I don’t know if you remember . In 2020 I lost all use of the right side of my body due to developing MS at the same time I discovered you music and it helped me get through that tough time . Now my mobility is fully recovered and I’m still a huge fan!
I discovered you only a couple of years ago. Your music is truly wonderful. I've purchased seven of your albums on bandcamp. Eventually I will buy all of them. Thank you so much for your creative and inspiring music!!!
Hi Alex!! 🩷☀️✨ Of course! Typically, I route main theme sequences, Oberheim DX, & bass through the super-analog channels. When setting this up, I spend time experimenting with gain staging the VCA/Mixing section of the modular with the SSL BigSix until I get the crunch or smoothness that I am after. Then I will patch the Bus+ into the inserts. From there, I will set it up to side chain the main sequence channels. Setting up an extra sequencer output to musically control the side chain of the Bus+. Look at it as a programmable attenuator for the compression. I love setting up a separate Moog960 just for this purpose so I can implement 3 rows of thematic attenuation via a sequential switch. This allows each section of a piece to have its own range of dynamics. The stereo channels I will submix a plethora of stereo groups via my Holland Synthesizer. Which is a 72 input/output mixer. This can also include stereo delays or reverbs as well as printed tape returns. Once everything is dialed in, I perform the piece while mixing live through the BigSix. That’s simultaneously routed into the computer for multitrack, or many times I will simply record direct to DSD 2-track. Of course, depending on the music… If there are drums involved, I will always multi-track. I will send time code or gate buses from the modular to the DAW so I can take drum sounds further in the final mix. My favorite way of working though is simply routing to 8-channel tape or 2-Track DSD. The less mangling that I have to do in the computer, the better. I love taking flight with a piece of music and mixing it live while I’m in the altitudes of those moments. Even some of the pieces in this video are live to 2-Track. The fun thing about the BigSix is that it’s great to have templates setup for mixing a project live, routing the G-bus out into your mastering chain and right back into the computer or DSD for extremely dynamic results. It’s such a fun, compact, and tremendous sounding studio tool. Hope this answers your question. Sure appreciate you and all the wonderful work you’ve been doing out there!! 🩷 LBD
You’re one of a kind. Respect you a lot. I shared your work with my mom a few months ago. She really loved your creations and energy. She just passed way two days ago. I would like to play some of your work at her remembrance ceremony on Saturday. Keep up the greatness. 🤍🕊️
MIKE EALY!!!! the one and only!! ♥️ Miss you so much my dear and talented friend! I still own and wear your “Coffee, Right Meow!” shirt! Always wishing you well!
Just wanted to let you know-and I’m probably not alone in this-that listening to your music, as well as your interviews and vlogs, gave me the courage to really pursue learning electronic music, even at age 52. I’ve always loved music and wanted to create some, but sadly, when I was young, my parents were not encouraging in that endeavor. I don’t have a studio yet, lol, but I think I have enough instruments to have some good fun, even if it’s not very melodic yet. I hope that at some point you travel to Montreal or near Montreal-I would love to see you live. UA-cam is nice, but it’s not the same as being at a live event in person.
Thanks for sharing this. I like these videos that you are making recently. It seems that you are documenting parts of your work so that others can learn from what you are doing.
For this musician, immersing myself in your music (through reference headphones of course), really does take me into a beautiful other-worldly multi-dimensional place, putting me immediately at peace, rather like walking through a forest where life's anxieties seem very far away. Thank you, all the way from Sydney - Dave
Love it. When I met you in person several years ago, little did I know the living legend you were becoming. Thanks for being on earth the same time as me.
I love your music, and I what I particularly like is your artistic approach to live performance ! I sadly never got to buy a physical album, because it is very pricey to ship a vinyl from the USA to France, and from the UK shop it whould be fine, but they are alwais out of stock. I also like this kind of video, it gives us a glimpse in your ideas and workflow.
I love this so much - it's beautiful, pure magic to me. Quite literally - even if I had the money to afford the equipment, the space and all time of the world to learn and play with it - I would never be able to create the sounds and worlds you create. If I had money and space, I'd still want it all for the lights and knobs alone lol that reminds me of idea for the vr-project I had a while ago. :) Great to see you, too!
This is all so beautiful and amazing to me. I’m so glad the Matrix connected me to you and this kind of music. 😄 Do you have any videos where you explain how each part of your setup works alone, how it works with all of the other parts of your system, how much it all costs and how to buy/copy your setup?
I have a question. I just watched a video of yours talking about the Focal Evo 80 but comments had been turned off on that particular video. So I looked you up to ask a question. I recently purchased a Kawai MP7se, which I am using with headphones right now and they sound excellent. But I have no speakers. I was wondering if the Evo 80 is a great speaker for classical music on my particular instrument in your humble opinion.. Thanks in advance, Jenn C
Hi Jenn! Thanks so much! Yes, I feel the 80s are great for classical music. They offer a wide range while keeping the program material transparent. Absolutely worth considering! Wishing you the best with your music! ~ Lisa
Hey Lisa, a bit off topic, but you're the only one I know to ask: can I patch the mother32 with the Subharmonicon, so that I get a 2 or even 3 oscillator synth, so that I can detune them gently, for that analog phatness? I really love the mother32 and want to expand her and I think that's the easiest way.(and cheapest, probably..) I know that's possible with the dfam, but I don't like it and I already have a nice source for drums. Anyway, really love your music and thanks. Dennis
Hi Dennis! You most certainly can! Use the multiple on the mother 32. Send mother 32 KB OUT into the MULTIPLE, then send both lines out to each oscillator input if the Subharmonicon. Then patch the GATE out of the Mother32 to the Trigger in. Tune all oscillators to desired intervals, play the keyboard on the Mother 32. Enjoy! 🩷
I don’t know if you remember . In 2020 I lost all use of the right side of my body due to developing MS at the same time I discovered you music and it helped me get through that tough time . Now my mobility is fully recovered and I’m still a huge fan!
Glad ur well . Nice
What a way to start a video..
she’s visualizing the path through the Modular’s .. takes years
I discovered you only a couple of years ago. Your music is truly wonderful. I've purchased seven of your albums on bandcamp. Eventually I will buy all of them. Thank you so much for your creative and inspiring music!!!
I'd love to see more about how you use the BigSix with modular. Selfishly of course, because I have one and would love to steal your ideas! 😜
Hi Alex!! 🩷☀️✨
Of course! Typically, I route main theme sequences, Oberheim DX, & bass through the super-analog channels. When setting this up, I spend time experimenting with gain staging the VCA/Mixing section of the modular with the SSL BigSix until I get the crunch or smoothness that I am after.
Then I will patch the Bus+ into the inserts.
From there, I will set it up to side chain the main sequence channels. Setting up an extra sequencer output to musically control the side chain of the Bus+. Look at it as a programmable attenuator for the compression. I love setting up a separate Moog960 just for this purpose so I can implement 3 rows of thematic attenuation via a sequential switch. This allows each section of a piece to have its own range of dynamics.
The stereo channels I will submix a plethora of stereo groups via my Holland Synthesizer. Which is a 72 input/output mixer. This can also include stereo delays or reverbs as well as printed tape returns.
Once everything is dialed in, I perform the piece while mixing live through the BigSix. That’s simultaneously routed into the computer for multitrack, or many times I will simply record direct to DSD 2-track.
Of course, depending on the music…
If there are drums involved, I will always multi-track. I will send time code or gate buses from the modular to the DAW so I can take drum sounds further in the final mix.
My favorite way of working though is simply routing to 8-channel tape or 2-Track DSD.
The less mangling that I have to do in the computer, the better. I love taking flight with a piece of music and mixing it live while I’m in the altitudes of those moments. Even some of the pieces in this video are live to 2-Track.
The fun thing about the BigSix is that it’s great to have templates setup for mixing a project live, routing the G-bus out into your mastering chain and right back into the computer or DSD for extremely dynamic results. It’s such a fun, compact, and tremendous sounding studio tool.
Hope this answers your question.
Sure appreciate you and all the wonderful work you’ve been doing out there!! 🩷 LBD
@@LisaBellaDonnaMusic Ah thank you so much for the detailed answer! That's awesome.
Really appreciate you too! Keep on rocking.
You’re one of a kind. Respect you a lot. I shared your work with my mom a few months ago. She really loved your creations and energy.
She just passed way two days ago. I would like to play some of your work at her remembrance ceremony on Saturday.
Keep up the greatness. 🤍🕊️
So sorry for your loss ❤
I rarely use the term “genius”, but right here is an absolute artist of music, sound, and vision. Pure genius!! Greetings from Germany!
Just love the way she understands these sound systems. Every time I listen to some of her creations, it's like she folds space. TY Lisa !
I absolutely love my SSL Big Six, as well. I'll never let it go.
I play doom metal and jazz and Lisa has been a huge influence on my writing and thought process I can’t think her enough
LISAAAAA!!!!!
Synthesized Genius!
Love Ya. Miss you in the cornfields.
Keep Showing them how it's done.
MIKE EALY!!!! the one and only!! ♥️ Miss you so much my dear and talented friend! I still own and wear your “Coffee, Right Meow!” shirt! Always wishing you well!
Just wanted to let you know-and I’m probably not alone in this-that listening to your music, as well as your interviews and vlogs, gave me the courage to really pursue learning electronic music, even at age 52. I’ve always loved music and wanted to create some, but sadly, when I was young, my parents were not encouraging in that endeavor. I don’t have a studio yet, lol, but I think I have enough instruments to have some good fun, even if it’s not very melodic yet. I hope that at some point you travel to Montreal or near Montreal-I would love to see you live. UA-cam is nice, but it’s not the same as being at a live event in person.
i love listening to you talk about your process - it inspires me to push forward on my journey - thank you
Love your work Lisa, one day I hope to see you in concert. I’m in the U.K. but will travel! ❤
Thanks for sharing this. I like these videos that you are making recently. It seems that you are documenting parts of your work so that others can learn from what you are doing.
For this musician, immersing myself in your music (through reference headphones of course), really does take me into a beautiful other-worldly multi-dimensional place, putting me immediately at peace, rather like walking through a forest where life's anxieties seem very far away. Thank you, all the way from Sydney - Dave
I see Lisa talking about music. Or playing music. And I’m ready to listen.
Fusion and bus+ are fantastic. Icing on the cake
Love it. When I met you in person several years ago, little did I know the living legend you were becoming. Thanks for being on earth the same time as me.
Listening to you talk about music is the next best thing after listening to you making music :) you are such an inspiration! Thank you 🙏
I love your music, and I what I particularly like is your artistic approach to live performance !
I sadly never got to buy a physical album, because it is very pricey to ship a vinyl from the USA to France, and from the UK shop it whould be fine, but they are alwais out of stock.
I also like this kind of video, it gives us a glimpse in your ideas and workflow.
Yay!!! Love your music so much
There have been some changes to your studio. It’s amazing.
What an inspiring personality you are. Love your music. Greetings from Sweden.❤️
Almost 7 minutes of deliverance from the world! It's like a battery recharge to me.
I'm looking forward to it
maybe the most amazing synth cave I've seen
Finally i found your channel … i m the biggest fan
Beautiful. Love your music. !
just superb lisa!! a whole universe of sonic possibilities.
I love this so much - it's beautiful, pure magic to me. Quite literally - even if I had the money to afford the equipment, the space and all time of the world to learn and play with it - I would never be able to create the sounds and worlds you create. If I had money and space, I'd still want it all for the lights and knobs alone lol that reminds me of idea for the vr-project I had a while ago. :) Great to see you, too!
I really enoy your storytelling/soundscapes/music ( would not know how to espress whatever that package is :) ) Thank you 😊
Now that was pleasing. Also, the video thumbnail is bad ass.
This is all so beautiful and amazing to me. I’m so glad the Matrix connected me to you and this kind of music. 😄
Do you have any videos where you explain how each part of your setup works alone, how it works with all of the other parts of your system, how much it all costs and how to buy/copy your setup?
Can’t wait for you to demo the Moog Muse!
I love my SSL BigSix.
What happened to some older vids? They're gone... loved listening to Ascension every now and then... well... whatever the reason... LOVE your work
Thank you! 💜🙏🏻💜
Some are on the Moog Synthesizer channel:
ua-cam.com/video/1fhF5nXsyJU/v-deo.htmlsi=jGT-J3qb6vOQd1iV
Love it!! So good :)
My queen!
An important endorsement. LBD's results tell the story.
pozdrowienia z Polski
Big Six is on my list for sure
Shoutout to the synth cat!
SSL is the best, in your hands it's the bestest.
We need moar music, when and where??
Long time no see, Lisa.
❤❤❤
Love the new studio layout. Looks very ergonomic and not to mention, sexy.
I have a question. I just watched a video of yours talking about the Focal Evo 80 but comments had been turned off on that particular video. So I looked you up to ask a question. I recently purchased a Kawai MP7se, which I am using with headphones right now and they sound excellent. But I have no speakers. I was wondering if the Evo 80 is a great speaker for classical music on my particular instrument in your humble opinion..
Thanks in advance, Jenn C
Love your music as well... It's a beautiful sound.
Hi Jenn! Thanks so much!
Yes, I feel the 80s are great for classical music. They offer a wide range while keeping the program material transparent. Absolutely worth considering! Wishing you the best with your music! ~ Lisa
@@LisaBellaDonnaMusic thank you so much!! I’m thinking I’m going to get a pair from Sweetwater now.
Let’s pray 🙏 she manages to ‘phone home’ one day!
💙
please teach me, Master ❤🙏🙃
🎶❤
👏💖🔥😘
Jesus Christ. Killer fucking setup
Can you adopt me?
Amazing Artist....love your creation
Hey Lisa, a bit off topic, but you're the only one I know to ask: can I patch the mother32 with the Subharmonicon, so that I get a 2 or even 3 oscillator synth, so that I can detune them gently, for that analog phatness? I really love the mother32 and want to expand her and I think that's the easiest way.(and cheapest, probably..)
I know that's possible with the dfam, but I don't like it and I already have a nice source for drums. Anyway, really love your music and thanks.
Dennis
Hi Dennis!
You most certainly can!
Use the multiple on the mother 32.
Send mother 32 KB OUT into the MULTIPLE, then send both lines out to each oscillator input if the Subharmonicon.
Then patch the GATE out of the Mother32 to the Trigger in. Tune all oscillators to desired intervals, play the keyboard on the Mother 32. Enjoy! 🩷