Brindavani Thillana: Bharatanatyam Dance
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- Опубліковано 15 жов 2024
- To invite this group for a live concert, please visit indianraga.com... or email info@indianraga.com
Brindavani Thillana, a Bharatanatyam piece, performed to the IndianRaga production of the popular Dr.M. Balamuralikrishna composition in Brindavani Ragam, Adi Talam. Choreographed and performed by Swathi Jaisankar, Asha Rowland, and Shefali Appali, this Indian Classical Dance portrays Lord Krishna and his Gopikas throughout the piece. This includes the Nritta portions where the dancers incorporate movements using Mayura hastas depicting the peacock, which signifies the peacock feather on Krishna’s head. The Sahityam or lyrics describe Krishna’s beauty and how the whole world feels overjoyed at the sound of his flute.
The artists can be reached at
Swathi Jaisankar
/ swathi.jaisankar
/ swathi.jaisankar1
/ swathijaisankar
Shefali Appali
/ shefali.appali
/ _shefali
Asha Rowland
/ asharowlanddance
/ @asharowland
/ asharowland16
To feature in an IndianRaga production, apply to be an IndianRaga Fellow at indianraga.com/fellowship
IndianRaga brings together the best musicians and dancers across 60 international cities to collaborate on high quality music videos viewed by millions of people globally. The genres we work with are rooted in Indian classical performing arts and include Carnatic music (South Indian classical music), Hindustani music (North Indian classical music), semi-classical music, contemporary and fusion music, Indian classical dances including Bharatanatyam, Kuchipudi, Odissi, Mohiniattam, Kathak, and also ballet, tap, contemporary dance. Our productions also include a wide range of instruments including mridangam, tabla, sitar, violin, flute/bansuri, veena, ghatam, and new-age categories like music arrangement and production with EDM, Trap, Pop amongst others. Our most popular innovations include classical cover songs, a cappella, mashups and remixes of the latest viral pop hits in both western and Indian music. Anyone can apply to join our collaborations, and you can visit www.indianraga.com for more details and application process.
Feel like I'm responsible for half of it's views !❤️
im responsible for the other half😌
Pls share me a part
Me too.
My finger automatically clicked the video when I saw Swathi!!!!!!!!
Please do more performances in Indian Raga , Swathi...
Kongkona saha Dola Thank you so much! Yes more coming soon😊
Beautiful choreography with simple steps. Made it look so effortless by dancers. Loved it.
Kiran Chhatwani Thank you😊
Choreography deserves a shout out👏👏👏
Excellent performance by the three dancers. Beautiful singing by the vocalist
Here for Swathi !! A very big fan... You are an extremely amazing and beautiful dancer❤️❤️❤️❤️
Thank you so much, means a lot!!
ये खत्म क्यूं होता है,😕.
We want more and more and more...♥♥♥🙏
Very very beautiful, dance. This dance and all the best for Krishna. Hello from Valencia, Spain
Always a swathi jaisankar fan...a beautiful presentation❤
Aayushi Thank you so much🙏🏼😊
@@SwathiJaisankar I'm also your big fan
@@nanditadeshmukh7163 Thank you!
Even I am a bharathnatyam dancer....I watch your every vedio😊
Q
Excellent. Amazing. Awesome. I am remembering Dr Bala Murali Krishna. With Greetings, vande Maataram. 🙏
Awesome.. Amazingly graceful and perhaps the perfect expressions and movements
Beautiful! Such a pleasure to begin my day at home with you guys. Hello to everyone from Nevada, USA!
Swathi di..simply awesome 😍😍😍😍😍😍😍
Miss P Thank you!!😊
@@SwathiJaisankar Your dance inspires me a lot..😊😊I m 19 & resuming my bharatnatyam after 5 years..thank you soo much to u and Indian Raga..keep inspiring us and amazing us with ur wonderful dances!!💕😊
Happy Guru Pournima 🙏😊
Prachi Patil So glad to hear that! Good luck and keep dancing❤️
@That Sports Guy thank you😊
Sublime fluidity keeps spellbound
Beautiful!!! Hello from Ukraine :)
Wonderful performance
Excellent Performance
Pranamam.
Love this Beautiful performance .
Wow beautiful 👌
The best... Dudes.. 👌👌🎉
very very beautiful dance
L.T.S
Means loved the starting
Graceful 🙏🙏🙏
God gifted dancers 🙏 Pranams
So graceful... got me dancing in my mind! Your dance gets everyone up on their feet! Simply beautiful
Rupa Ragavan Thank you!!
Very beautiful
Very elegant dance.
Amazing performance
Excellent performance 😍👏🙏
Wonderful ❣️😊
very well choreographed!
Beautiful music 🎶 👌
Gorgeous!!
অসাধারণ 👌👌
Wow..... superb
Amazing
Stunning performance!
Love it so much! ❤️ 👏🏽 Shefali!!
Superb
Super superb
Is it classical or folk dance
Excellent 👌❤️
Beautiful
Graceful Thillana🙏🙏
Sema
nice
Beautiful !! 😍👌👍
I am planning to do a programme in uk based on meghdoot. No professionals are involved and the programme is not for profit. Can I please use some sections of the music for my programme? I will of course mention your name in acknowledgement. Thank you
Great💕❤
👍👍
♥️💫
May I get tutorial please??? ❤
Would love to know the name of the singer. Her singing compliments the beautiful and graceful dance. Best wishes ❤️
The vocals are of Madhu Iyer and the Konakkol by Sarvesh Karthik.😊
@@rupkatha1140 thanks.
Nice 👍
Nice
Good
Swalla jaise song bnao ap log
👌🌹👍
Which language??
Telugu
Tamil culture of Iyal, Isai and Natakam has been copied or plagiarised and Chathir dance in Tamil is named as Bharatanatyam and Carnatic musics with sanskritised names! Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?
‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar mentions a lot about classical dance. Other Tamil texts Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance. ‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya, kooththu, ,naatyam .It also describes the letters to be used for jathis-tha,thi,tho,ki,k.
Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance. ‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord. It also says that ‘Om’ is the beginning and the end for everything. Here is a verse form Koothanool: அகம்உயிர் ஆகச் சுவைஉளம் ஆக இழைஉடல் ஆக இயல்வது கூத்து. It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now.
‘Silappathigaaram ( Ilango Adigal 400-500CE; 1500 yrs old even before Parpanans migration to South India) gives a perfect description about Classical Dance and Music. It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’
ஆடலும் பாடலும் அழகும் என்று இக்
கூறிய மூன்றில் ஒன்று குறைவு படாமல்
ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில்
சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி.
Ilango adigaL author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’. He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists. What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated.e
எழுகோல் அகலத்து எண்கோல் நீளத்து
ஒருகோல் உயரத்து உறுப்பினது ஆகி
உத்தரப் பலகையொடு அரங்கின் பலகை
வைத்த இடை நிலம் நாற்கோல் ஆக
ஏற்ற வாயில் இரண்டும் பொலியத்
தோற்றிய அரங்கினில் தொழுதனர் (gives the desired dimensions of a stage),
தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு
ஒருமுக எழினியும் பொருமுக எழினியும்
கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து (talks about the lighting).
In just one verse, he gives the names of the seven swaras as per Tamizh PaN.
குரலே, துத்தம், கைக்கிளை, உழையே
இளியே, விளரி, தாரம் என்றிவை
எழுவகை இசைக்கும் எய்தும் பெயரே
சவ்வும் ரிவ்வும் கவ்வும் மவ்வும்
பவ்வும் தவ்வும் நிவ்வும் என்றிவை
ஏழும் அவற்றின் எழுத்தே ஆகும்
Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale.
‘MaNimekalai’ (400 to 600 AD) written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi, the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’.
This is Kuchipudi.....😭😭😭😭😭 Not bharata natyam
Fantastic 😊
Graceful trio👍👏
Nice
😍😍