What's your ALL TIME FAVORITE PHILLY JOE JONES ALBUM? You can only list ONE...I know, not fair:) Mine is Wynton Kelly's Kelly at Midnight. Your turn...
Awesome lesson Mr. Jones! I had the great pleasure of watching Kenny Washington play with Joe Henderson and Johnny Griffin dual tenor sax players st The Blackstone in Chicago many years ago. It was definitely one of the great memorable moments in my life! Thanks for these awesome lessons and keeping Be Bop alive! 🥁❤️
That’s amazing that you got to see him with those two legends of the music. I’m sure it was an amazing show. Thanks for stopping by and sharing with us, Johnny!
Vi tocar a Quincy Davis hace 2 semanas en el Smalls de NY. Tuve el privilegio de quedar sentado al lado de él. Un verdadero maestro. Y muy empático con los que estábamos cerca. Nos conversó y gentilmente se sacó fotos con quien quiso una vez terminado el show con su trío. Gran músico y gran persona!!!
My favorite PJJ solo is his trading 4s with Miles on Blues #2. If I'm understanding he had recently been let go by Miles, replaced by Jimmy Cobb and happened to be at the studio that day and sat in on Jimmy's drums and wanted to make a statement. You could hear him letting Miles know what he's going to be missing and plays some of the hippest sh*t you will ever hear.
Quincy your lessons are great. I bet your students at UNT love you. The licks and fills and ride patterns are great. But equal to this is your easy going demeanor and humor. Keep up the great work for us. BTW I was I visiting professor in the business school at UNT in the early 1990s. I wanted to go hear the lab bands but they frowned on that then. Cheers.
Great lesson as usual! That 158 vocabulary download is a game changer. So many ideas come from working through them. Thanks for all you do for the drumming community as well as the jazz community. FP
Hello Q! Amazing video as always! I have been busy and I have a lot to catch up! I remember you talked about the 4 stroke ruff and KW showing you that hand combination on one of your group lessons! Amazing and really useful knowledge! Thanks as always, you are a big inspiration!
The 4-stroke ruff "rllR" that Philly played is very useful if I want a pronounced accent on the downbeat, making it much easier (I accent with my fingers using the clinching technique, which is by no means something for beginners). In the solo for the song 'Pot Luck,' does Philly play the 4-stroke ruffs like this or in the standard way? This sticking for the 4-stroke ruff appears in George Lawrence Stone's book, "Accents and Rebounds" page 21, exercise 5. However, the book was published in 1961, and Wynton Kelly's album 'Kelly At Midnite' is from 1960. Did Philly know about this before, or did he take it from the book (Philly didn't use this book in his lessons) What do you think?
Great Video Quincy!! Thank you so much. Do you ever use these sticking's for the 9's RLLRRL RRL or RLLRLR RLL..? Also..regarding the 4 stroke ruff...do you think Philly Joe ever uses RRLR in some situations since it's the same sticking as the Drag Tap lick?
L'ennesima lezione meravigliosa , grazie di tutto sei una continua fonte d'ispirazione per tutti noi. Sarebbe meraviglioso organizzare qualche clinic in Italia con i miei studenti.
Hi Quincy! great video thanks! I was wondering if you could tell me on which tune could I hear Philly Joe play that 4 stroke ruff thing? I definitely heard him play it before but can't remember on which recording. It would be great to include little audio clips of the masters themselves! :) Thank you so much
Still watching this damn lesson! Seen it so many times. Very inspiring.. although when you've seen it 18 times it's annoying when usay about the b book and page number! Lol no offence! You're a brilliant teacher, man
Q, this has to be my favourite lesson of yours so far. I've watched it several times.. Can I ask if you think that stick tap thing (lick #4) can be done in match grip?! I can't do traditional grip.. wrist injury long time ago plus self taught in match grip.. I can't get the whip or power with with traditional, but would love to of... I can't make sense of the stick tap thing with match grip.. perhaps it's not to be.. loving these lessons.. the 6 to 9stroke thing is my favourite to work on. But my left wrist injury knows it too. Annoyingly
You can absolutely play #4 using match. Just gotta lift your arm up a lot to replicate the natural angle that traditional grip gets. Glad you enjoyed this lesson so much!
What's your ALL TIME FAVORITE PHILLY JOE JONES ALBUM? You can only list ONE...I know, not fair:) Mine is Wynton Kelly's Kelly at Midnight. Your turn...
When I think of Philly Joe Jones his intro to "Stablemates" from the album "Bags meets Wes" comes to my mind.
Sonny Rollins “Newk's Time”
Art pepper meets rythm section
Ñ
@@christophbrylka6256 nūjn
I'm not even a drummer, but I watch your lessons so I can appreciate the drums more. You're a great teacher!
Thank you for watching 🙏🏾
Awesome lesson Mr. Jones! I had the great pleasure of watching Kenny Washington play with Joe Henderson and Johnny Griffin dual tenor sax players st The Blackstone in Chicago many years ago. It was definitely one of the great memorable moments in my life! Thanks for these awesome lessons and keeping Be Bop alive! 🥁❤️
That’s amazing that you got to see him with those two legends of the music. I’m sure it was an amazing show. Thanks for stopping by and sharing with us, Johnny!
Vi tocar a Quincy Davis hace 2 semanas en el Smalls de NY. Tuve el privilegio de quedar sentado al lado de él. Un verdadero maestro. Y muy empático con los que estábamos cerca. Nos conversó y gentilmente se sacó fotos con quien quiso una vez terminado el show con su trío. Gran músico y gran persona!!!
Enjoyed this, Q. Fundamental Philly! 👍🏼♥️
Thanks for this Quincy, this is like gold.
My pleasure!
In the spirit of Halloween "Blues for Dracula", but "Milestones" probably has some of the best drumming in recorded music, ever.
No doubt Alex!!!
Plus "Kelly at Midnight"
As a drummer for the past 30+ yrs I have to sub.Never too old to learn different techniques ♥️🤖📼🔌⚡
Nope, so long as everyone else in the band practices too, so you can play something interesting.
Simply excellent,thank you Quincy.
Thank you Yann 🙏🏾
The drum solo at the end of “locomotion” is some of the best recorded drumming I’ve ever heard.
Agreed Jamie!
Quincy, thank you so much for sharing your great talent and giving props to (in my opinion) the greatest drummer of ALL TIME, Mr. Philly Joe Jones!
My pleasure Mikey!
LOVE some Philly Joe! Your playing is always so clean and flowing. Another fantastic lesson!
Thanks as always TC👊🏾
Super, thanks again, Q!
Lots of fun!! Very well done!! Philly Joe was great.
I practice quite a bit of 5 and 6 stroke rolls, but this lesson is so useful it's ridiculous! Really helps me understand to orchestrate these rolls
Amen QD, my favorite Bop Jazz drummer ever, Philly !!!
Agreed. He’s the greatest!
Thanks so much for this lesson!!!!! This helped a bunch!!!!!
This is I believe your best video ever. Excellent
Wow, thanks!
So great as usual Maestro Quincy getting into the creative legacy 🙏 ( god bless the Js giants ? & in this case the creative use of the rudiments. 🙏
b,d/ floor /cross stick triplet beautiful!
Great lesson
My students love playing phases that are extended over the bar.
The look on their face when they get it and find one
Awesome!
Late reply but Philly Joe is giving an absolute master class on Art Pepper's "Meets the Rhythm Section" album. Great content, Mr. Davis!
1-2-3-4 Love it‼️thank you Mr Q✌️🌻
Oh i luv it 🙌 when it comes to authentic Philly Joe Lessons, this is the source 🙌 thank you very much 🙏
Beautiful lesson. Listening to Miles Davis’s Porgy and Bess albums “Gone” has so many Philly Joe Jones classic licks it’s one of my favorites.
Definitely! Philly Joe on Gone is great!
My favorite PJJ solo is his trading 4s with Miles on Blues #2. If I'm understanding he had recently been let go by Miles, replaced by Jimmy Cobb and happened to be at the studio that day and sat in on Jimmy's drums and wanted to make a statement. You could hear him letting Miles know what he's going to be missing and plays some of the hippest sh*t you will ever hear.
Loving your channel! So glad I found it!! Def gonna pick up your e book!
Yay! Thank you!
Thanks as usual, Q. Your bebop E-book is so useful. You're a great teacher. So easy to follow.
Great patterns, perfectly explained - thanks, Quincy!😎
The gems that are being dropped in these videos man. Whew! I need to buy your PDF
Amazing dear brother!
Quincy your lessons are great. I bet your students at UNT love you. The licks and fills and ride patterns are great. But equal to this is your easy going demeanor and humor. Keep up the great work for us. BTW I was I visiting professor in the business school at UNT in the early 1990s. I wanted to go hear the lab bands but they frowned on that then. Cheers.
Thanks for the nice words Bill and thanks for watching!
Excelente video gracias Quincy!
Great lesson on Philly's signature stuff.
Thanks Quincy.
My pleasure John!
Great lesson as usual! That 158 vocabulary download is a game changer. So many ideas come from working through them. Thanks for all you do for the drumming community as well as the jazz community. FP
That lick at 13:42 is one of my favourites, and I always hear it in a lot of Max Roach's transcriptions
Steal away:)
Thank you! And thanks for referencing the phrase book, very helpful.
Right on Richie!
Love your lessons, so helpful and easy to follow! They go straight into my playing, really appreciate it and Philly Joe is my favorite.
Awesome Rob!
Thanks Quincy. Amazing lesson... as alaways . A loooooot fun with those licks.
Love your lessons Quincy! I've been working out of the Philly Joe Jones solo book and that 9 stroke phrase is all over it.
大変勉強になりました👍わかりやすくかっこいいレッスンいつもありがとうございます😊これからもかっこよくて熱いドラミング楽しみにしてます👍
ありがとうございます！わかりたすいとよんだら、とてもうれしいです。ドラミングがんばってね👊🏾
great lesson
Thanks!
Thank you Quincy, great lesson as always.
Glad you enjoyed it Satoshi!
Thank you very much for this awesome lesson Quincy. As always very well presented and extremely clear!
Thanks Mitch!
Wonderful!
Many thanks!
Great video Quincy! a lot of work here! thanks man!
Hello Q!
Amazing video as always! I have been busy and I have a lot to catch up! I remember you talked about the 4 stroke ruff and KW showing you that hand combination on one of your group lessons! Amazing and really useful knowledge!
Thanks as always, you are a big inspiration!
Welcome back Joel!!
Wow I haven't done stick shots since military marching band this is great!!♥️🤖📼🔌⚡
One of my favorite drummer ! Thanks for the video !
My favorite album is "Kenny Drew Trio", but Art Pepper meet the rythm section is awesome too
Those are indeed great! But you cheated and named two🤣🤣
@@drumqtips So Kenny Drew, because I love trio !
Can't like this enough!
🙏🏾
Thx you Quincy for this terrific video.
cheers from Argentina
Gracias for watching!
Thanks prof!
My pleasure BA. Glad this one helped! G-Rap in da house 💪🏾
Milestones :) Some remarkable brush playing on Billy Boy.
The best!!
Love your playing. Respecting the OG's but still sounding fresh
This is awesome
Thank you!
The 4-stroke ruff "rllR" that Philly played is very useful if I want a pronounced accent on the downbeat, making it much easier (I accent with my fingers using the clinching technique, which is by no means something for beginners). In the solo for the song 'Pot Luck,' does Philly play the 4-stroke ruffs like this or in the standard way? This sticking for the 4-stroke ruff appears in George Lawrence Stone's book, "Accents and Rebounds" page 21, exercise 5. However, the book was published in 1961, and Wynton Kelly's album 'Kelly At Midnite' is from 1960. Did Philly know about this before, or did he take it from the book (Philly didn't use this book in his lessons)
What do you think?
Could have been his own sticking that he figured out or maybe a rough draft of Accents and Rebounds was circulating before it was published.
Love it ! DO MORE ! I got the ebook and are checking off the ones you are YouTubing !! 🤣🤣
More coming!
Thanks!
Great Video Quincy!! Thank you so much. Do you ever use these sticking's for the 9's RLLRRL RRL or RLLRLR RLL..?
Also..regarding the 4 stroke ruff...do you think Philly Joe ever uses RRLR in some situations since it's the same sticking as the Drag Tap lick?
I never use that 9 stroke sticking. Joe probably used that sticking for the ruff sometimes. Thanks Lance.
Dear Mr. Davis, would you like to make a video on hemiolas?
That’s so cool. J
Requesting a video on four Roger Humphries licks!
thanks! great stuff!
Glad you liked it!
L'ennesima lezione meravigliosa , grazie di tutto sei una continua fonte d'ispirazione per tutti noi. Sarebbe meraviglioso organizzare qualche clinic in Italia con i miei studenti.
Grazie for watching Edoardo.
Hi Quincy! great video thanks! I was wondering if you could tell me on which tune could I hear Philly Joe play that 4 stroke ruff thing? I definitely heard him play it before but can't remember on which recording. It would be great to include little audio clips of the masters themselves! :)
Thank you so much
Check out his soloing throughout Kelly at Midnight or Miles Davis’ Workin’. I can’t include recordings on YT for copyright reasons. Have fun!
Always enjoy your instruction. Please excuse me if this question has been asked already : 6 stroke roll/Paradiddle diddle - is there a difference ?
RllrrL (6 stroke) vs Rlrrll (paradiddle-diddle)
@@drumqtips Wow ! Clear & concise, thank you very much ! 👍🥁
Awesome!!!
Thank you🙏🏾
Man you are a fu## genius. Amazing drumer. I see you from Argentina
Thank you sir. Gracias!
Always love your lessons! Does your book give references for the records/tracks where you can hear the phrases in context?
No it doesn’t unfortunately.
Marcus uses the ruff alot! Builds solo,s around them! Everyone says genius!! Listen to the best and steal everything you can!
WOW !!
An awesome lesson loved it. Plus where can I buy the t shirt. Thanks
I got the t shirt from a student from China. He got it there unfortunately.
❤️ Perfect 🥁
Tough one, but I'll go with Miles' Workin', because I love solos in Ahmad's Blues.
That’s a classic because it’s so damn good!
Hey Mr Quincy, where can I find lick#4 in the e book ?
That one’s not in there actually.
Still watching this damn lesson! Seen it so many times. Very inspiring.. although when you've seen it 18 times it's annoying when usay about the b book and page number! Lol no offence! You're a brilliant teacher, man
Mine is "Art pepper meets the rythm section" !
LOVE THAT ONE!!
One of my favorite too !
Nice man! What sticks are they?
My signature stick. Check the description box.
🔥🔥🔥👊🏿
YESSIR!!!
My dude 👊🏾
Preach the gospel of swing Q! Hope all is well.👍💪
Right on my man Avi!! Been a lonnnnnng time. Hope you and your family are well❤️
Revelation, no joke
👊🏾
Lick #1, 1:45 “I’ll play the 6 stroke roll RLLRRLR”….isn’t that 7!?
Not sure what you’re asking. Lick 1 is not a 6 stroke roll.
When you play the 6 stroke roll at 1:45, it’s 7 strokes. Look at it
RLLRRLR=7
At 2:00 with dynamics
RllrrLR=7 notes
You’re 6 stroke roll has 7 notes😅
My hands can’t count🤣
Q, this has to be my favourite lesson of yours so far. I've watched it several times..
Can I ask if you think that stick tap thing (lick #4) can be done in match grip?! I can't do traditional grip.. wrist injury long time ago plus self taught in match grip.. I can't get the whip or power with with traditional, but would love to of... I can't make sense of the stick tap thing with match grip.. perhaps it's not to be.. loving these lessons.. the 6 to 9stroke thing is my favourite to work on. But my left wrist injury knows it too. Annoyingly
You can absolutely play #4 using match. Just gotta lift your arm up a lot to replicate the natural angle that traditional grip gets. Glad you enjoyed this lesson so much!
Thanks!
That’s very kind of you good sir. Thank you🙏🏾