What Did 78 Records Really Sound Like When They Were New - (Part 2)
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- Опубліковано 10 лип 2022
- This is a "follow-up" video to my original from 2019 in which I have received over 80,000 views and hundreds of comments. I received a lot of good advice on how to do this better, so in this video I try to right all the wrongs of my first attempt. I am using better equipment and have cleaned the NOS (New Old Stock) 78 record properly. I feel the results speak for themselves. The output is totally different and is more representative of what a new record would have sounded like in the 1940's.
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Nice records. Great find. These sound especially clean. Or as they used to say: "a noiseless recording." I've collected 78's for nearly 30 years. I cringed when you turned the pages the way you did in the video. I had done the same thing years ago thinking nothing of it and cracked the outer edge of the records that was closest to the binding. I try to always be sure the record is as far away from the album binding as possible when turning the pages to avoid causing those outer stress cracks. Happy collecting.
This is so cool. I feel so privileged to be able to hear this 1949 record in 2022 as if it were new. Thank you! And yeah this sounds so much better than the first one.
A while back, I bought a Shure stereo cartridge with a 78 RPM diamond needle wired at the 4 posts for mono reproduction. I mounted it to a Dual 1219 turntable tracking at around 2.5 grams. I was amazed at the decent sound quality of the less than good condition 78 RPM record.
This is so much better, has a warmer sound than 33 1/3 vinyl. I remember my granddad playing 78s on his record player with a valve amp and needle that would last 10 sides. They sounded wonderful.
Of course it sounds warmer. It's more distorted due to the entire setup being tube driven. And the recordings are also made for tube gear.
The recordings made back in the day were not made strictly for tube gear at all, they made music to sound great with all the technology available at the time like microphones and recording equipment. The old gear I’ve heard 78’s on was very limited in the final stages like stylus quality and type along with loudspeakers which were not very clear sounding back then. All this crap about valve sounding warmer is just pure rose tinted nonsense. Anyways, what do you mean by, ‘warmer?’ I’ve had valve amps in my setup and they sound clean and fast whereas an old transistor amp can sound soporific or ‘warm’ if you like such as a, Technics SU-A900 from the 1990’s class A amplifier sounding quite good and blowing away a lot of valve amps in my humble opinion
@@naimusic362 Tube amplifiers sound warmer because they distort more. Some people like that sound some people don't. 90% of the time 78 where used transistor amplifiers didn't even exist so yes the recordings were made with and for tube gear.
@@trevor245 for a good chunk of the 78 era, they were played on non electronic photographs, even if they had electric platters.
Just diaphragms and transfer pipes or sounding boards.
Since this is a 49 RCA jazz vocalist recording, a 55 era console player is a good choice for matching the production and intent.
@@STho205 Ok fair point. But the ones that were produced during the time people used electronic systems it would have been for tube gear. Also just because of that it wouldn't mean that it can't sound good on transistor based stuff, it'll probably sound better tbh.
Well done on the follow up! That’s probably the best you can ever do to reproduce the sound on vintage hardware (without a crank, which would sound worse in my opinion). This was an awesome video. You now have a great setup for playing your 78s!
If it were an earlier record then a wind-up model would be appropriate. A 40s 78 should be played as you said.
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@@Duckcalculator Depends what you are aiming at. If you want to hear the 40s 78 as people in the 40s did, then yes, use 40s equipment (for a few plays anyway); if you want to extract the most from the recording, i. e. get as close as you can to hearing what someone in the recording rooms would have, use modern equipment. (Not the horrible "vinyl revival" junk, I mean _proper_ kit.)
@@G6JPGI use a Victrola generally for my 78s, and most often I can’t tell that I’m listening to an acoustic machine. The sound quality isn’t horrible as you might think.
There was this customer at one of the best audio dealers in town who was an Uber 78 lp fanatic. He used a modified Thorens table, with an SME arm, with some high quality cartridge. He would record them to tape on a Studer-Revox Open reel deck. He first cleaned them on a Keith Monks record cleaning machine. Now that's commitment.
It sounds amazing!! I never knew a 78 could sound this good!! Great job on the record and the console!!
I'm surprised how good that sounded. It also reminds me that 78s weren't replaced by 33 1/3 because of sound quality, it was because 33 1/3 records had a lot more room for music, hence the name "LP" (Long Play).
And there were less breakable I am very careful with my 78 shellac records and I've still cracked a piece off of one of them but just moving it a little a little bit or picking it up, LPS and 45s are much less fragile if you drop them they're very unlikely to break apart or crack unlike shellac discs.
OMG!! My parents had that exact same Magnavox stereo when I was a young pup. Magnificent tube sound!
Sounds pretty good, I am suddenly interested in maybe getting into these, just the idea of listening to a 100+ Year old record sounds fun! Thanks for doing the video, not many youtubers wanna talk about this format for some reason.
we had a Magnavox console when I was a little kid....I spent many magical hours listening to the records....
those maggie 6v6 amps sound really good. I love hearing clean fresh recordings without surface noise too
That's an amazing Magnavox console stereo you have their sound so beautiful
Thank you sharing this very unique experience with us!
I'm a rock, pop and country musician and this sounds amazing and the guy singer and the instruments playing are incredible!
Yup Billy eckstine vocal... has a deep grateful range wonderful voice
That sounds lovely. If only all 78s sounded like that.
different companies used different proportions of shellac and other substances. When the material gets old, miniscule damage occurs automatically, which we hear as hissing. Unfortunately, we will never hear anything like it was back then!
I’m always blown away by the quality of the bass that some 78s can have. I always felt like primitive playback equipment, especially phonographs, probably lacked the ability to reproduce the bass very well, but on my modern (yet pretty modest) set-up the bass can rock the house
Wow! I am so impressed. I didn't realize a 78 could sound so good.
Shellac and filler, of which 78's are made, are extremely porous and hygroscopic material and water immediately penetrates the record deep under the surface. Washing a record with water does irreversible damage to a 78. To try and dry the record with a cloth or leaving it in a dry warm place is not going to do it. But the fatal effect of water on a 78 is not immediately visible; you'll think the record is clean and dry but the destruction will only show over time. Water, trapped inside the record, will cause the shellac/filler to expand; that is the reason why so few records from the 1920's (and later) are still really shiny, even if they have never been played; because they have not been kept in a dry environment. When new, all records, even the worst pressings, were shiny and without surface noise. It's getting wet and/or being kept in a damp environment that over time has deteriorated the surface, ranging from slight dulling to heavy gritting. Cleaning a record with water and not vacuum drying it will severely add to that deterioration. The only safe way to clean a 78 is to use special 78 cleaning fluid and a vacuum record cleaner/dryer; they can be expensive, yes, but it is the very best way to clean an preserve a 78, many of which (at least in my collection) are worth more than such a machine! Only an unplayed record, always kept in a dry environment and never been in touch with water can sound like when it was new - except for laminated 78's such as late 20's, early 30's Columbias and it's sister labels Okeh, Harmony, Clarion etc. which were made from a non-hygroscopic early plastic, much less sensitive to water and unplayed ones usually sound the same as when they came fresh out of the factory 90+ years ago. Playing them with modern sound equipment and a fitting stylus will ofren reveal a sound quality and frequency range which is hardly inferior to a modern recording.
Thanks for redoing this on this much better equipment! This sounds a lot like I remember a living room hifi sounding like in the 50s and early 60s.
To me (and this is just my personal opinion) it sounded like there was some lack of highs I expected, but this could have been UA-cam, or a slight maladjustment of the tone control on the player, or even just lack of highs in the recording.
I also thought I heard some overdrive or perhaps crossover distortion. Again, this could have been in the UA-cam recording or reproduction. Or it could have been a fault in the amplifier or speaker in the hifi. Or I just could have been imagining it. In any case, I thought it sounded pretty good, and about what I would have expected.
(Note that you won't get the full audio range you are used to with digital recordings out of a 78. The frequency response was from around 40Hz to about 10Khz for shellac 78s. They needed to roll off the low end volume to keep the groove excursion from being excessive, and the shellac was a somewhat grainy medium that made a considerable amount of hiss from 10KHz upward. Usually you could hear this in almost any recording, and it would be worse on a well-played record. It wasn't at all unusual to have the hiss be different on half the record, so that as it played you would hear hiss--hiss--hiss as the record spun.)
Keep in mind that although the unit has a 78 rpm stylus, unless the input selector has a seperate LP and 78 positions, you are hearing it through RIAA equalization for LP records. This EQ is wrong for 78 recordings, but was considered "good enough" by most manufactures as 78s were becoming obsolete. There are some preamps available with correct 78 EQ for most 30s and 40's 78 recordings.
If I recall correctly, the RIAA curve wasn't standardized until the 1960s. Before that different record produces used different compensation curves. Some hifis had a switch that could select two or more different curves. But as you note, they were all moderately close, so it wasn't that critical for most listening.
@@lwilton The RIAA curve was introduced by RCA around 1954 and RCA called it "new orthophonic" and very quickly became the standard industry wide. You are right that there were several EQ standards for LP and lots more for 78s of different eras and manufacture.
Thank you for such a wonderful experience! Wow!
I just found the first part and check to see if there was a follow up and jeez, it sounds much better.
The best 78 playback I have ever heard was done with a Mono GE VR Cartridge with a 3mil needle. Either a mono cart or a stereo cart strapped for mono is the best. Then you have to get the EQ curve right for proper playback too. Most of these old 78's don't observe the later RIAA curve standard.
Exactly!
Yes with correct EQ they sound even better,The GE VR cartridge is a most suitablen choice.I use one mointed in a "GraY" viscous damped arm.
Those sleeves sound like sandpaper....makes the hair on the back of my neck stand up! Sounds really mellow on that old stereo.....reminds me of another time......
A friend had a small weekend program on local radio station where he played mostly records from 1950s. On occasion he would play older 78 rpm records and the station had top notch equipment for record playing including 78 oriented turntables. He played some pristine 78s one day that were so clean you could not tell if they were records or CDs.
78 rpm records were some of the best media believe it or not because they traveled ‘ fast ‘ ( 78 revolutions per minute ) for steady speed and they had big coarse grooves with a lot of sound in them.
I had some 45 rpm records and 78 rpm of the same recordings and the 78s were WAY better.
Sounded great!! Good job! Thanks for sharing. I didn't see the first video.
That is either a 1962 or 1963 Magnavox which can be seen by the styling of the record player. I have a 1959 Magnavox stereo record player that has a Collaro Conquest(completely gold colored) changer which is how you tell it's a 1959. In 1957 they would have used an even older model Collaro player and would have been mono. A very nice unit indeed though!
My parents had a Magnavox console with this phonograph and radio in it, in the early sixties. Damn belt kept breaking on the phonograph almost annually with next to no use. I still remember this appearance, though!
Excellent video, lots of good tips. ive spent along time looking for shellac records, and rebuilding gramophones.
I'm impressed at how quiet these recordings are. In Highschool I had a friend whose family had a cabin in the Northwoods of Wisconsin on a lake. They were a very eclectic group and owned very old books and 78's, and Columbia recordings from the very first catalog numbers. This cabin only had a floor standing tube radio and a windup tabletop Victrola with a brass horn and a stove for heat. Also a substantial collection of music to play. Even though I had a modern for the time(70's) stereo system, after spending a week there in the winter on a frozen lake, listening to nothing but 78's and tube radio(no tv) I was surprised at just how good a mechanical 78 player could sound. Yeah, there was noise and the dynamic range might be limited on the records, but if you get passed that, the surface noise becomes less intrusive and the music comes through and boy did it. I mean, most of the discs are recorded direct-to-disc and have a life about them, very different than a modern audio system but in ways just as enjoyable. I think of miss those times.
Sound good! Thanks for the posting.
Wow that is awesome!! Thanks for sharing!!
Great sounding stuff!
What a wonderful find. very enjoyable
Love the record player/cabinet
Thank you for sharing this wonderful Time Machine.
I think you have put the lie to an urban legend. This legend says the reason 78s sounded so crackly was they added some sort of abrasive to keep the needle sharp and that abrasive made the crackly sounds. Kooky theory but I hadn't seen any real debunking of it until I listened to the recording you played thanks!
No sir, thank YOU for YOUR time!
I have an acoustic Christmas record from the 1910s that was stored in an improvised sleeve consisting of two sheets of cardboard taped tightly together. I have since stored it in a plastic sleeve.
I'm going to guess the record was only played a handful of times back in the day on a bamboo needle because when I tried it on my modern electronic setup it sounded absolutely phenomenal (considering it's acoustic). It was very much like your recording in the sense that it had practically no noise in the background.
I saw a very similar radiogram to this, it may have even been the same model on Shango's channel except his was in very poor and sick condition. He had issues with loose Valves in their sockets and needed lots of work to get it running properly. These old things were well built not like the crap of today.
When new vinyl records are played on high quality equipment they sound AWESOME!
Great job!
Great collection, thanks for sharing 💗🌺💓👌💖
I've never heard a cleaner shellac record before this! Awesome!
Beautiful record player! Wonderful song too!
Love that console
Beautiful sound
I really liked how that sounded! Could you make videos playing the entire songs?
If you really want a great system for playing 78 records, get a Heathkit WA-P2 preamp This preamp has four position turnover and rolloff controls to match the brand of record you are playing. It's an investment, restored WA-P2 units go for around $300. They originally sold for $19.95 in kit form, in the late 1950's. It is best paired with a vintage Heathkit W6-M amplifier from which it gets its power. To use with other amplifiers you will need to come up with a 6.3 VAC filament supply and a well filtered 300 volt DC supply capable of 10 mA. The turntable does need to have a "standard", ,not "microgroove" stylus in the cartridge.
Beautiful
That sounds really good!
This was uploaded a few months after I had finally acquired some shellac 78s on Record Store Day, a new turntable with the means to play them in the form of the Technics SL-1210GR which was an overall upgrade over my U-Turn Orbit I had for 4 1/2 years until then, my Nagaoka MP-78 stylus for my MP-110 cartridge, etc. I've been a vinyl fan since 2015, had the means since 2017, and 2022 was my year to officially get into 78s as well.
beautiful
Wow a wonderful song and sound.
The sound is fantastic.
Your 78 video are wonderful 😊
sounds great. But who knows how much the years have affected the shellac material.
Now if only someone would press a new shellac record at 78RPM, 3mil as a novelty, that would be amazing.
ua-cam.com/video/jaqpj-R7Zkk/v-deo.html
The closest option today is probably a straight to vinyl cut 45rpm 12"...
@@cactusjackNV Columbia in the 1940s, pressed sandwiched records made of 3 layers of shellac pressed together.
The two outer layers were made of the quieter (but more fragile) shellac for the A side and B side with the inner layer being made of the sturdier (but noisier) material.
They sound pretty darn good on my 3 systems when played back with light tracking magnetic pickups, GE VR, Stanton and AT, and correct EQ curves. Surface noise, yes, but you have to concentrate on the reason for playback : what's in the grooves. 😊 I also have a 1926 Victor Ortonphonic Consolette with an excellent sound box that I enjoy .
Thank you so much
The console sounds really good. Did you do any electronics restoration to it? would love to hear more from your collection.
I found that console at a Goodwill store and took a chance and purchased for $19. When I got home and disassembled it, I found that the previous owner had done a beautiful restoration and had replaced all the capacitors. I only needed to buy new tubes and it fired up and has worked perfectly. I think the owner died and the kids didn't know what it was worth and without good tubes, sounded like it was a mess, so they dumped it at Goodw ill and then put a price on of $19.00. Right place at the right time.
@@icemanfreeze1 Amazing find!
What a great find!
@@icemanfreeze1 SCORE!
@@icemanfreeze1 Ensure that the crossover caps were replaced. If not, going to impede the audio quality potential big time
By the time the average enthusiast gets hold of a 78rpm record there, is surface wear, tear and damage and a consequently higher noise floor. The leading edge of a wavefrom in the track groove may have become eroded causing distortion. The correct stylus which reaches deep into the groove and mono reproducer may give you a better chance. Before the RIAA equalisation became a standard, I think in the early to mid 1950s, different labels applied their own equalisation curves to their recordings. There was also some variation introduced by the recording technicians for individual recordings. When you apply those equalisation curves to the raw recovered audio, the apparent fidelity of the recording improves but often at the cost of a higher noise floor.
First you need to "de-RIAA" the recordings made on modern reproducers in an audio software. RIAA equalisation yields playbacks which suppress the higher frequencies. The RIAA equalisation curve attempted to emphasise the higher frequencies which on playback were de-emphasised in order to also de-emphasise the noise floor which tends to be more prevalent at higher frequencies. Whilst many older recording equalisations were also intended to allow playback de-emphasisation of high frequency noise, the equalisation curves were not as aggressive.
My go to for restoring original equalisation curves was Cool Edit Pro v1.5, which was aquired by Adobe and became Adobe Audition. Once you have arrived at close to an unprocessed recording, then apply the equalisation curves of the particular record company of the time. Prior to the electric microphone around 1929, recordings were made acousto-mechanically. Their signal level over the noise floor introduced by wear and the surface texture of the disks themselves was very low. However with care, the tinny sound introduced by feedhorns can be levelled out. The noise floor remains a problem. Noise cancelling software can achieve only so much. Old 78rpm electric recordings seem to have a greater brilliance than 33.3 rpm vinyl "microgroove" long-play records.
ua-cam.com/video/SGB8k2RZ3zc/v-deo.html
My understanding is that for vinyl long-play, the dynamic range had to be compressed to avoid waveforms in the tracks crossing over into adjacent trackspace. Some of the old Parlophone electric recordings seems to have been the most faithful, in particular the German ones. However, when a record has been played to within an inch of its life there is not much to be done about damaged waveforms and stylus slap.
Interestingly when re-released long-play 33.3rpm albums were made from recovered 78rpm recordings for which there remained no master, a technique was devised where several copies of the same 78rpm record were re-recorded. Because the surface noise was different in each recovered recording, when several recordings were mixed down to a single track, the effect was to diminish the surface noise as the recovered music was the constant.
Very neat. The vocalist Arnie's is a local Pittsburgh Legend Billy eckstine. I'm interested in this set now. So cool to see a pristine one very rare, unopened 78 RPM stock from 1949
I love spinning 78's. On the right gear they come alive just like in this video.
1962 is said to be the last year that 78rpm records were made in the mainstream. The late ones made by the 1950's were made out of vinyl instead of shellac. 1962 may have been the last year they were made as a mainstream item, but they still made them decades after 1962 for specialty purposes. I saw a brand new pack of 78rpm records consisting of 50's oldies meant for people who have old vintage jukeboxes that play 78's.
I know 78s were produced in India right until about 1970. They had Beatles on 78s.
@@michaelturner4457That's wild!
I'm not sure if it's the case, but I find the UK 78s stayed very hard much later, into the 40s at least. I wouldn't play the very special ones on acoustic gramophones but we had austerity for a long time post war and people kept their wind up gramophones for a long time. HMV made wind-up gramophones into the 50's, possibly even early 1960's
It sounds good but its still recorded through a mic, its too bad we cant hear this with a direct line out/in recording.
I usted to have an old Gerratd turntable with a 78 needle and I hooked it up to my amp aloung with a GE and they sonded very good however even the best 78 have al lot of thats why you can hear it to this day on new copies Still I love the old 78 records
I've some 78rpm records and those are used and old still I love to listen to them.
It’s not high fidelity, but it didn’t suck like those old mechanical crank driven record players with the steel needle, or even the cheap one from the previous video. Well done! Now I can see a 1950s home enjoying these types of records.
I wouldn't gripe about the old crank phonographs. Some of the high-end ones sound pretty damn good for being a century-old technology. Also, at the time that's all that was available, so it was either one of those or you did without.
I have 3 old crank phonographs that I have restored and they sound great so I don’t know what you’re talking about
@@Cave4590
Neither does he.
I have an HMV 102 gramophone I found at the tip for cheap. The soundbox while original hasn't lost the give in its rubber, and the motor is good and strong and incredibly stable. It sounds marvellous. I wouldn't play the later 78s made from less hard materials and less shellac on them, but here in the UK we seemingly kept our discs very hard well into the 40's. HMV made wind-up gramophones here into the 50's!
I don't think it's truly possible to record the impact these acoustic machines have in person. They really are very impactful and have a sound like no other
The sound is perfect.
Would be interesting to know which is the equalization curve applied by the turntable during the play
🔥Thank you
That is definitely new old stock. Great find!
that stereo was actually made around 1962
If you want to be rid of those fingerprints, try Dawn dishwashing soap - just a drop - on already wet grooves. That or Dawn Powerwash for tough stuck food or insect poop(one spray, diluted with water) - it usually takes care of both but you must make sure it has been thoroughly rinsed and dried, as the soap will continue to attract dust and debris if still present. I loved this song and am looking for it now - thanks for posting - I hope you're enjoying your collection on that lovely old tube machine:>
Your console here likely has a full-range paper cone (no tweeter) and for 78 listening it's ideally suited. But you can do even better when recording your 78s.
You would capture an even more detailed digital representation of the disc if you picked up a receiver or amp & preamp combo with line out RCA jacks, and pair that amp with a good turntable. This gear with an RCA-to-mini phono cable you could make super clean dubs with a computer. You would bypass this speaker cone and the cell phone mic (both of which introduce phase problems and lose a lot of high and low frequencies).
Two 4 inch paper tweeters per side in front. 6V6 tube amp push pull for 14-18 watts per side. Side firing 12 inch woofers. That model was one step below TOTL, which had horns in front. That system was most definitely decent for 78 reproduction and most definitely considered Hi Fi.
For comparison purposes, there is a recording of this same song in the Internet Archive. It seems that here we are hearing the "flat" sound, without EQ which would improve the sound!
great vintage sound
Sounds pretty good.
I wish that some day someone would go to the trouble of making shellac 78's the way they were made so long ago, from recording to final pressing. That would be the only true way to see what they would have sound like when brand new, by making new record with a shellac mixture that was used back in the day and recording in a similar fashion. It would even be interesting if someone was to not only record using the original techniques but even try recording using more updated techniques and more modern technology just to see how good one of the old gramophones could sound. I'm willing to bet the original equipment is still out there, sitting in old barns and sheds just waiting for a good reconditioning and finally have a wax disc carved with new music for the first time in 60 or 70 years.
Nice, although a direct connection for recording onto the video would be best - as I don't think that old radiogram would have a line-out
do you have a magnetic cartidge mounted turntable? maybe an AB comparison test
That's the jam!!
This was interesting . I have a lot of my grandparents records from the 40s not a collector . Just find all this interesting
I assumed that the loud hiss went with the shellac until I got a NM copy of “Sh-Boom” by the Crew Cuts (1954).
I also discovered that many of the noisy 78s just needed a thorough cleaning to get rid of most (if not all) of the surface noise.
Shellac records do have hiss. It is usually very quiet on a new record, but becomes worse (possibly much worse) after repeated playings, at least with the cartridges available at the time. A modern cartridge likely leaves very minimal wear on these old records. (And the shellac is a lot more 'set up' now than when the record was made 80 years ago. For the first few years it was somewhat softer, so easier to damage.)
One thing I would suggest- stop storing the records in the original paperboard sleeves. I'd definitely keep the originals, but I'd be storing the records in a modern acid-free soft plastic master sleeve with backing like the Mofi or "Invest in Vinyl" types you can get on Amazon, et al. Those light scratches you mentioned probably came from insertion into the sleeve. Those sleeves (and all paper/paperboard sleeves) do abrade the surfaces of the record. Just a thought. Thanks for the follow-up- we're all learning, even those of us who have been into it for years.👍
Yeah, you know those sleeves are just the worst material possible for record storage - you can hear them abrading the discs as the discs are removed and replaced.
Those Micromatic turntables are awesome! I have one to.
Have you done a direct transfer of any of these records? I'm curious to hear what they would sound like on a turntable.
You'll need a USB(A,B) port from a modern turntable to a PC to be able to capture it digitally. There are other methods, but this is the easiest imo
I love collecting old 78's.
I also play mine on an old Magnavox Astro-sonic.
I've a few in really good condition.
I'd never claim they sound better than LP's, they don't.
But considering from where they come, (my oldest ones are over 90 years) to me, they sound amazing.
Wow so there was some amount of crackle allready when they were new. Now I feel better about mine 78s collection.
If you take the back off that Magnavox Hi-Fi stereo, you will likely find AUX-OUT RCA jacks, which put out line level. If you use the right adapter cord, you might be able to use that line level out directly into the line level in of your recording apparatus. That would take away any colorations of the Magnavox speaker, or, the microphone picking up the sound from the speaker. That would give you the most accurate sound possible. Don't use the wires that go down to the power amplifier, since the "output to amplifier" jacks are colored by the tone controls on the preamplifier. you want the 'dry' output from the AUX OUT, or perhaps, LINE OUT. jacks.
None the less, it DOES sound much better, than I would have ever thought from a ~1949 monophonic recording!!
It sounds very good with almost no surface noise. I would like to hear it on a modern audio system with a cartridge installed with the proper stylus.
I know that many modern turntable do not have the 78 RPM speed, but some of them do. There were some in the vintage years as well.
I am not sure what the proper equalization was for the 78s but I think it was similar to the ceramic cartridges. Maybe RIAA, I do not know.
Billy Eckstine, the great "Mr. B". One of the best vocalists of that era.
One of Pittsburgh, PA's top exports! Back when we STILL had a Jazz "scene".
@@jamesslick4790 Hey Slick. I did not know Mr. B was from Pittsburgh. Keith Richards once said that his mom used to listen to Billy on the radio, and Keith spoke of him very fondly and even cites him as an influence! Regards..
Nice
That sounded pretty good, instrumentally,. the singer still sounded as if he were in a broom cupboard.
There are new high quality 78 speed turntables with high quality cartridge and stylus. If you are a collector, that would be an excellent for maintaining the quality of your records. What you played sounds excellent, but for how long? Rega, Denon, and Teac all make very good ones, but you would need an expert to choose the best sounding cartridge. Schiit makes a top notch preamp to send to a amplifier (every price point), and speakers are also. I have records (33.3) that I bought in 1963 that sound just like new with my Thorens turntable with a Vessel line contact cartridge 1.4 gram. You don't have to do all this, but there are degrees that will protect your records for life with a warm accurate sound.
These records can sound amazing when played on good equipment.Using the correct stylus is crucial here.
For 1949 amazing sound quality I would love to know how exactly how it was recorded
typically in those days they'd have one mic for the band and one mic for the singer. I'd love to see how the recording studio was set up for this
They also sound amazing on the original console players of the time the records were produced.
As an FYI, you did this fully serviced, right? That stereo has a tube amplifier in it, and there's some things that absolutely must be done if it's put back in daily use again. No exceptions. There's small, readily available parts called capacitors that must be replaced in the amplifier and power supply, if it's not done, you can cremate a tube or worse, the power supply if one these small parts shorts out. And the likelihood of this happening is very high. Also getting it properly serviced will improve sound quality, even better than it sounds now.
Yes, this was completely restored. All new capacitors and tubes.