How to practice modes using pentatonic scales - Guitar mastery lesson
Вставка
- Опубліковано 18 жов 2024
- FREE COURSES: www.guitarmast...
FOLLOW US ON INSTAGRAM FOR DAILY LICKS:
/ guitarmasterynet
SIGN UP FOR FREE DAILY LUXURY JAM TRACKS:
www.guitarmaste...
SUBSCRIBE TO OUR UA-cam CHANNEL 2 DAILY VIDEOS:
/ wizardofshred
NB: Claus reads every comment and answers your questions in future videos
Need several takes to digest it all. Full of fantastic information that needs a lot of practicing. Great job my friend. One of the absolute best lessons.
Hi Clause, your playing is so fluent and the note you play are so pure. The tone is amazing. It sounds like Santana tone. This is absolutely the best lesson you have provided to guitar lovers. Stay blessed.
Claus, I have been playing for 10 years and was so tired of the predictable pentatonic scale. But you have shown me that by being mindful the fact that I can play 6 modes using the same pentatonic minor shape I have grown so used to. And I know this shape backwards and forwards so I can create meaningful sounding runs. Thank you! You have given me a little a ha moment.
Not only is Claus a peerless master of guitar in a class of his own, he's also a master of the strapless guitar. His guitars just float like they are full of helium.
Wow amazing lessob
Opened up my mind for a lot of things to practice on
Thanks again for an amazing mind opener lesson
I watched all of your practical music theory and mode videos and by far this video has made more sense to me than all of them. I’ve always created music and used pentatonic but ran with intuition rather than any knowledge of music theory or scales. Now I realize that I’ve put these 2 together the entire time. Thank you claus.
You're one of the best, if not the best, youtube guitar teacher. I watched several online teachers just to develop different approach in playing BUT I keep coming back on your page because your approach is more practical, concise and clearer. And the information and knowledge coming from you stick in my mind! Well done sir!!!
Great stuff. Really enjoying Claus's lessons now because my skill level has improved to be able to take this in. I watched this just over a year ago and couldn't get to grips with it. So keep practicing everyone.
That was an amazing lesson! I feel like, after all these years, my eyes are starting to open!!! Thank you, Claus!
Great way of looking at it. I have never heard anyone explain it that way. Thanks for a great video.
I have been working on this approach for years. Trying to figure out that each chord has an associated pentatonic skeleton. And here it is. Made more plainly than I have ever been able to describe it to myself.
This is the video!
I loved your character in "The Blacklist" as Agent Wrestler.
Thank you man. Best lesson ever
*Claus you are the best teacher thank you very much!*
THIS IS PERFECT!!! I FINALLY UNDERSTAND IT!! NOW TO PRACTICE OMG
Lots of light bulbs going off. This really opened up new vistas for me. Thank you very much.
Hi I just started trying all the 5 positions of minor Pentatonic scales. Here, I find it very interesting how you play in one key , criss crossing horizontally 3 different minor Pentatonic scales but ultimately, it sounds pretty cool but the irony is that I am still playing on acoustic guitar. But anyway, I wanna try like how you did here.
I AM STARTING TO GET IT CLAUS!!!!!!!!!!
@Michael Higgins If you see a doctor immediately, they can give you a salve that may be able to stop it. :-)
Klaus, Mr mellow. I enjoy your videos.
Great tone on a great lesson.....
you can play of any scale over any chord in a key...each one just gives u a diff sound...like d min scale over a min chord gives u a phrygian or E min scale over a min chord gives you a dorian sound...
Learnt something new here, thank you, now to play
9:00 Thankfully this video is from 2018 :)
But this only works in the key of C, right? Other keys minor chords do not share the same notes in the pentatonic scale!
A fantastic lesson, and it should get all players thinking. Although some of the advanced jazz concepts get a little too boring for me, basic music theory should excite everyone, as it's easy to understand, and opens-up so much to your playing (especially soloing) ability. I have a friend that just just spent $$thousands on a beautiful Les Paul, but he doesn't know the notes on his instrument, *REFUSES* to learn the 'CAGED System,' even when I offered to purchase a great course for him, and won't even learn the five Pentatonic shapes that would allow him to solo across the entire fretboard. He won't admit it, but I'm sure the jargon used in music theory scares him away. When you know absolutely nothing about a topic, and then someone starts mentioning "minor thirds, dominant sevenths., and relative minor keys," it is a bit off-putting. Although somewhat an exaggeration, if you know your ABC's up to 'G,' and you can count to '7,' you can easily learn the fundamentals of music theory. If you don't learn, you're failing yourself.
you enlightened me, bro
nice explanation
Excellent!
Great, but the best feel is when you switch of that loop pedal, still very good stuff anyway thanks.
I know pentatonic modes and caged too but also I cnt understand .Em fits Clydian? 5:35 that's just a pentatonic C shape?and sir said lydian? Help somebody.!!
I enjoy your lessons and personality good stuff😁🤣
Amazing
What model guitar is that?
6:31 where amazing happens
O M G , I`m feeling almost lvl up, just need some little more MIND blowing ( insert Mems here)
he looks just like a villain of a movie XD
What ? The Major Scale contains the Pentatonic Scale ? LOL The fact is and "i know you know this" but the major scale contains all 5 positions of the Minor Pentatonic Scale and obviously its where the pentatonic scale came from.. My question is this... why do you teach thet you can play position 1 Pentatonic minor scale over the top of the position Major scale ? Is it for simpliocity ? what is the advantages of not pointing out the big truth?.....Cuz the fact is that every position of the Major scale contains its very own pentatonic in a Major or Minor Flavor thats where these pentatonic scales came from in the first place ? Why not just teach this conceptual fact ? It is cool that you can usr that 1st position so i get that but It only seems to add future confusion ? Please Explain sir.
Since Pentatonic Fingerings are Such Useful Tools,Claus Wants You to See the Advantage!!! We Know Pentatonic is Only 5 Tones,But We Need 7 to Create the Full Mode!!! Therefore, A minor Pentatonic is Missing the B,and the F !!!! So,Since the B is in the E minor Pentatonic,and the F is in the D minor Pentatonic,You Now Have all 7 Needed Notes to Create any Mode of C Major by Utilizing the 3 minor Pentatonics of Any Major Family.And Yes,You Can Use All 5 Positions of All 3 minor Pentatonics Creating 15 Killer jamable patterns for Any Mode of C Major !!!!! I Had to Piece it all Together a Few Years Back Myself !!!!!
I hear both a British and German Accent...
Danish
i stop watching this video at 3.13 because my brain cannot process the information. too complicated to understand.
too fast, can't follow, besides, C major and A min is not "the same", it contains the same notes, but you have to also emphasize C or A to "make" it C or a.
Nope. not getting this at all.
Chris Davies The easiest way to understand it, I think, is this:
In one key, there are 3 major pentatonic scales, and 3 minor pentatonic scales, that are diatonic - they consist solely of notes found in that key.
If you look at the intervals contained in the 3 major scales of a key (ionian, lydian, and mixolydian) you will see that they all share the major pentatonic interval construction of a root, major second, major third, perfect fifth, and major sixth. What makes each of these scales sound unique is what OTHER intervals there are, besides the pentatonic framework. In the case of Ionian, you have the major pentatonic intervals plus a perfect fourth and a major seventh. For Lydian, you would add a raised fourth and a major seventh. And for mixolydian, you would add a perfect fourth and a flat seventh. To understand the connection with the key and the major pentatonic, the takeaway is that the pentatonic scales with the key's root, fourth, and fifth degrees as the pentatonic root are all diatonic to the key.
The same happens with minor pentatonic scales. The dorian, phrygian, and aeolian (natural minor) scales all contain the minor pentatonic framework of root, minor third, perfect fourth, perfect fifth, and flat seventh. What makes each of these scales different is what else is added to the pentatonic framework. And just as with the major scales, 3 minor pentatonic scales, using the key's second, third, and sixth degrees as the pentatonic root, are diatonic to the key.
Locrian is an oddball. It does not use either the major or minor pentatonic "skeleton"; instead it has a minor pentatonic with a flat fifth as it's base.
Hope that helped.
you are just not ready yet
Every major scale has a relative minor scale. Exact same notes. Play the major scale, move up (towards the head) and play the same scale. Thats the relative minor. Exact same notes. Start on A on the 5th fret. A major scale. Move three frets up to F#. Start there, and its F# minor. Same exact notes. So A major, and F# minor have the same notes. Can do this for every key.