Thank you Jams! Indeed you will find that virtually ALL of the group comping voicings played by the legends - Herbie, Kenny Barron, Mulgrew, etc - can be traced back to one of these 2 voicing orchestrations!
Thank you @bani gz, I appreciate your comment! This is just a quick 60-second overview - later this week on Thursday I will be releasing a 30-min detailed analysis video of my comping from a live performance where you will see the comping voicings used in context and analyzed in much more depth! Make sure to subscribe to the channel so you get notified when it is released and for future videos! :)
Awesome, @J3Sound! Glad to hear that! There is a lot to unpack here so I would suggest just working on implementing one orchestration at a time (and even 1 voicing structure at a time). Enjoy!
Thanks for the comment! I’m glad you noticed this as both voicing options work for F, whether 1) D+G, C+F 2) E+A, D+G, (or even E+A, C+G). The D+G, C+F voicing is an interesting one because it doesn’t have the 3rd or 7th in it. You might be wondering, how can this work? I just replied to a comment on this related video “JAZZ COMPING EXPLAINED” where there was an orchestration 2 voicing which also didn’t have a 3rd or 7th in the LH. The exception here is that the structural power of a quartal voicing (a voicing spaced in 4ths) is so strong that it still conveys the sound of the chord without having the 3rd or 7th in it. We call this a 6/9 voicing. Thanks for the observation and hope this helps! Enjoy!
YES! This is EXACTLY what I needed to take my COMPING to an OTHER-WORDLY level!!
Thank you Jams! Indeed you will find that virtually ALL of the group comping voicings played by the legends - Herbie, Kenny Barron, Mulgrew, etc - can be traced back to one of these 2 voicing orchestrations!
😅😅 more tutorial please
More tutorial about jazz piano... please
more videos like this very good teacher
Thank you @bani gz, I appreciate your comment! This is just a quick 60-second overview - later this week on Thursday I will be releasing a 30-min detailed analysis video of my comping from a live performance where you will see the comping voicings used in context and analyzed in much more depth! Make sure to subscribe to the channel so you get notified when it is released and for future videos! :)
Lots of great insight in a short clip
Glad you think so!
Great work! Going to try to work some of what you said into my practice for the tunes I’m currently on!
Awesome, @J3Sound! Glad to hear that! There is a lot to unpack here so I would suggest just working on implementing one orchestration at a time (and even 1 voicing structure at a time). Enjoy!
Love you much
Has nobody mentioned the third notated chord is not what is played (it's d-g-c-f instead)
Thanks for the comment! I’m glad you noticed this as both voicing options work for F, whether
1) D+G, C+F
2) E+A, D+G,
(or even E+A, C+G).
The D+G, C+F voicing is an interesting one because it doesn’t have the 3rd or 7th in it. You might be wondering, how can this work? I just replied to a comment on this related video “JAZZ COMPING EXPLAINED” where there was an orchestration 2 voicing which also didn’t have a 3rd or 7th in the LH. The exception here is that the structural power of a quartal voicing (a voicing spaced in 4ths) is so strong that it still conveys the sound of the chord without having the 3rd or 7th in it. We call this a 6/9 voicing. Thanks for the observation and hope this helps! Enjoy!
Tolike skole zavrsis i onda sve vreme gresis u sviranju 😂