Sunday Chopin Recitals in Żelazowa Wola | Tony Yike Yang
Вставка
- Опубліковано 13 вер 2024
- Sunday Chopin Recitals in Żelazowa Wola are a series of open-air concerts held at the
Birthplace of Fryderyk Chopin from May to September. They continue the long-term
tradition initiated by Professor Zbigniew Drzewiecki, an eminent Polish pianist and teacher,
in 1954. The recitals are an extraordinary opportunity to listen to performances by outstanding
Polish and foreign pianists, professors of world renown, and winners of the International
Chopin Competitions.
August 6, 2023
Tony Yike Yang
Programme:
Fryderyk Chopin
24 Preludes, Op. 28
…….
Niedzielne Recitale Chopinowskie w Żelazowej Woli to cykl koncertów plenerowych, które
odbywają się w Domu Urodzenia Fryderyka Chopina w okresie od maja do września.
Stanowią one część wieloletniej tradycji, zainicjowanej w 1954 roku przez prof. Zbigniewa
Drzewieckiego, wybitnego polskiego pianistę i pedagoga. Recitale te są nadzwyczajną okazją
do wysłuchania występów wybitnych polskich i zagranicznych pianistów, światowej sławy
profesorów, a także laureatów Międzynarodowych Konkursów Chopinowskich.
6 sierpnia 2023
Tony Yike Yang
Program:
Fryderyk Chopin:
24 Preludia op. 28
Marvelous recital!!!!! ❤💐👏🏻
BRAVISSIMO!!!!!
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Tony is undoubtedly one of the greatest pianists ever. His deep and sincere emotions flow through this music so naturally that experiencing these preludes becomes an incredible and charming journey. Really well done!
Thank you for these Sunday recitals❤
Bravo!!!!! I'm deeply impressed. 🥹💛 🎉🎉🎉
Espectacular performance .....!!!!!.... Bravissimo!!!!!
You play piano more,more than amazing.
Your story through compositions by Chopin are true. Today, love always win, so story has happyend.
🕊🌹🌹🌹❤🕊
Bardzo energetyczne wykonanie. Doskonale brzmi w zachmurzone, letnie popołudnie!!!
Aimi Kobayshi
❤cudowny koncert!!
Great job Tony!! I really enjoyed it!
A master of sound and subtle timing, absolutely delightful interpretation
❤Bravo!!💥
Thank you Chopin Institut. Tony very nice, well recalls the Chopinian spirit of the preludes.
Ce concert à domicile est un enchantement . merci pour tout ce travail qui finit par être un cadeau pour les musiciens qui ont arrêté de travailler des heures pour un résultat médiocre Bravo
What a beautiful performance, what a wonderful 24 preludes!✨✨✨👏👏👏
If I got one last dream then that would be attending one of Tony’s concerts. He is amazingly talented & have nice personality. Rooting for you Tony✨☺️
Saludos desde México. Bravo pianista!!!
Such a musical revelation. Thank you Tony ❤️
I am in awe of Tony’s immaculate pianism and extreme maturity at the piano. He has shed the coat of rigid academic competition style interpretation and found his own individualistic approach and more importantly his own sound. He has the merits of a prime Argerich and the singing style of Horowitz. If this is him in his early twenties I wonder how he would sound like when he’s twice his age. I’ve heard many recordings of the Op 28 preludes and I must say as a whole set I find this interpretation to be the most complete and musically coherent.
Tony brought out my love for Chopin. Bravo!!!!
3:18 - opening
24 Preludes, Op.28:
5:11 No.1 (C-dur/in C major)
5:49 No.2 (a-moll/in A minor)
7:49 No.3 (G-dur/in G major)
8:43 No.4 (e-moll/in E minor)
10:32 No.5 (D-dur/in D major)
11:07 No.6 (h-moll/in B minor)
12:58 No.7 (A-dur/in A major)
13:36 No.8 (fis-moll/F-sharp minor)
15:24 No.9 (E-dur/in E major)
16:45 No.10 (cis-moll/in C-sharp minor)
17:12 No.11 (H-dur/B major)
17:53 No.12 (gis-moll/G-sharp minor)
19:05 No.13 (Fis-dur/in F-sharp major)
21:44 No.14 (es-moll/in E-flat minor)
22:15 No.15 (Des-dur/in D-flat major)
27:24 No.16 (b-moll/in B-flat minor)
28:27 No.17 (As-dur/in A-flat major)
31:34 No.18 (fis-moll/in F minor)
32:25 No.19 (Es-dur/in E-flat major)
33:49 No.20 (c-moll/in C minor)
35:24 No.21 (B-dur/in B-flat major)
37:16 No.22 (g-moll/in G minor)
38:01 No.23 (F-dur/in F major)
38:59 No.24 (d-moll/in D minor)
Amazing places and nature of Żelazowa Wola❤: 4:11, 6:24, 9:29, 🐸11:37, 🐿20:20, 23:48, 🐸30:33, 🐍39:56, 41:22.
Thanks, Anastasia! 😀💚🐸🌼
@@Javier_Davila ❤😊💐
Bardzo subtelne wykonania. Miło się słucha🤗
Aimi Kobayashi - Konkurs 3 etap , Żelazowa W.
Incredible performance Tony, really loved the passion!
Absolutely mesmerizing performance! Bravo!! 👏👏👏👏👏👏
Stellar performance!
What a wonderful skill that you have❤❤
Excelente concierto dominical, muy buena técnica y expresión. Bravooo
Tony, you were fantastic with the preludes! Congratulations, your music, your playing and the way you and the piano come together are inspiring!
Thank you for that! 🙏🏼
Aimi Kobayshi
Lindo Recitsl gostei muito.Parabens ao pianista Solo
He's great! Thank you for this marvelous concert! 👏👏👏👏👏👏👏👏
Lovely melody
Bravo! Tony! keep on going!
Świetne wykonania! Bravissimo!
I don’t know what I have say!😍but it’s emotional😊🙏
Very nice, Tony! 👏👏
Impressive recital Tony!! 🎉❤ Love your interpretation!
it was great
Amazing playing, Tony!!
Bravo!!!!!!👏👏👏👏👏👏
very nice performance❤
❤❤ great performance brother 👏🏼
Overall very good performance! I am especially wowed by the last prelude no 24, it was amazing! Also observed his bowing is becoming more like Yujia Wang’s!! 😅😅😅
Thanks to pianist for fantasic sounds, but I think its better to hear final(?) sounds of each touch..(may be the sound after touch)
I'm hearing your playing until 2018, I love your sounds :)
👏👏
Only I can say is 'Wow'
Amazing bro
Amen
Thank. You very much. Por. mandar para mimeste.link. gostei muito......
20:21 Amuuuuuui !
Tony you are fantastic pianist; I discovered you here with your listening companion comparing different perf's of Chopin's First Ballade. I enjoyed your performance of part of it at the end very much. Here, after listening to the first 3 or 4, just one comment. In the second one, for example, I love your control and sensitivity in playing those gloomy left hand intervals ;) But, as with the melody in the Eminor that follows, this intermediate amateur feels there is something a bit missing; some subtlety of touch, dynamics. It could be partly the quality of the recording but there is a bit of sameness to the melody notes. When you change volume overall, the change is well controlled, but once you hit on your 'new' volume, the melody notes sound kind of the same as each other. Could it be as simple sometimes as following basic rules on which beats to accent and not? To digress briefly, in the beautiful E minor prelude many people play it at your speed, but I think just a little slower would help us more savor every detail. And, for example, in Measure 12, the beautiful transition back to the theme, when you go up to the D-C-B in the last three notes, you seem to hit the C relatively loudly. To me those three notes would seem to form a natural sequence, with the D being the loudest - though still perhaps not as loud as the accented C earlier in the measure.
Anyways just my truly humble opinion. Sometimes I have pretty good ears, so, I dunno...
I liked the first, C major, a lot, finding it both propulsive and clear, and I also liked the B minor quite a lot; it's as if your left hand melody in it was more expressive than the right hand melodies I was referring to above. Then again, maybe this piano is a bit bright in the higher registers, so comes across just a little harsh sometimes. The D flat major is also very nice, and here the right hand melody is more singing and nuanced. Just one dynamic comment - lack of pulse in the doubled G#'s e.g. in mm. 35-42 gives them a sameness that might be avoided by pulsing them with arm weight down then up in alternation. This might enhance things. Just my opinion.
I liked the first, C major, a lot, finding it both propulsive and clear, and I also liked the B minor quite a lot; it's as if your left hand melody in it was more expressive than the right hand melodies I was referring to above. Then again, maybe this piano is a bit bright in the higher registers, so comes across just a little harsh sometimes. The D flat major is also very nice, and here the right hand melody is more singing and nuanced. Just one dynamic comment - lack of pulse in the doubled G#'s e.g. in mm. 35-42 gives them a sameness that might be avoided by pulsing them with arm weight down then up in alternation. This might enhance things. Just my opinion.
Estou trabalhando fazendo análises de 28 Oreludios de FRÉDÉRIC CHOPIN.
Mesmerizing to watch his fingers fly over the piano. Tony's mastery is only matched by his skill in AoE2-jurassic park mod
30:35 🐸
30:56🌼 :)
É assim que ganho dinheiro..
nooo mano por que los preludios 😭😭
Estou trabalhando. 28 zorelidiod para abalises
🐸
It was ok.
It was a masterpiece. Musical brilliance and dexterity😮.
Lovely melody