Extended Techniques for Strings: Kaija Saariaho and Anssi Karttunen Workshop
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- Опубліковано 15 жов 2012
- Exploring, notating, and interpreting new sounds for strings.
Composer Kaija Saariaho and her frequent collaborator, Finnish cellist Anssi Karttunen, pass along invaluable advice on the composer-performer relationship to young professional string players and composers. carnegiehall.org/workshops
Wish it would show at the bottom of the screen or something how these effects are notated.
no kidding!
The piece they're working from at the beginning is the sixth movement from Saariaho's Sept Papillions. You can find this piece here: ua-cam.com/video/8j0LcmdG1kI/v-deo.html It'll take a bit of looking around to find exactly which parts they are talking about in this but the piece is there.
@@oliverdubon5438 I'm guessing it's at bar 24 around 6:49 isn't it? And especially bars 9,10,11 at 7:35
If one is able to think and feel, this makes you feel and think about music in a different and refreshing way
Wonderful . We hear these things now quite often . Film work is about what we can't express in words so visuals and music give us new ways to express current life .
Thank you for this video !
Thank you!
gotta love saariaho
Wild. 🐆🐅🐈🐂
1:08 what is this technique called?
Which piece is this from? Would love to see the harmonic trill notation from 1:05
I believe it's the beginning of Saariaho's Sept Papillons!
We don't need this kind of noisy music!
But we certainly need this kind of noisy comment...
+Caroline Cohen Let's make a deal. We won't listen to Justin Bieber, and you won't listen to that, and everybody's happy!
The music of next century will be fart and street drill noises. Remember that it's the new century so we need that type of music!
Hi, Caroline. These performance techniques, while unconventional and infrequently used, have been very pivotal in film music where traditional writing is limited. If you think of them as a color or spice, they can allow a composer to be very effective.
@@bleuheliotrope stfu