Michael Trimble Vocal Method: Warming Up the Voice
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- Опубліковано 8 бер 2019
- trimblevocalinstitute.com
Fundamentals of Great Vocal Technique:
The Teachings of Michael Trimble
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Internationally renowned Tenor and Master Voice Teacher, Michael Trimble. 62 years of expertise/performing, teaching and Artist training/acclaimed vocal pedagogue. Career building, vocal literature for aspiring students and experienced professionals.
Combine these activators with the posture methods
1. Closed nose b's on small sounds 0:40
2. wheels coming down the scale so it doesn't fall out of the mask 1:05
3. dynamic swells that are smooth 1:38
4. Buhs and nyam's to engage the diaphragm 2:08, 2:36
5. tongue trill the vowels 3:16 tongue trill the text 3:54
6. falsetto attachment (women in reverse; go from chest to falsetto) 4:45
7. stacatti on vowels 7:25
8. lip clamp. say the vowels behind the clamped lips. This closes the nose also 13:28
"IF YOU DO ALL THOSE POSTURES AND YOU DO THESE VOCALIZES YOU END UP READY TO SING" 15:22
9. Hallah (causes apoggio as italians say, breath jamming up aka breath stop, important for understanding concept of appoggio) 15:41
10. hung line. sing ABOVE the ng sound for finding the true mask 17:00
19:00 re-emphasizing importance of instigators setting up the voice to sing "if they do these, then they'll end up with their voice placed, they'll end up with their diaphram leaned, they'll end up with their breath behind them, and then they'll be able to sing.
11. alternate m's to b's to feel the difference in true and false mask 19:34
12. wheezing to increase the compression/weight of lean (not recommended for light/lyric voices) 21:08
13. Spinto method 22:40
14. sing with staccato lean position (sustain lean position) 26:49
15. german attack on the inhale (restrain) 27:40
-Which lean to use? Italian staccatti or german attack on inhale 28:42 (use itallian staccatti when singing italian and german inhale attack when singing german)
16. vibrato: dead lean gives no vibrato, restrain and compress methods both give vibrato 32:40
very useful. Thanks!!
Jesus.. You're freakin brilliant. I've never stumbled upon singing coaching like this.
You sound amazing. You prove the voice lasts your whole life long. I need a decent warm up thx.
Thank you very much Michael for this warm up lesson. Great help to me.
Thank you for sharing your knowledge so generously
Fantastic!! Thank you for sharing your knowledge and experience! I love the leak test with the tissue as well
Great great great class !!!
Thank you Mike.
Thank you for sharing how you would warm up, your goals, strategies and decisions. The examples of how you incorporate the lip-clamp into vowels is especially useful for me.
Thank you so much for your videos! Your lessions help me a lot improve my singing and this comes from a professional tenor solist in a theater. I wish I had a teacher of your quality when I studied singing.
Thank you so much for sharing all your videos, Maestro! How beautiful to listen to your voice and learn from your technique, thank you so much!
He is the best I am proud to be a student of Michael
Thank you needed this information
This amazing, Maestro! Can you please upload a video on Warming up the voice for soprano?
Gigli was a Master. Great explanation and example from Mr Trimble
Fantastic 😊
Спасибо большое!ваши упражнения и занятия по ютуб каналу очень мне помогают понять принцип пения бельканто.
Благодарю!
True teacher
I was watching another lesson on placement with Mr Trimble ( I have to call him that because he is a MASTER ) such a GREAT teacher. I wonder how many voices would have benefited that were great that never got a chance because of charlatan teaching.
Many of them if not most. I went to a teacher once that showed me proudly the degree in voice education. After a couple of months and her never looking at me , only playing scales I was Fucked. Costly experience. She couldn’t sing herself a Russian accompanist who although played beautifully had no idea. I thought maybe I’m wrong until I heard her students sounding all the same
WRONG !
Mr Trimble is a JOY , what’s more the Real article. I just copy him and immediately I am better. I hope he lives forever. If you see this Michael, please send a response. I would be honoured Sir.
God bless
I wish I could come and spend at least 6months with you
Hi Mr. Trimble. Thank you for these videos. I wanted to ask you about an exercise that Gilgi used to do everyday where he would pull his tongue out with a handkerchief. Have you come across that in your many years of experience? He would sing while pulling it out and down.
thnx
Great video! but I have one question... I know the Rule of singing "throat-less". Does that mean the larynx doesn't have to move up nor down when you are singing? so one has to maintain the larynx down no matter what? but thing is, no matter what I do when I start going up my range while singing I cant stop my larynx from going up and up!, I feel that I'm doing an "okay" technique at low notes and somehow low mid range, but when I try to sing higher my larynx just starts elevating, are we supposed to try and keep it down?, Is it a normal thing that happens even if you maintain a relaxed throat and try to sing throat-less? Does one have to use force and muscles to keep it low? I wish you could clarify that cause I don't know if I'm doing the technique so poorly or is just a a natural thing that occurs while going up in range.. THANK YOU SO VERY MUCH!
@@Tenoretrimble that k you so much for replying! So does that mean that to improve the "deep breathing technique' One to i.prove lung capacity as well as strengthening the muscles involved I the Inhalation mechanics. So the fact that my larynx wants to move up when singing g higher registers is because my lung capacity is not great and also having weak "Inhaling muscles". These exercisesgelo Improving them right? Thank you again!
@@Tenoretrimble Tank you so Much much much !!!!!
I have troubles about to relax my neck when I'm singing. When I try your posture method, I can sing freely, but when I'm standing, it seems that the technique doesn't work. Do you have any exercise to fix this problem?
@@Tenoretrimble I am honoured because you answered my question! Thank you so much!
I think the biggest problem in singing learners is anxiety to sing correctly, as soon as possible. I will follow your advices. Once more, thank you for answer me.
All best for you and your family, Danielle - Brasil
@@Tenoretrimble do you think that there are bodies who are not built for singing opera?
Suggest Listening to and following Tito Schipa's exercises
it helps to massage your neck and your face. Your body will quickly relax. I also like leaning my head back as Trimble says in another video.
It's rather, find what's your real voice, sing rôles that fit to it and love what you've got😉
What if my falsetto do not lick?
Mr trimble i have a question,
When inhaling the breath we pull the abdoment in and then when exhaling what we gonna do about this abdoment? Are we change it back to normal so the abdoment not still "pulled in"?
How is the abdoment must response when we start making a sound?
@@Tenoretrimble Great answer, i can understand well..
But for the practical.. i can breath like that easily when lying or sleeping positon but when i sit down it is more harder and when standing up its more harder.. i cant breath "deeply" except on lying position..
Is it natural?
@@Tenoretrimble really crystal clear answer! Thank you mr trimble. I will do it!
@@Tenoretrimble Hi, Mr.Trimble, I got really confuses on the abdomen response part, so when we pull the abdomen in when inhaling then you do the "breath stop", and then you make the abdomen outward when you start practicing? cause I saw your abdomen moving outward at 2:16, don't really know how to do that all at once, I hope you doing well.
@@Tenoretrimble OMG, Thank you so much for the reply, Mr. Trimble, I love your videos so much, it helps me a lot, I also want to have some skype lessons with you too in the future, but I have to buy a microphone and webcam, and yeah will definitely check out the video too, THANKS and stay safe Mr. Trimble. Best.
18:37 13:40
The most clear and natural sound you did was at 1:14, when you said it was wrong lol.
@Stone that sound doesn't carry though. Maybe for pop with a microphone but not audible in opera. It's out of the mask.
The voice cannot be placed in the mask!!! FRANCO CORELLI
@@Tenoretrimble you are right..I admit after a long research that the voice without the upper resonance and without "placing"the voice cannot be easy and powerful and be heard with a great orchestra.. I think seriously that Franco Corelli in his last years of his life was wrong to return to direct the voice down, more in the laryng.. on the other hand,Giacomo Lauri volpi was right to sing until 87 searching and singing always with a "punto d'appoggio della voce" with a young and ringing voice..after a long reaserch I arrived to think that unfortunately many doctor of voice are all wrong
.till today they are refusing to accept that exist a punto di appoggio hight in the Mask..this create so misunderstanding and problems for voices that fallows the science thinking to be in a right way but unfortunately it is so wrong..thanks for your video and I am admit after writing this words that i was wrong.