Learn Studio One 3 | Mai Tai - In Depth | Part II

In part II of our series on using Mai Tai, we take a close look at the filter controls, the LFOs and their parameters, and how to use the modulation matrix to sculpt our sound.
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[@quantaaudio]

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[@Realliedoe]

These videos are really good man...he explains it simplistically

[@quantaaudio]

Thanks for watching, RD.

[@philippebackprotips]

Fantastic explanations, and not only applicable to MaiTai.

[@quantaaudio]

Hey, thanks Philippe. Glad you found the video useful!

[@michaeldavid1198]

This video is amazing. Thank you for explaining what each adjustment does to the overall product. Very precise, logical, and comprehensive.

[@LukaBelle]

These two tutorials are a lifesaver. The information is presented wonderfully. Thanks for making these.

[@quantaaudio]

Thanks for the feedback, Luka. They took many hours to put together, so, it helps to know that folks are finding them useful. Hoping to get some more tuts up soon. Thanks, again.

[@DamamakeBeats-RnB]

That Resonance sweep at 8:03 is oddly satisfying!

[@juliandevilliers6435]

I find your videos great as a refresher, Thanks Quanta! SO well explained.

[@SpyderBlackOfficial]

Thanks for these tutorials you are a tremendous help!

[@quantaaudio]

Thanks for the comment, Sukhi. Glad you're finding the videos helpful!

[@idrumgood]

Your LFO explanation was fantastic. Thank you!

[@quantaaudio]

appreciate it! Thanks for watching and the comment.

[@JammyGit]

Very well explained mate 👍
Being predominantly a guitar based musician, I've not really explored Mai Tai (or Mojito) very much at all in the couple of years that I've been using Studio One, basically because I know nothing at all about synths and wouldn't know where to even start in these programs.
These few videos were helpful in trying to learn from scratch how to begin using synths.
I've occasionally thought that it'd be interesting to give the Studio One synths a try, and maybe if I can become more proficient using these soft synths then maybe one day I might be able to buy myself a 'real' synthesizer and expand my musical style because I would guess that if you can use Mai Tai etc on here then you'd be able to use a real life synth.
Realistically though I'll have to watch these videos several times each because there's so much to learn about the multiple processes involved in getting a synthesized sound, but your videos teach those and will be a good start in learning them so cheers.

[@patrickburke5517]

Excellent videos, I really needed to learn this synth for a college final exam!

[@michaelmcmahon2035]

These tutorials are wonderful, thanks.

[@quantaaudio]

Thanks for the feedback and checking out the tuts, Michael.

[@bacardibreezer24]

Really helpful explanation, cheers!

[@rochipo77]

very helpful, thank you so much!

[@marklondon2008]

It's worth pointing out that a lot of the knobs have a subtle effect, depending on which other parameters are also set. When beginners start designing sounds with soft synths, i see and hear a lot of 'full-on' settings. I liked your comment about staying on task when looking at the scope! Easy to get distracted,

[@curtisvincent4104]

Hi, I’ve created a sound I want to use in studio one in MaiTai, how do you export the sound?

[@filthyface0249]

that LFO pitchbend pitch modulation sounded like Bernie Worrell of Parliament Funkadelic