A couple years ago you responded to a comment of mine. You helped me pull the trigger on purchasing an mkh 416... best buy of my life. Just wanted to say thanks for that response ;)
Even if I’m not in the market for lots of the products you review since I don’t do any video stuff (yet) I watch almost all of your videos because of them being such high quality and usually I do also gain some knowledge from them. And it’s always good to be informed, you never know what the future might hold 😉👍
It's great to see Aputure competing in new segments of the market. I truly believe this would be just a great choice just like an Arri S60, or a Litepanels Gemini 2x1
Great video Curtis! Like you said, there's levels to this business. Not every light needs to be at the price point for everyone, this light is aimed at Hollywood level lighting or much higher end professional lighting situations. This light is designed to cover a wide space that most LED panels can't cover at the quality and/nor output of this light. As you said this light will be for professional gaffers, rental houses and very select indie film makers that work in large shooting scenarios whose clients can budget for equipment such as this light.
Hey Curtis, thanks for the great overview! Could you please tell me what the output of the P600C without the front diffusion is? It would be interessting to know, how the light output compairs to a 600D vs a Nova 600C through a booklight or something similar.
Hi Curtis, thanks a lot for the video. I baught the P300c and it's very powerful. I got the softbox that goes with it but it's not diffused enough in my opnion. I can't find the diffuser you're using in your video in the description, can you tell us where you found it ? 😁😁
I don't have any insider info, just what Aputure has said so far re: modifiers. No details on release dates yet. Probably best to contact Aputure support for official details.
I know this video is about a light, but I was wondering if you could answer an audio-related question. I have a Shure SM58 which, like a lot of dynamic mics, has a weak signal. So when I plug it into my Zoom H4N, I have to max out the gain to almost 100 so that my levels reach around -6 dB. This, of course, adds noise to the recording as H4N doesn't have the cleanest-sounding preamps at max gain setting. Now my question is: Could using something like a Cloudlifter be beneficial? I've heard people use it to boost weak signal. Or would it introduce extra noise all the same, and the only way around this is to buy something with cleaner pre-amps?
Meanwhile, I'm over here enjoying some Amaran F7 panels loaded with batteries that cost almost as much/more than the units themselves, lol. Honestly, what a time to be alive, where there is such an incredible range of products to suit various needs across so many price points!
@@curtisjudd I honestly wouldn't trade them in for anything, though I've been tempted. Good color quality, convenient form factor, decent output, for a good price. If you haven't, you should honestly try slapping a 10,500 mAh NPF battery in the back. You can run the light at full power for hourS, and barely use any juice. I had one before. BH had a sale where I snatched up 2 more, then bought enough 10,500 NPF batteries so each light could have one, and I have one left over for my Atomos Ninja V. 3 point light setup that can last multiple hours, is usable around golden hour/night, and fits in the top compartment of most medium sized camera bags. Honestly, while I recognizes alternatives exist, I have yet to find any with as specifically convenient a combination of features as the F7. Even something like Lupo's Smart Panel is *just* big enough where I couldn't toss 3 of them in my bag.
@@curtisjudd tbh i dont get it. Why would there be two types. Or maybe why would i shoot a hard blue circle anywhere . I was thinking the panels make sense bcz they take little space and livht big area .but if thats not it, am lost
@@rumorscameras I'd recommend this video which covers when and why you might choose hard over soft light. Very important when lighting for video: ua-cam.com/video/UY1km7cMGLM/v-deo.html
I wonder how this light compare to the Nanlux Dyno 650C RGBW LED Panel. I have worked with those and the light output is amazing. There is also the dyno 1200c.
@@aebonstudio7193 they aren't that much heavier then the sky panel, they are also build like a tank and very easy to use they also put out a bit more lights then the sky panel and the P600c. The sky panel does send the light farther due to the led beam angle.
Let’s start by the 4 individual light engines - it makes for more realistic lighting FX (just check out Fire), allows for lighting chases/fades/gradients which allows it to be used in AR/VR situations where lights can be programmed via 3rd party programs like Madmapper (think Unreal Engine applications). The 4-light engines mean split up 4x150w LED which allows for better dimming to 0.1% as opposed to a 600w bloc (think 0.1% on a 150w and 0.1% on a 600w) less tendency for colour shift, lower fan noise etc. This is really just scratching the surface of the P600c and its potential over the next few years. And hi Curtis!
With a powerful light like this one, and if one is working remotely outdoors, would it make sense (or is it even feasible) to use a power station? I mean something like the Jackery Explorer 1500. I want to say it would run this light for two hours, but I am so ignorant on this topic - still learning as always! - Dave
15 amps at 48 volts dc! Looks like theoretically the Jackery has enough AC wattage, but you’d be converting dc to AC to dc in the process. Something like the 300d lights can operate on high current but less exotic batteries.
@@curtisjudd Sorry, was a bit vague. Implied that cranking light stands would be a back/shoulder savior considering the weight of some of these lights, such as the p600.
I have the 300C and it's the best light I own. I don't think I need this 600C since I have 2 120d's and a 300d, but need and want are two different things.
@@curtisjudd That's a NO to using grip gear! I want Aputure to make a light that directly competes with the Kino Flo Celeb 450! It uses a lollipop and a junior pin to center mount the light on a light stand.
No offence but your lighting setup was a little distracting for what is basically a product review. If you did use the Aputure P600C for that, I'm definitely not impressed. I follow about 3 dozen UA-camrs for sports and technology related and many of them have nicer results ( for the talking head part ) So definitely don't think UA-camrs would not need this kind of light, these days UA-camrs with half a million or more subscribers are using cinematography style setups. Not really "cinematic" of course, but professionally presented videos, like what you see on a TV cooking show. That said, I'm sure this light is right up there with the Arri Skypanel and I look forward to using it someday.
A couple years ago you responded to a comment of mine. You helped me pull the trigger on purchasing an mkh 416... best buy of my life. Just wanted to say thanks for that response ;)
Glad it helped. Happy recording!
This light is so gorgeous. It has been sitting in my virtual shopping cart ever since it was announced, maybe someday I'll actually get to use it.
It is really nice. Aputure has come a long way.
Even if I’m not in the market for lots of the products you review since I don’t do any video stuff (yet) I watch almost all of your videos because of them being such high quality and usually I do also gain some knowledge from them. And it’s always good to be informed, you never know what the future might hold 😉👍
Thanks Ralf.
Great review as always Curtis. Looking to add a pair of these to my kit in the next year or so. Thanks for sharing, and hope you are doing well!
Hey Griffin, good to hear from you! I think you'll find these pretty useful!
Can't wait to post my video. Sitting on the edit phase. I love this light.
I’m looking forward to it!
Always love hearing your take on the gear!
Thanks Ian, I appreciate the opportunity.
It's great to see Aputure competing in new segments of the market. I truly believe this would be just a great choice just like an Arri S60, or a Litepanels Gemini 2x1
Same.
Great video Curtis! Like you said, there's levels to this business. Not every light needs to be at the price point for everyone, this light is aimed at Hollywood level lighting or much higher end professional lighting situations. This light is designed to cover a wide space that most LED panels can't cover at the quality and/nor output of this light. As you said this light will be for professional gaffers, rental houses and very select indie film makers that work in large shooting scenarios whose clients can budget for equipment such as this light.
👍
Hey Curtis, thanks for the great overview!
Could you please tell me what the output of the P600C without the front diffusion is? It would be interessting to know, how the light output compairs to a 600D vs a Nova 600C through a booklight or something similar.
Without the diffusion panel, it registered 18,700 lux at 1 meter at 5500K, so about an additional 1000 lux.
Very impressive. Thanks for posting this.
🙏
Hi Curtis, thanks a lot for the video. I baught the P300c and it's very powerful. I got the softbox that goes with it but it's not diffused enough in my opnion. I can't find the diffuser you're using in your video in the description, can you tell us where you found it ? 😁😁
Sorry about that. That's a Chimera 4x4. I've added the links in the description.
@@curtisjudd oh thank you very much !
This light is great, I used it for a music video not long ago and it did a killer job
👍
this is extremely interesting, thanks!
Thanks Marcel.
Hi Curtis,
Are you going to review the Aputure 1200d Pro?
Thanks,
Mathew
I hope so. I don't have one yet, though.
Great thanks Curtis!
Thanks Michael.
Seems like you know something about Aputure plans for modifiers for this light. I can't find any info on that. Did you get any release dates?
Any plans for an Octadome?
I don't have any insider info, just what Aputure has said so far re: modifiers. No details on release dates yet. Probably best to contact Aputure support for official details.
Aperture seems ready to play with the big boys, I've had nothing but good things to say about them when I had tk used them in corporate shoots.
👍
I know this video is about a light, but I was wondering if you could answer an audio-related question. I have a Shure SM58 which, like a lot of dynamic mics, has a weak signal. So when I plug it into my Zoom H4N, I have to max out the gain to almost 100 so that my levels reach around -6 dB. This, of course, adds noise to the recording as H4N doesn't have the cleanest-sounding preamps at max gain setting. Now my question is: Could using something like a Cloudlifter be beneficial? I've heard people use it to boost weak signal. Or would it introduce extra noise all the same, and the only way around this is to buy something with cleaner pre-amps?
Yes, a cloudlifter or a Fethead could be very helpful.
Thank you for your replies! I'll check it out then
Meanwhile, I'm over here enjoying some Amaran F7 panels loaded with batteries that cost almost as much/more than the units themselves, lol. Honestly, what a time to be alive, where there is such an incredible range of products to suit various needs across so many price points!
Hahaha! Yes, but the color quality even on the little F7 is great!
@@curtisjudd I honestly wouldn't trade them in for anything, though I've been tempted. Good color quality, convenient form factor, decent output, for a good price.
If you haven't, you should honestly try slapping a 10,500 mAh NPF battery in the back. You can run the light at full power for hourS, and barely use any juice.
I had one before. BH had a sale where I snatched up 2 more, then bought enough 10,500 NPF batteries so each light could have one, and I have one left over for my Atomos Ninja V.
3 point light setup that can last multiple hours, is usable around golden hour/night, and fits in the top compartment of most medium sized camera bags.
Honestly, while I recognizes alternatives exist, I have yet to find any with as specifically convenient a combination of features as the F7. Even something like Lupo's Smart Panel is *just* big enough where I couldn't toss 3 of them in my bag.
curious of youd if youd rather have 2 nova 300c or one nova 600c
Depends on how large a space you need to light, but for my work, two 300s would be more useful than a single 600.
I would love to see some kind of ball mount in this p600c... I guess... We sould gotta be keep using angle adapters
👀 I'd be concerned about a 30+ lb. light on a ball head.
what would be better this or 600c , never really understood , is it space saving or whats the deal between this and 600c new one
The single point light can produce hard light. Panels do not.
@@curtisjudd tbh i dont get it. Why would there be two types. Or maybe why would i shoot a hard blue circle anywhere . I was thinking the panels make sense bcz they take little space and livht big area .but if thats not it, am lost
@@rumorscameras I'd recommend this video which covers when and why you might choose hard over soft light. Very important when lighting for video: ua-cam.com/video/UY1km7cMGLM/v-deo.html
@@curtisjudd thanks curstis. Grateful
I wonder how this light compare to the Nanlux Dyno 650C RGBW LED Panel. I have worked with those and the light output is amazing. There is also the dyno 1200c.
The Nanlux panels are HEAVY. The weight makes them less interesting, but they are used on union shoots.
@@aebonstudio7193 they aren't that much heavier then the sky panel, they are also build like a tank and very easy to use they also put out a bit more lights then the sky panel and the P600c. The sky panel does send the light farther due to the led beam angle.
Good question. I’d like to try the Nanlux.
Let’s start by the 4 individual light engines - it makes for more realistic lighting FX (just check out Fire), allows for lighting chases/fades/gradients which allows it to be used in AR/VR situations where lights can be programmed via 3rd party programs like Madmapper (think Unreal Engine applications). The 4-light engines mean split up 4x150w LED which allows for better dimming to 0.1% as opposed to a 600w bloc (think 0.1% on a 150w and 0.1% on a 600w) less tendency for colour shift, lower fan noise etc. This is really just scratching the surface of the P600c and its potential over the next few years. And hi Curtis!
@@jlimproductions9411 👍
How do light your background in this video - I like how it looks. Thanks!
That was with the Aputure Amaran 100D, the Aputure Spotlight Mount, and a Rosco gobo (all listed in the description).
With a powerful light like this one, and if one is working remotely outdoors, would it make sense (or is it even feasible) to use a power station? I mean something like the Jackery Explorer 1500. I want to say it would run this light for two hours, but I am so ignorant on this topic - still learning as always! - Dave
Yes, if it can supply 15 amps current, yes.
15 amps at 48 volts dc! Looks like theoretically the Jackery has enough AC wattage, but you’d be converting dc to AC to dc in the process. Something like the 300d lights can operate on high current but less exotic batteries.
Wind ups are looking more and more appealing these days.
Wind ups?
@@curtisjudd Sorry, was a bit vague. Implied that cranking light stands would be a back/shoulder savior considering the weight of some of these lights, such as the p600.
@@michaelpujda8407 You are so right!
What about DMX control?
Lumenradio built in!
Yes, 5-pin in and out (16-bit with multiple DMX profiles.) And wireless DMX Lumenradio.
Is it much brighter than the p300c?
Yes.
When it comes to professional Overviews, there are few that beat Curtis, P.S. Have you tried Godox LD 150RS?
Thanks hzubovi1.
I have the 300C and it's the best light I own. I don't think I need this 600C since I have 2 120d's and a 300d, but need and want are two different things.
Ha! Yes, indeed!
I wish Aputure would make this light with a center mount; I need to be able to mount the light vertically.
Kupo makes a stand adapter that will let you do this
Yes, there's plenty of grip gear to make that happen.
@@curtisjudd That's a NO to using grip gear! I want Aputure to make a light that directly competes with the Kino Flo Celeb 450! It uses a lollipop and a junior pin to center mount the light on a light stand.
@@mathewcoulliette2233 Ok.
No offence but your lighting setup was a little distracting for what is basically a product review. If you did use the Aputure P600C for that, I'm definitely not impressed. I follow about 3 dozen UA-camrs for sports and technology related and many of them have nicer results ( for the talking head part ) So definitely don't think UA-camrs would not need this kind of light, these days UA-camrs with half a million or more subscribers are using cinematography style setups. Not really "cinematic" of course, but professionally presented videos, like what you see on a TV cooking show. That said, I'm sure this light is right up there with the Arri Skypanel and I look forward to using it someday.
Happy lighting.
Ted Sim is currently at Harvard studying business, then he plans to move to MIT to study product design!
👍
what light stand are you using?
Matthews combo stand (junior receiver and baby pin).
Matthews combo stand (junior receiver and baby pin).