i'm very happy to notice madame nadia's use of musical material - the third one is a stunning arrangement for one of her three pieces for cello&piano. glad to discover organ music with such a simple, but profound composition
Unlikely - it is a moderately common title for concert works that has a spontaneous character to them. There is also some ambiguity as to whether the piece is officially called 'Trois Pieces' or 'Trois Improvisations'
![Sigfrid Karg-Elert - Passacaglia and Fugue on BACH for Organ, Op. 150 (1932) [Score-Video]](http://i.ytimg.com/vi/dPXoXQ7YXAQ/mqdefault.jpg)
![Sigfrid Karg-Elert - Passacaglia and Fugue on BACH for Organ, Op. 150 (1932) [Score-Video]](/img/tr.png)
In 1911 she would have been 24. And yet the wisdom and discipline that made her such a legendary teacher is already very much there. Amazing.
i'm very happy to notice madame nadia's use of musical material - the third one is a stunning arrangement for one of her three pieces for cello&piano. glad to discover organ music with such a simple, but profound composition
The second one is also from her three pieces for cello and piano, great arrangements.
Stunning music!
What gorgeous music! Her compositions should be better known I think.
I. Prélude - 0:00
II. Petit Canon - 6:00
III. Improvisation - 8:40
improvisations? IMPROVISATIONS? like, she did that on stage and someone wrote it down?
Unlikely - it is a moderately common title for concert works that has a spontaneous character to them. There is also some ambiguity as to whether the piece is officially called 'Trois Pieces' or 'Trois Improvisations'
@@GNGianopoulos interesting! So a performer would have a little liberty, but om what?
No, there is no liberty and the score should be followed strictly!
@@GNGianopoulos that's weird... Thanks a lot for answering my questions!
The title 'Improvisation' is not meant to be taken literally, rather, it implies a character of the music.
i gonna ask her out
She died in '79.
You must like the moody, pensive, saturnine type.