Amazing and rare talent I see today! Can't believe he is only 20. Incredible technique and interpretations at such a young age. Truly a gifted pianist of the century, we need to pay attention to. Love listening to his bold and yet sheer music.
*Frédéric Chopin (1810-1849)* *Trois Nouvelles Études (1838)* 0:04 *No. 1 in F Minor* • _Andantino_ 2:31 *No. 2 in A-Flat Major* • _Allegretto_ 4:45 *No. 3 in D-Flat Major* • _Allegretto_ 6:38 *Applause* *Yunchan Lim, piano* _Recorded live at Carnegie Hall_ _New York City, New York USA 🇺🇸_ _February 21, 2024_
A terrific interpretation of these pieces, here played with Yunchan's usual panache and clarity. Thank you for the down load The Cliburn's Jury were certainly spot on-Yunchan has been giving his audiences gold medal performances ever since 22.
Pouvoir unir tous les aspects d'un discours en un rêve transcendant qui rejoint la terre au ciel, telle apparaît la splendeur de chaque réussite de Yunkan Lim !
My favorite? No 2. Definitely No 2. Wait, no... One. Definitely No. 1. Uhhh - no, no.... for sure, No 3. Yes, that's it - No 3. Or maybe..... oh heck - ALL 🤩🥰
Been lovin’ on these etudes for decades. So I am more than willing to listen with interest to different perspectives. I have Vladimir Ashkenazy to thank for the “Gold Standard” of interpretations emblazoned on my profoundly philosophic heart(and soul). PWG
Though I love these three posthumous etudes, I must decline enthusiasm in these interpretations by this marvellous pianist’s odd interpretation. Too much rubato pulling the pieces about. Turn to some of the older greats of the past Ashkenazi, Rubenstein et al.😊
rubato was the way of playing in the 19th century… this is called asynchrony or "non-coordination"....we play the notes separately with both hands, the bass playing an instant before the melody on the right...this helps to give relief and depth...l The chord can be played in arpeggio... Yunchan, who loves the pianists of the 19th century, borrows this technique from them!
You do not need to tell me about rubato or the 19th century style of playing. Maybe he could use a 19th century piano. Please remember, I am only referring to these three etudes. I too rate this young man’s playing as highly as the next person.
Nobody has forced you to have enthusiasm what so ever. It's not your cup of tea, and that's Ok. Bottom line is that his interpretations are not odd at all, or too much rubato and what not. If he played the note by note, what others have played, then it would be so tedious boring, wasting time when you can just listen to those cookie cutter playing. He brings something fresh and personal in his interpretations and why his performances are always exciting, fresh and tugs at your heart. There's a reason why his Carnegie recitals are sold out before the single ticket date opens, and why his recital was chosen as one of the best in NYTimes.
Amazing and rare talent I see today!
Can't believe he is only 20. Incredible technique and interpretations at such a young age. Truly a gifted pianist of the century, we need to pay attention to. Love listening to his bold and yet sheer music.
Chopin hears this and he will descend from the sky and hug him ❤
*Frédéric Chopin (1810-1849)*
*Trois Nouvelles Études (1838)*
0:04 *No. 1 in F Minor* • _Andantino_
2:31 *No. 2 in A-Flat Major* • _Allegretto_
4:45 *No. 3 in D-Flat Major* • _Allegretto_
6:38 *Applause*
*Yunchan Lim, piano*
_Recorded live at Carnegie Hall_
_New York City, New York USA 🇺🇸_
_February 21, 2024_
please never ever take this video down. Thank you for posting this.
Just….goosebumps!❤
뉴욕타임즈 2024년 최고의 클래식 공연에 선정된 임윤찬 피아니스트님의 카네기 홀 데뷔 쇼팽 에뛰드 리사이틀 공연
amazing as usual
A terrific interpretation of these pieces, here played with Yunchan's usual panache and clarity. Thank you for the down load The Cliburn's Jury were certainly spot on-Yunchan has been giving his audiences gold medal performances ever since 22.
Pouvoir unir tous les aspects d'un discours en un rêve transcendant qui rejoint la terre au ciel, telle apparaît la splendeur de chaque réussite de Yunkan Lim !
thx for posting this for those of us not able to get tickets to hear him live 💕
What a sound
٩(♡▽♡ )۶
Wow!!! It's a Christmas gift❤
Thank you for posting it. Please don't ever put the video down.
귀한 녹음 게시해 주셔서 감사합니다 저에게 윤찬림의 연주는 삶의 여유와 기쁨을 줍니다
Amazing !!! 👏
Amazing 👏 👏 👏
Thank you so much for posting this!!!
아름답습니다.
Yuncang. ..Lim. ...la excelencia ..❣️. 🤩. .
임윤찬
그 이름만으로 충분합니다.
My favorite? No 2. Definitely No 2. Wait, no... One. Definitely No. 1. Uhhh - no, no.... for sure, No 3. Yes, that's it - No 3. Or maybe..... oh heck - ALL 🤩🥰
우와 감사합니다
Been lovin’ on these etudes for decades. So I am more than willing to listen with interest to different perspectives. I have Vladimir Ashkenazy to thank for the “Gold Standard” of interpretations emblazoned on my profoundly philosophic heart(and soul). PWG
너무 좋은데요?
wow! just wow but how?
독주임에도 오케스트라를 듣는 것만 같은
3:51 🔔🔔🔔🔔
❤
❤❤❤
Was this recording from Carnegie?
Yeah he played these before op. 10 and 25
Op.10 & 25 도 있으시면 언젠가 제발 부탁합니다
how does he do all that?
이건 왜 cd에 포함하지 않았을까요?
이건 너무 귀한 녹음이네요
subsonic rumbles could be lowered a bit :)
🤌
Japón 😂
No! Yunchan Lim is Korean.
Though I love these three posthumous etudes, I must decline enthusiasm in these interpretations by this marvellous pianist’s odd interpretation. Too much rubato pulling the pieces about. Turn to some of the older greats of the past Ashkenazi, Rubenstein et al.😊
뉴욕타임즈 2024년 최고의 클래식 공연에 선정된 임윤찬 피아니스트님의 카네기 홀 데뷔 쇼팽 에뛰드 리사이틀 공연
To me, the rubato doesn't feel excessive; instead, it feels so beautiful that it's hard to stop listening.
rubato was the way of playing in the 19th century… this is called asynchrony or "non-coordination"....we play the notes separately with both hands, the bass playing an instant before the melody on the right...this helps to give relief and depth...l The chord can be played in arpeggio... Yunchan, who loves the pianists of the 19th century, borrows this technique from them!
You do not need to tell me about rubato or the 19th century style of playing.
Maybe he could use a 19th century piano. Please remember, I am only referring to these three etudes. I too rate this young man’s playing as highly as the next person.
Nobody has forced you to have enthusiasm what so ever. It's not your cup of tea, and that's Ok. Bottom line is that his interpretations are not odd at all, or too much rubato and what not. If he played the note by note, what others have played, then it would be so tedious boring, wasting time when you can just listen to those cookie cutter playing. He brings something fresh and personal in his interpretations and why his performances are always exciting, fresh and tugs at your heart. There's a reason why his Carnegie recitals are sold out before the single ticket date opens, and why his recital was chosen as one of the best in NYTimes.
💘
❤