Hmm...this seems great. For some reason your GUI style is something Ableton themselves should look upon on. It looks very modern yet very "Live" oriented. Kudos. Everything you make is perfect example of true artistry. Keep up the good work.
possibly the best plug-in I own, not to mention the Opal control in the same bundle which is also absolutely awesome.Thank for such an amazing product at an absurd honest price.
The breadth of sound design this machine is capable of, comprised in one unit, is absolutely unreal. I've had my taxed after-work head in it since the weekend and my god. My only beef is those damn triggers ha ha. If I had a krona for every trigger I accidentally dumped by altering vel, but if I work on a trigger a long while then I'll copy the step or entire pattern before adjusting velocity slider. I am just floored by the variety of sounds and textures this thing is capable of. Today I composed one entire ambient piece using all tracks in a single pattern. Imagine if this was a piece of hardware. Perhaps I'd never go back to working in Ableton again because this has all I need. Love love lurv it. Big applause for the Fors team
This was an instant buy for me. I was a proud Digitakt owner a couple years ago but had to sell it and have been missing it ever since. Opal scratches the itch well enough though!!!
Heard about it in a podcast, listened to the audio on their website for a few seconds, instantly bought it, super happy with it! First max device that I have ever found worthy enough to buy, thank you guys
Ive watched this entire video probably like 15 times lol. I finally got live suite a month ago so i could use it along with other M4L devices outside of max, and it was so worth it. Fors just makes the most high quality sounding synths around, especially in M4L. And theyre actually looking to the future of sound design instead of constantly reiterating the past
been waiting for this before i purchase. cheers. i hope you take this well - the extension youve created of the elektron mindset is impressive and i relaly like the flexibility a computer brings these days. cheers
Thank you for attaching a granular device to a sequencer. That's something I think hasn't been done before outside of ppooll and will be very helpful for creating granular ambient music with a rhythm (Tim Hecker comes to mind)
Suggestions (for this already very great Device), I read through the comments and also added my own onto them : - Randomize Button for Everything (maybe also to decide what to randomize with a menu / or just everything - tick the boxes) - Push Integration for use in User Mode - Parameter Slides - Scale Function (lock seq notes into scale - option in which even the random generated notes - by applying modulation on the pitch - are also quantized in relation to the selected scale) - Midi Version (to use with Hardware / Outboard Gear eg. Elektron Machines) - Ipad Version / Mobile Version in general - to be continued possibly.... My own suggestions : - Being able to type in the Note Value of the Steps with the Keyboard - Higher Ratcheting Values (for even more glichy goodness) - More Fx that are applied in the Mixer - Distortion for example - Track Parameters going to higher values (or maybe even unsynced goodness to be chosen by Hz) - Zoom option for the Waveform View of Sampler - Master Level + Master Compressor for the Mixer (and omg think about having a Eq...) - to be continued possiblly....
Those are good ideas, but I think you're missing the point of this device. Fors makes creative tools that embrace simplicity and restriction to think less and play more. And it's not standalone ! Ableton can provide most of your suggestions.
@@e4bigler Suggestions dont hurt i think :) Always sparks some creativity for somebody. I do really get what it does and im fairly happy how it does it ! Just some thoughts running around.
bro, such outstanding work.. I was all set to write that this is the most inspring and exciting 'plugin' Ive seen in 10 years.. but, I think its quite clear that I must expand that scope to 'all time, ever, the most wonderfly musical device, in or out of the box, that Ive ever encountered. And all in max. AND its more stable than many, many plugins. Your future is bright my friend
A giant walkthrough, thanks so much. I was happy to learn that the Reverb-Send could be parameter locked, too. Great, elegant instrument, you and your team (?) designed there! Congratulations!
First Digitone, and now this... Amazing! Hopefully some deeper Midi integration is next up... can`t wait so start modulating all those juicy parameters!
You can just see how much thought and hard work has gone into every aspect of this, the sound, the ux, the learning. Well done! I just got kit so I'm saving this for my next purchase otherwise it'll never finish my next release 😂
this is absolutely mind blowing piece of gem...and an insta buy, hope this one is not so complicated to apprehend. The one thing missing? Not random push 2 implementation , and this will be blast everything
@@publika6883 glad you asked. Constraint control would allow a user to apply different amounts of randomization. So if there was a constraint knob/slider next to the randomization button, turning it up to 100% before hitting the button would randomize the settings quite wildly and give you very unpredictable results. Turning the knob to 2% would perhaps (it is still randomization after all) give you slight variation on the initial or previous state of all the affected settings, giving you more predictable results when needed. I love the option of randomization for stumbling on new inspiration, but oftentimes the results can be unusable, so being able to dial in the amount can be helpful depending on how adventurous I’m feeling at that particular moment.
As a DT user，I believe the workflow of opal is very awesome and familiar. Anyway, Edit a sequence with many parameters without visual feedback is very hard (I mean like DT or any Elektron devices. The parameter lock allows you to see the current status of edited value).
@@ForsFM Will be an instant buy for me also if it becomes easier to see locked parameters on a given step with the resulting lock value [number or graphic]... :)
Best devices ever. * It would be nice to add the scale option in which even the random generated notes - by applying modulation on the pitch - are also quantized in relation to the selected scale . * Is it possible to copy the content (trigger or whole sequence) of one track to another one?
Awesome machine! I would love a overall swing slider though. So that patterns that aren't fixed to f.e a 16 step sequence also keep on swinging on the right moments. I haven't found an easy way to do this with the nudge function.
Super smart devices!!! I'm so happy to see some P-locking in Live. I think I'll use the standalones a lot too. They sound so fresh. One thing though. The standalone devices can be a bit small and fiddly to tweak and program. A way around this could be to group and assign to Live's macros. But I don't think it's supported. Which is a shame, that means we can't take advantage of Live's macros snapshots or macros randomization.
You can try with a larger UI zoom setting in Ableton Live - but also, the individual devices are mappable, but you need to map to the numbers beneath the graphical controls
Love all your products. is there any way to make them look a little larger in the device tray? They're sometimes hard to read, especially glanta and bokeh.
Could you perhaps add a scale function? Which locks sequencer notes into scale. It sounds kinda counter-intuitive maybe since we can mess with the semitones of each device, but you have added note selection and base key to the sequencer side. Could it maybe even lock the semitone pitch into scale on each device? Maybe too complex
Is there a way to play the instruments with midi while they're in the "full Opal" mode with the sequencer? It seemed like Ess was doing it in this video to preview the sound while tweaking parameters, but when I try I see Ableton's midi metering shows activity, but Opal doesn't make any sound.
A seemingly awesome drum machine/groovebox; any plans or possibility that Opal becomes available in the future as an iOS app on the iPad or an hardware drum machine in a somewhat near future!? If so, I would be all in! 😁🙏
You've got something very special here ... I hope you someday consider making a followup to Opal in the VST/AUV3 world. I think it could be enormously successful. p.s. Imagine dragging an intricately crafted FM/synth sound to a sample slot -- it automatically populates the slot with a .WAV resample of your sound design, using the parameters of that particular sequencer step to determine the length and other relevant properties. The mangling and reshaping possibilities are endless from there. Just an idea.
Looks and sounds amazing! The only thing I was struggling with during the demo was the tiny dot indicating the position of playback in the sequence. It's very difficult to see and it should probably be in a much more visible colour. So you can see it in the corner of your eye while looking elsewhere on the interface. Maybe it's more obvious in Ableton, guess it could be the frame rate of the video capture.
Can I ask how you're navigating between parameters with your keyboard so quickly? For example around 59:48. It seems like you're using your keyboard, but I could be mistaken
Fantastic device. Still exploring it every day something new. Is there a way to record MIDI out of a sequencer for further arrangement? Am I missing something? No mention in manual.
its very easy to deselect a trigger when moving around locks and other parameters under the trigger, which can be frustrating when you don't remember the exact tweaks on that step , can there be an undo button in the next update ? Also will there be a way to click on a step and preview it instead of having to run the sequencer? Thanks
We'll look into refining that a bit. For what it's worth, a step is never considered to be deleted until you release the mouse button, so you can keep dragging in order to avoid that for example. Using the Undo in Live (Cmd+Z/Ctrl+Z) will undo the last changes in Opal. Step preview is on its way. :-)
@@vpnikolov All we use is the trackpad on a Macbook Pro - maybe there is something going wrong? Please send us an email describing your issue to hi@fors.fm and we'll look into this
I can't get slate to load any samples. I drag the file over and it loads up top but no waveform appears in the box and it still says to add a sample. Any ideas?
Looks amazing! So the seq is it's own Live device? Meaning we can use the seq and it's param locks etc to trig and control other Live devices and params? Also - can we use/map the seq to a Push 2/3? Thanks!
amazing plugin. I recently started getting this max msp error :dictwrap: no dictionary named pattern_0, cannot access values /// gen~: doesn't understand "lfo_wave" after I started using push2 - is it a known thing? doesnt seem to affect anything but just curious about what it is ?
Sorry if I missed it, but can I use only the sequencer on anything else, maybe program the parameter locks on whatever/wherever I need, like driving my modular? Thanks a lot
Anddd..purchased!! I don't remember I had so much fun with any other M4L device ever before. Effortless Techno device. Of course you can build any kind of music in it. Is there any chance we can access patches from the video (your outro)* I am either blind or these are not shipped with the product. No problem though, just asking to learn more from the patches shown in your video.
Impressive. While I believe this could be achievable with free individual max devices, racks and complex routings, having it all logically and intuitive laid out in a single device is a blessing. It would be nice to have something what Novation in Launchpad Pro MK3 calls "Mutation". Basically an alter parameter/pitch per step with probability option. Is there a reason for not having backwards and random sequence play?
I love your devices! Some of your other devices let you use the sequencer for MIDI. Any chance that could be done here as well? Reason I ask is that this sequencer is excellent!
Any chance for a sale soon? ;) This looks awesome! Have you considered making it follow Live's theme? Your devices look spectacular in terms of GUI and UX (and obviously sound great, too!), but I prefer to not have "foreign" looking colours in the rack.
@@ForsFM Do you guys think you could possibly use RNBO to make it into a VST device? I am no expert in Max and don't know if Max is identical to M4L or if a port to RNBO would be easy, but I think it's something to look into. It would be super sick if we people from daws other than Ableton could use Opal as a VST. Regardless, fantastic work, got some great tones here.
Hmm...this seems great. For some reason your GUI style is something Ableton themselves should look upon on. It looks very modern yet very "Live" oriented. Kudos. Everything you make is perfect example of true artistry. Keep up the good work.
Sweat to god! this is absolutely brilliant!!!
This is just surreal! Best Max For Live device ever? YES! One of the most inspiring Synthesizers from the past years? Absolutely!
possibly the best plug-in I own, not to mention the Opal control in the same bundle which is also absolutely awesome.Thank for such an amazing product at an absurd honest price.
The breadth of sound design this machine is capable of, comprised in one unit, is absolutely unreal. I've had my taxed after-work head in it since the weekend and my god. My only beef is those damn triggers ha ha. If I had a krona for every trigger I accidentally dumped by altering vel, but if I work on a trigger a long while then I'll copy the step or entire pattern before adjusting velocity slider. I am just floored by the variety of sounds and textures this thing is capable of. Today I composed one entire ambient piece using all tracks in a single pattern. Imagine if this was a piece of hardware. Perhaps I'd never go back to working in Ableton again because this has all I need. Love love lurv it. Big applause for the Fors team
Thank you! We’ll look into refining the velocity input, sorry about that.
@@ForsFM No stress! Much appreciated!
Absolutely stunning design. It looks like monomachine, but not diabolically difficult
Esta es una de esas cosas por las que amo la informática musical. Gracias por existir.
This was an instant buy for me. I was a proud Digitakt owner a couple years ago but had to sell it and have been missing it ever since. Opal scratches the itch well enough though!!!
Heard about it in a podcast, listened to the audio on their website for a few seconds, instantly bought it, super happy with it! First max device that I have ever found worthy enough to buy, thank you guys
What a wonderful suite of plugins. One of the most inspirational devices I purchased in years. Kudos to Fors.
Ive watched this entire video probably like 15 times lol. I finally got live suite a month ago so i could use it along with other M4L devices outside of max, and it was so worth it. Fors just makes the most high quality sounding synths around, especially in M4L. And theyre actually looking to the future of sound design instead of constantly reiterating the past
I love it! It would be great if there was a way to have a push 2 integration.
been waiting for this before i purchase. cheers.
i hope you take this well - the extension youve created of the elektron mindset is impressive and i relaly like the flexibility a computer brings these days. cheers
Thank you for attaching a granular device to a sequencer. That's something I think hasn't been done before outside of ppooll and will be very helpful for creating granular ambient music with a rhythm (Tim Hecker comes to mind)
Oooh, didn't realize it could do that! What is that workflow like? Do you sequence granulated sounds or granulate sequenced patterns?
I actually think you could do both. The former with the Slate Engine and the latter with the Flux effect. @@Gallanitte
You are a genius. Opal is probably the most stunning plugin, ever. I love it.
I am so into this intimate style of presentation.
Very inspiring device(s)! I’ve got your other stuff already and will for sure add this to my collection. Bra jobbat!
Suggestions (for this already very great Device),
I read through the comments and also added my own onto them :
- Randomize Button for Everything (maybe also to decide what to randomize with a menu / or just everything - tick the boxes)
- Push Integration for use in User Mode
- Parameter Slides
- Scale Function (lock seq notes into scale - option in which even the random generated notes - by applying modulation on the pitch - are also quantized in relation to the selected scale)
- Midi Version (to use with Hardware / Outboard Gear eg. Elektron Machines)
- Ipad Version / Mobile Version in general
- to be continued possibly....
My own suggestions :
- Being able to type in the Note Value of the Steps with the Keyboard
- Higher Ratcheting Values (for even more glichy goodness)
- More Fx that are applied in the Mixer - Distortion for example
- Track Parameters going to higher values (or maybe even unsynced goodness to be chosen by Hz)
- Zoom option for the Waveform View of Sampler
- Master Level + Master Compressor for the Mixer (and omg think about having a Eq...)
- to be continued possiblly....
Those are good ideas, but I think you're missing the point of this device. Fors makes creative tools that embrace simplicity and restriction to think less and play more. And it's not standalone ! Ableton can provide most of your suggestions.
@@e4bigler Suggestions dont hurt i think :) Always sparks some creativity for somebody. I do really get what it does and im fairly happy how it does it ! Just some thoughts running around.
excellent work. thank you for ever expanding the palette.❤
bro, such outstanding work.. I was all set to write that this is the most inspring and exciting 'plugin' Ive seen in 10 years.. but, I think its quite clear that I must expand that scope to 'all time, ever, the most wonderfly musical device, in or out of the box, that Ive ever encountered. And all in max. AND its more stable than many, many plugins. Your future is bright my friend
A giant walkthrough, thanks so much. I was happy to learn that the Reverb-Send could be parameter locked, too. Great, elegant instrument, you and your team (?) designed there! Congratulations!
Yeah. This is amazing, so much diversity and flexibility in a relative low number of controls. Congrats!
Amazing instrument. It will become my go-to drum machine for a long time. Thanks a lot, big kudos!
Wonderful Ess! Great information in here
It looks and sounds awesome. I was afraid of mixing whole 5 sources but then, at the end of video you showed us the routing!
Nothing like a tour by the developer himself !
Thanks to this Show and Tell, the deepness of Opal is now more glorious than ever !
I'm picking this up for sure! Really liked the whole stream as it was really informative regarding synthesis in general and well explained. Thank you!
First Digitone, and now this... Amazing! Hopefully some deeper Midi integration is next up... can`t wait so start modulating all those juicy parameters!
You can just see how much thought and hard work has gone into every aspect of this, the sound, the ux, the learning. Well done! I just got kit so I'm saving this for my next purchase otherwise it'll never finish my next release 😂
Please release an iOS version 🙏 Sales would go through the roof. What an amazing device - well done!
Bought this and it is unbelievable great. Thanks a lot! Worth every cent! Looking forward to updates and other Fors M4L tools.
Absolutely brilliant device! Such a sound design playground oO I love it!
my new favorite device
this is absolutely mind blowing piece of gem...and an insta buy, hope this one is not so complicated to apprehend. The one thing missing? Not random
push 2 implementation , and this will be blast everything
Would love a randomize button for everything.
+100
+++++++
i second this, with accompanying constraint control.
@@greyaltaer8788 pardon my ignorance, but what does constraint control mean in this case?
@@publika6883 glad you asked. Constraint control would allow a user to apply different amounts of randomization. So if there was a constraint knob/slider next to the randomization button, turning it up to 100% before hitting the button would randomize the settings quite wildly and give you very unpredictable results. Turning the knob to 2% would perhaps (it is still randomization after all) give you slight variation on the initial or previous state of all the affected settings, giving you more predictable results when needed. I love the option of randomization for stumbling on new inspiration, but oftentimes the results can be unusable, so being able to dial in the amount can be helpful depending on how adventurous I’m feeling at that particular moment.
Thanks for this. Best software instrument i bought in ages!
really really love this instrument, and such an interesting and in-depth walk through. THANK YOU
Absolutely love the UI design on this one. Also it sounds great!
happy birthday to opal!
just bought Opal and it's fantastic. would love to be able to do "trigless locks", hopefully it'll be in a future update!
Lovely like always.
awesome. instant buy!!!!
Would be quite powerful to link the patterns to the piano roll, eg C0=pattern 1, C#0=pattern 2 etc etc
Any chance of some push integration? Would love to use it in a user mode
As a DT user，I believe the workflow of opal is very awesome and familiar. Anyway, Edit a sequence with many parameters without visual feedback is very hard (I mean like DT or any Elektron devices. The parameter lock allows you to see the current status of edited value).
Appreciate the feedback! We would like to look into visualizing the locks more, but it’s a tricky topic and had to wait until after the 1.0 release
@@ForsFM looking forward for the upgrade！🤌🏼
@@ForsFM Will be an instant buy for me also if it becomes easier to see locked parameters on a given step with the resulting lock value [number or graphic]... :)
perfect plugin cause i was too broke to afford a syntakt. I use the individual opal devices in many of my tracks now! :)
Excellent new Device!
Best devices ever.
* It would be nice to add the scale option in which even the random generated notes - by applying modulation on the pitch - are also quantized in relation to the selected scale .
* Is it possible to copy the content (trigger or whole sequence) of one track to another one?
* A "SOLO" button would be also great to avoid going back and forth between the main/mixer section and the sequencer.
Awesome machine! I would love a overall swing slider though. So that patterns that aren't fixed to f.e a 16 step sequence also keep on swinging on the right moments. I haven't found an easy way to do this with the nudge function.
Learned about and bought Opal yesterday. So now I'm trying to get along with Live - as my daily daw is gb))
thanks you for giving it away
We need something like that or exactly that as an iOS Instrument/App !!!
This is insane!!!!!!
Great device! Thank you!
Super smart devices!!! I'm so happy to see some P-locking in Live. I think I'll use the standalones a lot too. They sound so fresh. One thing though. The standalone devices can be a bit small and fiddly to tweak and program. A way around this could be to group and assign to Live's macros. But I don't think it's supported. Which is a shame, that means we can't take advantage of Live's macros snapshots or macros randomization.
You can try with a larger UI zoom setting in Ableton Live - but also, the individual devices are mappable, but you need to map to the numbers beneath the graphical controls
@@ForsFM Thanks, I'll try that. Maybe I'm just getting old.
@@ForsFM Thanks a lot for the reply. I'll try a slightly larger UI. Is there a switch, to make the devices polyphonic?
Love all your products. is there any way to make them look a little larger in the device tray? They're sometimes hard to read, especially glanta and bokeh.
Outstanding.
thank you
So insane!
will this eventually also get a vst version ? would be soooooo great. wonderful fm synth.
Fantastic Device!! In middle of video but wondering if possible to copy paste patterns, param locks, etc? Sorry if this is shown later in the video.
rich is exactly how i’d describe the sound of all fors instruments!
Corrosion is a Banger!
I can hear it in the Club.
Could you perhaps add a scale function? Which locks sequencer notes into scale. It sounds kinda counter-intuitive maybe since we can mess with the semitones of each device, but you have added note selection and base key to the sequencer side. Could it maybe even lock the semitone pitch into scale on each device? Maybe too complex
preferredly with microtonal options ;-)
Is there a way to play the instruments with midi while they're in the "full Opal" mode with the sequencer? It seemed like Ess was doing it in this video to preview the sound while tweaking parameters, but when I try I see Ableton's midi metering shows activity, but Opal doesn't make any sound.
Fantastic, very inspiring device! Will you also offer the sequencer as a standalone version? Would love to use it to sequence other plugins. ❤
dope
A seemingly awesome drum machine/groovebox; any plans or possibility that Opal becomes available in the future as an iOS app on the iPad or an hardware drum machine in a somewhat near future!? If so, I would be all in! 😁🙏
You've got something very special here ... I hope you someday consider making a followup to Opal in the VST/AUV3 world. I think it could be enormously successful.
p.s. Imagine dragging an intricately crafted FM/synth sound to a sample slot -- it automatically populates the slot with a .WAV resample of your sound design, using the parameters of that particular sequencer step to determine the length and other relevant properties. The mangling and reshaping possibilities are endless from there. Just an idea.
Looks and sounds amazing!
The only thing I was struggling with during the demo was the tiny dot indicating the position of playback in the sequence. It's very difficult to see and it should probably be in a much more visible colour. So you can see it in the corner of your eye while looking elsewhere on the interface.
Maybe it's more obvious in Ableton, guess it could be the frame rate of the video capture.
Can I ask how you're navigating between parameters with your keyboard so quickly? For example around 59:48. It seems like you're using your keyboard, but I could be mistaken
Back to this video for the 10th time to figure out what a button does.
Yeah I can't figure out why preset files from your own bank is not json files. It's something else and won't import any info at all.
so cool x
Ableton/Max only? 😢 this would be wildly popular as AU plugin is that possible this year?
Fantastic device. Still exploring it every day something new. Is there a way to record MIDI out of a sequencer for further arrangement? Am I missing something? No mention in manual.
its very easy to deselect a trigger when moving around locks and other parameters under the trigger, which can be frustrating when you don't remember the exact tweaks on that step , can there be an undo button in the next update ? Also will there be a way to click on a step and preview it instead of having to run the sequencer? Thanks
We'll look into refining that a bit. For what it's worth, a step is never considered to be deleted until you release the mouse button, so you can keep dragging in order to avoid that for example. Using the Undo in Live (Cmd+Z/Ctrl+Z) will undo the last changes in Opal. Step preview is on its way. :-)
@@ForsFM using it with a mousepad on a macbook pro is a nightmare, I've managed to delete almost every step I try to change the velocity of...
@@vpnikolov All we use is the trackpad on a Macbook Pro - maybe there is something going wrong? Please send us an email describing your issue to hi@fors.fm and we'll look into this
I can't get slate to load any samples. I drag the file over and it loads up top but no waveform appears in the box and it still says to add a sample. Any ideas?
Is there a way to save presets from the individual instruments and then load them into full Opal?
I watched a quarter of this video before I realized this is the guy that made the pluggin 😂
Is there an external controller that fits good with Opal ?
Looks amazing! So the seq is it's own Live device? Meaning we can use the seq and it's param locks etc to trig and control other Live devices and params?
Also - can we use/map the seq to a Push 2/3? Thanks!
Anyone knows how the integration with Ableton PUSH is? That would make this utterly awesome!
amazing plugin. I recently started getting this max msp error :dictwrap: no dictionary named pattern_0, cannot access values ///
gen~: doesn't understand "lfo_wave" after I started using push2 - is it a known thing? doesnt seem to affect anything but just curious about what it is ?
Don't worry about it. All expected. :~)
Hey! Loving it so far.. having trouble loading samples into Slate though. Is there a specific file type we need to use? 16/24 bit or 44.1/48?
Yeey! Something to techno with!🎉😅
Any plans to add a distortion effect in the future? I'd love that.
Sorry if I missed it, but can I use only the sequencer on anything else,
maybe program the parameter locks on whatever/wherever I need,
like driving my modular?
Thanks a lot
Anddd..purchased!! I don't remember I had so much fun with any other M4L device ever before. Effortless Techno device. Of course you can build any kind of music in it.
Is there any chance we can access patches from the video (your outro)* I am either blind or these are not shipped with the product. No problem though, just asking to learn more from the patches shown in your video.
Do you have any plans to port to push2 or ios?
nice , why doesnt work here in my ableton 11 tells my max is old version =/
Is there any controller suited for this one? Would love to get my hands on and jam
Impressive.
While I believe this could be achievable with free individual max devices, racks and complex routings, having it all logically and intuitive laid out in a single device is a blessing.
It would be nice to have something what Novation in Launchpad Pro MK3 calls "Mutation". Basically an alter parameter/pitch per step with probability option.
Is there a reason for not having backwards and random sequence play?
How do you save the colour? When I set it it goes back to the default next time I open Opal
Is there anyway to lock the synth engines to a scale, so it's working in key to the rest of the track your making for example?
great video! Is there any way we can have access to some of the patches shown in this video?
I love your devices! Some of your other devices let you use the sequencer for MIDI. Any chance that could be done here as well?
Reason I ask is that this sequencer is excellent!
VST3 pleeeeease
Shit is so nice👌
Any chance for a sale soon? ;)
This looks awesome! Have you considered making it follow Live's theme? Your devices look spectacular in terms of GUI and UX (and obviously sound great, too!), but I prefer to not have "foreign" looking colours in the rack.
It follows the Live theme by default, but it has the option to set your own accent color. :-)
@@ForsFM Oh, that's awesome!
very pedagogic, as always! Great work! Will Opal be compatible with Bitwig? Cheers!
Since it’s a Max for Live device it will unfortunately not be compatible with Bitwig
@@ForsFM Do you guys think you could possibly use RNBO to make it into a VST device? I am no expert in Max and don't know if Max is identical to M4L or if a port to RNBO would be easy, but I think it's something to look into. It would be super sick if we people from daws other than Ableton could use Opal as a VST. Regardless, fantastic work, got some great tones here.
@@KnzoVortex No, RNBO cannot be used to port this
IPAD VERSION. I WOULD PAY AGAIN!
BEST GROOVEBOX EVER