I don't care how economically viable or practical the F Mezzo is. BRING IT THE HELL BACK! That tone is so otherworldly and unique. Selmer, Keilwerth, Yamaha, Cannonball, Sax Dakota. I don't care who. Chevy can make it for all I care. Borrow one from Paul Cohen or something, base it closely off of that with modern updates to keywork and ergonomics, and LET'S GO DAMMIT!!!
Thanks for creating such high quality stuff showcasing rare vintage horns like the F-mezzo, I feel like this is the best vid showcasing it in this setting
The F "mezzo-soprano" was a horn produced in limited numbers by Conn. It is pitched in F, one step up from the Eb alto. Adolphe Sax originally conceived two families of saxophones: one in alternating Eb/Bb for military bands, and another in F/C for orchestral use. Of the latter, only a few varities were commercially produced. A few makers produced C sopranos (I used to own a Holton c-sop). I think only Conn ever made an F alto commercially, which they produced in two forms: the mezzo-soprano (basically a smaller alto, played here) and the saxello-shaped "Conn-o-Sax", which is a real rarity. It had an extended keyed range from low A to high G and is considered by some as the most "advanced" saxophone of the era -- but had essentially no market, so was produced in small numbers. Many makers produced C tenors (c-melody) in the 1920s and early 30s. A few makers have recently begun to produce C sopranos and tenors again commercially. I doubt that an F baritone or C bass would ever be commercially viable -- since no one to my knowledge has ever said "I wish I had a bari or bass that was just a step higher!"
What you do it's intresting and cool...but what if you would try some blues instead. I mean i know that this channel it's for jazz, but i would want to hear some blues from you...😆
The corect name for this is an F Alto. Sax designed two series of saxophones: the ones in Bb and Eb, and ones in C and F. This solo is just musical diarrhea. An impressive display of technique, yes, but it doesn't say anything apart from "I have been practising.". A solo by Lou Donaldson, by contrast, says something and tells a story.
Tommy Black, I happen to get a satisfying rush of emotion from this solo, it’s well crafted and has an arc of excitement much like a great story. Oddly, relative to your comment, I take it in the exact opposite way. Maybe make a note that the expression “musical diarrhea” MIGHT be insulting to the player if he were to read it. A bit tone deaf in the respect department perhaps? One last thing I will say, if you read the comments on my videos of Al, the most common remark is some variation of, “no matter how much I practice, I’ll never sound like that”…
The correct way to spell “corect” is “correct.” So straight out of the gates, no one is going to take your foolish insults seriously, Jean. Also- this take is killer! Love that Mezzo F!
I don't care how economically viable or practical the F Mezzo is. BRING IT THE HELL BACK! That tone is so otherworldly and unique. Selmer, Keilwerth, Yamaha, Cannonball, Sax Dakota. I don't care who. Chevy can make it for all I care. Borrow one from Paul Cohen or something, base it closely off of that with modern updates to keywork and ergonomics, and LET'S GO DAMMIT!!!
I like to buy one for me
Amen brother, they really do need to bring this back!!
Haha INDEED!
I agree!!!!
It is nice, but there is no real need for it. The (Eb) alto and soprano cover that area well. The C tenor is also not needed.
A brilliant band……please record more of these sessions…..thank you
Some of the sax influence sounds like a seamless blend of Coltrane and Parker. enjoyed very much thanks.
Superb band…..Al never disappoints…..trumpet is breathtaking too…drums piano bass all top shelf…..keep these sessions coming please…
Such rare instruments only made rarer when utilized so brilliantly here!
Thanks for creating such high quality stuff showcasing rare vintage horns like the F-mezzo, I feel like this is the best vid showcasing it in this setting
Very cool sound. First time I recall seeing one of those F-Mezzos played so well.
Seen old adverts for these Conn F saxophones, thanks, never seen one played before.
David Beckham, in response to your comment, this is a blues ;-)
Sounds great, Al! 2:02 is my favourite part. :)
The mezzo soprano saxophone sounds and looks just like the alto.
is the soprano in the key of f now?
The F "mezzo-soprano" was a horn produced in limited numbers by Conn. It is pitched in F, one step up from the Eb alto. Adolphe Sax originally conceived two families of saxophones: one in alternating Eb/Bb for military bands, and another in F/C for orchestral use. Of the latter, only a few varities were commercially produced. A few makers produced C sopranos (I used to own a Holton c-sop). I think only Conn ever made an F alto commercially, which they produced in two forms: the mezzo-soprano (basically a smaller alto, played here) and the saxello-shaped "Conn-o-Sax", which is a real rarity. It had an extended keyed range from low A to high G and is considered by some as the most "advanced" saxophone of the era -- but had essentially no market, so was produced in small numbers. Many makers produced C tenors (c-melody) in the 1920s and early 30s. A few makers have recently begun to produce C sopranos and tenors again commercially. I doubt that an F baritone or C bass would ever be commercially viable -- since no one to my knowledge has ever said "I wish I had a bari or bass that was just a step higher!"
What you do it's intresting and cool...but what if you would try some blues instead. I mean i know that this channel it's for jazz, but i would want to hear some blues from you...😆
It is Blues, just fast😂.. A.K.A. Fast blues😅
MONTGOMERY C BURNS
I'm curious about the setup -- is this an alto mouthpiece or an actual mezzo-sop piece?
Al told me he is using the original F Mezzo mouthpiece with a cut down alto reed.
Please don't do blues! Keep doing what you are doing. You are doing great job!
JAZZ and only JAZZ forever!!
Russian in New Jersey blues is a sub genre of jazz
The corect name for this is an F Alto. Sax designed two series of saxophones: the ones in Bb and Eb, and ones in C and F.
This solo is just musical diarrhea. An impressive display of technique, yes, but it doesn't say anything apart from "I have been practising.". A solo by Lou Donaldson, by contrast, says something and tells a story.
Tommy Black, I happen to get a satisfying rush of emotion from this solo, it’s well crafted and has an arc of excitement much like a great story. Oddly, relative to your comment, I take it in the exact opposite way.
Maybe make a note that the expression “musical diarrhea” MIGHT be insulting to the player if he were to read it. A bit tone deaf in the respect department perhaps?
One last thing I will say, if you read the comments on my videos of Al, the most common remark is some variation of, “no matter how much I practice, I’ll never sound like that”…
I don't practice!
Al swings mightily, and it's music! It's just another of playing jazz, but jazz it surely is!
I listen to John Coltrane in order to hear what not to do with my music.
The correct way to spell “corect” is “correct.” So straight out of the gates, no one is going to take your foolish insults seriously, Jean. Also- this take is killer! Love that Mezzo F!