Liszt wrote of how he loved Clara Schumann's compositions and I can see why. There are a lot of awkward hand positions that Liszt also employed where the player must have a very open hand and exceptional span which she must have had for all those 10th etc. Some of this is similar to Chopin's "Hades" Prelude which is the most difficult of his preludes, but surpasses even that level of difficulty. Very challenging yet beautiful music here.
Comments like this enhance my appreciation - thank you very much. (I've listened to classical radio for about 30 years and I particularly love music from about 1820 through 1920, but I know nothing about music.) Thanks again.
I think Liszt appreciated Clara Schumann's music because the music itself more than because it was difficult. Besides these three pieces are really not difficult at all.
Have you actually played any of her piano compositions? While, yes, they require modifications for small hands, they also fall under the fingers better than any other composers' works I've played. She knew her instrument and knew how to write for it, which is abundantly clear to any pianist that informs their opinion with practice.
@@jt6500 I have played the Nocturne in F and the Scherzo in Dm. If you took my comment on awkwardness as some sort of slight, I'm very sorry to hear that, because it was nothing of the sort. I have been a pianist for most of my life and have dedicated a lot of time to my craft. There are pieces that fit very nicely under the hand, much like Chopin, and there are others that require what I like to say, more gymnastics, like Liszt. That's not a bad thing, and in my view, proves the legitimacy of her technical prowess, something which some have tried to downplay.
Lol Robert Schumann gets plenty of recognition, he's one of our greatest piano composers of all time, many of his big works such as the Piano Concerto, Kinderszenen, Carnaval, etc. are staples of the piano repertoire. Clara is gaining more recognition though.
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤😊❤❤
best of Clara ive heard! the performer is also incredible. what an unsteady yet convincing feel of tempo. some incredible voicing and dynamic control in the last one especially as well!
There is a direct quotation of Schumann: Introduction And Concert-Allegro, Op.134, which is Robert's birthday gift to Clara. She must miss her husband at the onset of his crysis. 5:02
@@followyouaround Lol Thanks for letting me know. Dedication doesn't exactly play an equal role compared to the quotes. There are much more complicated stories behind title dedication (e.g., Schumann dedicated his Fantasy in C to Liszt). We know in those problematic times Brahms provides great comfort to Clara, considering Brahms is basically the liaison between the couples. But what I heard from this piece is not characteristic of Clara, it is very personal and emotional, even outcrying and despairing in 4:14. I have never heard Clara compose sth. like this (so Robert's style) before and after.
this is clara, this is the salon pianist the germans wanted to call chopin, and her 3 romances earn her a place as early competition--but this is what she is: the german chopin who didn't keep going and give us ballades and polonaises and nocturnes
Chiusi gli occhi per poter immaginare tra viali odorosi un magico momento simile al sogno e vedere la profondità del cielo scenario testimone di sensazioni cosmiche
me, seeing and listening only the first few bars of the first piece : oh i could actually play this and it sounds very lovely, i think i just found my next program! me at the end of the piece : ok nevermind.
I can't help, but notice that Brahms was barely 20 when his future best friend and probably lifelong lover Clara Schumann had written these pieces as well as her Op. 11; and, please attack me if I'm wrong, some pianistic solutions that we find here, in terms of use of the registers, density, contrapuntal, melodic and harmonic movements, instrumentation, and that we are used to associate with the late mature Brahms... they appear here with such a literal evidence, that I can't help but being struck!
Ty Uploader always appreciate the score - this is interesting music- the enjoyment for me isn’t in the melodies, or the close to the hip harmonies - it’s how full it is, how beautifully the accompaniments fit the melodies and that creates a flowing sound which - just my opinion- a Chopin style melody or Lisztian left hand tremolos would detract from.
I think Clara was ahead of her time and a better composer than her husband. Young panists should learn more pieces and works from female composers of yester year. They have a lot to offer and Clara's work is very melodious and tricky to play'
მადლიერებას აღვივებს სმენის უნარის ქონაზე და გაფიქრებს, ნუთუ ამის მოსმენა იმავე ყურებს შეუძლიათ, ტრივიალური ცხოვრების ყოველდღიური სისულელეებით რომ იჭედებიან?! დასაკვირვებელია, რას ვუშვებთ ყურში.. იმ ცალშიც, ღია დერეფნის ფუნქცია რომ მიგვინიჭებია ❤️
@@zanexiao4488 Not like difficulty is relevant to musicality. Look at Liszt. Not to say he didn't write anything worth listening to - his Piano Sonata is incredible, as are many of his orchestral works - but he also wrote some nonsense. Point being, difficulty ain't everything.
En aquell temps compondre deien que era cosa masculina. No comprenen que Déu pot donar talent a una persona encara que sigui dona. I a més, era dona de Schumann que era un geni. Ella tenia facultats i amb el seu marit....la combinació era perfecta perquè fos una bona compositora i coneguda. Hi ha altres compositores femelles que no les coneix ni tan sols el més erudit dels directors d'orquestra
Love Clara really hate this tradition of piano playing that the pianist was obviously trained in we get it it’s a romantic piece you can be liberal with rubato and such but it gets to the point where they’re not even playing the right rhythms anymore during 70% of the piece kind of putting the attention on the performer more than the music in my opinion
Indeed, the pianist ignores the classical and restrained nature of the pieces and delivers a bombastic show. A kind of piano playing one would hope it is long extinct.
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤😊❤
In my opinion they are both special as a couple... Without Robert, Clara wouldn't have probably composed much, and without Clara Robert's music would have been completely different
Liszt wrote of how he loved Clara Schumann's compositions and I can see why. There are a lot of awkward hand positions that Liszt also employed where the player must have a very open hand and exceptional span which she must have had for all those 10th etc. Some of this is similar to Chopin's "Hades" Prelude which is the most difficult of his preludes, but surpasses even that level of difficulty. Very challenging yet beautiful music here.
Comments like this enhance my appreciation - thank you very much. (I've listened to classical radio for about 30 years and I particularly love music from about 1820 through 1920, but I know nothing about music.) Thanks again.
I think Liszt appreciated Clara Schumann's music because the music itself more than because it was difficult. Besides these three pieces are really not difficult at all.
Have you actually played any of her piano compositions? While, yes, they require modifications for small hands, they also fall under the fingers better than any other composers' works I've played. She knew her instrument and knew how to write for it, which is abundantly clear to any pianist that informs their opinion with practice.
@@jt6500 I have played the Nocturne in F and the Scherzo in Dm. If you took my comment on awkwardness as some sort of slight, I'm very sorry to hear that, because it was nothing of the sort. I have been a pianist for most of my life and have dedicated a lot of time to my craft. There are pieces that fit very nicely under the hand, much like Chopin, and there are others that require what I like to say, more gymnastics, like Liszt. That's not a bad thing, and in my view, proves the legitimacy of her technical prowess, something which some have tried to downplay.
@@johannabopp6488 Hello Johanna how is the weather over there?
Clara and Robert Schumann needs more recognition, they’re so underrated and their music are beautiful ✨✨✨✨✨✨
Lol Robert Schumann gets plenty of recognition, he's one of our greatest piano composers of all time, many of his big works such as the Piano Concerto, Kinderszenen, Carnaval, etc. are staples of the piano repertoire. Clara is gaining more recognition though.
Clara had a LOT of talent !!!!! great composer
Totalment d'acord amb vostè
Oh Clara! Mendelssohn, Chopin, Liszt and your beloved Robert should have afforded you more credit.
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus.
Romans 6:23
John 3:16❤😊❤❤
I heard compositions of Clara Schumann for the first time. It sounds new for me. I want to play one of those if I could.
these are very fun to play 😄😄
These were very enjoyable and played beautifully. I like Ms Schumann's work. She must have been one of the busiest working mums of her age!
best of Clara ive heard! the performer is also incredible. what an unsteady yet convincing feel of tempo. some incredible voicing and dynamic control in the last one especially as well!
Definitely one of my favorite pieces
marvellous music and playing!
It is closer to Mendelssohn's than to his husband's music. Anyway, it is excellent and would deserve to be better known.
robert's music also souds like mendelsshon's at times. i think he was a big influence on them both.
@Trihardious Maximus shut up
It is closer to Clara*...
Wow....beautiful piece 😮😮
There is a direct quotation of Schumann: Introduction And Concert-Allegro, Op.134, which is Robert's birthday gift to Clara. She must miss her husband at the onset of his crysis. 5:02
but she dedicated this to johannes brahms hehe
@@followyouaround Lol Thanks for letting me know. Dedication doesn't exactly play an equal role compared to the quotes. There are much more complicated stories behind title dedication (e.g., Schumann dedicated his Fantasy in C to Liszt). We know in those problematic times Brahms provides great comfort to Clara, considering Brahms is basically the liaison between the couples. But what I heard from this piece is not characteristic of Clara, it is very personal and emotional, even outcrying and despairing in 4:14. I have never heard Clara compose sth. like this (so Robert's style) before and after.
La prima bellissima romanza assomiglia in qualche modo al tema degli Studi Sinfonici di Schumann
Superbe interprétation, merci!!!
Grazie amico caro
this is clara, this is the salon pianist the germans wanted to call chopin, and her 3 romances earn her a place as early competition--but this is what she is: the german chopin who didn't keep going and give us ballades and polonaises and nocturnes
Fantastic 🙂👍🎵🇬🇷
Chiusi gli occhi per poter immaginare tra viali odorosi un magico momento simile al sogno e vedere la profondità del cielo scenario testimone di sensazioni cosmiche
Me at the beginning: Ok I could never play this
Me at 3:52 : Jesus chr-😵
me, seeing and listening only the first few bars of the first piece : oh i could actually play this and it sounds very lovely, i think i just found my next program!
me at the end of the piece : ok nevermind.
beautiful!
I can't help, but notice that Brahms was barely 20 when his future best friend and probably lifelong lover Clara Schumann had written these pieces as well as her Op. 11; and, please attack me if I'm wrong, some pianistic solutions that we find here, in terms of use of the registers, density, contrapuntal, melodic and harmonic movements, instrumentation, and that we are used to associate with the late mature Brahms... they appear here with such a literal evidence, that I can't help but being struck!
trop beau
Ty Uploader always appreciate the score - this is interesting music- the enjoyment for me isn’t in the melodies, or the close to the hip harmonies - it’s how full it is, how beautifully the accompaniments fit the melodies and that creates a flowing sound which - just my opinion- a Chopin style melody or Lisztian left hand tremolos would detract from.
Clara loved 10ths
So did Brahms...
@@MrAristaeus well it's opus 21... so... too soon?😂
Yeah, my hands don't :/
Riveting and complex, incredible shame she didn't get more recognition!
#OdedFriedGaon #OdedMusic #Audioded
1) Notturno
2) Intermezzo
3) Studio
awakens the senses
I came here after watching do you like brahms?
Voll cool
I think Clara was ahead of her time and a better composer than her husband. Young panists should learn more pieces and works from female composers of yester year. They have a lot to offer and Clara's work is very melodious and tricky to play'
ye!
Wunderschöne Stücke, aber eine grobe Interpretation.
მადლიერებას აღვივებს სმენის უნარის ქონაზე და გაფიქრებს, ნუთუ ამის მოსმენა იმავე ყურებს შეუძლიათ, ტრივიალური ცხოვრების ყოველდღიური სისულელეებით რომ იჭედებიან?!
დასაკვირვებელია, რას ვუშვებთ ყურში.. იმ ცალშიც, ღია დერეფნის ფუნქცია რომ მიგვინიჭებია ❤️
Wows
Stereotype: Women composers can't write difficult mus...
*Third Movement hits*
Tim Yu stereotype: stereotyping people as being stereotypers
Reality hits
Clara's concerto is so difficult it makes Chopin's concerti look easy
You are the first person from whom I heard this.
@@zanexiao4488 Not like difficulty is relevant to musicality. Look at Liszt.
Not to say he didn't write anything worth listening to - his Piano Sonata is incredible, as are many of his orchestral works - but he also wrote some nonsense.
Point being, difficulty ain't everything.
@trihardous maximus lmao.
Who are you by the way ? Lol
En aquell temps compondre deien que era cosa masculina. No comprenen que Déu pot donar talent a una persona encara que sigui dona. I a més, era dona de Schumann que era un geni. Ella tenia facultats i amb el seu marit....la combinació era perfecta perquè fos una bona compositora i coneguda. Hi ha altres compositores femelles que no les coneix ni tan sols el més erudit dels directors d'orquestra
6:48 i recognize chopins nocturne op 9 no 3
And that unexpected modulation is very not Chopin.
Mozart sounds like Haydn, so what?
Dedicados a Clara. ?👋👋👋
Wer ist auch wegen Schule als Hausaufgabe hier?
Kiril alter freund
ich lmao
Ich bin auch wegen schule hier
Romances de de Clara. ? 🎹.
The female Liszt
6:48
We need to know more woman composers, gender is not important in music
I am just discovering the wonderful world of the Lady's touch in composition - including Louise Farrenc & Amy Beach
You just said two completely different things.
That's a contradiction
Listen up Teresa Carreño.
Ilaria Yae_the_Bae if gender isn't important then why do you need to know more female composers?
among us
when the imposter sus
among us drip
ok
Love Clara really hate this tradition of piano playing that the pianist was obviously trained in we get it it’s a romantic piece you can be liberal with rubato and such but it gets to the point where they’re not even playing the right rhythms anymore during 70% of the piece kind of putting the attention on the performer more than the music in my opinion
Indeed, the pianist ignores the classical and restrained nature of the pieces and delivers a bombastic show. A kind of piano playing one would hope it is long extinct.
Agreed!!!
Rubato is for thise who feel they know better than the composer because they themselves are inadequate at composing themselves.
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus.
Romans 6:23
John 3:16❤😊❤
My opinion: Clara Schumann >>>> Schumann.
no
In my opinion they are both special as a couple... Without Robert, Clara wouldn't have probably composed much, and without Clara Robert's music would have been completely different
Nice! But...no.
I don't think so.(composer) But she was a better pianist, that for sure!
i like em both
0 respect for the rhythm wtf