進藤実優さん、御本人も音楽も独特のオーラをお持ちです。自然や精霊と対話する不思議な力を持つ方のような。 ショパンというよりもっと大きな、風や大地や大自然に包まれているような気持ちになります。 ほんとうに素敵なピアニストさん。 Miyu Shindo, both herself and her music have a unique aura. Like someone with a mysterious power to interact with nature and spirits. It feels like you are surrounded by the wind, the earth, and nature, which is bigger than Chopin. A really nice pianist.
My favorite contestant by far!!! One of the very few pianists that are able to play with such a high level of musicality and that bring life and a story to each individual piece
I never seen a pianist can sing through a piano like Miss. Miyu Shindo. She cares and bring the best sound of the piano with such precision like painting on the canvas. The dynamic, rubato, polish accent, feel that cheer up your mood with every single note. She's the Leonardo Da Vinci Pianist that should be more recognized. From the amount of likes, I truly can see how she's the underdog in this competition probably due to her tiny size or funny expression. I hope the jury can see her more to her excellent skill level that no other pianist can achieve with those small hands. The world need her to go to final so we all can sing together and enjoy her more. I really love her period and thank you for your beautiful performance. 🙌
@@LC-ig2jm She definitely better than those 2 gentleman because her precision hitting every note at the same time with clear and correct dynamic which is unreal. We are talking high class precision and rubato. That's why she can enter the third round. You can hear every single note. Her weakness that could stop her moving to the next round will be the fff dynamic that she could not play it due the her small hand and power. This fff is required to play with the orchestra, otherwise the orchestra sound louder than the Piano. I really hope she can handle it and play those big fat fff power dynamic.
@@tamagisu1641 Her technicality is excellent. But she also need to know how to sell her self from outer side. I saw some audience in the comments talk bad about her expression. It hurt to read that. If the audience can see that, I am pretty sure the jury can see it too. Her teacher should tell her about that. I saw many beautiful pianist in UA-cam with just okay skill, but because viewer love some beauty, they just click those pianist. The world seems cruel to me. If she can be a little less just like Miss. Aimi K, I think she can win the whole thing. Also she need to put more fff on her performance. That grande expression is a must to stand out in competition. This time I also need to add about Mr. Hao Rao. I have a feeling that he can Win this. This time Mr. Sorita did not deliver good performance. I believe he wanted to lose and give it to others. The way he play on 1st, 2nd and 3rd were blew me away, but not with orchestra. The connection is kinda lost there. He's good on solo while Mr. Hao Rao is well balance artist in such a young age. So many surprising moment this year. Since this is high competition with extra a year preparation, they need to step up their game to be a complete pianist.
She brings so much passion and creativity into these pieces, even varying the repetition of the same themes. I have heard these pieces many times, but she tells a new story. And what incredible technique!
Best third stage performance, great pronunciation of each sound and energy at only 19. I'm very sorry they didn't let you get throw the finals, by the way congratulations and good luck, you are a special musician.
I happened to hear Miyu perform when she was 11 years old, but I was overwhelmed and impressed. I didn't know the information about this Chopin Piano Competition, but one of the participants was Ms.Shindo, and I was excited to see her grow up. I'm sure, she will be a pianist with her own personality and imagination that no one else can imitate.
Totally. The Japanese contingent was super strong in this competition, which even without the Japanese would've stood on an exceptionally high level. And among the Japanese, Miyu must've been my favourite.
she is most definitely someone i would love to see in the 2025 Chopin Competition and ultimately in the final stage. In the live chat, several individuals were commenting on her overly emotional interpretations and a lack there of Chopin’s “seriousness and pride” that could’ve eliminated her. i suppose an example of this could be her excessive rubato. i wouldn’t know because i’m no Katarzyna Popowa Zydron
I love her "Rondo a la mazur". the precision and dedication that he puts into each note is sublime. even on the trills, ornaments and scales, it's just amazing
Brava, Miyu!! You absolutely captured our souls once again with your mesmerizing performance here. Always really fun to listen to your unique interpretation of pieces, especially the Mazurka in A minor, Op. 17 No. 4 and the B minor sonata. Wow, looking forward to hearing Miyu playing in the finals round. She reminds me a bit of Kate Liu from 2015.
She possess absolute control of the keys in her whole body. The sound just bursts out with joy and full of life, never static. It always moves or flows with sublime quality. She is a Mistress of the piano. Her performance dances, floats, glides, explodes, etc. Hope she has a high score at this round. Wow, it's going to be so hard to decide who will be the top three winners. They all are so incredible! There should be 5 winners, at least.
Bardzo mi smutno, że Jury nie dostrzegło niezwykłości Jej interpretacji i tego, że Jej Chopin żyje... I am very sad that the Jury did not notice the extraordinary nature of her interpretation and that her Chopin is really alive ..
Her performance of the B min sonata was just superb. The Rondo was very idiomatic and there were beautiful lyrical touches to the Mazurkas where appropriate. A true artist indeed.
best sonata opus 58 and rondo of the entire competition? Miyu Shindo! I never tire of saying it, it seems very strange to me that it did not go to the next round. perhaps because of his position or because the jury did not see Chopin in it, but his interpretation seems impeccable.
I meet an amazing performance again! She showed me some stories with fantastic lyricism. I think it is wonderful that each round there was the most impressive person for me. On 1st round, it was Szu-yu Su, and her sound reminds me a sweet memory ever now. Next 2nd round, Hao Rao performed an incredible stage and I enjoyed it. And this 3rd round, it was Miyu Shindo so far.
素晴らしい可憐で、美しい音色のタッチ、初めて拝見しました。 圧倒的な集中力で自分に没頭できる、ピアニストは鍛錬された技術と魂ですね ❤️😃❣️❤️ so delicate & dynamically sensitive veil of Chopin I never heard , amazing 🤩 😉ありがとう😊
Even if she does not reach the finals, probably because if her non standard playing and perhaps because she has choose some piece considered as less difficult, every competition has his our rules - thanks to the youtube broadcast, the piano world may has discovered one of the most talented young pianist I have never seen. Her renditions of Chopin music is for me a shock. I wish she will be sign soon with the greteast label and record some jewels. Good luck. You deserve to be one of the future legend of the piano, nothing less.
I get Pogorelich vibes from her. Especially in the last movement of the Sonata. No surprise she did not make it to the finals IMHO. But she is immensely talented. Let’s hope she comes back in 5 years à la Kobayashi and that she uses this time to mature as a pianist. She is only 19 and still an adolescent, who sees this primarily as a game, as can be told by her excessive hand and body movements. She could channel this energy to make her playing even better I think. But she is truly unique as an artist and we will no doubt hear about her again soon.
Mimo opinii ekspertów że mają mieszane uczucia co do jej gry to ja jako meloman mówię że gra absolutnie zjawiskowo, lirycznie i jestem fanem tej pianistki skromnej ciałem ale wielkiej duchem która porusza mnie do głębi i powoduje że czuję się absolutnie wyjątkowo
Shindo’s piano artistry is breathtaking. Her fingers dance across the keys, weaving melodies that resonate deep within the soul. Each note is not merely played; it sings, carrying emotions and stories untold. The piano becomes an extension of her being, a vessel through which she communicates with the universe. In the hallowed halls of music, Shindo stands as a luminary, her virtuosity illuminating the hearts of listeners. Her mastery transcends technique, reaching heights where the mundane dissolves into magic. As she conjures symphonies, time itself pauses to listen, and the world holds its breath. Awe-inspiring indeed-Shindo, the pianist, the poet, the whisperer of dreams. Her music lingers, echoing through eternity, touching souls across generations.
Word. I literally came back to listen to it again. I liked her already in the first round... but this was so beautiful. The Largo was insane too. I really hope she makes it to the finals.
It's as if the piano is an extension of herself. That kind of control, modulation, total mastery of the instrument is just too rare. That's like Pletnev level....
Her romantic, emotional (but usually not sentimental...sometimes?) note-flows were so impressive for me. Imo, she deserves a final stage, at least. Nice to hear.
No i niestety nie weszła do finału ,wielką szkoda! Nie będę polemizować z szanownym jury,dla mnie pozostaje jedną z wyróżniających się postaci tego konkursu
Piękna gra, mało powiedziane. Opinie "ekspertow" z tvp kuuultura paskudne, dużo czasu poświęcili na "zjechanie" tak pięknych jej wykonań. Najwyraźniej jury z tej samej ławki. Nie po raz pierwszy zasuszone snoby chcą dyktować jak kłaść marmur zamiast grać sercem. Dla mnie Miyu Shindo to odkrycie może więcej niż dwóch dekad. Nie było dawno takiej muzycznej osobowości. Cieszę się że nie jestem odosobniona w zachwycie nad grą Miyu.
She is great... One of the few contestants that does not play Mazurkas as Waltzes... Yes, the 3rd note accent at the end of a phrase ("stomp"). Before playing Mazurkas, all "Chopinites" should listen/watch Volk Ensemble "Mazowsze", Mazurkas played by Ignatz Friedman (he was from a "klezmer" family) and an incredible performer that nobody knows about, Andrzej Wasowski. While Artur Rubinstein played Mazurkas well, they are too "sublime" and polished. For God's sake, these pieces are usually based on Polish folk dances. Sorry... Mazurkas are not Waltzes and MIYU SHINDO GOT IT!!! Also listen to Kate Liu's Mazurkas from previous competition (search YT)... Kate's prize for Mazurkas was fully deserved and I personally think that she should have been a winner of the XVII Chopin Competition.
Her tone/technical playing is outstanding although not without mistakes. My only concern: I hope she does not lump into the category of Tiffany Poon who was so animated while playing, it was so distracting. Since she reached the 3rd round, I am crossing my fingers, this is not a concern. I hope this does not give the judges the reason not to put her in the finals.
When we looked at all the past winners, they didn’t play with overdo style. Bunin played in Russian style with lifting up his arms high, but not that much. I see no Polish performers playing with too much facial and form expressions. They are almost sitting straight and not much overdo movements. They know what the jury is looking for at the end.
I think the jury wanted make sure that she’s worth advancing. She is a stylish pianist. It’s easy for audience to feel somebody is good. The truth is too much unnecessary movements loose the centered ness of playing and normally end up poor projection. Good projection of sounds come from the solid posture. Good example is Horowitz and Argerich. Argerich creates subtle nuances without getting help from her body. The sound quality is much better with Eva Georgian. From a such a slender body, you try to figure out how she does it. Btw Aimi Kobayashi played in the same style and it seemed it was working for. Through her bitter experience, this time she learned how to project the sound and played much much better this time and the jury gave a sound approval. She is ready…
Miyu is an exceptional pianist, and I think making it to third stage is a massive achievement. She might not be a finalist, and there were a few minor slips, but she is a real gem.
She has an incredible posture to produce brilliant sounds. What is so distracting is her body expression. Hopefully she settles down eventually. When you think of longevity in any field, the masters realized the most economical use of energy produce the best quality sounds. I hear her sounds as brilliant however choppy. I wonder how Argerich would score her performance. She has the goods to be an excellent musician.
@@sarahdubois2386 you know, my brother played guitar in our band. While soloing, he would make ridiculous shapes with his mouth...all involuntarily. He still rocked.
進藤実優ちゃん、まさかあの？
調べたら、やっぱりあの進藤実優ちゃんでした。
彼女の演奏を初めて聴いたのは、まだ彼女が中学2年生だったと思います。
某ピアノ屋さんの顧問に、まだ中学生だけど、上手な子の演奏会があるからお見えになりませんか？
と、ピアノを始めたばかりの息子と共にサロンコンサートにご招待をいただいた時です。
中学生とは思えないほどの演奏にびっくりして、彼女のピアノ、凄く良いですね！
と顧問の方にご招待のお礼をしつつお伝えしたら、彼女はプロみたいなものだから、と言われました。
とにかくミスがなくて、素晴らしい演奏だったのですが、トークの中でもバッハが好きと言ってみえたけど、バッハが本当に良くて、それを伝えたくて、帰り際、聴きにいらしたお客さんに、お礼の挨拶を一人一人にしている実優ちゃんに、私の番がきた時、特にバッハがとても素敵だったよ、素敵な演奏をありがとう！
と伝えて、はにかみながら、ありがとうございます、と言ってくれた事を、今も演奏と共に、鮮明に覚えています。
当然、音楽の道に進まれるのだろう、とは思っていましたが、東京芸大に進み、その後留学するのかと思いきや、
高校から、モスクワに行って見えたことを知り、これまたびっくりしましたが、当時の演奏からすぐに納得しました。
もの凄い勢いで駆け抜けて、この大舞台まで登り詰めた事に、唯々凄いとしか言葉が見つからないですが、
親元を離れ、遠くモスクワで努力されている後の演奏は、当時も凄かったけれど、次元が違うくらいにパワフルで、
研ぎ澄まされた演奏でした！再び感動をありがとう！でも本当はfinal 観たかったな。
どんなに遠くても、ずっと応援しています！
間違いなく進藤さんご本人がピアノを弾いているのに、進藤さんはピアノが語る不思議だったり楽しかったりの物語にワクワクしながら聴き入って、「うん、うん」「まぁ、そうなの⁉︎」と相槌を打っているように見えてしまいます。そのくらい、音楽が自然に語りかけてくるようです。
進藤実優さん、御本人も音楽も独特のオーラをお持ちです。自然や精霊と対話する不思議な力を持つ方のような。
ショパンというよりもっと大きな、風や大地や大自然に包まれているような気持ちになります。
ほんとうに素敵なピアニストさん。
Miyu Shindo, both herself and her music have a unique aura. Like someone with a mysterious power to interact with nature and spirits.
It feels like you are surrounded by the wind, the earth, and nature, which is bigger than Chopin.
A really nice pianist.
My favorite contestant by far!!! One of the very few pianists that are able to play with such a high level of musicality and that bring life and a story to each individual piece
Art is not about winning or losing
It's about share the love and feel the pain
That the feeling while listening her music
I never seen a pianist can sing through a piano like Miss. Miyu Shindo. She cares and bring the best sound of the piano with such precision like painting on the canvas. The dynamic, rubato, polish accent, feel that cheer up your mood with every single note.
She's the Leonardo Da Vinci Pianist that should be more recognized.
From the amount of likes, I truly can see how she's the underdog in this competition probably due to her tiny size or funny expression.
I hope the jury can see her more to her excellent skill level that no other pianist can achieve with those small hands. The world need her to go to final so we all can sing together and enjoy her more.
I really love her period and thank you for your beautiful performance. 🙌
She is absolutely unreal!
Can’t decide between her, Bruce Lui, or JJ Bui.
They are simply magnificent!
👏🏽👏🏽👏🏽👏🏽👏🏽
@@LC-ig2jm She definitely better than those 2 gentleman because her precision hitting every note at the same time with clear and correct dynamic which is unreal.
We are talking high class precision and rubato. That's why she can enter the third round.
You can hear every single note.
Her weakness that could stop her moving to the next round will be the fff dynamic that she could not play it due the her small hand and power.
This fff is required to play with the orchestra, otherwise the orchestra sound louder than the Piano.
I really hope she can handle it and play those big fat fff power dynamic.
I'm glad to know the reason why Miyu S. did not proceed to the final. Thank you for your precise analysis. I couldn't agree with you more.
@@tamagisu1641 Her technicality is excellent. But she also need to know how to sell her self from outer side.
I saw some audience in the comments talk bad about her expression. It hurt to read that.
If the audience can see that, I am pretty sure the jury can see it too.
Her teacher should tell her about that.
I saw many beautiful pianist in UA-cam with just okay skill, but because viewer love some beauty, they just click those pianist.
The world seems cruel to me.
If she can be a little less just like Miss. Aimi K, I think she can win the whole thing. Also she need to put more fff on her performance. That grande expression is a must to stand out in competition.
This time I also need to add about Mr. Hao Rao. I have a feeling that he can Win this. This time Mr. Sorita did not deliver good performance.
I believe he wanted to lose and give it to others.
The way he play on 1st, 2nd and 3rd were blew me away, but not with orchestra.
The connection is kinda lost there.
He's good on solo while Mr. Hao Rao is well balance artist in such a young age.
So many surprising moment this year.
Since this is high competition with extra a year preparation, they need to step up their game to be a complete pianist.
She brings so much passion and creativity into these pieces, even varying the repetition of the same themes. I have heard these pieces many times, but she tells a new story. And what incredible technique!
One of the best presto at the end of the B minor sonata I have ever heard!
Standing ovation!
z
Love her commitment and passion, no half measures here
Best third stage performance, great pronunciation of each sound and energy at only 19. I'm very sorry they didn't let you get throw the finals, by the way congratulations and good luck, you are a special musician.
Miyu has excellent taste and grabs the audience. I thank her for giving me the pleasure of my life.
一曲一曲渾身の演奏で、目が離せなくなる✨そしてもっと聴きたくなってしまう
進藤さんのコンチェルト聴きたかった…。でも3次までの演奏を聴けて楽しかった
I seriously think this is the best Mazurka Op. 17 no.4 I've ever heard.
I happened to hear Miyu perform when she was 11 years old, but I was overwhelmed and impressed. I didn't know the information about this Chopin Piano Competition, but one of the participants was Ms.Shindo, and I was excited to see her grow up. I'm sure, she will be a pianist with her own personality and imagination that no one else can imitate.
She feels every single note!! I Rly like her piano! She's a singular pianist!!
I still believe that she should have been in the final stage. Her performance was outstanding.
Totally. The Japanese contingent was super strong in this competition, which even without the Japanese would've stood on an exceptionally high level. And among the Japanese, Miyu must've been my favourite.
she is most definitely someone i would love to see in the 2025 Chopin Competition and ultimately in the final stage. In the live chat, several individuals were commenting on her overly emotional interpretations and a lack there of Chopin’s “seriousness and pride” that could’ve eliminated her. i suppose an example of this could
be her excessive rubato. i wouldn’t know because i’m no Katarzyna Popowa Zydron
@@paddingtonjohnston8537Her rubato and expressions are what keep me coming back.
@@kevinm6790that’s what i like about her
Agree wholeheartedly‼️
The Rondo a La Mazur was amazingly witty. Every passage was unique and exciting. Hope to see her in the finals!
incredible mazurkas! such elegant, light, graceful, and attentive to minute details. Congratulations!
Her recital, especially the rondo, was one of the most moving moments of the whole event. I loved her.
I love her "Rondo a la mazur". the precision and dedication that he puts into each note is sublime. even on the trills, ornaments and scales, it's just amazing
In her post interview, she said she was very pleased about her rondo but not the sonata and mazurkas
@@hatchegg80 🥺🥺😭
Oh the Largo in the sonata. Knows how to tug your heartstrings and deeper profound visions. At age 19!
She deserves the prize for the best performance of Mazurkas!
Brava, Miyu!! You absolutely captured our souls once again with your mesmerizing performance here. Always really fun to listen to your unique interpretation of pieces, especially the Mazurka in A minor, Op. 17 No. 4 and the B minor sonata. Wow, looking forward to hearing Miyu playing in the finals round. She reminds me a bit of Kate Liu from 2015.
彼女のピアノの音は本当に魅力的
次もまた聴けると信じている
いつかジャズも弾いて欲しい
そう、マズルカがジャズに聞こえましたモンね。😳😉👍❣️
The piano disappears, and the music appears. I believe that she will get wonderful prize in this competition!
Such gorgeous clarity in this performance 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
She possess absolute control of the keys in her whole body. The sound just bursts out with joy and full of life, never static. It always moves or flows with sublime quality. She is a Mistress of the piano. Her performance dances, floats, glides, explodes, etc. Hope she has a high score at this round. Wow, it's going to be so hard to decide who will be the top three winners. They all are so incredible! There should be 5 winners, at least.
Her playing is Full of fantasy and musicality…she is my favorite,i love listening her
芸術的なセンス、 表現力 そして ボディワーク、 演じている時の顔の 表示をこの全てをもって、 将来の巨匠を想像してしまいました。
女性版 ルービンシュタイン3でした。
Bardzo mi smutno, że Jury nie dostrzegło niezwykłości Jej interpretacji i tego, że Jej Chopin żyje...
I am very sad that the Jury did not notice the extraordinary nature of her interpretation and that her Chopin is really alive ..
Her performance of the B min sonata was just superb. The Rondo was very idiomatic and there were beautiful lyrical touches to the Mazurkas where appropriate. A true artist indeed.
Let there be light! Miyu knows how to flow and when to let it rip! Grab your handle bars!
Hey I saw you in chat!
best sonata opus 58 and rondo of the entire competition? Miyu Shindo! I never tire of saying it, it seems very strange to me that it did not go to the next round. perhaps because of his position or because the jury did not see Chopin in it, but his interpretation seems impeccable.
真面目に音楽に取り組んでらした２０歳手前の集大成、素晴らしい、
やはり、ここから来ましたか‼️最初から攻めてますね🎵最高‼️素晴らしいdurの後のmollの切ない響きがこの場と調和してる❗異次元ですね🎵本当に最高です✨この勢いが裏目に出ない事を祈ります。推しです💐💐💐たしか、1.2と、このステージで、同じ楽曲を使用してますね⁉️他の日本からのコンテストは、30万番台になっていた記憶が。。。🎉✴✴✴しっかりと内声と、外声のバランス❗あと、バッハ的要素満載で攻め込む‼️さすがです。本選が早く拝聴したいコンテスト？pianistです。
ブラーヴァ〜🌹🌹🌹🌹
マズルカの軽快さ、心底美しく、いつまでも聴いていたいです。
進藤さん、最後まで飽きないプログラムと共に芯までショパンへの想いが感じられ気持ちが伝わってきます。
ファイナルでも愉しんで弾かれてください。🌹
Как же хорошо! Большое спасибо!!! Bravo!!!👏👏👏
なんと素晴らしい、という訳です。
「どのように〜」とはおかしい。
I meet an amazing performance again!
She showed me some stories with fantastic lyricism.
I think it is wonderful that each round there was the most impressive person for me.
On 1st round, it was Szu-yu Su, and her sound reminds me a sweet memory ever now.
Next 2nd round, Hao Rao performed an incredible stage and I enjoyed it.
And this 3rd round, it was Miyu Shindo so far.
Loved her performance.
She's absolutely exceptional, such a tender sound...
I think she could be among the winners! Brava!
absolutnie wspaniała!!!!!!
決勝行って欲しいの！
彼女の音がくれる喜びを、もっともっと色んな人に聴いて欲しい！大好き！
You are amazing.
good luck🍀Miyu
I just don’t understand the jury…They gave 12 places in the final round and didn’t find one for this amazing piano-poet 🤷♀️
素晴らしい可憐で、美しい音色のタッチ、初めて拝見しました。
圧倒的な集中力で自分に没頭できる、ピアニストは鍛錬された技術と魂ですね
❤️😃❣️❤️
so delicate & dynamically sensitive veil of Chopin I never heard , amazing 🤩
😉ありがとう😊
She has such a musicality......she can really make a treble run sound like singing, ringing, bells.
Przepiękny występ. Ogromme brawa!!!
Even if she does not reach the finals, probably because if her non standard playing and perhaps because she has choose some piece considered as less difficult, every competition has his our rules - thanks to the youtube broadcast, the piano world may has discovered one of the most talented young pianist I have never seen. Her renditions of Chopin music is for me a shock. I wish she will be sign soon with the greteast label and record some jewels. Good luck. You deserve to be one of the future legend of the piano, nothing less.
ㅇㅈ
音にスタイルがある‼️
素晴らしい才能‼️
A senhorita Shindo e o Sr Gadjiev são os nossos favoritos aqui em casa! 🇧🇷 Esperamos ouvi-los novamente no Grand Finale!🌹💚💛
Прекрасно, MIYU
I get Pogorelich vibes from her. Especially in the last movement of the Sonata. No surprise she did not make it to the finals IMHO. But she is immensely talented. Let’s hope she comes back in 5 years à la Kobayashi and that she uses this time to mature as a pianist. She is only 19 and still an adolescent, who sees this primarily as a game, as can be told by her excessive hand and body movements. She could channel this energy to make her playing even better I think.
But she is truly unique as an artist and we will no doubt hear about her again soon.
Mimo opinii ekspertów że mają mieszane uczucia co do jej gry to ja jako meloman mówię że gra absolutnie zjawiskowo, lirycznie i jestem fanem tej pianistki skromnej ciałem ale wielkiej duchem która porusza mnie do głębi i powoduje że czuję się absolutnie wyjątkowo
"Eksperci" mieli rację, Jury nie poznało się na Miyu. A dla mnie była najlepsza na XVIII Konkursie !!!
I LOVED THE RONDO A LA MAZUR ohlalaaaaa
I wish everyone could play all their pieces with the love with which she plays that Rondo.
Shindo’s piano artistry is breathtaking. Her fingers dance across the keys, weaving melodies that resonate deep within the soul. Each note is not merely played; it sings, carrying emotions and stories untold. The piano becomes an extension of her being, a vessel through which she communicates with the universe.
In the hallowed halls of music, Shindo stands as a luminary, her virtuosity illuminating the hearts of listeners. Her mastery transcends technique, reaching heights where the mundane dissolves into magic. As she conjures symphonies, time itself pauses to listen, and the world holds its breath.
Awe-inspiring indeed-Shindo, the pianist, the poet, the whisperer of dreams. Her music lingers, echoing through eternity, touching souls across generations.
The fourth Mazurka took my breath away.
Word. I literally came back to listen to it again. I liked her already in the first round... but this was so beautiful. The Largo was insane too. I really hope she makes it to the finals.
It's as if the piano is an extension of herself. That kind of control, modulation, total mastery of the instrument is just too rare. That's like Pletnev level....
いきいきした息吹きが伝わってきます。
音楽に生命が宿っています。 楽しい気分になれました♪
ありがとう♬ ╰(*´︶`*)╯♡
Her romantic, emotional (but usually not sentimental...sometimes?) note-flows were so impressive for me. Imo, she deserves a final stage, at least. Nice to hear.
ソナタ とてもいいです。ブラボー！将来も楽しみです。次回は入賞ですね。
Beautiful, very touching, would see her between 1st and 3rd prize
enjoy hearing her
☺️ playing MUSIC
so good…😙…classy
I love her so much she’s my favorite to win 🏅
Восторг! Нет слов!!!
Love your playing! Freshness from windows.
Ending up in a captivating story
Wonderful performance 💐You did your best❣️You succeeded.
“The plans of the diligent surely lead to success.”📖
No i niestety nie weszła do finału ,wielką szkoda! Nie będę polemizować z szanownym jury,dla mnie pozostaje jedną z wyróżniających się postaci tego konkursu
청량하고 섬세한 표현이 너무나 아름다워요~!!live로 봤을때 얼마나 감탄사를 연발했는지 모른답니다~final은 무조건 간다에 한표 올립니다! 아름다운 연주 너무 감사합니다~♡thank you~♡
必ず次回リベンジされると思います。日本人の中で反田さんの次に印象に残りました。とても丁寧で綺麗な音でしたピアノを弾くのは疲れると思うので大変です
Piękna gra, mało powiedziane. Opinie "ekspertow" z tvp kuuultura paskudne, dużo czasu poświęcili na "zjechanie" tak pięknych jej wykonań. Najwyraźniej jury z tej samej ławki. Nie po raz pierwszy zasuszone snoby chcą dyktować jak kłaść marmur zamiast grać sercem. Dla mnie Miyu Shindo to odkrycie może więcej niż dwóch dekad. Nie było dawno takiej muzycznej osobowości. Cieszę się że nie jestem odosobniona w zachwycie nad grą Miyu.
I love the sonata 🎵
Tremendous artistic and emotional maturity. Next time, she'll win the whole damn thing.
I never really liked the Sonata in B minor. Until I heard Miyu play it.
We found another Star !!!
Go final round!
Nadzwyczajna pianistka.....
She is great... One of the few contestants that does not play Mazurkas as Waltzes... Yes, the 3rd note accent at the end of a phrase ("stomp"). Before playing Mazurkas, all "Chopinites" should listen/watch Volk Ensemble "Mazowsze", Mazurkas played by Ignatz Friedman (he was from a "klezmer" family) and an incredible performer that nobody knows about, Andrzej Wasowski. While Artur Rubinstein played Mazurkas well, they are too "sublime" and polished. For God's sake, these pieces are usually based on Polish folk dances. Sorry... Mazurkas are not Waltzes and MIYU SHINDO GOT IT!!! Also listen to Kate Liu's Mazurkas from previous competition (search YT)... Kate's prize for Mazurkas was fully deserved and I personally think that she should have been a winner of the XVII Chopin Competition.
Concordo! Mazurcas não são Valsas! Gosto muito das Mazurkas da grande Guiomar Novaes, famosa em meados dos século XX.
And this about Kate LIU I agree!!
The maiden of keys
SUPER♡♡
연주가 정말 멋있어요. 응원합니다 :)
很喜欢听她的演奏，虽然技巧上有欠缺，错音也比较多，但真的很迷人。
I'm getting a Glenn Gould vibes from her. Remarkable performances
The pieces get alive and begin to breathe
Ela toca com a alma. Bravo.
🎵🎵
素晴らしいな、スウィングしてる！
クラシックのピアノで、スウィングするのがいいのかわからないけど。
The finale in the sonata is beautiful, as beautiful as Kate Liu’s rendition, but the ritardando and the coda seems bothered me so much.
Her tone/technical playing is outstanding although not without mistakes. My only concern: I hope she does not lump into the category of Tiffany Poon who was so animated while playing, it was so distracting. Since she reached the 3rd round, I am crossing my fingers, this is not a concern. I hope this does not give the judges the reason not to put her in the finals.
When we looked at all the past winners, they didn’t play with overdo style. Bunin played in Russian style with lifting up his arms high, but not that much. I see no Polish performers playing with too much facial and form expressions. They are almost sitting straight and not much overdo movements. They know what the jury is looking for at the end.
I think the jury wanted make sure that she’s worth advancing. She is a stylish pianist. It’s easy for audience to feel somebody is good. The truth is too much unnecessary movements loose the centered ness of playing and normally end up poor projection. Good projection of sounds come from the solid posture. Good example is Horowitz and Argerich. Argerich creates subtle nuances without getting help from her body. The sound quality is much better with Eva Georgian. From a such a slender body, you try to figure out how she does it. Btw Aimi Kobayashi played in the same style and it seemed it was working for. Through her bitter experience, this time she learned how to project the sound and played much much better this time and the jury gave a sound approval. She is ready…
@@hanskulainen yes, I totally agree with you.
好誇張的表情,用聽的就好!
Miyu is an exceptional pianist, and I think making it to third stage is a massive achievement. She might not be a finalist, and there were a few minor slips, but she is a real gem.
Visually So much body movement takes away from the beauty of her hands.
She has an incredible posture to produce brilliant sounds. What is so distracting is her body expression. Hopefully she settles down eventually. When you think of longevity in any field, the masters realized the most economical use of energy produce the best quality sounds. I hear her sounds as brilliant however choppy. I wonder how Argerich would score her performance. She has the goods to be an excellent musician.
ジャズピアニストでもイケルきっと。。
viel Gefühlvoll , 긴장감과 집중력으로 좋은 성과 내 길를 바래.
어떻게 저런 피아니스트를 3라운드에서 떨구지? 나참 심판들 이해가안가네
세상에.... 이런 연주가 떨어지네 내가 막귄가
彼女が、ファイナルに行けなかった理由が、分かりました。
1．このコンクールに彼女はフィットしていない。
曲に没頭し陶酔の表情を見せることが悪いことだとは思わない。
第三位に入ったスペインの男性は自分で歌っていたがあれこそあり得ないと思った。
まだまだ若い、進藤さんは次回で優勝を狙おう。
技術的には高い仕上がりになっていますね。音の粒だちも良く、安定感が抜群です。大したものです。
弾いてる姿が滑稽で、その身体の大袈裟な動きそのわりに音色の変化が平坦で、解釈が異質です。ルバートも掛けすぎで、日本の演歌を無理に適用した、泥臭い表現を敢えてされてるなら、バルトークなどが合ってそうです。
I can't stand to watch her- playing piano shouldn't look so painful.
We all channel the music differently.
,that's true- but she looks like she's being tortured .
@@sarahdubois2386 you know, my brother played guitar in our band. While soloing, he would make ridiculous shapes with his mouth...all involuntarily. He still rocked.
Supposing you are sitting in the middle of the hall, you never feel like that if you want to check her facial expression with binocular.
Her excessive movements and the faces she pulls are just a distraction from Chopin’s music as far as I’m concerned.
Mazurek a moll????!!!!🤬🤬🤬🤬.... Przesyt formy nad treścią. Co to ma wspólnego z duchem Chopina???
Chyba się Waść czepiasz!!! Moim zdaniem ta dziewczyna po prostu czaruje dźwiękiem.