removing the Van Halen style synthesizers really gives it a different feel. Neil's drums sound very "Counter Part" here. 1993. You could use this as background music for a tech-spy movie. I seem to recall one in 1980s/90s with Parker Stevens called "Probe" would have fit in great with that! And Geddy's awesome bassline comes 1:55 ish and kickem assness begins in full.
@@CrazyLife2112 He used to say it was one of his funnest songs to play. And cool that you said that about those two albums becasue I completely agree as far as sound quality goes. One other that I would throw in there is Presto(one of my faves). Vapor Trails and Snakes and Arrows(best late Rush by far) are night and day sound quality wise.
Ditto... we play it live, and an isolated track sure helps nail down the parts... cause the real RUSH fans in the audience will let you know, when you don't. 😂
These are from originals songs from any album yeah. For example, this mix has been created from the Subdivisions version of MFSL Signals. I'm using some tools to extract the different layers (AI models, filter ...) then post-processing them with Adobe Audition or Audacity. And finally I use openshot for the video and final volume equalization before posting it on UA-cam. It's retro-engineering but for music.
Two uses I can think of right away: Makes it easier for drummers or bass players who are trying to learn the track, or gives guitarists a track to play along to while they're learning it.
It is so we can enjoy listening to the perfection of Neil and Geddy! I beg to see anyone else tap thru this without skipping any of the off timing beats. RIP Neil
This site is absolutely amazing!!!
Who's singing in their head trying to keep up? A real skill to master.
If you add the keyboards and vocals it’s literally what 70s Rush fans heard when they first listened to Signals!
Where’s the guitar?! 🤣
removing the Van Halen style synthesizers really gives it a different feel. Neil's drums sound very "Counter Part" here. 1993. You could use this as background music for a tech-spy movie. I seem to recall one in 1980s/90s with Parker Stevens called "Probe" would have fit in great with that! And Geddy's awesome bassline comes 1:55 ish and kickem assness begins in full.
No doubt they tracked that live, in one long no-overdubs take. Pocket MoFos
Pure PERFECTION no matter WHICH WAY you look at this!!!
I’ve been learning how to play the keys and bass to this track for our Rush cover act and it’s absolutely fantastic!!!!
Glad it helped you! That's why I’m posting this kind of content. I’m sure it’ll help us fellow musicians!
Thank you foe this! Thank God you love Rush as much as we do.
Neil's drums sound great!
Too bad the original is so terrible. Signals slightly edges out Vapor Trails as their worst sounding album.
@@CrazyLife2112 He used to say it was one of his funnest songs to play. And cool that you said that about those two albums becasue I completely agree as far as sound quality goes. One other that I would throw in there is Presto(one of my faves). Vapor Trails and Snakes and Arrows(best late Rush by far) are night and day sound quality wise.
drums and bass. The drums very "Knight Rider" but this was 1982
@@CrazyLife2112I think Signals sounds great, way better than the og Vapor Trails mix
Wow! And thank you 😮!
You're welcome !
I’m here for the bass part.
Ditto... we play it live, and an isolated track sure helps nail down the parts... cause the real RUSH fans in the audience will let you know, when you don't. 😂
it's kick ass! could incidental a show about stealth
Can you please do Time Stand Still
Hi Dudley! Thank you for your comment. Time Stand Still is definitely coming in the future!
Playing 4 on the floor and syncing your snare hits on 2 and 4 is surprisingly difficult.
Or maybe I just suck.
Great post thank you!
Great! But how do you manage to do this? Are these, original tracks that made up the song?
These are from originals songs from any album yeah. For example, this mix has been created from the Subdivisions version of MFSL Signals. I'm using some tools to extract the different layers (AI models, filter ...) then post-processing them with Adobe Audition or Audacity. And finally I use openshot for the video and final volume equalization before posting it on UA-cam. It's retro-engineering but for music.
@@GrooveExtractorLab Very interesting stuff. Thanks for the reply.
the new Bladerunner incidental track I think or maybe "Knight Rider" staking a criminal org music.
What's point of this, I wonder?
Two uses I can think of right away: Makes it easier for drummers or bass players who are trying to learn the track, or gives guitarists a track to play along to while they're learning it.
Plus it's awesome to hear what the drums actually sound like without all the other layers. I love getting to hear what Neil actually plays.
@@shanewatkins7491 Agreed. It's difficult to hear all the ghost notes and accents on the entire recording.
Who would ask this?
It is so we can enjoy listening to the perfection of Neil and Geddy! I beg to see anyone else tap thru this without skipping any of the off timing beats. RIP Neil