Don't Waste Your Time With Modes (Without Doing THIS...)
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- Опубліковано 6 тра 2024
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TIMESTAMPS ⏱️
0:00 Welcome to the lesson
0:36 How to interpret the major scale modes
1:03 This is not for beginners
1:46 The three minor tonality modes of the major scale
2:03 Listen to these two chord progressions
2:39 Dorian and Aeolian scale construction
4:00 Analysing the chord progressions
5:27 Dorian works with THIS progression
7:52 Try my tone for FREE // Neural DSP Archetype Rabea
9:57 Aeolian works with THIS progression
10:32 Dorian lick
11:02 Aeolian lick
11:33 Break through the lost intermediate plateau
13:10 BONUS CONTENT at bulletproofguitarplayer.com
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Learning where the modes of the major scale come from is a waste of time IF you are not prepared to do the following…
Learn how and when to apply each mode over different chord progressions.
Many guitar players are taught what’s known as the ‘relative approach’ to understanding modes, which is essential to know as it clarifies exactly what is meant by ‘modes of the major scale’
However, these same guitarists often hit a wall when this is the only approach they are taught for learning and applying modes in their playing.
The approach they need to learn next is one that I teach in my Bulletproof Guitar Player courses. It’s called the ‘parallel approach’, which concerns looking at each mode as an independent scale and analysing its scale formula next to that of the major scale.
So, instead of only learning about the relative approach which teaches you that D dorian is the 2nd mode of C major, E phrygian is the 3rd mode of C major, so on and so forth, you are then able to compare them all using the same root note - for example, C dorian, C phrygian, C lydian.
The benefit of doing the above is that it allows you to hear the unique sound of each mode as you’re able to build them all from the same root note.
If you only take the relative approach of playing C ionian followed by D dorian then, E phrygian, F lydian, so on and so forth, then it’s likely that you’ll just hear them as if they were different positions of C major…
When you understand the scale construction of the mode i.e. the parallel approach, you’ll be able to figure out which notes will fit and/or clash with the notes in the chords that you’re playing over.
That’s exactly what this free UA-cam lesson is all about - we’re specifically taking a look at two of the major scale modes that have a predominantly minor tonality - dorian and aeolian.
I’ll be showing you how two different chord progressions and how to determine which mode - dorian or aeolian - is the best fit for each one.
In the bonus content for subscribers at bulletproofguitarplayer.com, you will find downloadable Guitar Pro & PDF TAB files for everything played in the UA-cam lesson plus SIX bonus licks - three for the dorian mode, three for aeolian, and you’ll also get access to the downloadable backing tracks.
To access this content, along with my Bulletproof Guitar Player courses and all other monthly bonus lessons, you just need to do the following:
1. Create an account at bulletproofguitarplayer.com - bulletproofguitarplayer.com/s...
2. Go to ‘payment methods’ and add your preferred payment method
3. Go to ‘subscriptions’ and choose from a monthly or annual payment plan
4. Click on any course, then a course SECTION and get started watching the video lessons!
![Playing In Every Mode with ONE Tiny Scale Shape [GUITAR LESSON - MODES - MUSIC THEORY]](/img/n.gif)
Some might say this guy is doing the Lord's work. I've watched countless videos online about Modes, none even come close to the detail level of this guy and the ease of understanding.
Great, Great Content Ross. Thanks!!!
Great lesson ❤️
Being able to use all fronts of musical theory to your advantage to make music is so cool. Learning and practicing makes perfect after all. Cheers
I wish all guitar players shared your attitude towards music theory 👏
@@RossCampbellGuitarist Well thank you man!
You are absolutely right. I only got better as a guitar player after 20 years of goofing around and not learning any theory. During Covid, I decided to teach myself and a huge breakthrough was mixing of major and minor pentatonics and the various modes. Huge lightbulb moment and I am ten times the better player for this one dive into theory.
@@RossCampbellGuitarist And it helps to have bulletproof guitar to guide you.
I think some musicians are lazy and just want to play but that attitude come with it downfalls. I was that musician for a long time..
I so totally agree with your comment about those who attempt to sell 'short cut' courses. I'm also a teacher so understand how false these claims are. Love your content. Always pick up a juicy tid bit here & there. Cheers.
Very well earned subscribe, keep up the great content 👍🏻
Looking forward to that Bulletproof 2.0 lessons, man. Your program seems like it has everything I missed out on and it cant release soon enough for me!
Hope you enjoy it man 🙏
Incredible lesson Ross! One of the best lessons on Dorian vs Aeolian. If you can please do the same for the major modes (especially the Ionian vs Mixolydian) - this will be great!
Very good job. Is good to see a guitar channel with someone that can actually play!
Nice lesson. I cringe whenever someone says “modes are just the major scale started on a different note.” Dorian is fun. 2 shared notes between chords and you get the fun of both minor and Mixolydian along with Dominant arpeggio usage.
killer phrasing ! took me like 30 tries to get it in my system . Great feeling!
Thank you. You are a great teacher. I got the first part of it. The two scales, Dorian and Aeolian. I'm applying them and learning each and the difference. That's a milestone for me. I took notes and will keep up with this video I totally duplicate it.
Loving the tone you’re getting… this is a great lesson, thanks
Thank you!
This was a great presentation, super clear.
Glad it was helpful!
Next lesson guitar intervals plsss🤘🏻🤘🏻🤘🏻🤘🏻
The notes and their relation (tension and release) are key to creating music. Scales are a base. Know the notes. You'll have more freedom in your soloing. Always appreciated!
Teach me the way kind sir
Ross you described everything perfectly. The lesson and " the lost intermediate plateau ". Just do it. Whatever is ones priority.
Thank you Max 🙏
0:48 You can use G locrian (or G locrian flat 4) for G7 alt. Dm7-G7alt-Cmaj7 = G mix-G loc-G ion
Great lesson. Just want to point out that dm7 you played dm7 shell chord since the 5th was missing.
Hello, your videos are very good and practical. I've played guitar for over a decade and really made little progress until I started to really dig into music theory and set in place a practice routine. As far as scales do you recommend sticking with one key and fully learning and applying concepts explained in your video like the people's key G/EM? Where did you learn your music theory and how long until you felt like you had a good grasp on it?
ROSS, try to make a video lesson on playing the blues rock using different MODES. When yngwie malmsteen plays the blues he is using harmonic minor BLUES and phrygian dominant BLUES. You use the same top 100 blues licks but you convert the blues licks into MODES by focusing on the modes tendency tones and modes leading tones.
I've been sleeping on modes since before digital tuners began sprouting on headstocks. You just changed my mind in less than 14 minutes. You are one scary good teacher. Thanks and keep up the good work.
So glad to hear that! Thank you
👍👍👍👍👍
The link to the tabs and backing track does not work, is it in a different place now?
A Dorian is in G while A Aeolian is in C.
A Dorian is the same notes as G major scale only start on the second note of the G Major scale (which is an A note) & play from A to A & you have A Dorian mode. A Aeolian is the relative minor of C Major (the 6th note of the C major scale played from A to A) & are the same notes in the C Major scale only when played from A to A you get A aeolian or the A minor scale-
Dudes really be out here playing a mode over a whole other tonality
"One mode is just... horrible" 😂
Timestamp?
The good thing is, you turn Theory into something way easier to understand! there a lot of people selling miracle shortcuts and you, my friend, are not one of them... cheers from Brazil!!
That's what I hope to achieve with my lessons so I'm very glad to hear you say this. Obrigado :)
I kind of relate to the Min7b5 chord (I use that in my Gypsy Jazz playing) and the weird mode that goes with it. I'm weird. Ha ha ha ha. 🤣🤣
Looking like planning a trip home next year pal (Covid fkd the last plan). Will catch up then. 😉