The Romantic Period | Music History Video Lesson
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- Опубліковано 3 чер 2024
- The Romantic Period in Western Music History
In the third of our music history video series we dive into the roiling musical waters of the Romantic Period. Many of the expressive and ideological characteristics of music created during this period have lingered into the modern day, and the Romantic "sound" continues to inform a great deal of what we expect from the music we listen to.
The time of the Romantic Period was one of great change, great progress, and great conflict on the European and American continents. Many of the artistic genres, preoccupations, and developments of the time were heavily influenced by what was happening in the world at large, and as the connectivity of civilization increased, so too did the demands for greater levels of musical involvement.
Correction: At the end of the video La Boheme was attributed to Giuseppe Verdi however it was written by Puccini
Join us as we delve into the details of this essential period in classical music history.
If you love this video and want more! Learn more about the Romantic Era on the LPM blog:
www.libertyparkmusic.com/the-...
Timestamps:
00:00 - Introduction
00:49 - What is Romanticism?
02:40 - Topics of Romanticism
04:59 - Musical Traits of Romanticism
09:48 - Concert Life
12:51 - Music for the Home
15:06 - Lists of Composers/Musical Examples
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Written by Michelle Aichele
Narration and Script Editing by West Troiano
Video Editing by Nick Vaky
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Major composers of the Romantic Period:
Felix Mendelssohn Bartholdy (1809-1847), Ludwig van Beethoven (1770-1827), Vincenzo Bellini (1801-1835), Hector Berlioz (1803-1869), Georges Bizet (1838-1875), Johannes Brahms (1833-1897), Fryderyk Chopin (1810-1849), Antonín Dvořák (1841-1904), Mikhail Glinka (1804-1857), Louis Moreau Gottschalk (1829-1869), Fanny Mendelssohn Hensel (1805-1847), Franz Liszt (1811-1886), Gustav Mahler (1860-1911), Modest Mussorgsky (1839-1881), Giacomo Puccini (1858-1924), Franz Schubert (1797-1828), Clara Schumann (1819-1896), Robert Schumann (1810-1856), Bedŕich Smetana (1824-1884), Richard Strauss (1864-1949), Arthur Sullivan (1842-1900), Piotr Il’yich Tchaikovsky (1840-1893), Giuseppe Verdi (1813-1901), Richard Wagner (1813-1883), and Carl Maria von Weber (1786-1826).
Musical Examples from this Period:
Fanny Mendelssohn Hensel: Schwannenlied
Franz Schubert: Gretchen am Spinnrade
Fryderyk Chopin: Nocturne in D-flat Major, Op. 27, No. 1
Robert Schumann: Waldszenen Op. 82, No. 7: Vogel als Prophet
Clara Schumann: Piano Trio, Op. 17
Felix Mendelssohn Bartholdy: Violin Concerto in E Minor
Franz Lizst: Piano Concerto No. 1 in Eb major
Johannes Brahms: A German Requiem
Giuseppe Verdi: “Che Gelida Manina” from La Bohème
Richard Wagner: “Prelude” to Tristan und Isolde
Piotr Il’yich Tchaikovsky: “Act 1 Finale” from Swan Lake
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Music -
Chopin - Waltzes, Op. 34, No. 3, Vivace in F major
Olga Gurevich: Piano
Chopin - Fantaisie-Impromptu, Op.66
Frank Levy: Piano
Wagner - Tristan und Isolde - Liebestod, S.447
Piano Transcription: Franz Liszt
Ilaria Baldaccini: Piano
Berlioz - Symphonie Fantastique Op. 14: V. Songe d'une Nuit du Sabbat
Elgar - Ave Verum Corpus
Orchestra Gli Armonici
Smetana - Ma Vlast - III. Vltava (The Moldau)
Barbara Schubert; University of Chicago Symphony Orchestra
Beethoven - Symphony No.6, Op.68 (transcription for organ)
Beethoven - Symphony No.10 (sketches)
Orchestre Nouveau
Beethoven - Symphony No. 5 in C minor, Op. 67 - I. Allegro con brio
Brahms - Violin Sonata No. 2, Op. 100
Chopin - Gallop Marquis
Aya Higuchi: Piano
Berlioz - Romeo et Juliette, Op. 17 - I. Introduction
Barbara Schubert; University of Chicago Symphony Orchestra
Tchaikovsky - Symphony No. 1 in G minor, Op. 13 'Winter Dreams' - I.
Daydreams on the Wintry Road: Allegro tranquillo
Barbara Schubert; DuPage Symphony Orchestra
Paganini - Caprice No. 24
Elias Goldstein: Viola, Christina Lalog: Piano
Liszt - Mephisto Waltz No.1, S.514
Gabriel Antonio Hernandez Romero
Mendelssohn - Songs Without Words, Op. 30, No. 1
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CORRECTION FOR THE CONTENT IN THE VIDEO: At the end of the video (15:17) La Boheme was attributed to Giuseppe Verdi however it was written by Puccini
I teach college Music Appreciation, and this is the best overview of the Romantic Period I have found. Thanks, and I will be checking out your other videos.
Thank you so much for the praise! It is so great to hear that our hard work is appreciated. Please check out our other Music History lessons and feel free to share them around
This is a very well written essay video. It's a good summary of everything I've learned this semester in music history so far. It's good for reference
Thanks for the compliment Austin, glad you enjoyed the video. Please feel free to let your friends or classmates know about our videos!
@@Libertyparkmusic_LPM will do!
My insights about their story is very beautiful especially when playing the instrument
Correction: "Che Gelida Manina" by Giacomo Puccini from the opera "La Boheme"
Thank you for these excellent videos - really brilliant coverage of so many topics in 10 minutes!
Thank you so much for watching and sharing the videos :)
Thank you so much for this excellent overview about Romantic Music! I think it's ideal for high school students. It's worth watching. Thanks again!
So glad you like the video! Check out all our music history videos - ua-cam.com/play/PLTEsNox3-4RpwLZoFQOvghwh2CV6-i46-.html
I love this video.
In fact, I love all your videos.
The graphics are engaging and the voice over, educating.
Thank you! 🤗
Thank you for watching!
Thank you! Very good history videos!
Im here because of my performance in music😁😂
Same
Haaha
(2)
Same
Same HWHWHA
Much more informative than the two previous periods, very impressive work!
Honestly the Romantic period is so special. Some of my favourite pieces are from the period. Zimmerman performing Brahms Piano Concerto No.2 and Chopin's Piano Concerto No.1 just show how incredible music can truly be :)
Great explanation, thank you！
Is there a chance that we will also learn about music history outside of western culture on LPM? I for one would be highly interested in middle and far eastern music history.
Thank you for putting the lists of composers and musical examples in the video description. This makes it way easier to dive into it.
It's fascinating how much of the romantic period (and not only in music) is still part of contemporary culture. Some of those changes seem to be reactions or displays of social changes that still last until today.
Det var en meget informativ video. Tak.
Thank you! A super summary in my opinion!
Thank you Caroline, we are glad you enjoyed the video!
thx for sharing.
Great lesson!
Andito ako kase may Performance Task kame sa MAPEH AHAHAHAHAHAHAHAHAYA
sige tol
Yawa hahahaha
Ako din.... Pasahan na namin this week😭
Ano Grade Nyo Na? Tanong Lang
@@JodyJody1234 9
Hi! May I offer you subtitles in portuguese? I would like to share this vídeo with my students in Brazil.
Sure if you have them written out I can add them as Closed Captions to the video, that would be very cool :)
good
90s here, changing future:.. TWEAK
Thank your this very good video. However I'm so surprised that you bring an example from La Boheme for Giuseppe Verdi, when everyone knows it's written by Puccini!! Verdi composed Aida, Traviata and Rigoletto...
Thank you for the catch Mario, that was a mistake on our part. We'll add a note in the description about the mistake.
Thank you Sir Jay Jay!
-Egor Samson
wth ginagawa mo dito
Awesome!
Thanks for watching!
What instruments are used for romantic period in music? I can’t find anything anywhere
Excellent video.
Hi Po pwede nio po pakisagutan kung ano po ang Articles related to the Romantic Composers Of Ludwig van Beethoven ?
Si Ludwid ay ang aking maestro! dahil napaka galing niya kahit isa siyang bingi!
NGapala si Franz Schubert ay ang kanyang dakilang tagahanga! NA siyanf nag compose ng AVE MARIA!
Si Franz Lizst naman ay dating student ng maestro nainspire siya kaya siya ang naging pinaka mabilis na piyanista!
Recommend ko sayoang {Fur Elise ua-cam.com/video/_mVW8tgGY_w/v-deo.html} promise narinig mona ito!!!
Si MAestro Beethoven ang nagkumpose noung bingi siya! PAra iyon sa babaeng mahal niya pero
sabi niya....
Beethoven: Therese ko! maaari mo ba akong pakasalan!?
Pero ayaw sa kanya ni Elise dahil may mahal na siyang iba!
Sana magustohan mo po!
ua-cam.com/video/_mVW8tgGY_w/v-deo.html
Kung gusto mo ng gera yung dun dun dun duuun eto LVB 5th symphony at
Ode to joy
kung gusto mong magwala ng makabayan! BE bless
Are you sure classical sonatas had typically two parts and the romanticists expanded them? Wasn't it the other way around?
Im here because of my performance task in music🤣
You should mention the significance of the Haitian revolution, too.
🇮🇳
Nicely done. Only Beethoven is not considered a romantic composer even though he embodies many of the typical features. His music is late classical. Even Schubert stuck with a classical style for many of his compositions.
Beethoven pioneered romantic music and broke far enough from the strict classical methods that he could be considered the very first romantic composer.
@@casualcadaver I would say that his identity and personality fit that of a romantic composer. He wasn't the polite, preppy, well-mannered gentleman anymore (like a "traditional" classical composer would be, at least publicly), but the tragic genius that was very much idealized during romanticism. This was a result of a post-revolutionary change in the sense of self, self-importance, identity, and an increasing desire for individualism.
Musically speaking, Beethoven is a complicated one. Outside of Germany, I've heard (read: on the internet, I've read) him being called a romantic composer many times, but in Germany, he is very much considered a classical composer - and or good reasons. The vaaaast majority of his works is a lot closer to Mozart than to, say, Felix Mendelssohn Bartholdy (who is, granted, a part of High Romanticism, not Early Romanticism, but still lived and worked pretty early in that era). Even Beethoven's last works are still pretty close to those classical rules - remember music changed not only on the line between classicism and romanticism, but also all the time in between those epochs. When Leopold Mozart composed his most famous works, an orchestra still consisted of, what, 20 people? His son's last symphonies are already virtuoso masterpieces for huge orchestras, and Beethoven just added to that. The breaking of genre "rules" and mixing of genres - well, that was already a trend in that time anyway; even Mozart was experimenting with genres (I say "even" because Mozart has this repetition of basically composing more or less the same symphony in different keys out of laziness rather than doing something crazy and new, at least very often). More emotion and expression in the music; emotionalism, pathos. Well, personally, I think that is actually a trend that you can notice in Mozart's late works as well, some of them anyway. Listen to symphonies 38 and 39; both are full of pathos. The Requiem, of course.
Back to Beethoven. He is generally known as the "crossing" (I'm sorry, I didn't find an adequate translation for the German word "Übergang") from classicism to romanticism, but I would not call him a part of the latter.
Most of his music after 1800 is romantic, especially the symphonies (3-9). I would say his third (Eroica) is the first romantic work.
@@jamesscottvideos By what standards do you measure that, just out of curiosity? Because when I look at Beethoven's symphonies, I see classical symphonies with just a little bit more length, emotion and drama added.
And after 1800? Most of Beethoven's compositions were written after 1800, they all follow the same classical schemes and genres and features. Compare him with Felix Mendelssohn Bartholdy who lived only a couple of years later and could be called the most conservative example of romanticism. It's still worlds apart - just look at Mendelssohn breaking of/reinventing genres, his use of instruments (woodwinds) and the roles of certain groups in the orchestra shifting, the difference between Beethoven's systematic, extremely rhythmic symphonies with one theme played into oblivion and Mendelssohn's fast changes, many different passages, lively and innovative music.
I'm sorry that it's so hard for me to put into words, but there's a massive difference between romanticism and Beethoven. Yes, I see what you see and I hear what you hear - there are obviously markings of romanticism in Beethoven's music. Romanticism didn't just drop from the skies after Beethoven's death. But the classical foundation is still there, which is why Beethoven's music is the transition between the eras, but he himself wasn't part of the new era.
The problem with arguing about this is that the question at the core of all this is what actually is romanticism, what is classicism, what is change/innovation inside either one, what is transition, and what is a step from one to the other (like Skrjabin certainly moved from late romanticism to modernism, no argument needed there). I think it's incredibly hard to lead any argumentation without a solid foundation of what is what.
I'm just arguing for what most of musicology agrees with (by the way: it is my personal experience, though it may not be accurate in all cases, that outside of Germany, Beethoven is more commonly referred to as a romantic composer than inside of Germany. So it probably breaks down to internationally different definitions of romanticism and classicism.)
@@joanneaugust1489 The word Romantic was at that time to mean something like 'emotional fantasy', expressing longing and desire and pain and joy. Beethoven's Eroica was a revolution in that respect. It is deeply emotional at times (compared to anything else of the time). It's a combination of emotional conflict, sturm und drang, weight, length, description, abrupt dynamic change, extreme dark to light, extreme development. This is way ahead of classical. Nothing had been so heavy, dark and painful as the funereal slow movement, and no one had pushed emotional intensity forward as much as Beethoven. Instrumentation does not define romanticism so much as how it is expressed. Who would you say was comparable in 1803?
Why is Beethoven in this category?
good slop
you're here because of your activity.
Did I hear Taylor Swift and One Direction bc I am SO down if so
It should say Chopin Nocturne Op. 27 No.2 not No.1 as no. 1 is in C sharp minor not d flat major
Ռոմաաանտիկաաա,թիթեռի պես պտտվիիր,պտտվիիիր,ախր ինչպես կապրեք առաց ,,սենտիմենտիիիի,,😂
HI CHERRRR!!!!! 😂
AHAHAHAAHHAHA
One Direction
You lost me at Taylor Swift...with Bieber I just died.
am here because of tomorrow's final exam😂
I didnt think beethoven was romantic era. I thougt he was before
Beethoven interestingly is unique in that he spans across the classical and romantic eras - we have a more detailed biography of him here - ua-cam.com/video/q7ku6InhKl4/v-deo.html
Is it weird that there is no black dude was shown in this video 😂
unfortunately at the time of the romantic era, rights for black/ non white people were severely behind, let alone equal treatment for black people trying to become successful composers, but im sure there were tons! they just didnt get the same accollade because of racism :/
You should look up Chevalier De Saint-Georges. He is from the classical era but he is definitely a really good black composer
@@gracelloyd7181 That's a very simplistic perspective. People in 17th century African tribes were not stopped from making music, but it happens that their music was very different, and it may be the same in the 19th century.
@@jamesscottvideos yeah but i mean it wasn’t as popularised in western countries yk?
Good.
thankyou for this boring video