Nate, thank you for your vocal tips. I have a question. Is the resonance that resonates from the soft palate to the head related to the sound produced by vocal cord closure? You mentioned that resonance is necessary to produce sound without straining the throat. From what I know, there's a 'good sound' that comes from closing the vocal cords... I would be very grateful if you could explain this in the version you teach when leading worship at church.
Good question. Vocal cord closure is the result of what I call head resonance. It is another component that should be present in the tone, but when you raise your soft palate it creates more warmth in the tone. You could have a raised soft palate and a lack of vocal cord closure, or you could have vocal cord closure and not have a raised soft palate. It’s a separate technique that should be applied at the same time ideally.
@@WorshipRefocus Oh, thank you for your response. When you mentioned that the soft palate might rise, but the vocal cords may not close, what kind of sound does that produce? As for the idea that the vocal cords might close but the soft palate might not rise, I speculate that this could indeed result in a less smooth sound, as you suggested. I'm wondering how I can apply what you've shared to actual worship singing. You also mentioned that this is a separate technique... If you ever create a video lesson on this, I believe it would greatly help in serving during worship.
Thanks for sharing by Yawning (drop your jaws), you can raise your soft palate and improve your singing voices by cutting off the breathy or airy nasal sounds coming from your nose. You can also pinched your nose to check the quality of the "Ee, Ah or Oo" vowel sounds coming from your mouth (the pitch shouldn't change) if you are doing it correctly.
Thank you Nate & Thank you GOD . I discovered my beautiful voice through your teaching.❤ I am learning to sing as a worship leader. Thailand.
Love it! Thanks for sharing! God bless you and your ministry!
Thank you , God Bless You
Thank you! This was super useful.
You're welcome!
Thank you very much😊
Nate, thank you for your vocal tips. I have a question. Is the resonance that resonates from the soft palate to the head related to the sound produced by vocal cord closure? You mentioned that resonance is necessary to produce sound without straining the throat. From what I know, there's a 'good sound' that comes from closing the vocal cords... I would be very grateful if you could explain this in the version you teach when leading worship at church.
Good question. Vocal cord closure is the result of what I call head resonance. It is another component that should be present in the tone, but when you raise your soft palate it creates more warmth in the tone. You could have a raised soft palate and a lack of vocal cord closure, or you could have vocal cord closure and not have a raised soft palate. It’s a separate technique that should be applied at the same time ideally.
@@WorshipRefocus Oh, thank you for your response.
When you mentioned that the soft palate might rise, but the vocal cords may not close, what kind of sound does that produce? As for the idea that the vocal cords might close but the soft palate might not rise, I speculate that this could indeed result in a less smooth sound, as you suggested.
I'm wondering how I can apply what you've shared to actual worship singing.
You also mentioned that this is a separate technique... If you ever create a video lesson on this, I believe it would greatly help in serving during worship.
Thanks for sharing by Yawning (drop your jaws), you can raise your soft palate and improve your singing voices by cutting off the breathy or airy nasal sounds coming from your nose. You can also pinched your nose to check the quality of the "Ee, Ah or Oo" vowel sounds coming from your mouth (the pitch shouldn't change) if you are doing it correctly.
Yes indeed! Good summary. Pinching your nose can work on all vowels to check if you are raising your soft palate.