What the BEST SINGERS DO! Understanding Falsetto, Head Voice & Flageolet | Vocal Range Definitions
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- Опубліковано 2 лип 2024
- About time I made this video on the Falsetto, Head Voice and Flageolet registers! To hear more of my music, get contact info and links visit www.calebcoles.com
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I've literally been searching this for years. And only this makes sense to me. Thank you
Glad it made sense and helped!
Another brilliant video. Such a good teacher, so likable, and the incredible vocal ability!
Thanks so much, glad you enjoyed it!
Fantastic descriptions of these registers! Now I finally know how flageolet works. Thanks!
Love the Topic,, I think most Dimash's songs use this technic,, 😊 😀
Yes definitely!
Amazing knowledge. Thanks for sharing . Greetings from Spain.
Thanks you from Kazakhstan! I trained all registry every day,and your videos make me little bit more knowing what am doing with my voice. A LOT OF THANKS!
That is fantastic. Glad you enjoy my Channel!
Blimey you can go higher than me, wow! Great video, thanks for sharing.
Hеllo Caleb!
You explain in a very interesting and accessible way, you clearly have pedagogical abilities. Even I, as a person far from musical theory, was able to understand the difference between these three methods of sound extraction. Thank you for the interesting lesson! 👍🇩🇪
Thanks, glad you got a lot from it :)
The best video regarding this topic!
you re the legend! Thanks for the video!
Great interpretation !!! 👏👏👏 Thank you very much !!! 🌿☘🍀
Thank you!
U are the best vocal coach caleb..I've seen a lot of ur videos
who want another video about "flageolet"...with more details on how to train it and take super high.
Love the videos. So helpful, I feel like you're the only guy on youtube who has a decent understanding of what someone like Dimash is doing in order to hit their high notes. Will check if you have any other videos with exercises to help practice these things, I feel like what I'm doing now isn't systematic or targeted to each of the different types discussed. Love from Brisbane!
Very informative. thanks Caleb
Appreciate that Ruben thanks for watching!
Keep up the good work!!👍👍
By the way can you tell some tricks,techniques and excercises for the lower register.
Thanks! I will hopefully do that in a future video :)
Thank you! Very educational and intetesting.
Appreciate it!
I like these lectures, thanks a lot
No problems, glad you got something from it. Hope to do more of this style in the future.
wow. the best info video about singing techniques. thank you.
Glad you learnt a lot :)
I'm really very thankfull for these knowledge. Love it ❤
Really glad you do!
Great video, thanks
You should make a video about how to use and train your flageolet register. I have recently discovered mine but struggle reaching and sustaining notes. Also great informative video!
That's why there are vocal coaches all over the net.
SAME!! i found one: ua-cam.com/video/65dP7GOhWYM/v-deo.html :)
I think I’ve got it!! Thanks.
Finally it makes sense why I cant do flageolet yet. I am still doing too much falsetto or reinforced falsetto making it it super hard to even get to flageolet.
I just need to keep training my head voice
Funny that some people think Dimash’s mixed belting always sound falsetto. For example, the last part of his performance in My Heart Will Go On, what do you think about that, Caleb? Is it a reinforced falsetto or mixed belt?
I took my time coming to watch this video because I wasn’t sure how well you would explain flageolet. This is one of the best videos I’ve ever seen talking about flageolet and reinforced falsetto. Especially reinforced falsetto. Thank you for doing such a great job, and I’m sorry for underestimating you.
I am only new to getting serious with singing and exploring techniques. Up until now I am still confused of what registers I use. I ve been praticing singing alone and over time, from being able to hit G5, I can now hit C6 which is my highest note. I don’t know if it is purely falsetto or mixed voice😅 I gained a lot from this topic! Thank you for sharing idol Caleb!
Thank you
I LOVE YOUR VIDEOS..BRAVO.❤❤❤❤❤❤❤❤❤❤❤
Thanks you so much!!! :) Always appreciate your support.
I love you caleb brother
Hey Caleb! Just discovered your channel after watching Angelina Jordan's videos, she is such a monster... Getting almost 800k views for reacting to her shows how powerful she is. I use to watch a lot of AGT or X-Factor singers videos and there is one girl that impressed me almost as much as Angelica, her name is Jane Devlin, you could check her out. Would love an analysis of her FIRST performance. Cheers
Pls make a video for vowel mdification
Thank for sharing. :))
Wheres example for head voice ? Rest of the vid is pretty amazing
Great explanation and example (with your wonderful voice) of each voice range. You must be an exceptional teacher! Where does the whistle fit in and can anyone achieve this? Thanks for the vid Caleb.
Great question, I'll probably cover that in a future video. Whistle is a disconnected register again, and isn't achieved in a way that is similar to these ranges. It uses the falsetto vocal folds and is very unique in approach and tone!
Saudades Caleb I love you seus fãs BRASIL 💞💞💞💞💞💞💞💞💞
I feel embarrassed. I've been using terms incorrectly all along.
If it's difficult for a well-trained singer to apply these labels, what chance does an inexpert listener have?
I think I need to quit characterizing what I'm hearing by applying these terms at all. I'll simply connect to the music emotionally, enjoy virtuosity and let it be.
I appreciate what you've done for us, Caleb. You've given us a chance to avoid displaying our ignorance. :-)
Thanks. I haven't ever noticed you using the terms incorrectly though. And vocal coaches even use the definitions a little differently. Classical teachers only usually teach one higher range that can be called either head voice or falsetto, and the terms are used completely interchangeably. That info is even given on wikipedia. I think it is a very bad definition, and all other teaching styles don't use it. But shows there isn't clear consensus. The definitions I gave I think are the most common and useful definitions, but by no means universal - although I wish they were!
@@CalebColesMusic The definitions you provided are pretty clear. *My* difficulty lies in the fact that applying these labels requires us to figure out exactly what is going on in the throat and mouth, physically. Larynx position, how much chord closure, how much air pressure... but advanced singers can *blend* the different categories of voice. And they do not furnish us with the observational tools we would need to conclude 'Aha, larynx position, air flow, resonance, soft palate position, that's head voice with a touch of nasality.'
The truth is we don't know *what* the heck it is if we aren't a trained physician peering into the throat with our instruments while they're singing and making careful measurements.
An advanced singer has a better chance than an amateur of nailing the right term to a vocal performance purely by the sound of it, but uncertainty can creep in there, too.
Where does Mongolian throat-singing fit in? Heh.
You've made me understand that I have been throwing these terms around without truly understanding them.
And now I also know why I get a sense of cognitive dissonance when I listen to an opera singer apply the same terms - but she uses them differently. She was classifying what I had been calling 'mixed voice' as 'head voice,' among other things.
This subject is sufficiently challenging without amateurs like me throwing around these terms carelessly. I now realize I was only adding to the general confusion. Got to quit doing that! :-)
@@Urgelt Yeah I agree that we can never know precisely what is going on. Adding to that the differences in definitions it can be tricky. I still think though that using the term that best fits according to what we are hearing is appropriate, even for the regular untrained person, even if it might not be completely accurate. Generally people will understand what is meant, often people will refer to 'falsetto' what I'd call ;head voice' and vice verse. Or 'mixed voice' what is actually reinforced falsetto. But unless there is clear reason to correct (like it being the central point) as long as I can get what they are meaning then it is useful in that regard.
@@CalebColesMusic Your tolerance exceeds what normally can be expected from humans! :-)
Flageolet saved my life lol
Thanks so much to experts liek you, who helps laymen, humble film critics like me to understand the finer points of the craft. Wonder, if I seek your guidance for interesting Bollywood music which I often review. It would be great help maestro.
what do you think of this music and the singer's voice? ua-cam.com/video/_Aketl4J03Y/v-deo.html&ab_channel=SonyMusicIndiaVEVO
Great video! I think this is one of several videos on youtube that really explain what is the difference between them.
But i have a question. Does the flageolet not resonate in head? Because when i hit it, i feel in my throat and doesnt resonate in my head. Or am i wrong on hitting the flageolet?
Thank you! Hope you answer this!
saludos caleb sabes que me gustaria mucho si algun dia conosieras a dimash y cantaran juntos yo se que reaccionas a sus cansiones el es genial y tu cantas super me gusta mucho bueno te mando un abrazo cuidate desde chile una admiradora
I would love to meet Dimash and Sing with him one day. I can always dream :)
Hey brother.. would really appreciate it if you show us how adam lambert uses his technique for singing (yk the tongue sticking out and thin voice and very nice tone) I’ve tried but lil success. Could you please make a video explaining adam lamberts technique? I’d really appreciate it
I can't find my head voice, only the flageolet I accidentally found. It sounds exactly like your flageolet example.
I can hit a very poor B1 in chest voice up to F4#, and go up to C6 in flageolet on a good day. But I can't find my head voice above F4# at all, not even Falsetto, anything above F4# is immediately either just shouting a G4-A4 in chest or pure flageolet which I'm finding impossible to control let alone blend at such a low register (F4#-D5). After D5 my flagolet is far more controlled. But I have no real desire or need to sing at such a high register. I'd love to find a falsetto above F4# so I can start working on my head voice.
I used mix before knowing what it was, but I still have a lot of work to do. When I discovered your channel last year, I didn't know that flageolet meant whistle register. :))
Thanks for the video, I wasn't too sure about reinforced falsetto before this. Also, is what people call super head voice an extension of the head voice, but not flageolet?
I was wondering the same thing.
@DjBGamerV I see thanks for the clarification. So when people refer to "mixing whistle" how does that work? Is that also flageolet?
@DjBGamerV Oh, thanks. Quick Google searches show them as synonyms.
So flageolet is an extension from head voice and whistle is an extension from falsetto? Or whistle is not a part of falsetto?
@DjBGamerV Caleb said that flageolet is an extension of head voice because both flageolet and head voice are connected, and falsetto is disconnected, did u watch that Caleb's vid?
Hey Caleb! I'm singing with a pretty decent head voice these days, but when I try to move it up above D5, there's nothing there. I can squeeze out a kind of terrible noise up to F5 or G5 but I'm tensing everything and I know it's awful sound and awful style. I CAN get a whistle register noise that sounds better at G5, but only on the inhale at the moment. Does it take time for these notes to come? Or maybe not everyone can actually achieve them? I guess I want to know should I keep practicing or should I just stop!
Reinforced falsetto and Mask placed head voice are the same
Great definitions, although earlier on in the video after you gave a definition of falsetto, I was then SO excitedly waiting after 1:20 to finally hear what head voice is but there wasn’t an audio example given ? 😰 sniff sniff :( It’s still a mystery to me. I have been told I do pure falsetto well (just like the example you gave with the yodelling) and that I am doing “pulled chest” but what is head voice
So is Flageolet basically what opera singers use?
Is flageolet dangerous? I tend to get scared of doing it like you demonstrate in the vid, cause it feels intense, like I'm in some pressurised room or something. When I try and do it normally, if I sputter to it, and it works, it feels similar, but less pressurised. Should I let it get more pressurised? Cause I can't sustain flageolet the way I'm doing it now.
How should I go about mixing flageolet and head voice if I am a female? (Once I mastered flageolet, of course.)
How to sing in flageolet???
I am really confussed, when I sing in falsetto or head voice, my head voice range stops at B4 and my falsetto range on good days stops around E5, but my flageolet goes from C5 to Bb5 and in the 6th octave if I push it, how do I develope my falsetto or head voice higher than C5 comfortably ?
So basically flageolet is whistle register?
How do you work on this?
hi Caleb, lste to the party, hope you read this, I thought flagolet was head voice feeling just higher, creaky door ? whas head voice feel like compared to Falgolet?
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Hi :) Is it possible to connect chest voice and reinforced falsetto?
To some degree it is, but because of the big difference in both vocal cord function and air flow it is never a completely clean transition. Learning to use Mixed Voice is the most effective way, because in mixed voice you can make it sound like a reinforced falsetto by going a little lighter on the tone, but keep it connected to your full voice / chest voice. Chest out my video on Secrets to a Powerful Mixed Voice for help with that :)
@@CalebColesMusic Thank you so much Caleb! :)
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Flageolet is this how Morissette gets her whistle notes by not using much air?
Flageolet is not a whistle, flageolet is different from whistle, flageolet is basically the head voice and whistle is just air, there is nothing vibrating
Morissette uses Whistle Voice for those most high notes. That is different again. Whistle voice is completely disconnected and doesn't even use your true vocal cords to produce most of the sound. It uses the false vocal folds, and usually has more air and a different tone.
@@CalebColesMusic its all so complicated for a novice like me to understand everything. Who can go higher? Dimash, Morissette or you? You're also a great singer who belts out very high notes?
Why can't vocal coaches make a proper youtube video? You didn't even show what head voice sounds like by actually singing in it. I'm not here to take a biology lesson. I want to listen to what all these techniques sound like. Headvoice is very confusing subject and you failed to explain it properly just like on every other youtube video.
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