This is by far one of your best. And you have further proven Mozart correct when he said "the music is not in the notes, but in the space between the notes".
Truly a gem that deserves more views. Very smooth and precise talking, and i liked that you listed all the different tips in the description (because many of us are bound to know some of them already). Thank you Will! :)
There's a lot of people on yt that have tutorials. Seriously, the lessons you offer are absolutely impactful. I've been making music for nearly 30 years and the methods you've presented have made me realize tons of things I've been missing. Thank you.
Will this is so helpful. Thanks very much for the tips. I see that on Live's stock compressor there is a 'make up' button and a wet/dry control. I wonder whether the option of mixing the dry signal with the compressed one is, in effect, parallel processing?
Haha, nice! Good job then, I love the way you processed the M1 organ. Sounds really nice and punchy, tho without the annoying high frequencies. Any tips how to get my organ to sound similar? Is it the actual M1, or replica sound through another vst? And what ratio did you use for compression and eq and so on? It just sounds so nice :)
It's actually a sample from a Vengeance pack, and if I recall correctly I dialled in a short decay and quieter sustain to get the "punch", then EQ'ed out below about 120hz and duplicated the riff with a sub bass with similar ADSR settings. Very light compression just to glue those two sounds together. Hope this helps!
Anyways, couple problems with this: 1. You don't always need to "tune" your kicks as some of them don't actually ever stay at a particular note for long enough. In those cases, and really just with "tuning" kicks in general, transposing should be done by ear. 2. You really don't need to be high-passing all your kicks. A lot of the times they're already high passed. Use your ears to decide wether you need to high-pass or not. 3. There's no need to set your kick to "sends only" in Live. All you need to do is disable the track. You also don't usually need a sidechain trigger in Live since the sidechain input has a filter which lets you highpass the incoming kick signal so only the click of the kick triggers the sidechain. 4. COMPRESSION IS NOT FOR MAKING DRUMS LOUDER. Your goal when compressing your drums should not be to make them louder, it should be to glue them together, mold the dynamics to your liking and/or simply just for that over-compressed effect. If you want your drums to make you drums louder, turn them up! Or use Limiting/clipping/saturation.
Thanks for the comment, Alyx. I know I replied in Reddit, but I'll stick the reply here, too, for anyone just on UA-cam: "Good point about the drums statement! I really meant they're often regarded as atonal, and their tuning is not as important as that of, say, a guitar or synth, etc. Obviously drummers know this, but it's something that I didn't pay attention to for a long time, but when I learned it it made a big difference. 2. The issue with only trusting your ears, is that often there is sub-audible information (especially when played through smaller speakers). That's when a spectrum analyser can really help see that info. 3. For sure...this is just my preference. You can also use something like Xfer's LFOTool plugin 4. It depends, but I agree that saturation is also a good tool
This is by far one of your best. And you have further proven Mozart correct when he said "the music is not in the notes, but in the space between the notes".
Truly a gem that deserves more views. Very smooth and precise talking, and i liked that you listed all the different tips in the description (because many of us are bound to know some of them already). Thank you Will! :)
Thank you very much!
Thank you, I agree with some of the comments - true gem for EDM producers
Appreciate it! 🙌🙏
There's a lot of people on yt that have tutorials. Seriously, the lessons you offer are absolutely impactful. I've been making music for nearly 30 years and the methods you've presented have made me realize tons of things I've been missing. Thank you.
Deserves way more views. Another great video. Thank you!
Thanks man! Feel free to share on Reddit, Facebook, etc. :)
This is an amazing tutorial. All the basics rolled into 15 minutes. Nicely done and thank you for sharing these tips!!
Thanks, and you're welcome :)
Great tips! I would add Saturation to the list which can help gain 2-4db by adding harmonics and trimming peaks.
Absolutely! Great tip :)
Why dont you use a lowpass on the kick and bass? I wouldnt think we want some of those higher frequencies as they can interfere with leads?
Fourth video done!
Great tips!
Awesome! Thank you!
Thanks for the tips. I knew most of these but forget to use them. You put it all together quickly and added nice punch and energy. Cheers!
You're welcome! Glad you like :)
Will this is so helpful. Thanks very much for the tips. I see that on Live's stock compressor there is a 'make up' button and a wet/dry control.
I wonder whether the option of mixing the dry signal with the compressed one is, in effect, parallel processing?
You're welcome! 🙂 It is indeed!
Seems that apart from being a brilliant producer you also make a great teacher! Kudos!
Thank you :)
How can you tell what note the kickdrum is? Is it specific to the frequency?
One of the best tutorial maker who explain everything in simple
Thanks for the support :)
Does the kick always have to be in the same Key as the song? I have heard people say you can use the 3rd or 5th note aswell?
No, not at all! You are correct :)
Awesome tutorial Will! Very logical approach to achieve a clean, solid sound!
Cheers Luke :)
Awesome! Keep it up!
Easy to Understand! Best Tutorial (: Thank You
You're welcome!
When you compress group vocals, does that take place of individual vocal compression? Or do you do them both?
Usually both
darn you know your stuff
What is the name of the track playing in the beginning? :) The one with the 909 drums and the M1 organ. Also, nice tutorial!
That's currently called "EDmtips intro tune", by me :)
Haha, nice! Good job then, I love the way you processed the M1 organ. Sounds really nice and punchy, tho without the annoying high frequencies. Any tips how to get my organ to sound similar? Is it the actual M1, or replica sound through another vst? And what ratio did you use for compression and eq and so on? It just sounds so nice :)
It's actually a sample from a Vengeance pack, and if I recall correctly I dialled in a short decay and quieter sustain to get the "punch", then EQ'ed out below about 120hz and duplicated the riff with a sub bass with similar ADSR settings. Very light compression just to glue those two sounds together. Hope this helps!
Good Work!
Thank you!
HOW TO MAKE DRUMS MORE LOUDER? A BIT WARMER, 30KHZ CUT, ATTACK - 17-20MS AND THATS IT. THE PERFECT DRUM IMO ;D
You rock, Dude!!
Thanks, Claude!
Using a clipper on drums is great too.
Ah...haven't tried that. Thanks!
love will
Anyways, couple problems with this:
1. You don't always need to "tune" your kicks as some of them don't actually ever stay at a particular note for long enough. In those cases, and really just with "tuning" kicks in general, transposing should be done by ear.
2. You really don't need to be high-passing all your kicks. A lot of the times they're already high passed. Use your ears to decide wether you need to high-pass or not.
3. There's no need to set your kick to "sends only" in Live. All you need to do is disable the track. You also don't usually need a sidechain trigger in Live since the sidechain input has a filter which lets you highpass the incoming kick signal so only the click of the kick triggers the sidechain.
4. COMPRESSION IS NOT FOR MAKING DRUMS LOUDER. Your goal when compressing your drums should not be to make them louder, it should be to glue them together, mold the dynamics to your liking and/or simply just for that over-compressed effect. If you want your drums to make you drums louder, turn them up! Or use Limiting/clipping/saturation.
Thanks for the comment, Alyx. I know I replied in Reddit, but I'll stick the reply here, too, for anyone just on UA-cam:
"Good point about the drums statement! I really meant they're often regarded as atonal, and their tuning is not as important as that of, say, a guitar or synth, etc. Obviously drummers know this, but it's something that I didn't pay attention to for a long time, but when I learned it it made a big difference.
2. The issue with only trusting your ears, is that often there is sub-audible information (especially when played through smaller speakers). That's when a spectrum analyser can really help see that info.
3. For sure...this is just my preference. You can also use something like Xfer's LFOTool plugin
4. It depends, but I agree that saturation is also a good tool
🚀🚀🚀
sidechaining on 1/4 notes, who woulda thunk it!
"drums are usually not regarded as an instrument per say"
And all the drummers in the word gasped in unison.