulfilled the number 1 cardinal rule all djs must follow and that is... having fun. I mean look at that 2 step in the end....which leads to my last point.
5. The 90s called.....they want their dance moves back LOL
GREAT JOB!!
Thank you so much for watching man, and it's all about the 2 step LOL -NS
YESSIRRRR
Holly shit I was not expecting Frankie Beverly. One of the best wedding songs of all times. Respect. 🙏🏽
definitely put a smile on my face and kept me entertained great job
Def got my vote !!! we need more of these sets that actually sound good to listen to and less of the pre edited tracks and excessive cuts. This is after all the Thr33style and not the DMC. Good work !! I hope this gets you through.
Nice man...
dope routine!
Thank you! -NS
SCE Event Group Yw!
Dat Boy Good!! #yeahbuddy
Thank you Roy!!! -NS
Good job buddy.... totally enjoyed your routine. it's clean and it's fun. thanks for the routine.
So good I watched it twice 🙂
DOPE MAN! I feel this
Thank you bro!! -NS
Funky !! Love it, good luck 🙏🏼
Thanks bro!! -NS
🔥🔥🔥🔥🔥🙌🏻🙏🏻
I thought it was great! Slide and all, I found it very entertaining and enjoyed it.
Thanks bro! -NS
Oh snap!!! Great job sir!!!
Theres one thing I want to see in my djs and that's the passion in there eyes and that they love the music they pick and play, that's lacking alot these days but you sir showed your soul in all your songs and along with those dope cuts, dope selection, and tone/word play, I enjoyed the shit outta this my dude!!
Thank bro I appreciate that!! I truly love this shit!! -NS
Awesome!! The tone play and word play was really impressive
Thanks bro!!
This is dope... nice work!!
ty! -NS
Great Job Indeed Wish You All The Best, Wish You Nothing Less Than Success Bro
Same bro!! Good luck to you! -NS
Great stuff man, clean cuts and great all around track selections and love that cue point beat matching!
Thank you Darion! -NS
Nice set, good tone play. Keep up the good work.
GOSH DAMN THAT DJ MADE MY DAY 🕺🏽🥳😬
Great work man!!! Keep it up!
Thank you man! -NS
Dopeness!!!
Thanks Paul! -NS
Oh shit I’d say you’re in. Just with the Kevin James dance moves alone. Good luck dude
LMAO!!! Thanks man finger crossed -NS
My man!! Let's gooooo mutha fcukin Spinelli in the house! 🔥🔥🔥🔥🔥
RHONI MY MANNN!! -NS
Hell yeah!!!
Thanks for watching bro! -NS
Nice and clean. Lost me with the Metal though but pick it up. Tone plays were dope. Takes a lot of creativity to put and set like this. You got my vote 😃 good luck!
Haha thanks bro, I figured I'd do a first and mix a metal breakdown. #DJCORE -NS
I just figured the hardcore was a throwback to your drumming days you mentioned on that dj interview, very cool and you were quick with it.
Woooooowww!!!! 👏🏼 😂 great GREAT!
Nice job Nick.....smooth. RiptideDJderik
Thanks brotha! -NS
F'N MONSTER
When you double a song and leave the cross fader in the middle so they’re both playing, how are your levels the same? Is it because you have vinyl? When I do that on my DDJ-SX2 and leave the fader in the middle the song gets louder because the songs are on top of each other.
Do you know what I’m saying haha? Idk if it makes sense.
Not sure I'm following you? So do you mean when I'm playing two songs at the same time, how are the levels even? I mean I just keep my volume channels to the max and adjust using the gains on top... you'll see me making random adjustments throughout because some songs are recorded differently with different levels etc. But if I'm not understanding you, let me know and we'll figure this ish out! -NS
If you have one song playing on left deck and double it to the right deck and leave the cross fader in the middle so it’s same song same time, does it sound the same volume as if the cross fader was only playing the left deck?
No it gets much louder and sometime distorts.
Oh okay never mind then. Thank you for the response. I messed up I see, after watching again.
check your crossfader curve and make sure that it's on the sharpest slope so that your volumes are max and not fading in when you have the crossfader in the middle
It looks like vynl setup but you also have pads? Is this some type of hybrid setup?
Your going to Win!!!!!!
Haha thanks man I hope. -NS
See I’m confuse can someone explain all I’ve learned from UA-cam has been bpm matching transitioning using the noobs but his doing it like this
Song ID 3.00
Nice job. Biggest feedback I could give you... the drums drop out too much. You'll lose the crowd every time you transition to an intro without a backing beat.
I like some of the ideas a lot. Not entirely convinced at the level of comfort in different genres. Fading out of Fast Forward To 2012 just feels like you were flowing for three and half minutes and just ran out of ideas. Everything in the set works but I really was hoping for more logical flow from one idea to another within track groups, especially after that fade out-I was expecting something a bit more flashy and complicated after that point and it kind of stayed the same in style. It just feels like you go from one two track combo, into another two track combo instead of trying to extend them into 4-6 track combos- That is definitely something worth practicing. It may just be because you wanted to show smaller combos because its a submission? I dunno. I would also spend time working on slower tempos. You pushed the beat just enough where it's noticeable. Slower BPM's will always be harder than faster ones.
Because of how pitch and time (pitch n time?) works, intervals and pitches can behave weird when pianoing to intro another track to another.I say this because the ones you used musically incorrect (the most noticeable issue was at 1:07 or so) . There may not be anything you can do about that though, that may just be a Serato thing since its just stretched or condensing the wave forms to create the pitches. Would be nice for a mixer to introduce 16 performance pads, that would really help with a lot of your ideas when pianoing.
Just some thoughts. Solid stuff regardless.
Thanks for watching Joe! So I kept to smaller combos to stay more raw because it's a submission. To be honest, I was DYING to drop a metal break down because I feel like that hasn't really been done before, but fading out and giving the ol "Was that too hard?" comment was the only logic way to get out of it at that point. I tried different ways of scratching the Fast Forward to 2012 but they didn't down right most likely because its a straight up metal punk song and there's no sharp edges yanno? As far as my tone play at 1:07, Intoxicated is at it's regular BMP (125) and iSpy was sped up about 3 BPMs I think pitch n time didn't really make a factor. I also used the actual notes of intoxication, not Pitch-Play. If I had 16 Pads that would be crazy - if I get selected, I'm gonna have a very very crazy routine with all types of multiple combos. I have so many ideas, I may just make the routine regardless haha -NS
SCE Event Group Im gonna be honest a lot of the gripes I had were extremely minor. It also came off like I disliked the routine, which is not the case.
Dope well thanks man! -NS
Joe Lewis yeah, I THiNK I understand your point about 1:07? Your talking about how he used those musical “hits” and slowed it bpm into the next and I think you were concerned the tone got compromised because he did it st a slower tempo? I have a pretty good ear being a life long musician and a new dj assistant and I think this is splitting hairs, very minor. Unless something I’m not understanding.
Ugliest vinyls I've ever seen... Nice routine!!!
Haha it's the Brazils bruh!! Thanks for watching bro -NS
Of all the things to comment on 🤣! Good lord