La classe !!! à deux vous êtes capable de faire entendre l'orchestre qui vous accompagne, surtout avec les boîtes blanches qui semble figurer le pupitre de contrebasse ... et avec le boyaux, qu'est-ce que c'est beau ! Bravo, j'applaudi des deux mains et des deux pieds en même temps ... Alain
Thanks for the nice comments. The cadenza is our own, based on Kreisler’s “Schön Rosmarin”. We took Quantz’s advice to heart, where he writes about cadenzas for wind instruments: a cadenza you can play in a single breath is often preferable to a long cadenza that adds nothing to the piece. Long cadenzas actually risk destroying the feel and atmosphere of the concerto itself. We like it short and sweet.
The cadenza is our own, it’s based on Kreisler’s Schön Rosmarin. J.Quantz advises wind players to limit their cadenzas to what they can play in one single breath, and that’s good advice for string players as well...
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La classe !!!
à deux vous êtes capable de faire entendre l'orchestre qui vous accompagne, surtout avec les boîtes blanches qui semble figurer le pupitre de contrebasse ... et avec le boyaux, qu'est-ce que c'est beau !
Bravo, j'applaudi des deux mains et des deux pieds en même temps ...
Alain
Absolutely fantastic playing!!
Wonderful playing, musicianship and concept! Bravi!
Thanks for the nice comments. The cadenza is our own, based on Kreisler’s “Schön Rosmarin”. We took Quantz’s advice to heart, where he writes about cadenzas for wind instruments: a cadenza you can play in a single breath is often preferable to a long cadenza that adds nothing to the piece. Long cadenzas actually risk destroying the feel and atmosphere of the concerto itself. We like it short and sweet.
Amazing!!! I can´t wait to here the whole concerto!
The whole concerto is now on UA-cam, on the Viennese Tuning Channel...
Bravíssimo!!
Greetings from Brazil!
Bravo!!!
great!!!
`"Damned fuckin`great!!!" THANK YOU!!! (Heinz/ Hobby-double-bass from germany)
Bravi!
Thank you ! We're working on the other two movements and they're coming along very nicely. Soon on UA-cam : Mozart's KV612 :-)
Obrigado !
Have grown to love the sound of Viennese bass and baroque instruments in general. Great playing, Curious about cadenza, is it your own?
The cadenza is our own, it’s based on Kreisler’s Schön Rosmarin. J.Quantz advises wind players to limit their cadenzas to what they can play in one single breath, and that’s good advice for string players as well...
Bravo!