It's a good question! I haven't actually played with the SE models yet, but from what I can see they are very similar with the main differences being battery life and how many you can connect. SE has up to 30hrs batt life compared to 10hrs. SE can only connect up to 5 headsets (one host 4 remotes) while the regular Como's can connect up to 9 (1 host for 8 remotes)
I plan to use these in loud music environments so I'm hoping these would do the job. 1. How good is the ENC. Would I still be able to hear clearly even with concert level volume around me? 2. How loud do they get? Some headsets struggle with volume and arent loud enough to hear each other. 3. What is the latency like between headsets?
Hey thanks so much for the great question! Do you know how many dB your environment will be? My team and I have actually used these in the studio setting (shown) and also in a 500 person theatre with the same band playing both times. I was able to hear everyones voices super clearly and loud enough in both situations. I will say though, in the studio the drums came through the mic easily, mainly the snare - however it was a super loud live snare right next to me, so I feel like that's to be expected. Something I've found is they can be quiet, but only if the person speaking doesn't have the mic close enough to their mouth. In these louder environments it's super important to have the mic close to the mouth, then they're totally fine. You could easily get away with the mic at a greater distance in a normal filming environment, but when it's noisy bringing the mic close is the way to go. (just make sure your crew are aware) Another thing to consider is what genre and room your band is in. I haven't tested them out in a 'pub' style gig with low ceilings and loud AF punk drums and screaming guitars. (This is why I was wondering what dB range the music in your scenario might be) As for latency I didn't even consider any latency for these like I would with video transmission. I spoke to my team and they immediately replied. hahahaha It seems instant? PS - The batteries are insane, I charged them when they arrived and literally haven't charged them since. We were on a shoot a couple of weeks back using them and they still had battery left!
@ I'm using them for EDM concerts so I'm not sure what the db would be but it's loud for sure, definitely would have to speak very loudly. Most of our guys using them wouldn't be right beside the speaker but at the back or lighting booth. I'm deciding between these and the hollyland solidcom c1 pro since they're both on 1.9ghz and have noise cancelling. But these are a couple hundred bucks cheaper so I'm doing some investigating.
@@tmanngyn If you're in Australia I think the max dB at the mixing desk is 100-110dB from memory. (loud!) An issue with EDM is going to be the amount of transients in the music, being so drum based there will be a lot of snare coming through is my guess. (as the snare sits in a similar range to vocals) As far as comparing the two models; there wouldn't be a lot of difference in the ENC between them, as there isn't a lot you can do with transients coming through with NR tech currently. But what I can say is it will be as though your crew are talking to you right in your ear. (With the types of mics headsets use it will be super difficult to cancel EVERYTHING out of them if your in an EDM show) With my experience in both studio and theatre environments, everyone was easily heard and understood, which is what you want in a headset!
Fantastic Simon
Thanks team! 🙌
What is the differences between this and the Accsoon - CoMo SE 1H4R Kit (1 H + 4 R)?
It's a good question! I haven't actually played with the SE models yet, but from what I can see they are very similar with the main differences being battery life and how many you can connect. SE has up to 30hrs batt life compared to 10hrs. SE can only connect up to 5 headsets (one host 4 remotes) while the regular Como's can connect up to 9 (1 host for 8 remotes)
I plan to use these in loud music environments so I'm hoping these would do the job.
1. How good is the ENC. Would I still be able to hear clearly even with concert level volume around me?
2. How loud do they get? Some headsets struggle with volume and arent loud enough to hear each other.
3. What is the latency like between headsets?
Hey thanks so much for the great question!
Do you know how many dB your environment will be?
My team and I have actually used these in the studio setting (shown) and also in a 500 person theatre with the same band playing both times. I was able to hear everyones voices super clearly and loud enough in both situations. I will say though, in the studio the drums came through the mic easily, mainly the snare - however it was a super loud live snare right next to me, so I feel like that's to be expected.
Something I've found is they can be quiet, but only if the person speaking doesn't have the mic close enough to their mouth. In these louder environments it's super important to have the mic close to the mouth, then they're totally fine. You could easily get away with the mic at a greater distance in a normal filming environment, but when it's noisy bringing the mic close is the way to go. (just make sure your crew are aware)
Another thing to consider is what genre and room your band is in. I haven't tested them out in a 'pub' style gig with low ceilings and loud AF punk drums and screaming guitars. (This is why I was wondering what dB range the music in your scenario might be)
As for latency I didn't even consider any latency for these like I would with video transmission. I spoke to my team and they immediately replied. hahahaha It seems instant?
PS - The batteries are insane, I charged them when they arrived and literally haven't charged them since. We were on a shoot a couple of weeks back using them and they still had battery left!
@ I'm using them for EDM concerts so I'm not sure what the db would be but it's loud for sure, definitely would have to speak very loudly. Most of our guys using them wouldn't be right beside the speaker but at the back or lighting booth.
I'm deciding between these and the hollyland solidcom c1 pro since they're both on 1.9ghz and have noise cancelling. But these are a couple hundred bucks cheaper so I'm doing some investigating.
@@tmanngyn If you're in Australia I think the max dB at the mixing desk is 100-110dB from memory. (loud!) An issue with EDM is going to be the amount of transients in the music, being so drum based there will be a lot of snare coming through is my guess. (as the snare sits in a similar range to vocals)
As far as comparing the two models; there wouldn't be a lot of difference in the ENC between them, as there isn't a lot you can do with transients coming through with NR tech currently. But what I can say is it will be as though your crew are talking to you right in your ear. (With the types of mics headsets use it will be super difficult to cancel EVERYTHING out of them if your in an EDM show)
With my experience in both studio and theatre environments, everyone was easily heard and understood, which is what you want in a headset!
@@kitherco appreciate it, probably will go with the accsoons because of the better battery life and cheaper price!