Thanks for the video Scott! I like to move transients by ear also. I also find it helpful to change the view to show the grid in front of the clip, which will let me instantly see the relationship between all of the transients in a clip and the metronome, click and snap settings (grid lines) regardless of where the cursor is resting. For me anyway that kind of speeded things up when identifying the offending transients and where things actually already line up. Of course using your ear is key, since as you know the transient identification isn’t always dead on in Cakewalk but it does an amazing job! I’ve been using Cakewalk forever also, it’s absolutely great. Thanks again have a great year!
Good job
Thank you very much!
Thank you for your suggestions. Merry Christmas and... To a prosperous New Year. I plan to finish four songs by Spring Break. This helps tremendously
Sweet! You got this. Keep at it and you’ll get there! Thanks so much for watching!
Thanks for the video Scott! I like to move transients by ear also. I also find it helpful to change the view to show the grid in front of the clip, which will let me instantly see the relationship between all of the transients in a clip and the metronome, click and snap settings (grid lines) regardless of where the cursor is resting. For me anyway that kind of speeded things up when identifying the offending transients and where things actually already line up. Of course using your ear is key, since as you know the transient identification isn’t always dead on in Cakewalk but it does an amazing job! I’ve been using Cakewalk forever also, it’s absolutely great. Thanks again have a great year!
That definitely works as well. The visuals are a great starting point, just like meter levels, but nothing is a better tool than our ears.