Ooh, an opportunity to drop this: Me, and my mates Benny and Kimmo used to bunk off school and hang around our local venue if any bands were coming. We'd help carry gear in the hope of free tickets - . After the long drive to Penzance, most roadies bit our hands off. One day in June 77 the Ramones came to town on the first UK Sire tour. Support was Talking Heads(!). We were soon humping cases. It was Ben's birthday, we told the sound guy we were in a band and the next thing we knew he was showing us how to make hash pipes out of match boxes and we were playing on the Ramones gear. Me with a Mosrite in to a fully cranked Marshall stack. 'Sobering' is the word I'm looking for. I'd never been in charge of anything so fierce as that amp. My jeans were flapping. I've done plenty of cool stuff since - none of it unrelated to that afternoon and a sound guy taking a shine to 3 cocky kids. Ben and Kim are both dead now. I was the only person left with the story and with the passing of time it was almost like I'd dreamed it. A few years back I stumbled on the very same sound man, Frank Gallagher, on Facebook. He's a lovely guy, top man and still out there working the board. That's my Marshal story.
Mick, thank you for taking the time to go through all the different settings and configurations for us! Much appreciated. And the moment where Dan’s mind was blown and he yelled “THAT’S IT”, that made me day. 😄 Thanks fellas!
Great show today. I have the sv20 withe the 2x12 cab and completely love it. Eas never made to play jazz 😂. The edge of break-up sound is special. Would love to see a show with all the studio marshall heads.
Great as always! I grew up in the 70’s and the single biggest face of Marshall and how you mentioned Bonamassa over these I don’t know. It is of course Status Quo. 😮
Just upgraded from DSL40C to the Studio JTM head & cab. Loved it so much, I upgraded my pedalboard with GigRig GenX power, Quartermaster8 & Strymon Flint. Had to pop back to the store to grab the pedal & happened to try out a P90 loaded Gibson SG Special which also came home with me. It’s been a great week! 😄
I just went back to watch PhilX, Pete Thorn, Dan & Mick etc play the cranked amp - Dan, RIGHTLY pulls exactly the same expression / pose when the fuzz & collider hit the front of the SLP 100 around 37m mark :) The joy and movement of air in the room - well communicated. Thanks Mick for all your hard work on the audio - the efforts pay off extremely well. I've started a savings pot for the Modified SLP100 🤣🤣
I had a 1971 Marshall head and a 4×12 slant cab with 65 watt Celestians. It was a 100 watt head with mod for 50 Watts. I love ❤️ Marshall. The dude bought it from me turned it all the way up and blasted it throughout the neighborhood for a few songs to test it out. Poor neighbors!
This is just pure joy - but for the moment Dan says: I know we are running long. . . HERESY! LOL. I needed another 30 minutes of this - at a minimum! LOL. Love you both! You were EPIC - but that is your standard.
I completely agree that being in a room with a loud amp is amazing. For most of us it isn’t a reality. Since switching to the UA Woodrow and Ox Stomp (412 Greenback) through studio monitors, I play regularly where before I would wait until everyone had left the house. I’m glad you guys still promote the original way though! Love the Fuzz Phrase SI!
Eric Johnson is the first that comes to mind with full Marshall stacks. The wall of sound unapologetically punches you in the chest. Absolutely glorious. And this was a small concert hall of a few hundred people.
I've managed to collect an 800, 900 and a Super Bass over the years. Love plugging them into my 1960a. The portable version equivalent would be a BluesBreaker with a BD2 in front. I was obviously forced to buy one of those too! Excellent episode 👍 ❤x
The first time I heard the full effect of Marshall was when Kiss came to my High School gymnasium to play for our home coming. My ears rang for a day … still it was great!
You can't have an effects loop in a stock Plexi circuit because they don't work properly. Gain is added throughout the amp so anything in a loop will still get driven by the phase inverter and power amp. Loops only work with amps that get most of their gain in the preamp section like an 800. Friedman's amps are more preamp gain based except the Plex which doesn't have a loop for this very reason.
Does my heart proud to hear the Redwing into the front of a clean Marshall. The vibey cleans of Marshalls are so underrated and I think they really shine with a bit of modulation and delay. It's glorious.
This was a LOT of fun to listen to, I hope people used good headphones instead of laptop or phone speakers to hear this gloriousness! AND Dan, I am hearing a slight Robben Ford influence in your playing and THAT is NOT a bad thing!! Your playing was killer!!! Thanks guys!
Loved this episode - and agree with Dan’s ecstasy at the sound - but live in an eight-floor condo. Will have to settle contentedly for my 20 watt Cali Tweed, with built-in attenuator. Sounds great with and without pedals!
In my puny brain the Marshall half-stack is synonymous with Joe Satriani. In the olden days, when everyone was going New Wave with Princetons and Deluxes, he was blowing up the stage with that whole guitar thing in The Squares. He and Robbie Dunbar were the only maniacs with a string of three (3!) Pedals on the floor, too. 🤣 Times have changed.
@hoboroadie4623 I have the late Gary Moore in mind. As seen in his last gig in Montreux and Tribute to Phil Lynott. But yes, Joe with his signature JVM410 is a point.
Count Kevn Kinney from Drivin'n'Cryin' as another silver jubilee fan. I was fortunate enough to tech for him for a tour and standing on the side of the stage with that glorious noise was awesome!
I miss my big Marshall. When I moved into the flat I live in now it wasn't practical. I still have a Class 5 which I used at an open mic night with a Les Paul to play some righteous country-blues licks but it's not like having the beast. Incidentally the 'all at 2 o'clock' was how I always set my Marshalls, and my Victorys nowadays. It's where the tone is!
Awesome, guys. I have to agree with Mick that fender amp with a tube screamer is a marshall sound. Marshall, plus a strat, you're good to go. Reverb and delay in the fx loop. Add a favourite fuzz you're done. I've played marshalls a long time with strats it's just a great tone. Cheers for all the great work, guys.
I think I'm going to try it for a while. Mick here. Though not the loop thing. Just run it //just// below heavy OD with a boost and rev/delay in front. Should be fun!
It'll be great, Mick. You may even be tempted by the full 100-watt reissue silver jubilee. I had one, and I think I would offer that clean head room you always like, but with the additional clean section boost. Love to see a mini vlog on that journey Mick
@@ThatPedalShowfollow you guys from the beginning (8 years now?) but I never understood why you avoid the effects loop? You can do so much with it. In fact I’m going all in and say you would have had much less humm withe Jubelee today, not amplifying your wet pedals in the chain with your low watt preamp - since more it’s cranked and has less headroom aso. I do understand it’s „the pedal show“ and you do not use the gain stage of the amp. However, you guys imho miss out viewing the gain chanel as just another gain stage tube-„pedal“. …which btw made the appetite by destruction sound.
It's True about the demise of the 412 cab. in the early 1990's I was gigging with my Ampeg V-4 412 cab and a Ampeg VT-60 head and not a complaint. Now I open up the back of my car to get my 40w Fender Hot Rod Deluxe out of the car and they start saying "You're too LOUD!". Truly great sounding Marshalls!
I sat down in a sealed booth with a 1959hw and walked out with the JTM45... so unrestrained in its raw form I'm not surprised they're modding it in-house. Naturally, the addition of the master volume makes it a different beast entirely, not to mention all the other circuit gubbins.
Hey D&M, another wonderful episode and I'm not even past the first 20 minutes. The 20w Marshall sounds lovely and I think it would make a really cool video if you did some comparisons with other 'reasonably low' wattage amp heads like this. I have an Orange TH30H myself and I don't really see the need for a higher watt amp anyway. Maybe you could turn it into something like the 'perfectly affordable do-it-all coverband set-up'. Anyway, back to listening to these wonderful tones and your happy chats as always. Keep it up!
As a 9 year old kid in 1975, I became obsessed with KISS. So, of course, I wanted a Marshall like Ace. As I got into other music, it was rare to find any rock guitar player that didn't have a Marshall.
I use that "reverb between jumped channels" trick on my tweed deluxe with a tube spring reverb. It's absolutely the greatest thing ever. I'm able to crank my amp, but since the reverb is going into the low channel, the reverb doesn't distort.
tube amps and loud are dead.... well.. marshall doing lovely hundred watts and fender doing the panoverb, and supro upping their wattage for the tyler bryant amp... I think the golden age of pedals could be shifting to the golden age of amplifiers!!! An AWESOME show guys, loved the Jubilee and loved the '59 Modded!!! P.S: Mick needs that jubilee :) seemed right at home with it!
You should get Dan Gower on the show. Not only a great guitarist, but his Marshall amp mods are incredible, he's globally highly respected. I have his JMP 2203 KK++. It can do all the normal stuff and higher gain, and he puts an FX loop and MV in it. It's astonishing. And it's not sanitised at all.
The 20w silver jubilee is fantastic. My combo is probably my favourite amp! Low powered mode sounds thin to me so I never use it. I tried Bonamassa's settings and tweaked them a bit, and the amp just roar. Bass on 10!
Thanks for more amp goodness, it's great to hear. I Love my SV20H... Into a suitably sized cab with greenbacks (Zilla fat baby) it sounds fantastic for a small plexi... Next on my list is their studio JTM... The marshall sound is something special!
Years ago I saw the black crowes live and Marc and rich were both playing through Jubilees. Unquestionably the best live guitar sounds I’ve ever heard.
Though tough (and earlier) competition is legion, I still think Thin Lizzy's "Cowboy Song" and "Don't Believe a Word" are songs that offer two of the greatest examples of recorded Marshall guitar tones out there.
I'm a happy owner of a Studio Jubilee. I usually use it connected through the FX Loop to an old Lexicon FX rack for reverbs, delays and modulations. The only thing wrong with the loop is that it goes before the EQ section. I don't know if this is the typical configuration in Marshall amps, because it's the one and only Marshall that I have owned. I discovered that by accident trying putting Tonex captures into the FX return, and they sounded awful until I discovered that the EQ knobs affected the sound coming from the Return.
Dan's opening tones are simply tasty~ well done~ and at 14:40, as well. That Collider pedal is very nice~. And starting at 18:40 with Mick's playing on the goldy strat - really nice neck pickup tones.
I have a 1979 JMP 2103, and it is one of the most usable master volumes ever. It's a 2x12 100W combo version of a 2203, into which I put G12H-75 creambacks. I normally use it attenuated, because it's only above 4 on the master volume that the big bottom end really comes into play. I even use it with headphones with captor X and it sounds just glorious.
These new modified series Marshalls are something else, both the 800 and 1959 are ridiculous. 800 is more my thing but boy these are special. Would love to see you guys try the new Mesa 2C+ Reissue if possible too!!
Great vid! If you guys get Rabea in for the 800, ask him to bring his JVM410H so you can try that as well. I think you'll be surprised at how versatile it is; yeah, it *can* do high gain metal tones, but it also does pretty much everything else and sounds amazing in the process.
Marshalls like thie are great. Know of a guy who has a 'NOS' original JTM45 head (was sat in a cupboard for decades). Had the pleasure of playing it one day (with the owner's D&M Drive no less!) and it was wonderful
I think there will always be those hybrid rig guys who use real amps or have a cab for stage volume. I’m a Kemper user but there’s still nothing like playing through a real amp
For me this was one of the best shows ever. Two Dudes who know how to play pushing Marshalls. Great pleasure!
The sun is out, Dan & Mic playing Marshall amps loud just makes this crazy world a little better for a while, thanks guys
Perfectly said sir !! !!!!
You must not live in the UK. No sunshine to be seen ... Only pissing rain!!
Ooh, an opportunity to drop this:
Me, and my mates Benny and Kimmo used to bunk off school and hang around our local venue if any bands were coming. We'd help carry gear in the hope of free tickets - . After the long drive to Penzance, most roadies bit our hands off.
One day in June 77 the Ramones came to town on the first UK Sire tour. Support was Talking Heads(!). We were soon humping cases.
It was Ben's birthday, we told the sound guy we were in a band and the next thing we knew he was showing us how to make hash pipes out of match boxes and we were playing on the Ramones gear. Me with a Mosrite in to a fully cranked Marshall stack. 'Sobering' is the word I'm looking for. I'd never been in charge of anything so fierce as that amp. My jeans were flapping. I've done plenty of cool stuff since - none of it unrelated to that afternoon and a sound guy taking a shine to 3 cocky kids.
Ben and Kim are both dead now. I was the only person left with the story and with the passing of time it was almost like I'd dreamed it. A few years back I stumbled on the very same sound man, Frank Gallagher, on Facebook. He's a lovely guy, top man and still out there working the board.
That's my Marshal story.
Great story! If I ever stop playing in my bands and jump on a board, I want to be more like Frank :)
That’s a cool memory. Thanks for sharing
Daniel shouting "THAT'S THE SOUND!" was my favorite part! 😂 Thank you for the review, lads♥
Its what we are all saying.
- “I want a Marshall sound. What amp should I buy?”
- “A Marshall.”
Dan was having entirely too much fun with this one! Great video again boys!
Mick, thank you for taking the time to go through all the different settings and configurations for us! Much appreciated. And the moment where Dan’s mind was blown and he yelled “THAT’S IT”, that made me day. 😄 Thanks fellas!
Awesome vid! Those Marshall tones are 👌🏻, and as always, you both play so great. Certainly hearing a different side to your playing!
About time Marshall , thank Man I thought it was going to be a new line of fridges
Fabulous show today guys! Thanks so much. Super enjoyable.
That 1959 Plexi, oh wow!
Watching you guys smiling while Mick was playing at the end was such a pleasure!
Great show today. I have the sv20 withe the 2x12 cab and completely love it. Eas never made to play jazz 😂. The edge of break-up sound is special. Would love to see a show with all the studio marshall heads.
Great as always! I grew up in the 70’s and the single biggest face of Marshall and how you mentioned Bonamassa over these I don’t know. It is of course Status Quo. 😮
I like hearing Mick give out some sassy rock licks!
Some stellar playing there Dan, great vid chaps 👏
AND WHAT EPIC SOUNDS WITH FENDERS INTO MARSHALLS!!!!
Just upgraded from DSL40C to the Studio JTM head & cab. Loved it so much, I upgraded my pedalboard with GigRig GenX power, Quartermaster8 & Strymon Flint. Had to pop back to the store to grab the pedal & happened to try out a P90 loaded Gibson SG Special which also came home with me. It’s been a great week! 😄
I just went back to watch PhilX, Pete Thorn, Dan & Mick etc play the cranked amp - Dan, RIGHTLY pulls exactly the same expression / pose when the fuzz & collider hit the front of the SLP 100 around 37m mark :) The joy and movement of air in the room - well communicated. Thanks Mick for all your hard work on the audio - the efforts pay off extremely well. I've started a savings pot for the Modified SLP100 🤣🤣
I had a 1971 Marshall head and a 4×12 slant cab with 65 watt Celestians. It was a 100 watt head with mod for 50 Watts. I love ❤️ Marshall. The dude bought it from me turned it all the way up and blasted it throughout the neighborhood for a few songs to test it out. Poor neighbors!
An absolute triumph! Thanks for a supreme demo !! ❤️
This is just pure joy - but for the moment Dan says: I know we are running long. . . HERESY! LOL. I needed another 30 minutes of this - at a minimum! LOL. Love you both! You were EPIC - but that is your standard.
Marshalls, were always my favourite clean sounds with my Strat. I wish I still had the back to carry one! Glorious tones boys.
I completely agree that being in a room with a loud amp is amazing. For most of us it isn’t a reality. Since switching to the UA Woodrow and Ox Stomp (412 Greenback) through studio monitors, I play regularly where before I would wait until everyone had left the house. I’m glad you guys still promote the original way though!
Love the Fuzz Phrase SI!
Value of that 1959 mod amp is off the charts. SuperLead Plexi 100Watt version of many peoples dream.
Eric Johnson is the first that comes to mind with full Marshall stacks. The wall of sound unapologetically punches you in the chest. Absolutely glorious. And this was a small concert hall of a few hundred people.
It’s a magic thing Tom! I’ve actually stood next to him soundchecking - Mick here. NOTHING sounds like that!
@@ThatPedalShow you guys have to get him on the show!
@@frankieconcepcion7860 dream guest!
Amazing tones. Wow. Totally agree on the effects loop but likely ways to manage that. Cheers guys.
I've managed to collect an 800, 900 and a Super Bass over the years. Love plugging them into my 1960a. The portable version equivalent would be a BluesBreaker with a BD2 in front. I was obviously forced to buy one of those too!
Excellent episode 👍 ❤x
Second time watching this already! What a show!! Well done guys!!! 🎉
The first time I heard the full effect of Marshall was when Kiss came to my High School gymnasium to play for our home coming.
My ears rang for a day … still it was great!
You from Cadillac??
I love my 2525h, it does everything I need. Been lugging heavy tube amps around for years, no more 😊
Nothing like a some Marshall amps and a few kickass guitars on a Friday Morning! 🤘🏼🔥🤘🏼
You can't have an effects loop in a stock Plexi circuit because they don't work properly. Gain is added throughout the amp so anything in a loop will still get driven by the phase inverter and power amp. Loops only work with amps that get most of their gain in the preamp section like an 800. Friedman's amps are more preamp gain based except the Plex which doesn't have a loop for this very reason.
Does my heart proud to hear the Redwing into the front of a clean Marshall. The vibey cleans of Marshalls are so underrated and I think they really shine with a bit of modulation and delay. It's glorious.
Awesome sounds, it actually brought a tear my eye - that 1959 is to die for. I have a 1974x.
Will have to starting drooling over one of these 😋
My new favorite episode. I will watch this a lot
Smiles for days watching this w/headphones.
That Les Paul sounds amazing through the Jubilee wow x best review for a longtime even Dan’s Tele sounded very Clapton Yardbirds era sound x
Some masterful playing by Daniel! ❤
WE freakin’ love you guys. Teens again ❤
Magnificent Marshall sounds, utterly glorious, such a fun show 👍🎸😃
Just hearing you guys react to the sounds you're getting brings all the smiles. Thanks Lads! 😎🤘🏻🖤
This was a LOT of fun to listen to, I hope people used good headphones instead of laptop or phone speakers to hear this gloriousness! AND Dan, I am hearing a slight Robben Ford influence in your playing and THAT is NOT a bad thing!! Your playing was killer!!! Thanks guys!
Wow….just wow!
Love seeing you boys in your element!! Play loud, indeed……
The shows featuring amps and overdrive pedals are the best! You both light up! Love it! Would like to see more big muff vs rat shows! 😊
Loved this episode - and agree with Dan’s ecstasy at the sound - but live in an eight-floor condo. Will have to settle contentedly for my 20 watt Cali Tweed, with built-in attenuator. Sounds great with and without pedals!
Mick’s demo of the full size Silver Jubilee is absolutely killer. A must watch if you’re interested in picking one up.
And a reminder that a cavernous space with plenty of room mic in the mix is the right way to demo a big amp!
Just saw the first two minutes of the show! Hearing Dan saying a Marshall halfstack is the coolest thing, made my day!
In my puny brain the Marshall half-stack is synonymous with Joe Satriani. In the olden days, when everyone was going New Wave with Princetons and Deluxes, he was blowing up the stage with that whole guitar thing in The Squares.
He and Robbie Dunbar were the only maniacs with a string of three (3!) Pedals on the floor, too. 🤣 Times have changed.
@hoboroadie4623 I have the late Gary Moore in mind. As seen in his last gig in Montreux and Tribute to Phil Lynott. But yes, Joe with his signature JVM410 is a point.
Unreal sounding. Big amps forever and ever
Love you guys, Marshalls bring out the best in us.
Mind blowing 🤯 awesome work guys👍🎸
Brilliant episode chaps! The enthusiasm was catching! I am off to play my 1watt JTM145 in envy :)
Count Kevn Kinney from Drivin'n'Cryin' as another silver jubilee fan. I was fortunate enough to tech for him for a tour and standing on the side of the stage with that glorious noise was awesome!
I miss my big Marshall. When I moved into the flat I live in now it wasn't practical. I still have a Class 5 which I used at an open mic night with a Les Paul to play some righteous country-blues licks but it's not like having the beast. Incidentally the 'all at 2 o'clock' was how I always set my Marshalls, and my Victorys nowadays. It's where the tone is!
Awesome, guys. I have to agree with Mick that fender amp with a tube screamer is a marshall sound. Marshall, plus a strat, you're good to go. Reverb and delay in the fx loop. Add a favourite fuzz you're done. I've played marshalls a long time with strats it's just a great tone. Cheers for all the great work, guys.
I think I'm going to try it for a while. Mick here. Though not the loop thing. Just run it //just// below heavy OD with a boost and rev/delay in front. Should be fun!
It'll be great, Mick. You may even be tempted by the full 100-watt reissue silver jubilee. I had one, and I think I would offer that clean head room you always like, but with the additional clean section boost. Love to see a mini vlog on that journey Mick
@@ThatPedalShowfollow you guys from the beginning (8 years now?) but I never understood why you avoid the effects loop? You can do so much with it. In fact I’m going all in and say you would have had much less humm withe Jubelee today, not amplifying your wet pedals in the chain with your low watt preamp - since more it’s cranked and has less headroom aso. I do understand it’s „the pedal show“ and you do not use the gain stage of the amp. However, you guys imho miss out viewing the gain chanel as just another gain stage tube-„pedal“. …which btw made the appetite by destruction sound.
Just reserved my piece coming next summer to Finland! Superb amp this Plexi!🤘❤
It's True about the demise of the 412 cab. in the early 1990's I was gigging with my Ampeg V-4 412 cab and a Ampeg VT-60 head and not a complaint. Now I open up the back of my car to get my 40w Fender Hot Rod Deluxe out of the car and they start saying "You're too LOUD!". Truly great sounding Marshalls!
oOH THE jUBILEE 🥰 I had a slash 2555 one and with 100 Wats there was endles Headroom💗💓 miss that amp😿 thanks for the grat tones!
I sat down in a sealed booth with a 1959hw and walked out with the JTM45... so unrestrained in its raw form I'm not surprised they're modding it in-house. Naturally, the addition of the master volume makes it a different beast entirely, not to mention all the other circuit gubbins.
Hey D&M, another wonderful episode and I'm not even past the first 20 minutes. The 20w Marshall sounds lovely and I think it would make a really cool video if you did some comparisons with other 'reasonably low' wattage amp heads like this. I have an Orange TH30H myself and I don't really see the need for a higher watt amp anyway. Maybe you could turn it into something like the 'perfectly affordable do-it-all coverband set-up'. Anyway, back to listening to these wonderful tones and your happy chats as always. Keep it up!
As a 9 year old kid in 1975, I became obsessed with KISS. So, of course, I wanted a Marshall like Ace. As I got into other music, it was rare to find any rock guitar player that didn't have a Marshall.
I use that "reverb between jumped channels" trick on my tweed deluxe with a tube spring reverb. It's absolutely the greatest thing ever. I'm able to crank my amp, but since the reverb is going into the low channel, the reverb doesn't distort.
Great show, that 1959 is mindblowing.Would love to be in the room with it
That GoldTop in the Plexi is killer 👍🏻😊
Epic innit, that’s the sound for me! Mick here. :0)
51 min just flew by. Good stuff, guys!
tube amps and loud are dead.... well.. marshall doing lovely hundred watts and fender doing the panoverb, and supro upping their wattage for the tyler bryant amp... I think the golden age of pedals could be shifting to the golden age of amplifiers!!! An AWESOME show guys, loved the Jubilee and loved the '59 Modded!!! P.S: Mick needs that jubilee :) seemed right at home with it!
Damm that 59 is end game. Damn.
Hey Both. Great video as always. The look on your faces would be enough to show how good that 100w amp is even if the video had no sound 😃🎸🔊
Epic, the Redwing sounds awesome too. Absolutely love mine!
Mick is vibin with that jubilee... Maybe some of the best Mick tone I e heard
Rich Robinson has been running 2 Silver Jubilees lately. A tone genius.
As Jan from the Brady Bunch once said, "Marshall Marshall Marshall!"
I loved the new stuff at NAMM. That modded plexi! Great job!
I've been so curious about the new modded Marshall - sounds glorious!!
Sounds absolutely glorious, even on YT, I need to get to a experience day!
You should get Dan Gower on the show. Not only a great guitarist, but his Marshall amp mods are incredible, he's globally highly respected. I have his JMP 2203 KK++. It can do all the normal stuff and higher gain, and he puts an FX loop and MV in it. It's astonishing. And it's not sanitised at all.
The 20w silver jubilee is fantastic. My combo is probably my favourite amp! Low powered mode sounds thin to me so I never use it. I tried Bonamassa's settings and tweaked them a bit, and the amp just roar. Bass on 10!
Mick throwing down the Hill Street Blues Theme through a 100 Watt Marshall. I see you! Larry C
sounded totally glorious
Thanks for more amp goodness, it's great to hear. I Love my SV20H... Into a suitably sized cab with greenbacks (Zilla fat baby) it sounds fantastic for a small plexi... Next on my list is their studio JTM... The marshall sound is something special!
That was frigging lovely.
Great episode guys !
Sounds killer! Love my JTM45 but keen to plug into that Plexi sometime. Thanks guys ⚡️🤘
Years ago I saw the black crowes live and Marc and rich were both playing through Jubilees. Unquestionably the best live guitar sounds I’ve ever heard.
Though tough (and earlier) competition is legion, I still think Thin Lizzy's "Cowboy Song" and "Don't Believe a Word" are songs that offer two of the greatest examples of recorded Marshall guitar tones out there.
The crunch channel with the volume rolled back on the Lester was real nice
49:20 I'm all the way up, and you want one more louder 😁 great show chaps
I'm a happy owner of a Studio Jubilee. I usually use it connected through the FX Loop to an old Lexicon FX rack for reverbs, delays and modulations. The only thing wrong with the loop is that it goes before the EQ section. I don't know if this is the typical configuration in Marshall amps, because it's the one and only Marshall that I have owned. I discovered that by accident trying putting Tonex captures into the FX return, and they sounded awful until I discovered that the EQ knobs affected the sound coming from the Return.
THX very much for that info! 👍
Dan, you just need to get one of those plexi’s! Haven’t seen you so engaged in playing an amp for quite a while! Great playing and sounded fantastic!
You know, I think you’re right
Nice episode Gents! Thanks.
Dan's opening tones are simply tasty~ well done~ and at 14:40, as well. That Collider pedal is very nice~. And starting at 18:40 with Mick's playing on the goldy strat - really nice neck pickup tones.
Been watching you guys since pretty close to the beginning of the channel and, I still cannot get rid of my jealousy of Dan’s Tele. 😂
I have a 1979 JMP 2103, and it is one of the most usable master volumes ever. It's a 2x12 100W combo version of a 2203, into which I put G12H-75 creambacks. I normally use it attenuated, because it's only above 4 on the master volume that the big bottom end really comes into play. I even use it with headphones with captor X and it sounds just glorious.
Mr. Dan, your playing between 16:00 and 18:30 was super tasty. Loved it!
Wayne Krantz also loves Jubilees. They have a clear, punchy, aggressive but articulate low end thing thats so cool
These new modified series Marshalls are something else, both the 800 and 1959 are ridiculous. 800 is more my thing but boy these are special.
Would love to see you guys try the new Mesa 2C+ Reissue if possible too!!
Glorious sounds gents....
The strat threw the 2x12 ❤
Great vid! If you guys get Rabea in for the 800, ask him to bring his JVM410H so you can try that as well. I think you'll be surprised at how versatile it is; yeah, it *can* do high gain metal tones, but it also does pretty much everything else and sounds amazing in the process.
Marshalls like thie are great. Know of a guy who has a 'NOS' original JTM45 head (was sat in a cupboard for decades). Had the pleasure of playing it one day (with the owner's D&M Drive no less!) and it was wonderful
I think there will always be those hybrid rig guys who use real amps or have a cab for stage volume. I’m a Kemper user but there’s still nothing like playing through a real amp
Will have to watch later … I have a 2525H and a 2x12 cab but am wondering if I’d rather the SV20H …
“Legally distinct Little Wing (or should I say “Small Feather”)” riff was great
Haha! Thank you! Yeah, we skip around the lawyers. :0)