Quel génie Haydn! Un matériel harmonique simple et une inspiration dans chaque mesure. Un accompagnement de la basse dans le 1 er mouvement exceptionnel !!! Un chef d'œuvre magistralement interprété.
Nothing to do with any pretensions to education. In the eighteenth century it was quite usual for people to applaud at the end of a movement; there is still nothing wrong with showing immediate appreciation of music. Mozart recorded that the performances of his works in Paris brought forth applause even during the music - especially in the loud bits, of which the French were very appreciative. So, please don't be pretentious about people expressing spontaneous enthusiasm.
Howard Kilner Mozart noted that the Andante was the only movement of his ‘Paris’ symphony that was not applauded. Applause was never reserved only for the end of an entire work: a number of the symphonies Haydn wrote for London a few years later were regularly interrupted by the audience’s enthusiasm; comments saying that the applause was such and the shouts of ‘encore’ so loud and long, that whole movements had to be repeated were reported many times by the London newspapers of the 1790’s. In 18th century opera, the applause - or otherwise - sometimes did not even wait until the end of the aria.
A mi me parece una excelente interpretación y también una excelente grabación pues la cámara se sincroniza muy bien con los instrumentos, lo cual no siempre ocurre. Estoy absolutamente de acuerdo ( absolute agree) con Howard Kilner: la comunicación del público no debería coartarse por esta ley del silencio; sería más discutible si las interrupciones entre los tiempos fueran para manifestar una disconformidad con la interpretación, lo cual sería evidentemente molesto; pero un aplauso entusiasta supone un apoyo al interprete y establece un lazo con todos los asistentes. Los pedantes siseos exigiendo silencio sí que son repùdiables!.
Stemming as it does from 1765, this is clearly about Kant in his pre-critical period. For the benefit of those who may have forgotten, the pre-critical period ends with the Inaugural Dissertation (1770); the critical period begins with the Critique of Pure Reason (1781)
From Wikipedia: The title is thought to derive from the melody and counterpoint of the first movement (between the horns and cor anglais), which musically allude to a question followed by an answer and paralleling the disputatio system of debate. The piece's use of a muted tick-tock effect also evokes the image of a philosopher deep in thought while time passes by.
Quel génie Haydn! Un matériel harmonique simple et une inspiration dans chaque mesure. Un accompagnement de la basse dans le 1 er mouvement exceptionnel !!!
Un chef d'œuvre magistralement interprété.
Excelente tema,...,excelente y fino arreglo
Me gusta❤
This happens to be my favorite Haydn symphony,the opening movement is different for its time,it gives one to reflect,Bye for now love Alan
Nothing to do with any pretensions to education. In the eighteenth century it was quite usual for people to applaud at the end of a movement; there is still nothing wrong with showing immediate appreciation of music. Mozart recorded that the performances of his works in Paris brought forth applause even during the music - especially in the loud bits, of which the French were very appreciative. So, please don't be pretentious about people expressing spontaneous enthusiasm.
On your side dude!
I don't care if Mozart himself interrupted his music with applause (or any other sound). I'm again' it!
Performance was in Teatro Olimpico in Vicenza, Those are Italian applauses.
Howard Kilner
Mozart noted that the Andante was the only movement of his ‘Paris’ symphony that was not applauded.
Applause was never reserved only for the end of an entire work: a number of the symphonies Haydn wrote for London a few years later were regularly interrupted by the audience’s enthusiasm; comments saying that the applause was such and the shouts of ‘encore’ so loud and long, that whole movements had to be repeated were reported many times by the London newspapers of the 1790’s.
In 18th century opera, the applause - or otherwise - sometimes did not even wait until the end of the aria.
Did any composer between this work and Berlioz's "Symphonie Fantastique" write for English horn?
My favorite Haydn's Symphony . Thanks! 💐
A wonderful, haunting first movement that captivates. Haydn's 22nd is a welcome composition everytime I hear it. Haydn at his best.
An absolutely superb version of an already such an engaging composition. Excellent video as well.
Best version of Haydn's 22nd Symphony I've ever heard, despite the applause right after each movement. 🤣
😅
A mi me parece una excelente interpretación y también una excelente grabación pues la cámara se sincroniza muy bien con los instrumentos, lo cual no siempre ocurre. Estoy absolutamente de acuerdo ( absolute agree) con Howard Kilner: la comunicación del público no debería coartarse por esta ley del silencio; sería más discutible si las interrupciones entre los tiempos fueran para manifestar una disconformidad con la interpretación, lo cual sería evidentemente molesto; pero un aplauso entusiasta supone un apoyo al interprete y establece un lazo con todos los asistentes. Los pedantes siseos exigiendo silencio sí que son repùdiables!.
joan Garcia-Alsina 100% de acuerdo contigo. Además te has expresado muy bien.
¡Bravo!
Por más gente feliz que aplaude cuando algo le gusta.
Peccato!!! Quegli applausi!!!! Fuori posto. Interrompono in modo grave il discorso musicale.
Un pubblico non avvezzo!! I musicisti sono ottimi .
This was absolutely delightful. Well worth the added applause!
Bravissimi, meravigliosa esecuzione!!🎶📯👍
no 88 = 4... filosofi !!!! hahaha! La musica e l' espressione di una filosofia in note ! Icreible haydn!
Tengo la sensación de haber escuchado más aplausos inoportunos que nunca.
A lovely elegant old thing. Set by or after Palladio, Morgana Pendragon on violin, what more could you want?
Stemming as it does from 1765, this is clearly about Kant in his pre-critical period. For the benefit of those who may have forgotten, the pre-critical period ends with the Inaugural Dissertation (1770); the critical period begins with the Critique of Pure Reason (1781)
Why is this symphony called the philosopher?
From Wikipedia: The title is thought to derive from the melody and counterpoint of the first movement (between the horns and cor anglais), which musically allude to a question followed by an answer and paralleling the disputatio system of debate. The piece's use of a muted tick-tock effect also evokes the image of a philosopher deep in thought while time passes by.
Thank you 😊
😂😂😂😂😂😂😂😂😂😂😂😂😂 tartarugas inuteis
I totally agree with Mr. Stuart Page who is an educated music listener and not an "old fashioned". Perhaps the audience is not educated as well!
Bravo, semplicemente una stupenda esecuzione.
12:02 out of tune??? :)))clapping between movements ?!?!?! :\\\
too much clapping... at the end is enough... we want to hear music, not happy people...
Error, queremos más personas felices, lo quiere el director, los músicos, lo quería Haydn y lo quiero yo.
You could have both - that is what Haydn said he wanted.