Your video is incredible! Subtle in practise but so amazing! All the instruction I've had, all the slow Hanon and scales (10+ years now) and yet I'm still struggling with playing 'fast'. Assumed with my small hands I would never really have it. Yet after trying your suggestion, within 1 hour I couldn't believe how much faster / smoother I was playing...and more importantly how it was feeling so so different! It's almost like adding in the idea of a 'pre-load' to your finger, in addition to the better sense of finger independence. It's going to take a little bit of re-practising my normal routines to incorporate this...but worth it I'm sure. Will report back! Thx for sharing...watching from North Vancouver, Canada.
@@darykinnaman2319 Does size really matter? I've heard Keith Jarrett had a huge hand span. My early teacher, Mary Field, had fairly small hands, but was a formidable bebopper! But in the end, it's all about our awareness, and using what we have to our best ability. Pianist/Harpsichordist Wanda Landowska had serious hand issues (Focal Dystonia), that distorted her fingers. Yet she is considered among the greatest in her field. Thanks for watching!
@@Dharmajazz Size does matter !! also when playing the Piano (pun intended)😉I have kinda big hands, chubby fingers but about avg. reach. can max reach the 13'th comfortable. Recently watched a video about how many Pianists would have a much easier time learning new pieces if you could get a custom made Piano with slightly narrower keys so we all could comfortable reach 14. Was kinda interesting with an interview with a guy that actually did make custom made Piano Keybeds in his business in his spare time.
@@mrdali67 I did see an article about alternate scale (size) keyboards. Something about the "tyranny" of the modern pianoforte dimensions. But alas, we have what we have. Thanks for chiming in.
@@Dharmajazz Yes, I used that too. Thank you! i am only just starting Intermediate piano levels after playing for 2 years, but I learned correctly and didn't use much from this video.
My pleasure! You can't go wrong with solid fundamentals. It's surprising that so many players - even at more advanced levels - neglect cleaning up such fundamental skills. Congrats on your piano journey. Thanks for watching.
Great exercise! Do you know Czeslaw Marek „Lehre des Klavierspiels „ (I don’t know if there is an english edition available). In chapter VIII he teaches the exercise in four movements. 1. lift up the finger 2. relax the muscles and let the finger drop on the key without pressing down 3. press down the key very slowly so that the piano doesn’t generates any sound 4. relax the muscles again but don’t lift the finger active, just let the key move it up. The hardest challenge here is 2. and 4. where you only have to relax the finger and not moving it actively. While doing so be careful to have all the other fingers resting relaxed on the keys. This will improve your control on every finger!
Perfect!! I’m 55 and when I was about 15 or 16, I somehow by sheer dumb luck figured this out. My piano teacher (who was my dad) always had tight fingers, and he was stunned the day I figured this out because suddenly I was playing speedy lines way faster than he ever could. I knew what was going on, but I couldn’t explain it to him. Ever since then I’ve never been able to teach people what they were doing wrong. I could see their fingers were tight, but I couldn’t find a way to help them loosen up. I’m going to send them to this video. Thank you!!!
"I find that the trick of playing fast tempos or fast streams of notes with good time is to play very lightly with a feathery touch on the piano (or any instrument). It's also helpful to eliminate all "frantic" (extra) motions from the body as these detract from the flow." - Chick Corea
Yep, Chic was not wrong. Sometimes though, we need to play very fast with a steely, hard tone when the music requires it. For that, it is helpful to train the hands/fingers to operate with relaxation and independence. That's the aim of this video. (The relaxation/independence, not the "steely" part.)
yeh, also work on fav licks or fast runs or sequences and have them ready miliseconds before the changes they will be played over.. workout especially fingerings for them.
Oh yes, finally a piano "TEACHER" !!!!. So many of these piano players dont know how to teach. So glad I found you sir, you have wisdom, calm confidence, you articulate your instructions in a wonderful way, you are great. Have dabbled in piano for over 50 years, even though I am old I want to reach a better level, I will do that by following your lessons.
@@Dharmajazz I have tried to master Oscar Petersen's "night train" for years to no avail, the contra-punctual bars are just too difficult, the great Billy Joel's "root beer rag" is a marvellous piece, but for me, my fingers get tired. Billy is one of the greatest piano rockers of all time, absolutely the best. But of course Art Tatum, Fats Waller were outstanding for their era. I am going to try and study your techniques religiously, you have so much great knowledge and fabulous ability. Oh, not to forget about Joe Haiashi (probably misspelt that), OH the Japanese are such good pianists and composers, could go on and on.
@@paulmurphy3838 Those are ambitious tunes, but you can do it. If you haven't done so already, break down the challenging parts into smaller sections, and practice hands separately, slowy, gradually building up to performance tempo. Play each of those sections to the point of memorization. Then put hands together, again, in sections, slowly at first, then gradually building tempo. Even the thorniest counterpoint can be worked out this way. The key is patience at slow tempos. Happy practicing!
He is isn't he? I mean, I feel I am listening to my actual teacher who happens to have a DMA in piano. This guys is the real deal. All the many thousands of dollars I have spent with a concert pianist to learn had also taught me who are the good teachers and who just don't know. PRICELESS if nothing else learned there!
Besides being an amazing musician you are also an amazing teacher! For some who play at such a high skill level it's difficult for them to break down something as simple as a five note chromatic pattern and apply methodology to it. That exercise is great for anyone at any level. Keep on sharing your amazing videos with us you have a gift and a gentle way about you.
I'm laughing, because that's me when I play a note, a pinky pops up lol. Your exactly right. I came here trying to learn to play fast scales with sharps and regular keys. This has been very helpful, thank you for the lesson. I'm sure all of us watching, appreciate your help🙏😀
Thanks for watching - I'm glad to know you found it useful. Yeah, the "errant pinkie" syndrome. It's pretty common, but so easy to clean up. Let me know if there's another topic you'd like to see a post about. Happy practicing!
You got it 👏i was studying for 4 years on the highest level classical music conservatory until i changed teacher who learned me These excersis (couldn't do them because of to much tension) .Simpel and so effective 👍
Thanks for your comment. I have shown this to many professional pianists and they have also found it challenging! It's a nearly universal problem. Thanks for watching.
Equal pressure from all fingers is extremely important in the development of technique. Some reasons you see concert artists execute incredibly fast passages is consistent fingering, quiet wrists, 4 octave scales, etc., and focusing on economy of motion. Equal strength in all fingers is very important and a philosophy that should be taught with all students. Fast passages sound uneven and introduce articulations that don't exist in the composition.
It's so true about the tensions in the hands that slow down the movements. This is very similar to recreative tennis players. No matter how long they've played tennis, if the body is not relaxed it takes away part of the main source of power coming from the legs. I've thought about using this principle of playing tennis to apply to piano but didn't know how to. This video will be my bible. Thanks so much
Thanks for your comment, Tom. I've been pondering how the concept of "relaxation" can apply to so many areas of our lives. Good luck with your tennis skills! And thanks for watching.
Thanks. I've always thought "gnarly" applies to Prokofiev and the real knuckle-buster stuff - Rachmaninov, etc - but I appreciate the thought. This particular exercise is surprisingly challenging though. Let me know if you any questions or comments about your piano journey, and thanks for watching.
Thank you thank you thank you! I have always said to myself that there was something wrong with my fingers - they just don't flow like great musicians like yourself. I always thought I was too tense in my posture & hands - so seeing your video - I now have some hope! Will practice faithfully these exercises. Bless you!
Happy to offer the encouragement. Remember to start these exercises slowly and be sure to stay as relaxed as possible. Speed always comes with repetition, so just make sure the mechanics are clean before letting it pick up speed. Also, make sure to only do the initial preparatory "finger lift" exercises in small doses, and just until you have the finger isolation consistently. Then let that go. (Mission accomplished.) Happy practicing!
I'm a mostly self-taught jazz piano player. I have never had more obvious results from a simple exercise than when I started this one earlier this year. I added the exercise to my routine and made it the first thing. I had the same kind of involuntary twitchiness in my 4th and 5th fingers when I started. But I kept doing this exercise daily (it only took 5-10 minutes). After 3-4 months, I no longer get that weird twitchiness. Those fingers are getting stronger and more independent. I still do this every day and will probably do it every day for years to come. This stuff WORKS. Thank you!
@@stevesnelling7615 thanks for the reply. I appreciate your theoretical discussions. But I'm really interested in concrete exercises you have to offer. The one I mentioned worked so well. I want more please. I might even pay for it. Thank you for what you do.
Dear Dharmajazz, I'd like to thank you so much for this video. I'm not a pianist or keyboardist but a guitar player, but I was struggling for a long time with this issue. I can play just about any chord comfortably and relaxed, but scale runs made my muscles very tight and consequently it sounded not that good and it was harder to play. Today I focused on relaxing all my muscles and it made a huge difference. Playing anything feels and sounds so much more natural and comes a little easier too. This is such an essential component of playing that often gets overlooked. I certainly wish I knew about it sooner!
Thanks for your comment. Yeah, turns out this is a universal challenge, regardless of instrument. As you can see in the comments, addressing the factor of tension/relaxation has value for all musicians. I'm glad you found it helpful. Thanks for watching, and let me know if there's a musical topic you'd like to see a post about.
This is a great video and is such an important aspect of playing to look over. We should only have tension in our chords from time to time not our hands!!
My DAD💔 bought me up as an embryo. Home was always filled with music. (I’ve never met a bigger fan, but he’s mates we’re all the same. My first gig l was 3yrs old, & Hearing DAVE BRUBECK. He taught me chopsticks on the stage! ( no people)! So, it ended up that EUGENE ‘the Senator’ WRIGHT is my Godfather. 🫢 Absolutely amazing upbringing. I miss you DAD 💔 But ‘UNC’is there. with you too!! ✨❤️🥰😘😘😘😘😘
Thanks for sharing your experience. I like the tone of your voice and the peaceful way you express everything. I really enjoyed it! These are apparently simple ideas, but very powerful to avoid bad habits. Keep it up! 😀
What an amazing and helpful lesson. I’ve only been doing this a few days now in all keys, I too have shovels for hands and of course finding problems between the black keys…this video not only helps with the strength and accuracy in my fingers, but I’m now managing in between the blacks with less double notes. I thank you sir for this great lesson…much appreciated👍
I loved your video. Over the years, I've developed teaching techniques that parallel your ideas! I'm thrilled to have that confirmation. I play/teach the violin/viola and I can tell you that your ideas transfer to other instruments as well. (As an aside, one of the most valuable classes I enrolled in during my last year at the University of North Texas was jazz improv. I was surrounded by keyboard, brass, woodwind, and percussion artists who inspired me in so many ways. To a person, they could all play fast - which pushed me [or pulled me] to do the same. I experimented with ways to eliminate tension. I could tell you stories!) Thanks for your wonderful video!
Thanks, George. Several instrumentalists have also made similar comments about the universality of the approach. And kudos for digging into improv'! I meet so many string players who can otherwise play well, but don't improv' one bit. Thanks for watching.
This was exactly what I was looking for! I also play drums and guitar and it's very easy to forget concepts that help me play faster on them. They are all related to relaxing and having no tension. I subscribed and printed off your e book. Thanks so much for labeling all the fingering for the scales.
Thanks for watching! I was talking with two drummer/teacher friends about teaching/lessons and we all agreed: the best focus is on fundamentals! One of them shared about going to a lesson with some famous drummer (Peter Erskine or ?), expecting to get some inside 'Ninja' skills, but all they talked about was stick control! I show this exercise to even advanced pianists and many of them struggle with it at first. You can't go wrong with fundamentals.
Wow, I think this lesson exactly what I've been looking for. I'm going to try these exercises! Four years into learning piano, I hope I can fix this problem.
This was maybe the most valuable video I ever watched at YT. Thank you!!! I have wondered for years why I could not play the piano....... Now I know some.....
@@Dharmajazz I am so thankful. I belong to the large herd of people trying to play the piano although we never even saw a teacher one minute. All the best from Sweden!!!
Can't go wrong with fundamentals. And, YES! I do practice often with eyes closed.Reducing visual distractions allows us to be more aware of the physical and auditory sensations. Thanks for watching.
Thank you for the video, a nice addition to this technique, is alternating this but playing 2 fingers / 3 / 4 fingers at the same time. Like 1+3-2+4-3-5 and back. Cheers!
Indeed! I'm mindful of the same approach when doing just about everything. Of course, there are times when high fingers are required, but as a general practice, staying in light contact with the keys is beneficial. Thanks for watching.
@@Jehudi That is interesting isn't it? I'm also amazed at how difficult it is to do that super slow practice with classical pieces - even when I have it totally memorized at tempo. It's as if I never even learned the piece! Thanks for the comments.
I remember being first grader my music teacher told me to imagine my hands are cat's paws, so I positioned them bit arched and fingers would never be flat ever. Also countless hours of playing Ganon's and Czerny's etudes, that required mechanical efficiency just molded them exactly as you describe. Even after almost 20 years of not playing at all(!), at least right hand still retained technique and almost never cramps when playing fast arpeggios or stuff, but left hand has locked for good and I don't think I can start over slow methodical muscle training playing again :) The key is to play slow for many many hours. That will build your muscle memory and make playing faster so effortless you won't believe yourself. Hands just fly automatically and you feel no tension at all :)
I'm glad you are back to playing. If the left hand just won't budge, remember there are lots of pieces that don't require fast playing in the left hand! I wish you the best. Thanks for watching.
Thank you for this incredibly helpful video. I though. I also really liked the camera angles and how you explained moving the finger from the knuckle joint and your little bird beak analogy. Thank you also for discussing using The Black Keys and not getting stuck in the "Canyon" . These are extremely important details. Thank you thank you thank you!
My pleasure - glad you found it useful. That "bird beak" finger angle is something I've stumbled on quite recently, and it really affects my tone! Thanks for watching.
Awesome video. I am 70 and have just started learning to play the Piano Keyboard. I will definitely do the finger exercises as explained. Subscribed the channel. Many thanks for the video 🙏
Excellent! The important factor is relaxation. Check back for a video I'm posting soon on using the idea of gravity and weight to help get a more relaxed, richer tone. Thanks for watching.
So glad my first piano teacher was a pianist for a symphony. Won’t say which one. But from the beginning he stressed the importance of correct finger and hand position. And how to use them correctly. Time to watch something else.
I suggest gaining finger control first with this exercise. Once you've made some progress-that is, can execute the exercise cleanly, in a relaxed and confident fashion-then you'll be ready to begin scale practice, using this same touch for starters. But, there are other basic skills to learn which can be more valuable to pick up before tackling scales. I highly recommend finding a qualified teacher in your area. Ask around, check with your local university/college music department or music stores for recommendations. A good teacher will help you avoid picking up bad habits that will actually impede progress. Good luck and have fun! Thanks for watching.
Thanks for the comments. I've got several things ready to edit, and tons more content in the wings! Please click the bell for notifications for new posts. Thanks for watching.
Economy of motion. It applies to other instruments in various ways as well. Watch the fastest guitar or violin players - the best ones look like they're barely moving. Great video here.
Es sollte. Ein Großteil unserer Nackenverspannungen kommt vom Aufhängen des Gewichts unserer Arme. Das Erlernen der Entspannung der Hände und Arme nimmt viel Stress von unseren Schultern. Viel Glück! Danke fürs zuschauen.
Yeah, starting with simple foundational concepts like these makes the whole process go more smoothly. Glad you found it useful, and thanks for watching.
glad you found it useful. Remember, this exaggerated "lift" in this exercise is about learning finger relaxation and independence. Once you feel progress with that, make sure to stay relaxed as you play your other exercises and pieces. Thanks for watching!
Thank you. That few minutes was brilliant. My fingers are normally heavy on the keys, even slapping at them. Your advice is very sound and I will use it starting now. Please do more on this very topic. I subscribed, thumbs up, and rang the bell.
Hi. Thanks for the video. Can I ask a question? When you say change hands every major third, that is a different excerise from practising the 9 different shapes - C, Db, D, Eb, E,F, F sharp, Bb, and B? Thanks
Good question. Practicing each of the different white-black combinations gets us comfortable with the variations. Practicing the pattern in the shift-at-the-3rds sequence offers more of a technique "workout." Of course, with that longer sequence you will be duplication some of the white-black combinations, but this approach is more of an endurance builder. Remember to always stay relaxed, and if you feel any pain, especially any sharpness, STOP and rest. A little bit of "burn" in the muscles - the kind associated with any kind of workout - can be okay, but be mindful to stay as comfortable as possible when doing repetitive exercises. It should never feel painful though. Thanks for watching.
@@stevesnelling7615 Thanks so much. I started yesterday. I have noticed I can barely play the fourth finger on my right hand without activating the little finger! It's like it has a mind of its own. Actually annoying, that I don't have control of my own hands! I guess with practice I strenthen the muscles or whatnot that use the fourth finger, but this is a lot harder than it seems at first. Thanks for the guidance. I'll try and do it for 15 minutes every day for a month and see how I get on. I am learning Chopin's Nocturne, No 20, and the 35 notes in four beats at the end of the piece is impossible for me, so anything that can help me speed up and play accuratelty at the same time is really appreciated. Thanks again.
My teacher is a concert pianist who works with the Van Cliburn for Kids. I am new to good technique, but I definitely already keep my fingers on the keys, not lifting them - he says at 5:45 to just watch something else, I can't. This is really good instruction. His hand position so far is exactly as my teacher works for me to achieve. The rest should be great.
I like your subject and intro. I am sure some teachers in my youth would have benefited from your concept, and I could have learned more than I did. You should probable also be aware that teaching sight reading is under-rated, and not so difficult as one should think (judging from the number of people having troubles reading!) but one need to make sure that the student relax and feel secure, select own speed, no grudges, no nothing just read the simplest song you can find. Then: Go from there ...
I agree about sight reading. It wasn't until I was an adult, out on my own that I consciously started practicing sight reading. It is something I incorporate with my students now. And, yes, building confidence at the beginning is key! Thanks for watching.
@@akashboinpally9228 It helped out to some degree. Something I found to be helpful is circular motion in the wrist, plenty of videos on youtube about it
The proof is in giving it a try. Everyone who has worked with the concept a bit reports that it helps. It's so simple, yet so effective. Thanks for watching.
Excellent. This is a rarity on youtube. Thank you, I needed this clear reminder in working with students. I don't see that the metronome is needed though, I was taught better to internalize rhythm, unless the student has a significant problem
Thanks. Yeah, the metronome here is just to get started with a clear idea of "on-off" for each finger isolation. There are real benefits from working correctly with a metronome, but as I tell all my students: the metronome is a tool, not a crutch! I'll be doing a post on some helpful options for practice with a metronome. Thanks for watching.
Thank you so much. I am trying to unlearn all the horrible habits I taught myself over the years and not ever taking any lessons. AT 55, I am finally learning using an app connected to the keyboard.
Kudos on tackling the learning curve. I'm still learning new stuff myself. Stick with it! Please let me know if you have any questions about practice or technique and I'll see if I can be of assistance. Thanks for watching.
I always lovit when somebody can tell me WHY I'm successfully unique. Yeah, both things. Touching the keys always and using the aid of a metronome to direct timing alleviating the brain from having to figure that as well. Touching the keys always. I love the feel of them. They are a magnetic reassurance to me -- like the heart-wrenching title i red yesterday where the person sed, playing Chopin opus 10 no 1 while my parents argue. 😩 My parents never argued. Twice maybe there was closed door low notes from my dad in response to higher pitch low sounds from EM my mother. But TENSION..., that was simply the water in which this fish was raised to swim. But my every weekday from age 5 to 16 started with scales from Hanon technique from 6-6:30 AM. And my fingertips rested lightly on each key, waiting for its turn to strike the notes in predetermined succession, a deep level of focus that developed a muscle memory unrivaled in other students my age. 40 years later, having been away, I was surprised how proper technique enabled me to sit at the keyboard an in 50 minutes of re-initiation, ignite that level of crisp clear seemingly virtuoso sound thats has me marvel even to myself that: i really am just playing scales. ...but the rhythm, the intention. The focus, the love ...and the connection of finger to key when that metronome tick clicks. 280 bmp. 🙂 Ahhh, who needs talk therapy, when there is Hanon technique, played as you described, unlimited recording capability on WhatsApp for me to hear my own verbalized thots (sent to myself), and Google mail compose draft to write whatever I need to say about what's happening or isn't and access it from anywhere at any time with no additional paid storage. Thank you for this incredible tip. I will still finish watching the video. Who knows... there may be another life-altering tip. They usually come when I'm just open to learning how I can alter a tiny bit each day to be the best ME I can be, and a better me today than I was yesterday. More or just as expansive and a tiny bit more functional. Loving this experience. Cheers.
I have never heard the idea that a musicians hand doesn't move any faster than a non musician. I relaxed and wow. I never realized I wasn't relaxed. Thank you!!!
I'm surprised that more teachers don't emphasize this aspect. It would save a lot of unnecessary struggle. I'm glad you found it helpful - and thanks for watching!
Thanks for your comment. The same approach can be applied to all the scales-linear patterns in general. There are a coupe additional considerations for attaining more speed, having to do with the angles and height of the wrists, and that's forthcoming in a video I'm working on. Now that I'm getting back in the saddle after my seizure last year, I'm able to make more progress with this channel. Do stay tuned, and thanks for watching!
I'm really encouraged that so many have found this post useful. Please feel free to let me know how your progress with it goes. I love to hear about folks' experience from using these concepts. Thanks for your comment.
Thank you very much, very useful for me. I begin to learn piano and keyboard, and your video comes at the very best moment. So I can learn and built GOOD habits from the very beginning. Thank you very much to remind me of practicing slow enough to play exact. My keywords from your video: Relaxed fingers and hands (instead of tension) - slow AND exact practicing - speed comes with repetition.
Please feel free to contact me through Dharmajazz.com/contact and give me an idea of what you are working on, and where you'd like to go musically. I'd be happy to offer some suggestions for approaches to help you grow. Thanks for watching.
Thks so much for this i been learning on simply piano..really been getting back into it..even tho i had since xmas i sing and songwrite so im trying to incorporate it all
Great video, thank you! Could you expand on this video to talk about the twists and turns of the hand that are required (depending on the key) when you extend the scale beyond five notes? A scale over two, three or four octaves, up and down the keyboard, in different keys, can involve so many different moves of the shoulder, the arm, the wrist, the hand (left and right!), and the fingers. And those moves often seem to be a cause of unevenness in playing.
That's a great point. From work with the great technique coach, Jeremy Pass (passpiano.com), I've found that eliminating/reducing that sideways flopping is essential for smooth scales. I'm trying to get him into the studio for a video on the technique - I might do one, but it would be good to get it from the source! Stay tuned, and thanks for watching.
Thanks for the question, Robbie. The black-white combinations aren't that tough to memorize: it's always whole-step, whole-step, half-step, whole-step. (Whole-whole-half-whole.) If you haven't already got all twelve major scales in your fingers, that's something you'll want to tackle right away. If you don't yet read music, just remember the interval combinations are the same for all the major scales: W-W-H-W-W-W-H. Drop me a note on my website (dharmajazz.com) and I'll send you a fingering chart - or you can find one online. Thanks for watching!
This is a fantastic video and has all the most important lessons my piano teacher from college tried to help me with, coming from self taught, I had picked up all sorts of bad habits. In fact I should say the battle against tension and unnecessary movement it's true with all instruments, and for typists too.
Thanks for the feedback, Joshua. Yeah, a lot of other instrumentalists have confirmed the importance of relaxation. Typists! Of course. Thanks for watching.
It's worth a try. Many people have found this simple practice technique quite useful. Once you begin to weed out the tension, the hands/fingers/wrists can flow much more freely. Good luck, and feel free to share about your experience with the exercise. Thanks for watching.
the last exercise with the five fingers, example cdefg, and back down, I do the same with the left hand, and then I mirror both hands as in both number five, both number fours, both number 3 fingers and so on. I then alternate the Third a half step down making the Run sound like a minor. so one sequence sounds major and the alternate sequence sounds minor. I go up chromatically is part of an exercise. I just kind of came up with that on my own. but I watch videos like this cuz they're informative, thank you.
Your video is incredible! Subtle in practise but so amazing! All the instruction I've had, all the slow Hanon and scales (10+ years now) and yet I'm still struggling with playing 'fast'. Assumed with my small hands I would never really have it. Yet after trying your suggestion, within 1 hour I couldn't believe how much faster / smoother I was playing...and more importantly how it was feeling so so different! It's almost like adding in the idea of a 'pre-load' to your finger, in addition to the better sense of finger independence. It's going to take a little bit of re-practising my normal routines to incorporate this...but worth it I'm sure. Will report back! Thx for sharing...watching from North Vancouver, Canada.
That makes me happy that you found it useful! I look forward to hearing how it goes with other material. Happy practicing!
I have huge hands and struggle in the same way. Some of the best piano players I know have small hands.
@@darykinnaman2319 Does size really matter? I've heard Keith Jarrett had a huge hand span. My early teacher, Mary Field, had fairly small hands, but was a formidable bebopper! But in the end, it's all about our awareness, and using what we have to our best ability. Pianist/Harpsichordist Wanda Landowska had serious hand issues (Focal Dystonia), that distorted her fingers. Yet she is considered among the greatest in her field. Thanks for watching!
@@Dharmajazz Size does matter !! also when playing the Piano (pun intended)😉I have kinda big hands, chubby fingers but about avg. reach. can max reach the 13'th comfortable. Recently watched a video about how many Pianists would have a much easier time learning new pieces if you could get a custom made Piano with slightly narrower keys so we all could comfortable reach 14. Was kinda interesting with an interview with a guy that actually did make custom made Piano Keybeds in his business in his spare time.
@@mrdali67 I did see an article about alternate scale (size) keyboards. Something about the "tyranny" of the modern pianoforte dimensions. But alas, we have what we have. Thanks for chiming in.
Also love that you said to turn off video if you already had the technique. Acknowledging a range of watchers and humility.
Just trying to be respectful of other folks time. So much YT content now! Thanks for watching.
@@Dharmajazz Yes, I used that too. Thank you! i am only just starting Intermediate piano levels after playing for 2 years, but I learned correctly and didn't use much from this video.
@@falconswiss5217 i'm glad you had correct teachers so early in your piano journey. Thanks for watching.
Being a beginner, I've found this to be tremendously helpful in building a strong foundation. So glad I found your channel, thank you!
My pleasure! You can't go wrong with solid fundamentals. It's surprising that so many players - even at more advanced levels - neglect cleaning up such fundamental skills. Congrats on your piano journey. Thanks for watching.
Great exercise! Do you know Czeslaw Marek „Lehre des Klavierspiels „ (I don’t know if there is an english edition available). In chapter VIII he teaches the exercise in four movements. 1. lift up the finger 2. relax the muscles and let the finger drop on the key without pressing down 3. press down the key very slowly so that the piano doesn’t generates any sound 4. relax the muscles again but don’t lift the finger active, just let the key move it up. The hardest challenge here is 2. and 4. where you only have to relax the finger and not moving it actively. While doing so be careful to have all the other fingers resting relaxed on the keys. This will improve your control on every finger!
Thanks for watching. I'm not familiar with Marek, but the concept is familiar. I'll look for his exercises. Thanks for the tip.
Perfect!! I’m 55 and when I was about 15 or 16, I somehow by sheer dumb luck figured this out. My piano teacher (who was my dad) always had tight fingers, and he was stunned the day I figured this out because suddenly I was playing speedy lines way faster than he ever could. I knew what was going on, but I couldn’t explain it to him. Ever since then I’ve never been able to teach people what they were doing wrong. I could see their fingers were tight, but I couldn’t find a way to help them loosen up. I’m going to send them to this video. Thank you!!!
Thanks for sharing that. It's amazingly simple, but, as you've found, leads to immediate results. Thanks for watching!
"I find that the trick of playing fast tempos or fast streams of notes with good time is to play very
lightly with a feathery touch on the piano (or any instrument). It's also helpful to eliminate all
"frantic" (extra) motions from the body as these detract from the flow." - Chick Corea
Yep, Chic was not wrong. Sometimes though, we need to play very fast with a steely, hard tone when the music requires it. For that, it is helpful to train the hands/fingers to operate with relaxation and independence. That's the aim of this video. (The relaxation/independence, not the "steely" part.)
yeh, also work on fav licks or fast runs or sequences and have them ready miliseconds before the changes they will be played over.. workout especially fingerings for them.
Thanks for sharing! Could you provide a reference to the source of that quote? I want to check out the full version if possible
@@csm-csm chapter 4 making time, being a musician, a work in progress.
Oh yes, finally a piano "TEACHER" !!!!. So many of these piano players dont know how to teach. So glad I found you sir, you have wisdom, calm confidence, you articulate your instructions in a wonderful way, you are great. Have dabbled in piano for over 50 years, even though I am old I want to reach a better level, I will do that by following your lessons.
Appreciate the comments - glad you found the info useful. Feel free to check in with your progress - and thanks for watching!
@@Dharmajazz I have tried to master Oscar Petersen's "night train" for years to no avail, the contra-punctual bars are just too difficult, the great Billy Joel's "root beer rag" is a marvellous piece, but for me, my fingers get tired. Billy is one of the greatest piano rockers of all time, absolutely the best. But of course Art Tatum, Fats Waller were outstanding for their era. I am going to try and study your techniques religiously, you have so much great knowledge and fabulous ability. Oh, not to forget about Joe Haiashi (probably misspelt that), OH the Japanese are such good pianists and composers, could go on and on.
@@paulmurphy3838 Those are ambitious tunes, but you can do it. If you haven't done so already, break down the challenging parts into smaller sections, and practice hands separately, slowy, gradually building up to performance tempo. Play each of those sections to the point of memorization. Then put hands together, again, in sections, slowly at first, then gradually building tempo. Even the thorniest counterpoint can be worked out this way. The key is patience at slow tempos. Happy practicing!
He is isn't he? I mean, I feel I am listening to my actual teacher who happens to have a DMA in piano. This guys is the real deal. All the many thousands of dollars I have spent with a concert pianist to learn had also taught me who are the good teachers and who just don't know. PRICELESS if nothing else learned there!
Besides being an amazing musician you are also an amazing teacher! For some who play at such a high skill level it's difficult for them to break down something as simple as a five note chromatic pattern and apply methodology to it. That exercise is great for anyone at any level. Keep on sharing your amazing videos with us you have a gift and a gentle way about you.
Thanks! This video seems to have really resonated with folks. I've got more in the works. Thanks for watching.
@@stevesnelling7615o
I'm laughing, because that's me when I play a note, a pinky pops up lol. Your exactly right.
I came here trying to learn to play fast scales with sharps and regular keys. This has been very helpful, thank you for the lesson. I'm sure all of us watching, appreciate your help🙏😀
Thanks for watching - I'm glad to know you found it useful. Yeah, the "errant pinkie" syndrome. It's pretty common, but so easy to clean up. Let me know if there's another topic you'd like to see a post about. Happy practicing!
Me too now i can stop crying in a corner all nite🤣🤣🤣
You got it 👏i was studying for 4 years on the highest level classical music conservatory until i changed teacher who learned me These excersis (couldn't do them because of to much tension) .Simpel and so effective 👍
Thanks for your comment. I have shown this to many professional pianists and they have also found it challenging! It's a nearly universal problem. Thanks for watching.
Equal pressure from all fingers is extremely important in the development of technique. Some reasons you see concert artists execute incredibly fast passages is consistent fingering, quiet wrists, 4 octave scales, etc., and focusing on economy of motion. Equal strength in all fingers is very important and a philosophy that should be taught with all students. Fast passages sound uneven and introduce articulations that don't exist in the composition.
It's so true about the tensions in the hands that slow down the movements. This is very similar to recreative tennis players. No matter how long they've played tennis, if the body is not relaxed it takes away part of the main source of power coming from the legs. I've thought about using this principle of playing tennis to apply to piano but didn't know how to. This video will be my bible. Thanks so much
Thanks for your comment, Tom. I've been pondering how the concept of "relaxation" can apply to so many areas of our lives. Good luck with your tennis skills! And thanks for watching.
This is very basic but imperative to teach from the beginning!! I’m super strict about that with my students 👍
diggin' the whole ambiance and smoothness of your teaching/technique style.. gnarly stuff dude..
Thanks. I've always thought "gnarly" applies to Prokofiev and the real knuckle-buster stuff - Rachmaninov, etc - but I appreciate the thought. This particular exercise is surprisingly challenging though. Let me know if you any questions or comments about your piano journey, and thanks for watching.
Thank you thank you thank you! I have always said to myself that there was something wrong with my fingers - they just don't flow like great musicians like yourself. I always thought I was too tense in my posture & hands - so seeing your video - I now have some hope! Will practice faithfully these exercises. Bless you!
Happy to offer the encouragement. Remember to start these exercises slowly and be sure to stay as relaxed as possible. Speed always comes with repetition, so just make sure the mechanics are clean before letting it pick up speed. Also, make sure to only do the initial preparatory "finger lift" exercises in small doses, and just until you have the finger isolation consistently. Then let that go. (Mission accomplished.) Happy practicing!
Wonderful~
I'm a mostly self-taught jazz piano player. I have never had more obvious results from a simple exercise than when I started this one earlier this year. I added the exercise to my routine and made it the first thing. I had the same kind of involuntary twitchiness in my 4th and 5th fingers when I started. But I kept doing this exercise daily (it only took 5-10 minutes). After 3-4 months, I no longer get that weird twitchiness. Those fingers are getting stronger and more independent. I still do this every day and will probably do it every day for years to come. This stuff WORKS. Thank you!
It gladdens my heart to hear you have found value in this simple exercise. Thanks for the affirmation that it works, and thanks for watching!
@@stevesnelling7615 thanks for the reply. I appreciate your theoretical discussions. But I'm really interested in concrete exercises you have to offer. The one I mentioned worked so well. I want more please. I might even pay for it. Thank you for what you do.
Beautiful video, great share, super nice demo.
🌹👍🎹
Thanks for your kind words. I viewed some of your videos - what a lovely channel you have! Thanks for watching.
Excellent video. Thanks for sharing.
Thanks! It does seem to resonate with a lot of folks. It's often the simplest things... and thanks for watching.
Dear Dharmajazz, I'd like to thank you so much for this video. I'm not a pianist or keyboardist but a guitar player, but I was struggling for a long time with this issue. I can play just about any chord comfortably and relaxed, but scale runs made my muscles very tight and consequently it sounded not that good and it was harder to play. Today I focused on relaxing all my muscles and it made a huge difference. Playing anything feels and sounds so much more natural and comes a little easier too. This is such an essential component of playing that often gets overlooked. I certainly wish I knew about it sooner!
Thanks for your comment. Yeah, turns out this is a universal challenge, regardless of instrument. As you can see in the comments, addressing the factor of tension/relaxation has value for all musicians. I'm glad you found it helpful. Thanks for watching, and let me know if there's a musical topic you'd like to see a post about.
This is a great video and is such an important aspect of playing to look over. We should only have tension in our chords from time to time not our hands!!
This is exactly what my piano instructor teaches. Great job!
Thanks for the affirmation - yeah, as I was shown, it's from a Russian Conservatory type approach. Powerful tools!
My DAD💔 bought me up as an embryo. Home was always filled with music. (I’ve never met a bigger fan, but he’s mates we’re all the same. My first gig l was 3yrs old, & Hearing DAVE BRUBECK. He taught me chopsticks on the stage! ( no people)! So, it ended up that EUGENE ‘the Senator’ WRIGHT is my Godfather. 🫢 Absolutely amazing upbringing. I miss you DAD 💔 But ‘UNC’is there. with you too!! ✨❤️🥰😘😘😘😘😘
Great serious practice advise...thx from a senior beginner!
Thanks for sharing your experience. I like the tone of your voice and the peaceful way you express everything. I really enjoyed it! These are apparently simple ideas, but very powerful to avoid bad habits. Keep it up! 😀
Glad you enjoyed my video. Yes, "simple" is frequently the best approach. Thanks for watching.
What an amazing and helpful lesson.
I’ve only been doing this a few days now in all keys, I too have shovels for hands and of course finding problems between the black keys…this video not only helps with the strength and accuracy in my fingers, but I’m now managing in between the blacks with less double notes.
I thank you sir for this great lesson…much appreciated👍
Apologies for the late response - glad you found it useful. How has your progress been these past few months?
This has significantly improved my piano riffs exponentially, and i thought my 16th notes were already fast! Thank you for the tips!
Glad it worked! Thanks for watching.
Thanks for the video! I will give it a try right now! 😊
Thanks for checking in. Feel free to let me know how it goes with the approach. Happy practicing!
- put hand on the keys, all fingers touching keys
- up down to metronome
- cover all black white combinations
- 12 keys
Nice Cliff notes! That's pretty much it. Thanks for watching.
Very good, well presented, clear. The art in teaching is inspiring a student to go give it a try that instant!
I loved your video. Over the years, I've developed teaching techniques that parallel your ideas! I'm thrilled to have that confirmation. I play/teach the violin/viola and I can tell you that your ideas transfer to other instruments as well.
(As an aside, one of the most valuable classes I enrolled in during my last year at the University of North Texas was jazz improv. I was surrounded by keyboard, brass, woodwind, and percussion artists who inspired me in so many ways. To a person, they could all play fast - which pushed me [or pulled me] to do the same. I experimented with ways to eliminate tension. I could tell you stories!)
Thanks for your wonderful video!
Thanks, George. Several instrumentalists have also made similar comments about the universality of the approach. And kudos for digging into improv'! I meet so many string players who can otherwise play well, but don't improv' one bit. Thanks for watching.
This was exactly what I was looking for! I also play drums and guitar and it's very easy to forget concepts that help me play faster on them. They are all related to relaxing and having no tension. I subscribed and printed off your e book. Thanks so much for labeling all the fingering for the scales.
Thanks for watching! I was talking with two drummer/teacher friends about teaching/lessons and we all agreed: the best focus is on fundamentals! One of them shared about going to a lesson with some famous drummer (Peter Erskine or ?), expecting to get some inside 'Ninja' skills, but all they talked about was stick control! I show this exercise to even advanced pianists and many of them struggle with it at first. You can't go wrong with fundamentals.
Wow, I think this lesson exactly what I've been looking for. I'm going to try these exercises! Four years into learning piano, I hope I can fix this problem.
I teach this as the first lesson at the keyboard for all my new students. Happy practicing!
@@stevesnelling7615 I’m 6 months into lessons and my teacher is the same. However, 6 months in I still have tense thumbs. It’s incredibly frustrating.
What a great video!
This was maybe the most valuable video I ever watched at YT. Thank you!!! I have wondered for years why I could not play the piano....... Now I know some.....
I'm glad you found it useful. I watched your video on your channel. It looks like you've done quite a bit of playing already! Thanks for watching.
@@Dharmajazz I am so thankful. I belong to the large herd of people trying to play the piano although we never even saw a teacher one minute. All the best from Sweden!!!
Thx. As often, simple is Useful. Why not to apply it but with blinded eyes ? Would it be helpful ?
Can't go wrong with fundamentals. And, YES! I do practice often with eyes closed.Reducing visual distractions allows us to be more aware of the physical and auditory sensations. Thanks for watching.
Thank you for the video,
a nice addition to this technique, is alternating this but playing 2 fingers / 3 / 4 fingers at the same time. Like 1+3-2+4-3-5 and back.
Cheers!
Indeed! I'm mindful of the same approach when doing just about everything. Of course, there are times when high fingers are required, but as a general practice, staying in light contact with the keys is beneficial. Thanks for watching.
@@Dharmajazz Interesting to notice, when you do the lifting and landing slower, it becomes harder!
I wish you a nice day.
@@Jehudi That is interesting isn't it? I'm also amazed at how difficult it is to do that super slow practice with classical pieces - even when I have it totally memorized at tempo. It's as if I never even learned the piece! Thanks for the comments.
I'll try to do the repetitions you've sugest. Thanks
Cool! Remember, ez does it, stay relaxed. Best wishes for happy practice, and thanks for your comment.
Thank you. It was VERY helpful!!!!!!!!!
Glad to hear it, and thanks for sharing that. I'm kind of amazed at how many people are finding real value in this concept. Thanks for watching!
I remember being first grader my music teacher told me to imagine my hands are cat's paws, so I positioned them bit arched and fingers would never be flat ever. Also countless hours of playing Ganon's and Czerny's etudes, that required mechanical efficiency just molded them exactly as you describe. Even after almost 20 years of not playing at all(!), at least right hand still retained technique and almost never cramps when playing fast arpeggios or stuff, but left hand has locked for good and I don't think I can start over slow methodical muscle training playing again :)
The key is to play slow for many many hours. That will build your muscle memory and make playing faster so effortless you won't believe yourself. Hands just fly automatically and you feel no tension at all :)
I'm glad you are back to playing. If the left hand just won't budge, remember there are lots of pieces that don't require fast playing in the left hand! I wish you the best. Thanks for watching.
Thank you for this incredibly helpful video. I though. I also really liked the camera angles and how you explained moving the finger from the knuckle joint and your little bird beak analogy. Thank you also for discussing using The Black Keys and not getting stuck in the "Canyon" . These are extremely important details. Thank you thank you thank you!
My pleasure - glad you found it useful. That "bird beak" finger angle is something I've stumbled on quite recently, and it really affects my tone! Thanks for watching.
Awesome video. I am 70 and have just started learning to play the Piano Keyboard. I will definitely do the finger exercises as explained. Subscribed the channel. Many thanks for the video 🙏
Excellent! The important factor is relaxation. Check back for a video I'm posting soon on using the idea of gravity and weight to help get a more relaxed, richer tone. Thanks for watching.
This reminds me of Dohnanyi's exercises except his drills involve holding down the keys with the non-moving fingers.
I love the Dohnanyi exercises. Even the first few in book 1 are so valuable! Thanks for watching.
Pischna exercises as well.
Thank you so much, sir.
I'm glad you found it useful. Let me know how your experience with this goes as you work with it. Thanks for the comment.
So glad my first piano teacher was a pianist for a symphony. Won’t say which one. But from the beginning he stressed the importance of correct finger and hand position. And how to use them correctly. Time to watch something else.
Very useful and helpful content. As a beginner, what shall I learn first? scales or fingers training ?
I suggest gaining finger control first with this exercise. Once you've made some progress-that is, can execute the exercise cleanly, in a relaxed and confident fashion-then you'll be ready to begin scale practice, using this same touch for starters. But, there are other basic skills to learn which can be more valuable to pick up before tackling scales. I highly recommend finding a qualified teacher in your area. Ask around, check with your local university/college music department or music stores for recommendations. A good teacher will help you avoid picking up bad habits that will actually impede progress. Good luck and have fun! Thanks for watching.
I love your content and your channel name❤
thanks for watching.
Great lesson from a natural teacher. Thanks for sharing; hope to see more of your work sson.
Thanks for the comments. I've got several things ready to edit, and tons more content in the wings! Please click the bell for notifications for new posts. Thanks for watching.
Economy of motion. It applies to other instruments in various ways as well. Watch the fastest guitar or violin players - the best ones look like they're barely moving. Great video here.
Thanks for watching. Yeah - it's not just for pianists.
This is something that I've noticed. If someone plays it and makes it seem way easier, that's a pro there
Danke, Danke, ich hoffe, dass ich damit meine Schulter- und Nackenverspannungen lösen kann.
Es sollte. Ein Großteil unserer Nackenverspannungen kommt vom Aufhängen des Gewichts unserer Arme. Das Erlernen der Entspannung der Hände und Arme nimmt viel Stress von unseren Schultern. Viel Glück! Danke fürs zuschauen.
Yes ..thx.. it great
I tried your note by note pressing and released muscle tension at the same time..🤙🖖🙌
So glad to hear! Thanks for watching.
Very helpful tips for a beginner such as myself. Thank you kindly!
Yeah, starting with simple foundational concepts like these makes the whole process go more smoothly. Glad you found it useful, and thanks for watching.
Very Nice!!!
You're doing Your Gift so amazingly Bro! Thank You!
Appreciate the comment - and thanks for watching.
This is very helpful, thanks!
Thank you Sir! I learned the up beat ready ing of the finger to hit the next note. And the exercises tips are great.. Will definitely use .thank you
glad you found it useful. Remember, this exaggerated "lift" in this exercise is about learning finger relaxation and independence. Once you feel progress with that, make sure to stay relaxed as you play your other exercises and pieces. Thanks for watching!
That’s perfect, thank you so much for this video
Very useful and in-depth as it can get in a short lesson 🙏🏼🙏🏼
Thanks - it could have been shorter if I didn't tend to ramble so much 😊 but some things benefit from deeper explanation. Thanks for watching.
Thank you. That few minutes was brilliant. My fingers are normally heavy on the keys, even slapping at them. Your advice is very sound and I will use it starting now. Please do more on this very topic. I subscribed, thumbs up, and rang the bell.
Glad you found it useful - thanks for watching!
Hi. Thanks for the video. Can I ask a question? When you say change hands every major third, that is a different excerise from practising the 9 different shapes - C, Db, D, Eb, E,F, F sharp, Bb, and B? Thanks
Good question. Practicing each of the different white-black combinations gets us comfortable with the variations. Practicing the pattern in the shift-at-the-3rds sequence offers more of a technique "workout." Of course, with that longer sequence you will be duplication some of the white-black combinations, but this approach is more of an endurance builder. Remember to always stay relaxed, and if you feel any pain, especially any sharpness, STOP and rest. A little bit of "burn" in the muscles - the kind associated with any kind of workout - can be okay, but be mindful to stay as comfortable as possible when doing repetitive exercises. It should never feel painful though. Thanks for watching.
@@stevesnelling7615 Thanks so much. I started yesterday. I have noticed I can barely play the fourth finger on my right hand without activating the little finger! It's like it has a mind of its own. Actually annoying, that I don't have control of my own hands! I guess with practice I strenthen the muscles or whatnot that use the fourth finger, but this is a lot harder than it seems at first. Thanks for the guidance. I'll try and do it for 15 minutes every day for a month and see how I get on. I am learning Chopin's Nocturne, No 20, and the 35 notes in four beats at the end of the piece is impossible for me, so anything that can help me speed up and play accuratelty at the same time is really appreciated. Thanks again.
My teacher is a concert pianist who works with the Van Cliburn for Kids. I am new to good technique, but I definitely already keep my fingers on the keys, not lifting them - he says at 5:45 to just watch something else, I can't. This is really good instruction. His hand position so far is exactly as my teacher works for me to achieve. The rest should be great.
Dharmajazz, thanks for educating us in your unique and creative way.
Trying to bring some light to the topic. Thanks for watching.
Excellent, thanks!
This is exactly what I was looking for! Thank you so much for this!!!!!
I'm glad you find it useful. It's so simple, yet so powerful in helping clean things up. Thanks for watching.
I like your subject and intro. I am sure some teachers in my youth would have benefited from your concept, and I could have learned more than I did.
You should probable also be aware that teaching sight reading is under-rated, and not so difficult as one should think (judging from the number of people having troubles reading!) but one need to make sure that the student relax and feel secure, select own speed, no grudges, no nothing just read the simplest song you can find. Then: Go from there ...
I agree about sight reading. It wasn't until I was an adult, out on my own that I consciously started practicing sight reading. It is something I incorporate with my students now. And, yes, building confidence at the beginning is key! Thanks for watching.
Superb advice! Thanks!
Most welcome! Thanks for watching.
Going to try this out for a few weeks, and see how it goes
Howd it go?
@@akashboinpally9228 It helped out to some degree. Something I found to be helpful is circular motion in the wrist, plenty of videos on youtube about it
@@AWARENESS911 I see,thanks
@@AWARENESS911 I've got a video in the works on circular motion in the wrists! (More like ovals...)
so good. i really like all the techniques and the reasons he explains why we should do that techniques
The proof is in giving it a try. Everyone who has worked with the concept a bit reports that it helps. It's so simple, yet so effective. Thanks for watching.
Excellent. This is a rarity on youtube. Thank you, I needed this clear reminder in working with students. I don't see that the metronome is needed though, I was taught better to internalize rhythm, unless the student has a significant problem
Thanks. Yeah, the metronome here is just to get started with a clear idea of "on-off" for each finger isolation. There are real benefits from working correctly with a metronome, but as I tell all my students: the metronome is a tool, not a crutch! I'll be doing a post on some helpful options for practice with a metronome. Thanks for watching.
Thank you so much. I am trying to unlearn all the horrible habits I taught myself over the years and not ever taking any lessons. AT 55, I am finally learning using an app connected to the keyboard.
Kudos on tackling the learning curve. I'm still learning new stuff myself. Stick with it! Please let me know if you have any questions about practice or technique and I'll see if I can be of assistance. Thanks for watching.
I always lovit when somebody can tell me WHY I'm successfully unique. Yeah, both things. Touching the keys always and using the aid of a metronome to direct timing alleviating the brain from having to figure that as well.
Touching the keys always. I love the feel of them. They are a magnetic reassurance to me -- like the heart-wrenching title i red yesterday where the person sed, playing Chopin opus 10 no 1 while my parents argue. 😩 My parents never argued. Twice maybe there was closed door low notes from my dad in response to higher pitch low sounds from EM my mother. But TENSION..., that was simply the water in which this fish was raised to swim. But my every weekday from age 5 to 16 started with scales from Hanon technique from 6-6:30 AM. And my fingertips rested lightly on each key, waiting for its turn to strike the notes in predetermined succession, a deep level of focus that developed a muscle memory unrivaled in other students my age.
40 years later, having been away, I was surprised how proper technique enabled me to sit at the keyboard an in 50 minutes of re-initiation, ignite that level of crisp clear seemingly virtuoso sound thats has me marvel even to myself that: i really am just playing scales. ...but the rhythm, the intention. The focus, the love ...and the connection of finger to key when that metronome tick clicks. 280 bmp. 🙂 Ahhh, who needs talk therapy, when there is Hanon technique, played as you described, unlimited recording capability on WhatsApp for me to hear my own verbalized thots (sent to myself), and Google mail compose draft to write whatever I need to say about what's happening or isn't and access it from anywhere at any time with no additional paid storage.
Thank you for this incredible tip. I will still finish watching the video. Who knows... there may be another life-altering tip. They usually come when I'm just open to learning how I can alter a tiny bit each day to be the best ME I can be, and a better me today than I was yesterday. More or just as expansive and a tiny bit more functional. Loving this experience.
Cheers.
I still find the piano a comfort, everytime I sit to practice. Thanks for watching.
I have never heard the idea that a musicians hand doesn't move any faster than a non musician. I relaxed and wow. I never realized I wasn't relaxed. Thank you!!!
I'm surprised that more teachers don't emphasize this aspect. It would save a lot of unnecessary struggle. I'm glad you found it helpful - and thanks for watching!
Great video! Could you please do a video of all the scales and how you play them correctly and fast?
Thanks for your comment. The same approach can be applied to all the scales-linear patterns in general. There are a coupe additional considerations for attaining more speed, having to do with the angles and height of the wrists, and that's forthcoming in a video I'm working on. Now that I'm getting back in the saddle after my seizure last year, I'm able to make more progress with this channel. Do stay tuned, and thanks for watching!
Let me try this for all your tips and let you know.. Thank you❤🌹🙏
Valuable lesson 😊👍🏻🎹🎼
Thanks. It seems to apply to so many instruments too. Thanks for watching.
Excellent very helpful thank you for sharing
My pleasure - thanks for watching!
Thanks for sharing. Not all piano teachers are revealing this secrets. You're one of a kind! 👍👍👍. REAL teacher teaches technique! You're one of them!
Thanks for the kind words. My goal is simply to be helpful - glad you found some value in the video. Thanks for watching.
Thank you for this amazing lesson
I'm really encouraged that so many have found this post useful. Please feel free to let me know how your progress with it goes. I love to hear about folks' experience from using these concepts. Thanks for your comment.
Thank you very much, very useful for me. I begin to learn piano and keyboard, and your video comes at the very best moment. So I can learn and built GOOD habits from the very beginning. Thank you very much to remind me of practicing slow enough to play exact. My keywords from your video: Relaxed fingers and hands (instead of tension) - slow AND exact practicing - speed comes with repetition.
Yes, you got the important takeaways! Thanks for watching.
Great full for the reminder .. great info.
You bet. Thanks for watching. Never can go wrong focusing on the basics.
I am interested in ANYTHING that will improve my playing. John.
Please feel free to contact me through Dharmajazz.com/contact and give me an idea of what you are working on, and where you'd like to go musically. I'd be happy to offer some suggestions for approaches to help you grow. Thanks for watching.
This is really great!
Thanks, i hope you find it useful. Thanks for watching.
Great Video. Coming back to the piano after nearly 30-years, and it's been a slow process. Will definitely try your technique. Thanks for sharing.
Let me know how it's been going with your return to piano. Would love to hear how the relaxation technique has helped. Thanks for watching.
Great video. The same principle applies to playing fast runs on the guitar.
Thanks for watching. Yeah, several guitarists have chimed in confirming that. Relaxation is key.
Great tutorial. I will try it
Thank you for the insight
My pleasure. I've got a new post almost ready on getting healthy tone. Please check back. Thanks for watching.
Thks so much for this i been learning on simply piano..really been getting back into it..even tho i had since xmas i sing and songwrite so im trying to incorporate it all
Thanks for watching. This simple exercise can help so many things so more smoothly. Happy practicing!
Very good lesson. Thank you.
Thanks, glad you enjoyed it. Let me know how you may have benefitted from it. Do you already teach this concept? Thanks for watching.
Mant Thanks, Best "Dharma Talk" I've Heard........
Funny, I've found meditation is like this too: relaxation, weeding out the tension, not grasping with the mind, is important. Thanks for watching.
Great video, thank you! Could you expand on this video to talk about the twists and turns of the hand that are required (depending on the key) when you extend the scale beyond five notes? A scale over two, three or four octaves, up and down the keyboard, in different keys, can involve so many different moves of the shoulder, the arm, the wrist, the hand (left and right!), and the fingers. And those moves often seem to be a cause of unevenness in playing.
That's a great point. From work with the great technique coach, Jeremy Pass (passpiano.com), I've found that eliminating/reducing that sideways flopping is essential for smooth scales. I'm trying to get him into the studio for a video on the technique - I might do one, but it would be good to get it from the source! Stay tuned, and thanks for watching.
Thanks for sharing!
I got lost at the black white combination? What did he mean by this? Are you supposed to have already memorised the key combinations first?
Thanks for the question, Robbie. The black-white combinations aren't that tough to memorize: it's always whole-step, whole-step, half-step, whole-step. (Whole-whole-half-whole.) If you haven't already got all twelve major scales in your fingers, that's something you'll want to tackle right away. If you don't yet read music, just remember the interval combinations are the same for all the major scales: W-W-H-W-W-W-H. Drop me a note on my website (dharmajazz.com) and I'll send you a fingering chart - or you can find one online. Thanks for watching!
This is a fantastic video and has all the most important lessons my piano teacher from college tried to help me with, coming from self taught, I had picked up all sorts of bad habits. In fact I should say the battle against tension and unnecessary movement it's true with all instruments, and for typists too.
Thanks for the feedback, Joshua. Yeah, a lot of other instrumentalists have confirmed the importance of relaxation. Typists! Of course. Thanks for watching.
I will follow up and practice what you instructed sir. Thank you for the help .
It's worth a try. Many people have found this simple practice technique quite useful. Once you begin to weed out the tension, the hands/fingers/wrists can flow much more freely. Good luck, and feel free to share about your experience with the exercise. Thanks for watching.
Nagyon szépen köszönöm Dohnányi úr.Danke sehr..
Megtiszteltetés számomra. Köszönöm, hogy megnézted a videót // It's my honor. Thanks for watching the video.
Tiszteletem..@@Dharmajazz
WOW, I will definitely add this to my practice...thank you!
Let me know how it goes! Thanks for watching.
Quite helpful!
Glad you found it useful. It's such a simple concept, yet so effective in cleaning up our technique. Thanks for watching.
JUST what I am dealing with! Thank u. Did not know how to fix :))
It's a quick remedy for what is a really common problem. Thanks for watching!
You're a fantastic teacher. Round of applause.
That's very kind. Please let me know if there is a topic on which you'd like to see a video-maybe I'd have something to offer. Thanks for watching.
the last exercise with the five fingers, example cdefg, and back down, I do the same with the left hand, and then I mirror both hands as in both number five, both number fours, both number 3 fingers and so on. I then alternate the Third a half step down making the Run sound like a minor. so one sequence sounds major and the alternate sequence sounds minor. I go up chromatically is part of an exercise. I just kind of came up with that on my own. but I watch videos like this cuz they're informative, thank you.
Thanks for watching. Yeah, I'm always tweaking exercises I come across too. I like your "two modes" concept! Keep experimenting!
Good stuff. Thank you
Thank you for the lesson,
Your video help me so much.
Simple yet SO INTERESTING
Simple is good! Thanks for watching.