+Benjamin Rood That's part of the texture of the genius of Mahler, the "vulgar" - obviously in the highest sense of the word. The texture of the real, of modern life. The most famous one is at the end of the adagietto of the Fifth. The 20th century is fully in view from the peak Mahler had climbed.
I can't believe what a talent MK is. Homewrecker! She understands Abbado's abandonment of the small-scale rhythmic structure - I think he's drawing on his experience conducting Debussy's Pelleas, written in the same year - and the rubato extends to a sort of "rubato of pitch" where unresolved suspensions take on a life of their own. They're not like Debussy, because they still imply function. Funnily enough, the next song to match this in quality was the Beatles's "No Reply," which features Mahler's unresolved ninths and 13ths!
This is Emma Schied. She has been solo English horn in the Lucerne Festival Orchestra since 2003. She is also one of the founding members of the Mahler Chamber Orchestra. Wonderful performance here.
Magdalena Kozen dimostra un'ottima capacità di fraseggio. Le dinamiche discendono dalle note. Probabilmente le viene naturale, ma il risultato è straordinario. Il suo "ruh" devasta il cuore ♥
Ich bin der Welt abhanden gekommen, Me he alejado del mundo Mit der ich sonst viele Zeit verdorben, en el que perdiera tanto tiempo, Sie hat so lange nichts von mir vernommen, Hace mucho que nada se ha sabido de mí Sie mag wohl glauben, ich sei gestorben! Puede muy bien creerse que estoy muerto! Es ist mir auch gar nichts daran gelegen, No hay, de hecho, nada que me importe Ob sie mich für gestorben hält, si se me considera muerto. Ich kann auch gar nichts sagen dagegen, Ni siquiera puedo negarlo. Denn wirklich bin ich gestorben der Welt. Realmente he muerto para el mundo. Ich bin gestorben dem Weltgetümmel, He muerto para el estruendo del mundo Und ruh' in einem stillen Gebiet! y descanso en una región silenciosa. Ich leb' allein in meinem Himmel, Vivo solo en mi cielo, In meinem Lieben, in meinem Lied! en mi amor, en mi canción.
In common with many devotees of this particular song, I've listened to countless versions, both recorded and live, over the years. I have to state that the orchestral playing in this performance, is, in my very humble opinion, the best I have ever heard. If perfection in orchestral tone and accompaniment exists - then this is it! My thanks go to the LFO, Ms Kozena, Maestro Abbado and not least, Mr Mahler himself!
These past few months of "lock down '' have helped me, perhaps, understand the lyrics better. I live alone. I do not go to work or to the gym or out to cafes or classes. Days go by when I don't speak face to face with anyone. I often ignore the news media. It's just ME in my studio where I draw and paint. Pascal said that all of our miseries derive from our inability to sit quietly in a room. Wordsworth wrote "The world is too much with us.... Getting and spending, we lay waste our powers".... Many great artists and thinkers have benefited from periods of isolation. Sometimes voluntary. Sometimes as a result of illness or imprisonment. We waste our powers with distractions. This forced disconnection from the daily round of busy-ness might turn out to be a blessing. Maybe that's what Mahler was feeling.
Shout-out to the English Horn soloist. It is difficult to find a recording with comparable quality in the English Horn - it really opens up the introduction. Really, the whole double-reed section plays with unusual richness and lyricism.
Es para mí la mejor interpretación de los Lieder de Mahler! Simplemente Extraordinario!! Magdalena Kozena es magnífica!!! Se me salen las lágrimas de la emoción de ésta magistral interpretación!!!
In August of this year we took out beloved cat Ollie, now 20 years old, on his last journey to the veterinary surgeon to put him to sleep. It was so heartbreaking for me, my partner Dee and daughter Rebecca. As we put Ollie in the car for the short trip, I played this Mahler piece on my car stereo as we slowly drove away from the house with tears rolling down our faces. 30 minutes later, Ollie had passed away. Gone forever. I will always associate this music with our Ollie who we miss so much. Nick.
Not so many understands the pain one passes throught for the loss of a pet. If you truly loved him it's a real mourning. But this means that it was a very lucky cat, spending 20 years filled of love and care!
You will find great comfort in the future having a musical connection with the passing of a pet. For me it was Glenn Gould's Goldberg Variations when Madison was put to sleep almost 19 years ago.
Me he alejado del mundo, en el que perdiera tanto tiempo. Hace mucho que nada se ha sabido de mí! Puede muy bien creerse que estoy muerto! No hay, de hecho, nada que me importe si se me considera muerto. Ni siquiera puedo negarlo. Realmente he muerto para el mundo. He muerto para el estruendo del mundo y descanso en una región silenciosa. Vivo solo en mi cielo, en mi amor, en mi canción.
I loved Abbado’s peaceful spirit when I first discovered him. Sadly, he was gone shortly after I discovered him, and I wished I had known of him longer while he was alive. . RIP Maestro. You’re dearly missed and you still are affecting my life, even now at 2 AM. ❤️
I am lost to the world with which I used to waste so much time, It has heard nothing from me for so long that it may very well believe that I am dead! It is of no consequence to me Whether it thinks me dead; I cannot deny it, for I really am dead to the world. I am dead to the world's tumult, And I rest in a quiet realm! I live alone in my heaven, In my love and in my song!
This is the humanity's mental lullaby , and the cradle gently cradled by Abbado Her singing voice is beyond description ， and full of admiration , acclaim and deep emotion
The tone color and the way she pronounces the vowel on the word "ruh" (rest) @ 4:11 is devastating, as is the fragility (to the point of breaking) of her voice on the word "still" ("quiet") in the following bar. TOTAL immersion in both the content and the spirit of the music.
I have no specific knowledge of singing, but this is a masterful example, of how you can use NO vibrato to emphasize a certain part. It is for sure one of the most beautiful passages I've heard
I think back to what I was doing in August 2019 (looking for a house to rent in Luxembourg in case you were curious) and wonder why I was not in Lucerne listening to this...
There needs to be a substantial moment of silence after the last note is played. There is a good reason. It has to do with the vibrations in the air that remain after the music stops. The music is still radiating outward, outward and it needs a space of silence to move into. The cacophonous beating of hands, the rowdy applause, beats it back and obliterates the afterglow that is absolutely necessary for the FULLEST enjoyment of the music. The music needs to be surrounded by silence. That way, it can be heard better. It's like clearing the palate between courses at dinner. At the end of a piece, the audience should hold back their enthusiasm for a few seconds. Let the music melt away.
So fantastic, heart-wrenching. After almost 5 decades with Lucerne, Maestro Abbado passed away leaving behind a legacy, a tradition, and a huge hole to fill. We will miss you and your spirit. Rest easy.
Non credo sia possibile una bellezza di canto e di orchestra più struggente ed abbandonata di questa superba interpretazione di Abbado - Kozena di uno dei più straordinari e struggenti canti Mahaleriani. Commovente. Non riesco a non riascoltarla di quando in quando.
Wow. I love Mahler, and have listened to about 99% of his complete works - many of them at least 150 times. But I never appreciated this song until now. That transition / key change slightly after 4:30 is absolutely brilliant, and heartbreaking so. What a composer. What music.
It's not a key change, but it *is* when the music becomes Jewish: the Jews' song rises to the surface of the European orchestra. He's writing in 1901, so he, with Kafka, are the two pre-Fascist exiles. I love Debussy as much as the next girl, but the outrageous level of emotional intelligence Mahler exhibits - the adagietto of the fifth symphony is another example of a feeling that had simply never been heard before - marks him as the first modern musician.
***** I don't see that part as particularly jewish. I think that Uri Caine, in "Primal Light" brought out the klezmer in Mahler better than anyone else.
+Gustave Mélomann I didn't mean to infer that the way it resonates with me personally is anything other than a purely private reaction. And the reflection I'm describing is on a different level than Caine's, which for me is one of the few real triumphs of genre synthesis.
As a pianist, this is also my favorite spot in the piece to play in the voice/piano version, with the lovely doubling of the melody in thirds, and the elegant interplay of regular eighth-notes against triplet eighths in the left hand. Very sweet to see both players similarly relishing that moment. :-)
rather, bless him and Kozena... having listened to so many versions, when I first heard hers (in a different recording, but this one is damn superb) I felt like I was seeing the song's true image for the first time, having first only viewed it on television. Hint: to witness rhapsody, check out Kozena's Berg. Effin phenomenal. Talent like hers is a GD crime.
The pressure from potentially dropping a bum note into performance like this would preclude me from playing any instrument. Even a triangle. These performers have nerves of steel.
Vivo acompañada y sola en mi mundo y M canción,. No se me ha permitido la soledad, algo habré hecho bien después de todo. Soy muy afortunada. Que preciosidad , que sublime
Transcendent, sublime beauty. The truest expression of existential resignation and cosmic lonliness, quite possibly in musical history. Mahler, and these performers recreating his vision, have tapped into magical depths of feeling that we can all relate to as we all decay, and watch loved ones decay and die, and all sadly spin on a fragile dying planet in a vast void. Is there a more densely packed expression of this in any other work of art in the history of humankind? How can less than seven minutes be this magical and cathartic? I can think of a few works that might match, but none can surpass. The only true response here to anyone really listening can be tears, and lots of them.
The glissando at the end never fails to make the hairs on my neck bristle. How is it that I can’t hear it in all the other recordings that have been made? Such a perfect ending to a perfect song. Maybe I should see it live and sit in the front row opposite the lead violinist!
Sincères condoléances aux réfractaires ! Que n'aurai-je donné pour être dans la salle ? Un des plus beaux morceaux à emmener sur l'île déserte. Tout est parfait ici... Vraiment. A pleurer...
Despite a new version of this allied recently put out by Deutsche Grammophone, this one is superior. An alchemical blend of a superb mezzo, wonderfully competent instrumentalists, and Abbado. I watched a series of rehearsals of Abbado conducting the Verdi Requiem at La Scala, with soloists that included Montserrat Caballé. It became clear to me what a careful, unassuming, meticulous, expressive conductor he was. This recording has unmatched musicality.
Every moment is filled with such emotions and an atmosphere that seems so otherworldy yet relatable. This is for sure one of my favorite songs by Mahler (as is the whole Ruckert Lieder).
I really like Magdalena's performances because she is very expressive, and therefore fun to watch! She obviously is conscious of the words that she is singing and knows what thoughts are meant to be conveyed. Very few voice instrument experts do that, as far as I am aware, or at least not to the extent. At least that's my impression. She's from Czeckoslovakia (Moravia) where my mom's family is from (Bohemia), so maybe that's why her singing hits me that way.
Looking well u'll see a woman singing for herself at the end. It was like nobody was there. Her gave at the very end is pointing to the paradise from this poem.
Thank you so very much for posting! This is my go to song after one grueling day of whatever. Truly appreciate Frau Kozena, Abbado, the clarinet goddess and the first violinist!
This most perfect glissando 6:11 of this song I have ever heard.
+Benjamin Rood That's part of the texture of the genius of Mahler, the "vulgar" - obviously in the highest sense of the word. The texture of the real, of modern life. The most famous one is at the end of the adagietto of the Fifth. The 20th century is fully in view from the peak Mahler had climbed.
I had to check to make sure I am actually reading a comment like this on UA-cam.
I can't believe what a talent MK is. Homewrecker! She understands Abbado's abandonment of the small-scale rhythmic structure - I think he's drawing on his experience conducting Debussy's Pelleas, written in the same year - and the rubato extends to a sort of "rubato of pitch" where unresolved suspensions take on a life of their own. They're not like Debussy, because they still imply function. Funnily enough, the next song to match this in quality was the Beatles's "No Reply," which features Mahler's unresolved ninths and 13ths!
Jmay6901 This is Kolja Blacher, Abbados favorite violinist.
This is Emma Schied. She has been solo English horn in the Lucerne Festival Orchestra since 2003. She is also one of the founding members of the Mahler Chamber Orchestra. Wonderful performance here.
Came here from the magnificent novel " A Little Life " to listen to a magnificent piece.
Same
SAME
Same :)
Same
Same
The paradox of sharing existential loneliness. The awesome power of true art.
Written by a composer who believed in magic and realized by a conductor who understood the magic.
Magnifique tout simplement
I definitely searched this while reading a little life 😢
That book gave me depression 🤣💔
Me too!
저두요~~^^
Me tooo
The absolute musical pinnacle of my 36 years of being alive.
This is a heartbreakingly beautiful performance of a devastatingly magnificent composition.
If you listen to only one song today, let this be it 💌
Magdalena Kozen dimostra un'ottima capacità di fraseggio. Le dinamiche discendono dalle note. Probabilmente le viene naturale, ma il risultato è straordinario. Il suo "ruh" devasta il cuore ♥
This is an immortal great moment! 💫
Ich bin der Welt abhanden gekommen, Me he alejado del mundo
Mit der ich sonst viele Zeit verdorben, en el que perdiera tanto tiempo,
Sie hat so lange nichts von mir vernommen, Hace mucho que nada se ha sabido de mí
Sie mag wohl glauben, ich sei gestorben! Puede muy bien creerse que estoy muerto!
Es ist mir auch gar nichts daran gelegen, No hay, de hecho, nada que me importe
Ob sie mich für gestorben hält, si se me considera muerto.
Ich kann auch gar nichts sagen dagegen, Ni siquiera puedo negarlo.
Denn wirklich bin ich gestorben der Welt. Realmente he muerto para el mundo.
Ich bin gestorben dem Weltgetümmel, He muerto para el estruendo del mundo
Und ruh' in einem stillen Gebiet! y descanso en una región silenciosa.
Ich leb' allein in meinem Himmel, Vivo solo en mi cielo,
In meinem Lieben, in meinem Lied! en mi amor, en mi canción.
lindo poema
Gracias
Que sublime
💖 Vielen Dank! :-)
Gracias por la traducción!!
ICH HAB MICH JETZT SCHON WIEDER IN DEN NÄCHSTEN JAHREN!!❤❤❤
In common with many devotees of this particular song, I've listened to countless versions, both recorded and live, over the years. I have to state that the orchestral playing in this performance, is, in my very humble opinion, the best I have ever heard. If perfection in orchestral tone and accompaniment exists - then this is it! My thanks go to the LFO, Ms Kozena, Maestro Abbado and not least, Mr Mahler himself!
And Rucker, who wrote the poetry.
die großartige Magdalena Kozena, der großartige Claudio Abbado, Mahlers Genie, was für ein Wunder (in dieser Welt)
These past few months of "lock down '' have helped me, perhaps, understand the lyrics better.
I live alone.
I do not go to work or to the gym or out to cafes or classes.
Days go by when I don't speak face to face with anyone.
I often ignore the news media.
It's just ME in my studio where I draw and paint.
Pascal said that all of our miseries derive from our inability to sit quietly in a room.
Wordsworth wrote "The world is too much with us.... Getting and spending, we lay waste our powers"....
Many great artists and thinkers have benefited from periods of isolation.
Sometimes voluntary.
Sometimes as a result of illness or imprisonment.
We waste our powers with distractions.
This forced disconnection from the daily round of busy-ness might turn out to be a blessing.
Maybe that's what Mahler was feeling.
When we look within ourselves in solitude, we discover the absurdities of the outside world.
❤
How can anyone not LOVE Mahler I simply don't understand Magdalena Kozena is simply superb
Pity them!
I've started studying this for the conservatory but I cry everytime at "ich bin allein", my voice breaks.
this is not music but a soul treasure.
This beautiful musick.......2023 so,so,beatiful, i make a drawing of this musick and this voice.Thank you,Helena....
2024..❤😊
I considered this song sad even when I didn't understand a word of german. Now that I understand it, my heart breaks.
Shout-out to the English Horn soloist. It is difficult to find a recording with comparable quality in the English Horn - it really opens up the introduction. Really, the whole double-reed section plays with unusual richness and lyricism.
Lucas Macias' oboe playing is great as well
Very few things in the world are as beautiful as this.
Thank you Claudio, for all the love you gave us.
Ich bin der Welt abhanden gekommen
VIVA ABBADO!
Bravo!!!
Es para mí la mejor interpretación de los Lieder de Mahler! Simplemente Extraordinario!! Magdalena Kozena es magnífica!!! Se me salen las lágrimas de la emoción de ésta magistral interpretación!!!
Kozena is out of this world.....and so intelligent.
In August of this year we took out beloved cat Ollie, now 20 years old, on his last journey to the veterinary surgeon to put him to sleep. It was so heartbreaking for me, my partner Dee and daughter Rebecca. As we put Ollie in the car for the short trip, I played this Mahler piece on my car stereo as we slowly drove away from the house with tears rolling down our faces. 30 minutes later, Ollie had passed away. Gone forever. I will always associate this music with our Ollie who we miss so much. Nick.
Not so many understands the pain one passes throught for the loss of a pet. If you truly loved him it's a real mourning.
But this means that it was a very lucky cat, spending 20 years filled of love and care!
poor Ollie 20 is old for a cay though - he had a good innings
You will find great comfort in the future having a musical connection with the passing of a pet. For me it was Glenn Gould's Goldberg Variations when Madison was put to sleep almost 19 years ago.
Me he alejado del mundo,
en el que perdiera tanto tiempo.
Hace mucho que nada se ha sabido de mí!
Puede muy bien creerse que estoy muerto!
No hay, de hecho, nada que me importe
si se me considera muerto.
Ni siquiera puedo negarlo.
Realmente he muerto para el mundo.
He muerto para el estruendo del mundo
y descanso en una región silenciosa.
Vivo solo en mi cielo, en mi amor, en mi canción.
I found this just now. Magical. I cried right away.
I loved Abbado’s peaceful spirit when I first discovered him. Sadly, he was gone shortly after I discovered him, and I wished I had known of him longer while he was alive. . RIP Maestro. You’re dearly missed and you still are affecting my life, even now at 2 AM. ❤️
I am lost to the world
with which I used to waste so much time,
It has heard nothing from me for so long
that it may very well believe that I am dead!
It is of no consequence to me
Whether it thinks me dead;
I cannot deny it, for I really am dead to the world.
I am dead to the world's tumult,
And I rest in a quiet realm!
I live alone in my heaven,
In my love and in my song!
RIP Abbado,this is the best song for your lonely journey
This piece speaks directly to the heart and soul. I can't listen to it without the tears flowing.
You and me both. Amazing.
Yo también.
Same
Me too!
Emo music was so good in the 19th century
This is from 1910-11.
Mahler had lost his daughter Maria, five-years, by the time he wrote this, so....
Nessuno l'ha mai cantata meglio della Kožena, nessuno !!!
This is the humanity's mental lullaby , and the cradle gently cradled by Abbado
Her singing voice is beyond description ， and full of admiration , acclaim and deep emotion
The tone color and the way she pronounces the vowel on the word "ruh" (rest) @ 4:11 is devastating, as is the fragility (to the point of breaking) of her voice on the word "still" ("quiet") in the following bar. TOTAL immersion in both the content and the spirit of the music.
I have no specific knowledge of singing, but this is a masterful example, of how you can use NO vibrato to emphasize a certain part. It is for sure one of the most beautiful passages I've heard
Is the minor 2nd that Mahler uses to give to the passage this feeling
@@pedrodias5166 Exactly this, perfect use of extremly delayed vibrato, very beautiful
or those excuciating slow bisyllables 'himmel' and 'leben' and 'lieben'.
@@Bu-bo-Bu-boHelena....❤
Abbado - master of the music, master of the silence.
4:08 Do you hear that? The sound of a million hearts breaking.
I think back to what I was doing in August 2019 (looking for a house to rent in Luxembourg in case you were curious) and wonder why I was not in Lucerne listening to this...
En el Festival de Lucerne.
We're still missing you very much Mr Abbado
Best interpretation ever! Loved the silence when the song finished.
Schone Musik...
There needs to be a substantial moment of silence after the last note is played.
There is a good reason.
It has to do with the vibrations in the air that remain after the music stops.
The music is still radiating outward, outward and it needs a space of silence to move into.
The cacophonous beating of hands, the rowdy applause, beats it back and obliterates the afterglow that is absolutely necessary for the FULLEST enjoyment of the music.
The music needs to be surrounded by silence.
That way, it can be heard better.
It's like clearing the palate between courses at dinner.
At the end of a piece, the audience should hold back their enthusiasm for a few seconds.
Let the music melt away.
So fantastic, heart-wrenching. After almost 5 decades with Lucerne, Maestro Abbado passed away leaving behind a legacy, a tradition, and a huge hole to fill. We will miss you and your spirit. Rest easy.
Magical preforming !
about as beautiful and sublime that music can ever be
Breathtakingly beautiful,one of the most moving pieces in all of classical music.
Each time the tears come...........
Non credo sia possibile una bellezza di canto e di orchestra più struggente ed abbandonata di questa superba interpretazione di Abbado - Kozena di uno dei più straordinari e struggenti canti Mahaleriani. Commovente. Non riesco a non riascoltarla di quando in quando.
This performance , I keep going back to it. And i keeps bringing tears to my eyes. Magic exists.
Non stop appearing in my sleep mentally. I’m going to sing this and learn with my heart ❤️
She seems haunted by the music and she performs it with enormous skill; she is a great artist. Mahler’s magnificent song gets it’s due.
Die gute alte Zeit
Famos. Ich war grade 73 als der Track Release hatte🥰
It so beautiful,for ever and ever..
I am happily lost in Mahler's world.
Thank u julian
Wow.
I love Mahler, and have listened to about 99% of his complete works - many of them at least 150 times. But I never appreciated this song until now. That transition / key change slightly after 4:30 is absolutely brilliant, and heartbreaking so. What a composer. What music.
This is how it's done.
It's not a key change, but it *is* when the music becomes Jewish: the Jews' song rises to the surface of the European orchestra. He's writing in 1901, so he, with Kafka, are the two pre-Fascist exiles. I love Debussy as much as the next girl, but the outrageous level of emotional intelligence Mahler exhibits - the adagietto of the fifth symphony is another example of a feeling that had simply never been heard before - marks him as the first modern musician.
***** I don't see that part as particularly jewish. I think that Uri Caine, in "Primal Light" brought out the klezmer in Mahler better than anyone else.
+Gustave Mélomann I didn't mean to infer that the way it resonates with me personally is anything other than a purely private reaction.
And the reflection I'm describing is on a different level than Caine's, which for me is one of the few real triumphs of genre synthesis.
4.31: The happiest clarinettists in the world
Who knew that Philip Seymour Hoffman and Robert Downey had day jobs!
As a pianist, this is also my favorite spot in the piece to play in the voice/piano version, with the lovely doubling of the melody in thirds, and the elegant interplay of regular eighth-notes against triplet eighths in the left hand. Very sweet to see both players similarly relishing that moment. :-)
I will have this exact score played at my wake. A 6 minute silence.
How do you put words to this experience? This must be one of the most beautiful songs I've ever heard. Bless Mahler!
I totally agree with you George. One of the most beautiful sounds to even enter my ears.
@@brin1516 So true! 💙💙💙
rather, bless him and Kozena... having listened to so many versions, when I first heard hers (in a different recording, but this one is damn superb) I felt like I was seeing the song's true image for the first time, having first only viewed it on television. Hint: to witness rhapsody, check out Kozena's Berg. Effin phenomenal. Talent like hers is a GD crime.
at age 65 finally catching on to Mahler, thanks to the piano of Beatrice Berrut..This is breathtaking...the piece and the performance...
The pressure from potentially dropping a bum note into performance like this would preclude me from playing any instrument. Even a triangle. These performers have nerves of steel.
Do you know if this is an aria
La perfection absolue !!!
Commovente. Splendido. Grande Abbado e grande Kozena
Maestro Abbado grande por siempre!!!!!
Vivo acompañada y sola en mi mundo y M canción,. No se me ha permitido la soledad, algo habré hecho bien después de todo. Soy muy afortunada. Que preciosidad , que sublime
The best version I've ever heard! Divine! ❣
breathtakingly beautiful, what a sound, clarity and intensity. Singer and orchestra!!!!
the cor anglais is Emma Schied, of the BRSO and Mahler Chamber Orch. The violin solo is by Kolja Blacher.
could not be sung more beautifully!
Diese Leistung kann Gleichen haben, aber nichts hat es übertroffen.
Best interpretation ever
Transcendent, sublime beauty. The truest expression of existential resignation and cosmic lonliness, quite possibly in musical history.
Mahler, and these performers recreating his vision, have tapped into magical depths of feeling that we can all relate to as we all decay, and watch loved ones decay and die, and all sadly spin on a fragile dying planet in a vast void.
Is there a more densely packed expression of this in any other work of art in the history of humankind? How can less than seven minutes be this magical and cathartic? I can think of a few works that might match, but none can surpass.
The only true response here to anyone really listening can be tears, and lots of them.
Beautiful..I love Ferrier and Baker also. Each singer brings something incomparable to this wonderful Lied
Fabulous version - what a singer!
Just wonderful. The look in her eyes at the end tells you all you need to know.
Cómo puede ser tan hermoso?
The glissando at the end never fails to make the hairs on my neck bristle. How is it that I can’t hear it in all the other recordings that have been made? Such a perfect ending to a perfect song. Maybe I should see it live and sit in the front row opposite the lead violinist!
The Lucerne's performances are always of the highest commitment to the fullness of music expression. Thank you Maestro Abbado!
I want to listen this during entering into new Galaxy! Mahler, creator spiritus!
celestial absolutamente maravilloso, Gracias
It's for me everything!..after this,i make a painting of the galactie with our beautiful earth in this all....thanks for this inspiration..so magic.
I hear this 1000 times......2022
English horn is amazing.
Merveilleuse interprétation. Merci de partager.
Claudio Abbado & Magdalena Kozena, magistral música y voz.
My quest in this world was to seek out its ultimate undying perfection of beauty. Mission accomplished.
Oh my God! She's amazing ❤🥰 I really want to sing like that!!!
I came here from Jim Jarmusch's "Coffee and Cigarettes" movie. Thanks for the beautiful music.
Sincères condoléances aux réfractaires ! Que n'aurai-je donné pour être dans la salle ? Un des plus beaux morceaux à emmener sur l'île déserte. Tout est parfait ici... Vraiment. A pleurer...
Despite a new version of this allied recently put out by Deutsche Grammophone, this one is superior. An alchemical blend of a superb mezzo, wonderfully competent instrumentalists, and Abbado. I watched a series of rehearsals of Abbado conducting the Verdi Requiem at La Scala, with soloists that included Montserrat Caballé. It became clear to me what a careful, unassuming, meticulous, expressive conductor he was. This recording has unmatched musicality.
naja... Maureen Forester und Kathleen Ferrierstehen weit darüber 🙄
Merveilleuse interprétation de ce poème! Merci à tous
Questa la rimane la più bella e intensa esecuzione di sempre: perfetta !
the Lied i prefer in all the repertoire ...it is wonderful....
Absolutely wonderful
Every moment is filled with such emotions and an atmosphere that seems so otherworldy yet relatable. This is for sure one of my favorite songs by Mahler (as is the whole Ruckert Lieder).
Beautiful and tender
Love Mahler and Abbado ! Soo beautiful Songs by Gustav ! Big Merci ! 🙏❤️🎼❤️👏👏👏
Being in stunning Luzern listening to/performing beautiful music by Mahler. There's worst ways to spend your time. :)
Amazing performance, and the singer has a fabulous voice.
I love Emma Schied.
Perfección: en la composición, en la dirección, en la interpretación, en el canto. Gracias.
This is an absolute favorite of mine. Thank you for posting. She is so musical flowing with the music and orchestra
I really like Magdalena's performances because she is very expressive, and therefore fun to watch! She obviously is conscious of the words that she is singing and knows what thoughts are meant to be conveyed. Very few voice instrument experts do that, as far as I am aware, or at least not to the extent. At least that's my impression. She's from Czeckoslovakia (Moravia) where my mom's family is from (Bohemia), so maybe that's why her singing hits me that way.
Looking well u'll see a woman singing for herself at the end. It was like nobody was there. Her gave at the very end is pointing to the paradise from this poem.
Such a perfect reflection of my soul, my"time"
Every time I hear this I am touched more deeply.
Mahler &Ábaco..!! Maravillosa canciones..!!
Thank you so very much for posting! This is my go to song after one grueling day of whatever. Truly appreciate Frau Kozena, Abbado, the clarinet goddess and the first violinist!
+Yuchin Robb ... and the excellent english horn solos
Schoenberg chamber
... but the clarinet duet is also exquisite 😉
No me canso de escuchar esta interpretación... ¡Maravillosa!