Beyond The MXR Dyna Comp & Boss CS-3 Compressor [J Rockett Airchild, UA LA-2A, 1176 & Origin Cali76]
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- Опубліковано 14 тра 2024
- Confused about compressors? We explore some cool tones with a handful of comps old and new
Welcome to the show. We’ll stick our necks out and say that compression is probably the least well understood ‘effect’ of all when it comes to electric guitar. Good news - we’re not trying to explain it here! Nope, instead we get into some cool sounds and different ways to think about compressor pedals, starting with perhaps the two most famous of all: the MXR DynaComp and the Boss CS-whatever-number-it-might-be.
Having listened to those stalwarts, we move on to a small bunch of pedals with, shall we say, slightly more lofty ambitions. Without further ado, let’s get squishy. Erm, or not.
Enjoy the episode!
Please visit That Pedal Shop www.thatpedalshop.com/
Pedals & Stuff used in this show
• TheGigRig Three2One
www.thegigrig.com/three2one
• Sonic Research ST-200 Turbo Tuner
Australia: bit.ly/3AIinS5
• Greer Lightspeed
UK & Europe: bit.ly/2KUP6rq
Australia: bit.ly/2KCxbd6
USA: bit.ly/3uL1dAw
• ’70s MXR DynaComp [links to new version]
UK & Europe: bit.ly/2qgWgOA
Australia: bit.ly/3uIKaSP
USA: sweetwater.sjv.io/4PDLG9
• Boss CS-3 Compression Sustainer
UK & Europe: bit.ly/3VcM6h4
USA: sweetwater.sjv.io/DKG14d
• Origin Effects Cali76 Compact Deluxe
UK & Europe: bit.ly/2uVGMBL
Australia: bit.ly/4bZsAux
USA: bit.ly/3F4Bmqe
• Union Tube & Transistor LAB
www.uniontone.com/
• UA Teletronix LA-2A
UK & Europe: bit.ly/3V52JeQ
Australia: bit.ly/3TpgSCn
USA: sweetwater.sjv.io/3eWOGM
• UA 1176
UK & Europe: bit.ly/3Ts37Ty
Australia: bit.ly/4c1Yy9C
USA: sweetwater.sjv.io/Kjm9DN
• J Rockett Audio Airchild
UK & Europe: Details to come
Australia: Details to come
USA: Details to come
• Crazy Tube Circuits Sidekick Jr
UK & Europe: bit.ly/4226gfu
• TheGigRig G3S
www.thegigrig.com/g3-s
Interesting bits & go-to sections
0:00 Intro
1:53 How far have we come? Dyna Comp and CS-3
3:30 Today's new offerings
5:05 Amps today
5:20 Deluxe Reverb
6:10 Bluesbreaker love
7:08 Dan’s fave Dyna Comp
10:00 What does a compressor do?
10:56 BOSS CS-3
13:00 Max comp on the Dyna Comp
13:42 CS-3 high compression
15:30 What are we hoping to hear from the new compressors?
18:40 UA 1176 and the Cali76
24:00 Comp and Overdrive
25:30 Secret sauce for low-volume tones
30:00 UA 1176 parallel compression
32:30 Bluesbreaker and 1176
38:10 Teletronix LA-2A?
39:40 Union Tube & Transistor LAB
41:08 UA Teletronix
45:00 UA and LAB into the Bluesbreaker
48:10 What is a Fairchild compressor?
51:15 J Rocket Airchild Six Sixty
56:00 Thoughts on the Airchild?
58:00 Using a compressor as a boost
1:02:00 Thanks for watching
1:04:00 ALL ON!
Guitars used in today’s show
• PRS Myles Kennedy - no specific video yet
• Fender Custom Shop ’63 Telecaster - Dan’s video here: • That Pedal Show - Our ...
Amps used in this show
• Marshall 1962 Bluesbreaker combo (modern reissue) with 2 x 12-inch Celestion G12M Greenback speakers
USA: sweetwater.sjv.io/3eWOnM
• Fender ’65 Deluxe Reverb with stock speaker
UK & Europe: bit.ly/2G9OnFJ
USA: sweetwater.sjv.io/B0JXex
We hope you enjoy this episode. Please subscribe to our channel.
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For a show about compressors, this one really helps to Decompress
😂😂
Oh you didn't!
heehee
“Manic Compression is squeezing my soul!”
Boooo.
"I wonder what the settings are" gets me every damn time!! lol
Suppression of expression about my compression impression was a repression bordering on oppression. Cheers Dan and Mick!
I've just left the experience day... I'll watch the full show soon.
It is still hard to believe I just spent the day with these guys and that even after 10 years (I guess) learning with them I learned so much today. Not to mention they are even cooler live, it was amazing.
If you can, do take the leap and go! It is a day, and experience, to be remembered!
Dan, Mick, thank you!
How great mate. What gear did you use?
I had a dream I flew over from NZ to an experience day and Dan handed me his Les Paul to play. Hopefully one day!
@@bradenrodriguez5183 they talked about a guy who did exactly that today, from NZ! I flew in from Romania, not as crazy but wild still. Their main rigs with their pedalboards and pretty much all the main guitars, including the vintage ones and Les Paul's. What a blast!!
😊 the experience days are awesome, I know just how you feel!
@@RenanSilva-ue5jp Really? That's cool!... i gotta find a way.
Happy for you man. That would've been amazing, even just their pedalboards and being able to turn it up loud. :)
You’re so welcome mate, great to meet you 🤓🙏
It’s pretty funny because these these guys never had it deluxe Reverb on here and I see it almost every video and I’m glad about it
Fender Amps Rule. I love their Pristine Cleans.
I saw the title and was hoping the new wampler ego 76 would make it on here. Maybe next time! The ego has been one of my favorites, it’s always on when I’m playing bass.
Thanks for the awesome show!
Over 20 years ago - as a novice in electric guitar technology - I walked into a music store and said I wanted a pedal that gave me more “sustain.” What I really wanted (without knowing it at the time) was an overdrive pedal. What I got was a two-knob Maxon CP-101. I used that thing for years - never really connecting with it. What I wish I had done was ask the music store people for a tutorial in different kinds of pedals and what they do.
Grateful for the weekly tutorials and inspiration that I get from y’all! Keep it up! 🤘😊👍❤️
it's weird that they often call compressors 'compression sustainers' when they don't actually create more sustain compared to fuzz, od etc
I have a reissue CP101 and I love it! It's an optical comp so, to me, it sounds more natural than the dyna/ross style comp, but if you crank the sustain knob it can get plenty grabby.
@@chesneytube1I get my cali 76 stacked to infinite sustain when clean. So not always true, your theorom..
I’ve owned so many high end compressors. The Boss CS3 and old silver Keeley C4 are by far my favorites. I can’t stress it enough, the CS3 is more fun to use and sounds so much better than any $400 comp I’ve owned.
I tred everything, I too still use CS-3 for over 15 years now. It’s the only real dbx160a in a pedal
Thanks for sharing! Have yall ever tried comparing those same higher end compressors against CS2? I have one from long ago and have been itching to see if these fancier options offer anything “more”.
@@popcorny11 CS-1 and CS-2 have nothing in common with CS-3, they’re OPA compressors in the Dynacomp camp. CS-3 is dbx VCA compressor in a pedal, with dbx/THAT chip and dbx patented circuit topology. The only other dbx-in-a-pedal that I know of is Maxon CP9 Pro + but I heard it’s discontinued (not to be mistaken with regular Maxon/Ibanez CP9 which is another OPA comp).
@@tomashguitar638 Thanks a lot, now I know. Didn't understand enough back then and I actually picked the CS2 because it seemed simpler to use.. I just didn't really get it. Now there are so many to choose from..
@@popcorny11 Luckily you can find used CS-3 anywhere… start with the attack knob at max (it’s actually release time set at fastest release) and you’ll find usable sound pretty soon…
Just wanted to thank you guys for all your hard work on this very helpful and nerdy video! 🔥
Extremely eye-opening, great job.
Compression is a must have for me. I only use it subtly but it just makes the guitar come to life.
Yay!!!!!! I’ve been waiting for you boys to let loose the BB!!! I’m so happy.
New TPS episode day it's always a good day.
Great show as always, Gents. Got my TPS T-Shirt this week, great quality fellas!
The ending. Love it!!!!
That’s one of the best sounds I’ve heard with that PRS
I did not think it could sound that good with all those comps on! That was epic!
Skipped to the end to hear 'all on' - Dan's playing is amazing! Looking forward to going back and watching the rest of the episode now...
Lovely to see the LAB getting some love, it’s my favourite too! Cracking stuff lads! Fun stuff throughout as always!!
I enjoyed the historical mini-dives paired up with the newer compression flavor examples very much. Well done guys!
Dan knocked it out of the park with the ALL ON ending!
Oh! Here came the happy Friday . Thanks a lot for this video gents. I really liked the Airchild. However would happily use them all as Dan does in the end.
Love how when mick kicks things off, Dans look of contentment of his playing is priceless. Love you guys!
Mick knows how many notes to play in the bar, always a pleasure.
Really fascinating that in a studio environment you'd have these at the end of your chain going into your mic preamps. So the effect that most are used to hearing on albums or in the studio is at the end of the chain after all effects and amps (typically). I use the Cali 76 stacked on my lap steel board right up front for all things grabby and it works wonders on the sustain.
Watched the show this morning and immediately afterwards purchased the Airchild on Reverb! Lol, I've never done that before. It just sounded so musical. Thanks for a great show on modern compressors and their very usable techniques in parallel compression and boost.
Another great show. I’m still learning how to use a compressor in my rig. Currently use a Suhr Woodshed in the front to add some warmth and boost. These look interesting for end of chain. Many thanks!
I loved the cs-1. Wish I still had it.
The sustainer part of the cs3 really useful - nice pedal
great show guys!
wouldve like to have seen the new Boss Compressor the CP-1X. I think it sounds fantastic & their's little out there on it.
Love that Hunter Thompson style guitar solo, all compressors on, wild and gonzo. That's was classic had to be there rock magic!
The CS-2 is my favorite comp for my rig/hands/ears.
Long attack time preserves transients in a way that I find more natural and musical than a "clean/dry" blend. The "dry" signal in all pedal comps with a blend that I have ever encountered (all of them? UA1176, Ego, Cali76, Keeley Comp+, Deep Six, etc. etc.) isn't the acutal bypassed signal but instead is buffered signal tied to those compressor's level/output control which does color the "clean/dry" signal in my experience.
Also, I run compression before drive. For me, this provides far more transparency, bandwidth, and more sustain, which frees up the drive pedal to focus on the amount of desired clipping...which ends up being less than would be used otherwise imho.
No need to apologize for your playing Mick, sounded great on my end!
Oh my goodness, dear, dear mates. I've been having the compressor blues for a few months now, and you come up with this. Thank you so much. Your timing is uncanny.
I've loved the Cali76 as a light, always on in front of the board (after fuzz) but it's been on the blink twice, now. First time was an expensive round trip back to the UK from California, feeling thrilled to get it back. Now it's on the blink again, hissing and crackling like an old '50s television. Haven't got on well with the Union T&T nor the Zenith. Have depended on a Fairchild plugin while on a crash course learning recording and mixing six songs. (inspired in part by Dan's EP) It's been the most reliable overarching plugin, especially on the mix bus but also on individual tracks (lifesaver on background vocals). Could the Airchild really be the one to chase away these blues with the light compression I've loved from the Cali76 on the board? Really need to hear one in person. It seems so silly but thank you so much for highlighting this pedal.
Thank you VERY MUCH FOR THE COMP SHOW. Like Mik🎉e I love the squoshy sound for country and a Tely. Very helpfull
Wish you had the Boss CP1X
Wanted to hear your thoughts about it
Ahhh yes. More overdrives for your clean tone. Very nice
Great episode! Think I saw Dan hit 108db at the end with all the comps on - outstanding sir 😁
Jimmy Page was a huge Little Feat fan and they were one of the target bands to get on the lineup at Knebworth! Lowell used 2 Dyna Comps, I've read. Any talk of the Feat is a good thing! Great video. Y'all taught me everything I know about compression.
Perfect timing lads...I'm in the market for my first compressor and was looking at the LA-2A, thanks so much!
A real one? Or the pedal?
Great show as ever. I just got the LAB and it's a great compressor. It shocked me a bit because the attack is pretty robust past 10 on the comp dial. It's got a real thwack to it, but it does make a great boost/conditioner when set low.
That Pedal Show knows that I am in the market for compressor, so they released a video specially for me.
Well done guys! Would have love to see the new Bondi Squish As, it is a wonderfull yet simple to use comp.
I don't care what the settings are; they will be different on my amp/in my room, anyway, lol. Great show, guys!
Great show guys! I have a 4 button compressor on my board and it just gives that extra little something something that makes great tone! also use it as a boost if I need one! Thanks guys! AND if anyone is on a budget but still wants a good little compressor, the Mosky Mini C4 compressor pedal is a fantastic way to start your compression journey!
Love the Wampler Ego live, but in the studio I have Arturia's compressor pack. Absolutely stunning sounds and beautiful reproductions of classic on board Comps. A wonderful world to dive into
You get all the tone points today. More country licks from Dan please. And a that dang PRS. Thst model just sounds so good.
I was not expecting such an interesting episode. Very informative.
Bottom line, the UTT LAB compressor is AMAZEING, not for the compressing, but the way, how it colors tone. Like the tone enhancer, I was trying to achieve by boosts or drive. But I need compressor, who would have though.
Guys, thank you!
I’m newish to tube amps and pedals but I just got the 1176 a few weeks ago, loving it and learning so much still.
This discussion was super helpful and well timed!
Peace!
If you have any questions about tube amps, I will be glad to answer them.
Having been through the boss cp-1x, the compadre, the cali 76, the xotic, the keeley, I’ve found the diamond eq/comp (which is basically the diamond or diamond jr) suits me best. Optical comps ftw.
This show completes my week and I can count on it doing so. Thanks for being so consistent and enthusiastic. You guys are the best! 🤗
Yup, just Yup.
Awesome Show guys!!! I really like the J Rockett Audio Airchild, you kind of get the cranked amp compression sound. Would have been interesting to hear the new Wampler Ego 76 compared to the other two 76's
"It's an overdrive for you clean tone!"
*takes shot*
A slow release time on the cali76 stops the compressor from pumping! Chears guitar brothers!❤
Mick's tone on the (F)Airchild was killer!!!
People often talk of losing attack with compressors, BUT… you can also use them to boost the effect of the transient, by reducing the attack time so it let’s the transient through, then compressing the tail of the note. If you use two compressors you can use one for boosting the transient, to preemptively compensate for the second compressor that squashes the whole note then slowly releases it to boost the tail. Best of of both worlds, with less compromise than just mixing in Dry signal, although of course you can do this as well.
Yeah, I got a DSM & Humboldt ClearComp 1078 over Christmas, when I saw a place was having a clearance sale, for $99 while supplies last.
I’d seen them for awhile, but at $250, it wasn’t really something I thought was affordable for how little I use them.
Getting that ClearComp, has changed my view on them. I can set it for squishy, but I like the attack low, with the release longer, then I put the blend at 70%. It just adds a fattening, snd it really tightens up my gain tones, with longer sustain, at the same volume.
First mention I can remember of Lowell George on TPS, pure taste
There's an old episode about learning slide with Ariel Posen. They mention him there : )
Great show, guys. I was kind of shocked how much I loved the UA 1176...to my ear, it sounded even more transparent than the Cali76 which has quite the reputation, and which didn't make a lot of sense since the UA is digital and the Cali is analog.
Another thing about the UA is I believe if you buy the UA MAX, you essentially get all those same options (in addition to the other algos), plus EQ is available in the app, so you would essentially have a tone control with that.
The J. Rockett was impressive but I got the sense that I liked it more because of the way it interacted with the amp than because of the characteristics of the pedal itself. It also seemed to be the one that sounded most like the CS-3. Anyway cheers.
PS I literally said out loud to myself "Thank you, Dan" when he demoed the noise floor of the Cali because I play quietly enough that the noise floor of my compressor is a big deal!
Dan, whatever they are feeding you has brought back the full, thick and … not snowy white … beard! Good on you, Mate!
Just For Men.
Dude, That face coif is bangin'!
Awesome, literally exactly the roundup I wanted to see. Just started looking into Airchild this morning. Had been on the lookout for an Origin Cali '76. But they're a bit pricey in Europe. The Airchild is quite a bit cheaper even than a second-hand Cali 76 here. The compressor I'm using atm is the Dark Glass Hyperluminal. It's very cool for guitar, when set that way. The SYM mode can really smooth out an overly spikey bridge pickup when using a trebley amp like a Vox AC. I agree with Dan, I'd choose between the Airchild and the Tube & Transistor Lab. If the pricing/availability was the same, I might go with the LAB. But because it's cheaper/easier to get the Airchild, I tilt toward that. That tone control makes it ideal as a front of pedal board effect, especially when you are switching between using different guitars. Because you can set the level, and balance the tone quickly. I honestly thought that only the Airchild & the Tube & Transistor had a nice character. The Origin has a character, but not sure I like it. And UA pedals sound nice and transparent but lack character - I'd use them end of chain, or in a mix, as transparent comps, not as guitar effect comps.
Bought the Empress MKII a few months back and it opened my eyes to what a compressor can do. If you're still on the fence about them give it a try. I use it as an insert with my Audient iD44 MKII as well, fwiw. Killer results all around.
wampler just brought out a 76 compressor style pedal as well. sounds fantastic.
Curious about that one, still love my Wampler Ego.
@@robb4340 ego has been on my board for quite some time... it just wont leave lol lol
@@sethlover6498 same here. It's a always on pedal.
Love to see an “ effect du jour” with the new Wampler ego76 - which seems to be his take on the best of what you covered here, also I think it was his vid that showed the diming of the 1176 rack “ led zeppelin “ style👍🎸
The "all the cpmressors" sound was one of the best tones I've ever heard! 🤣
Love it!
Glad I emptied my bank for the JTM45.
It does that thing.
Good to see it did that to Dan too.
Great video guys, Im surprised you didn't have the new Wampler Ego 76 in this shoot out as well.
Yay! Been waiting for that Bluesbreaker to appear in a show.
Sorry Kevin, it wasn’t really happening today!
That UA 1176 pedal is so unassuming, but it's breathing fire. I want it lol
7:20 lovely tele playing
My two mainstays are the cali76 and actually the PRS Mary Cries (an la-2a type circuit). The Mary Cries has been living on my acoustic board because it’s so nicely transparent and friendly sounding and the cali76 into a king of tone has been my main overdrive sound for about five years at this point. Going into a bassman, it’s simply the greatest drive sound I’ve ever used and I have no need to change it up. For some patches I use the king of tone after the cali and I think I may even have one where it’s king of tone overdrive, cali, king of tone boost or possibly the reverse…I forget. The only other drive I need is some species of tubescreamer…I have a mini on my big board and a palisades on my touring, carrying around, “needs to be smaller because it often sits next to my acoustic board” board. You know your professional life is starting to get out of control when you have four distinct pedalboards 😣
Man, the Cali76 is really awesome.
Very cool !!!!!!! Nice !!
Would love to hear you guys talk about compression from a compressor pedal vs. Saturation from a deco vs. compression from volume/boost/drive and speaker.
Hey fellas 👋 I would’ve liked to have seen the Empress Effects version of compressor as well 🇨🇦 just for comparison. Great playing and demo too!! 🎸🤘🇨🇦🇨🇦🇨🇦
I was hoping to see the Mary Cries on here. I imagine you've already covered it.
I think the LA-2A circuit is very much a sounds better effect rather anything else. Basically, I don't use it as a straight limited amp, or compressor, I just put stuff through it because it makes things just sound better. I use an rack version via a mixing desk.
I have the Unit 67 from drybell,the main reason is because of the equalisation. These all sounded great in their own way and the amps sounded especially lovely today. The Boss can stay in its box!
The Unit67 is a surprisingly good compressor, despite only having one control. It’s dialed in perfectly for the electric guitar. Fantastic pedal.
Led Zeppelin used two 1176s to get the distorted guitar sound on Black Dog. Direct into the board then two 1176s in series.
No Empress compressor for comparison?! it sounds sooo gooood! Btw. That Union thing, man... so much juice
Awesome stuff. You could use a Lehle parallel to add dry signal to the Dynacomp or CS-3.
How does it work?
I'm like Dan, I love it squishy! But for an (almost) always on type of compressor I use an Origin Effects Cali76 stacked version which is amazing. Just dial in a healthy amount of dry signal for extra sustain without sacrificing dynamics. Thats usually on my board. As alternatives for different uses, I have a Janglebox, and a Dynacomp too. I LOVE compression. This is a cool video guys, thanks!!
I've had dozens of comps over the years, Ross, Dynacomp, slide rig original big box etc etc and the one that's been on my board since it came out and is used almost daily is the Orange Kongpressor.
Fantastic sounding, very versatile and doesn't cost a fortune.
Wampler 76 coming soon.
Good grief, it never ends.
Would like to mention the Jackson Audio Bloom in this equation, epic compressor but has a great EQ and boost function too. Also midi!
You guys ever heard of the band "Earth"? Their sound is defined by compression into slight drive for sustaining purposes. Easily my favourite band and my guitar hero
Have you seen the Rick Beato reaction video for the EVH studio recoding of Eruption...but from the overhead drum mics?
Pure effing gold.
Great video as always, compressors for me was the toughest pedal to get it right, went through several and settled on a CompIQ MINI pro from Becos Fx , this are fantastic compressor pedals from Romenia, now based in Austria I believe, do check them out if you don’t know them…
Dan getting his Albert Lee on with the DynaComp!!!
I run an MXR Dynacomp 2000 series, and have for probably 30 years. I use it with gain slightly above unity so that it is slightly pushing, and the sustain knob at around 9 o' clock. The only person who can probably hear or feel what is going on there is me. Anything more and I don't really like what it does to the bottom end. But I would never want to be without it. It is an always on pedal for me.
So in high end audio there is a brand of speakers called Avantgarde (Germany) and they make massive horn speakers. I made amplifiers especially for this that used interstage transformers to drive the output tube. The reason being that the interstage acts like a compressor. These amps are not as good with standard type speakers.
Pretty sure the 1176 tube unit used the Peerless S217 output transformer which was by all accounts was the best output transformer made. CineMag makes a real nice version of that unit. The input transformer has 150/600 input and output. The cool thing is the triggering is dual tube rectifiers to create the DC to drive the LDR. Freaken killer!
Funny thing is since TPS all my compressors (Dual Analog Man, SP, MXR and others) are off my board except for my acoustic rig which has an optical I designed.
Great show, would have been nice to add an acoustic. Just because a good compressor can make a piezo sound a bit better. Thanks!
I just love this episode so much! And am currently shopping out a compressor for my rig. My take away: I love the Boss more than I realized - and Davy G was using that instead of the MXR by some point in the 80's (but eventually went to the Demeter, I think). I am still thinking about Wampler's take on the LA-2. My understanding is that the UA's are digital - but that did not seem to impact the quality at all in this episode. They both sound great! I bought mic pres recently (thanks, Mick!), so my fun tokens are not enough for the Cali! Love to you all!
The simulation seems to be more than adequate for the task. The hoboroadie has a mental defect that requires I use a physical emulation, so I am saving up for UA's rack unit.
Shout for the Thorpy Fat General! Blend & Shine (tone). Juice. SO good. I know you can't get them all in here but it's a great one.
I usually use a compressor for boosting a fuzz. In my opinion, this works really well! I’ve got the Golden Ratio by CTC, it sounds really good.
I read once that the tone on Black Dog was a direct guitar fed into one ultra squashed 1176 into a second such unit. Hence the Led Zeppelin setting.
Thanks for the video. I know that'd be a different format, but I'd prefer to hear all the compressors with some 'sweet spot' settings, back to back, all gain matched (more or less). Without any commentary, played with two different guitars. I'd like to hear 3 first position chords played lively, a controlled arpeggio part and a simple melody line. It'd help me observe what each pedal does to the envelope of the signal, noise floor, any special characteristics etc. Then, I'd like to have your observations, how it feels, how you would use them, what you like and not, how to combine them with other effects or more compressors etc. And of course, that would be great to hear them in a mix. I know it's a lot to ask for, but you guys are the best. Cheers!
Really helpful episode, thank you. It's actually cured my phobia of compressors as being the thief of dynamics. It's also cured me of my desire for a Marshall Bluesbreaker. That amplifier is really not very nice at all. Great work all around, gents. You guys are absolutely fab.
You’re not wrong about the BB today. Sounded terrible! Not sure why. Sorry BB users!
Please try and review the Boss CP1-X Compressor! It’s a real sleeper that no one is talking about! 🔥 would love to hear your thoughts!
That Dynacomp does both types of music Country and Western - Rawhide !
Hahaha! In A. Good country key.
Started the vid on the phone before I dug out my headphones. Thought "Yes, this does sound very compressed"
Great stuff as always, gents! Curious if either of you have tried the TC Hypergravity and if so, thoughts on its digital take on the compression world? Interesting in that, as I know you are aware, one can deep-dive into all parameters to custom tailor the effect and/or download other Toneprint presets (if desired- of course it is not necessary). Just wondering if you have compared one to higher-end pedals as demo'd here and in your other compressor videos.