How to Improvise Over Rhythm Changes - Learn Jazz Guitar Soloing Online | GypsyAndJazz.com
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- Опубліковано 11 вер 2024
- Rhythm Changes is one of the most common chord progressions in jazz music.
It got its name from the chord changes of the famous tune which later became a jazz standard - I Got Rhythm by George Gershwin.
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In this tutorial I show you some tricks and approaches to improvise over the A-part of the tune.
CLICK HERE TO LEARN HOW TO IMPROVISE OVER THE B-PART:
• How to improvise over ...
Many traditional swing/dixieland and so do Django Reinhardt's compositions and later gypsy jazz tunes, are based on variations of the Rhythm Changes chord progression.
You can implement what you learn here over the A-part of songs like
I Got Rhythm, Daphne, Belleville and many more.
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Hey Yaakov, I think this is the best, most concise, least confusing, most complete, least intimidating, most encouraging rhythm changes lesson I've ever experienced! I'm familiar with all the material you presented, but I've never seen it presented so completely yet simply in one lesson. Great job!
Thanks Mark. So happy to hear that!
Please check out my blog for more lessons and join my community:
www.gypsyandjazz.com/the-blog/
Cheers!
This is really a great lesson for anyone wanting to have freedom to improvise over rhythm changes. This is really a great approach! Thank you!
You're very welcome! This just has to come in handy!
Excellent! Thank you so much!! 🙂😎🎸🎶
Thank you too!
Yaakov, your instructional videos are excellent. I have already bought 2 of your courses and both have been superb. This video about Rhythm Changes is one of the best I've seen. This has inspired me to try some new approaches that I'd not thought of before. Fantastic stuff!!
Thanks so much for your comment!
What courses of mine did you learn? Please zap me an email at info@gypsyandjazz.com
Just saw you blog. Beautiful playing!
Cheers
this is an excellent lesson !! 👍
Glad you like it!
He is the best teacher. He gets you inside the music and makes it fun, colorful and easy. The triad solo thing at the end is a bit more challenging than he makes it sound. But that’s ok. He makes soloing over the 1/6/2/5 pretty simple and he helps you by giving you options! You gotta have options! Then your improvising gets much more interesting and fun to play. So thank you to what’s his name in this video. Watch it twice !
Thank you Ken!
Hi yaakov! it's bahzèd the guitarist. you are a great great teacher my friend i liked the ideas and the methode.cheers!!
Awesome, thank you, Bahzed!
This is a very unique analysis. I've studied a lot of resources on Rhythm changes, but I've never seen someone to teach this approach. This is great, thank you.
Glad you enjoyed it! Cheers
Great lesson. Thanks.
My pleasure!
Yakov..really great...your are feeling the melodies..
Soooo important
Thx
Thanks! Totally!
this is helping me heaos have been over it a hundred times
The nice thing about recorded lessons, right?
thank you Yakoov for the Great advices and inspiration.
My pleasure!
Love your lessons!
Glad you like them!
Excelente lección Yaakov!!! un gran saludo desde Uruguay!!!
Thanks!
I liked the lesson, thank you.
Glad you liked it!
Thank you , paul
This as a súper enlightening approach to rhythm changes! Wow, great approach and very fun to play this way. Thank you!!!
You're very welcome! Glad you enjoyed it!
Yaakov, thanx a lot for this content...it opened up my thinking about these changes...and it took away the "fear"..... great explained and now you have a new follower ;-) regards from Germany
My pleasure! Welcome! Explore the riches in my blog too!
Excellent! Totally practical & musical!
Brilliant!! Freedom in rhythm changes is a big leap. Great lesson.
Happy to help!
Thanks so much, Yaakov! So much good information presented here!
Great! I am happy to help
Excelente , haces que lo dificil se vea fácil. Gracias
Yes, making what seems difficult easy is one of my main goals! You'll find that theme in all my lessons! Good luck!
Always illuminating, thanks Yaakov. And some of your examples sound just like what our Gypsy hero would have done.
My pleasure. Thanks!
This is such a great lesson. Thank you!
Glad it was helpful!
Bravissimo
bravo! grazie!:-)
Great vid again ! love also some bluesy sounds !! thanks Yaakov and best wishes 2020
Thanks Bernard. Happy new year!
Great video by a great teacher
Thanks! Let me know how you're coming along with it.
This is very helpful. Thank you
Glad to be of help!
Best video ever bro!
Glad you liked it! It seems to be a very popular topic!
thank you master... it helps me a lot 😊😊😊🙏🙏🙏
Great! Happy to help
Great stuff. Thank you.
My pleasure!
Excelllent lesson. A little off topic... Is improvising over tetrachords (Maqams) something you think about? I see an Oud in the background in some of your videos.
I play the Oud, but I don't think in maqams when I play Jazz. I wanted to work on that but didn't get to it yet... Cheers!
You are amazing. Thank you
You are so welcome
Did you hear about my upcoming La Pompe online workshop?
courses.gypsyandjazz.com/courses/la-pompe-live-workshop
Hope to see you!
Thanks for the lesson, can you talk about what backing track you use also the playback system? Thanks
I've been using the Boss loop station RC-20 for about 20 years. There are new versions now. When I use backing tracks, rather than my own recorded rhythm, I just take the first thing that comes up on UA-cam.
There are lots of ways to record your own rhythm. Whatever works for you is great!
Enjoy playing and learning!
When you say D... And A... You mean the arpege or the scale ..? Pentatonic scale.. or major scale..? Thank you..
I mean the chord. I show different colors around each chord.
Hope that helps.
And hey, Did you hear about my upcoming La Pompe online workshop?
courses.gypsyandjazz.com/courses/la-pompe-live-workshop
Hope to see you!
says A7 then plays A13/Bb
Great! Now you know that common and very effective variation on the A7!
Great Yaakov
Thanks, my pleasure
Hello Yaakov, thanks a lot for your video. It's always a pleasure to listen to you. But I don't anderstand why you write A7 (Dom7) leads to D at 6:34. Dom7 doesn't sound good. Mim7 sound good.
A7 is the 5th degree of D. So it's the Dom7 chord in the key of D and it builds some energy that leads to D.
This is the progression, You have it in all the western music. Sounds good or bad it's a matter of taste but that how it works. The Dom7 chord is always major.
Hope that helps
Amigo, sos un gran maestro, pero HABLAS MUCHOOOOOOOO
Fantastic lesson. Thank you
Beautiful 🌼 thank you 🙏
Thank you! Cheers!