Could you consider recreating the color grading from 80s films? They have this unique look. Like Conan Barbarian (great looking movie), Commando, Predator?
Even if i don't have a camera that makes this kind of Raw unsaturated and uncontrasted footage, I replicate this effect in AE to follow most of the CC tutorials
@@CortesFantásticosOficial Yes but why would they? Let the overall feeling of the color grading in the context of the scenes be known before trying to recreate it.
for the Oppenheimer trailer grade, just push your magentas a lot, punch the cyan a little, and use a warm-cool slider depending on the shot/scene. I doubt that those are the final grades that will appear in the film, because the grades in that trailer seem very heavy handed.
ah: found the answer: acescct is better, because of the limitations of the tools in DaVinci Resolve (they are not very good at conforming to a linear workflow).
Nowdays most of people in our area does have good pc to do this kind of stuff like vfx but they really wanna learn . Can please share some tricks to do vfx in potato pc without any problem . It will really help many people
I'm sorry. Potato just can't. earlier pcs just wasn't capable and studios worked with film. I almost can't call my FX8150 & RadeonR390 potato, but it gives up on any VFX producing. damn. simple tracking takes ages and crashes most of the time.
You have a great channel and this video is very fast-paced and entertaining BUT it shows overly complicated process of color grading. It takes too much time to work on every shot like this and it is almost impossible to correct skintones on many different shots after you botched them with your look. So, Exposure, Balance and Contrast should come first. Lift, Gamma, Gain, Offset, HDR Wheels - thats all that is needed there. Possibly, RGB Mixer for heavy washes of color. Look could be done in one node with curves or color warper (but the latter is prone to artifacts). No paid plugin is needed. Look could be applied almost the last in the chain - just before CST, on Timeline level or Post-Clip level. Skintones of your subject should look good after these adjustments. 4 nodes will do 90% if not 99% of the job done. 3 of them, if you do exposure and contrast adjustments in one node.
This has been way more informative than the majority of DaVinci Resolve color grading videos I’ve watched! Thank you guys so much for all you do!
I would type First... But I'm pretty sure my phone is lying to me...
This has been the first youtube video I have watched on normal speed in a looooong time
Could you consider recreating the color grading from 80s films? They have this unique look. Like Conan Barbarian (great looking movie), Commando, Predator?
Yeah! That darker color grading in 80's movies are beautiful
Thanks a lot! More Davinci please!
Back to back episode? The Connolly brothers never stop 🔥
Alaways with something banger
Thanks!
Always good stuff!
Very cool and informative!
Very nice!!
Wouldn't a CST at the last node more reasonable for everyone, at least as an honorable mention?
00:46 "WHAIT !? Whuuuuuut ???"
xD
Good...Josh is back behind the camera😁.....Or was he???? You never know with a little film misdirection😌
Can you do a color correction tutorial for the flash movie? Pretty please
I LOVE YOU! Thanks
Even if i don't have a camera that makes this kind of Raw unsaturated and uncontrasted footage, I replicate this effect in AE to follow most of the CC tutorials
if you don't have a camera that shoots RAW, I recommend downloading some footage in RAW for practice.
@@magusofthebargain that's some good advice actually! Thanks
Is the guy in the footage @THEOexr from the octane tutorials? hahaha
=O looks for me like black magic!
Can you recreate the color grading from Oppenheimer?
Movie's not even out yet bro
@@maximumoccupancy They can use that shots from the trailer
@@CortesFantásticosOficial Yes but why would they? Let the overall feeling of the color grading in the context of the scenes be known before trying to recreate it.
for the Oppenheimer trailer grade, just push your magentas a lot, punch the cyan a little, and use a warm-cool slider depending on the shot/scene. I doubt that those are the final grades that will appear in the film, because the grades in that trailer seem very heavy handed.
Film grain makes it look like a fmv game from the early 90's.
Question: why grade in rec709 when you could be grading in linear??
ah: found the answer: acescct is better, because of the limitations of the tools in DaVinci Resolve (they are not very good at conforming to a linear workflow).
What video editing software do you use?
That is Davinci Resolve
Can someone tells me, what software he is using to colour grade ...?
Davinci Resolve
You should talk to Stef Sonnenfeld :)
Nowdays most of people in our area does have good pc to do this kind of stuff like vfx but they really wanna learn . Can please share some tricks to do vfx in potato pc without any problem . It will really help many people
I'm sorry. Potato just can't.
earlier pcs just wasn't capable and studios worked with film.
I almost can't call my FX8150 & RadeonR390 potato,
but it gives up on any VFX producing. damn. simple tracking takes ages and crashes most of the time.
ua-cam.com/video/L1jL0qh4EGc/v-deo.html
ua-cam.com/video/Pt0ZWf4tMb0/v-deo.html
ua-cam.com/video/qyEtAy5inRs/v-deo.html
I know i already clicked "like"... but .. there's little chance i wont anyway....
It's been a color grading noches
You have a great channel and this video is very fast-paced and entertaining BUT it shows overly complicated process of color grading.
It takes too much time to work on every shot like this and it is almost impossible to correct skintones on many different shots after you botched them with your look.
So, Exposure, Balance and Contrast should come first. Lift, Gamma, Gain, Offset, HDR Wheels - thats all that is needed there. Possibly, RGB Mixer for heavy washes of color.
Look could be done in one node with curves or color warper (but the latter is prone to artifacts). No paid plugin is needed. Look could be applied almost the last in the chain - just before CST, on Timeline level or Post-Clip level.
Skintones of your subject should look good after these adjustments.
4 nodes will do 90% if not 99% of the job done.
3 of them, if you do exposure and contrast adjustments in one node.
Why only thirty five comments
Does anyone else see tellytubbies in space??
Too much