That's a clever use of parallel nodes. Personally, I prefer to do any secondaries after the exposure and white balance, not in a parallel that is feeding from the original source, so that I have maximum colour separation before I get into any qualifications (if needed). Then, at the end of my Clip node tree, I have a dedicated node for 'Shot Matching' so if anything is off, I don't go back to the initial balance and exposure, I just do it in a node at the end.
Marieta - yes, that's a really great workflow! It personally takes me a few passes to lock in my initial normalisation and balance tweaks throughout a grade, so I put up with having a slightly flatter source image unless I'm struggling to pull a satisfactory key. I always love being able to go back to my first normal/balance adjustments and tweak 😊
Easily one the top "explanations" of the parallel node that I've found so far... Great little tutorial, but oh so valuable! I thank you, Sir, for your time and effort on this!
Nice. If you were to do an image noise reduction via resolve studio or something like neat image where do you think you'd put it? beginning of all nodes even prior to the qualifier parralel node?
Thanks for the comment! It does depend a little, especially if you're pulling a key. Normally though I would place a denoise node towards the end of my node tree 😊
That's a clever use of parallel nodes. Personally, I prefer to do any secondaries after the exposure and white balance, not in a parallel that is feeding from the original source, so that I have maximum colour separation before I get into any qualifications (if needed). Then, at the end of my Clip node tree, I have a dedicated node for 'Shot Matching' so if anything is off, I don't go back to the initial balance and exposure, I just do it in a node at the end.
Marieta - yes, that's a really great workflow! It personally takes me a few passes to lock in my initial normalisation and balance tweaks throughout a grade, so I put up with having a slightly flatter source image unless I'm struggling to pull a satisfactory key. I always love being able to go back to my first normal/balance adjustments and tweak 😊
Easily one the top "explanations" of the parallel node that I've found so far... Great little tutorial, but oh so valuable! I thank you, Sir, for your time and effort on this!
Thank you sir!
Excellent stuff Luke.
Thanks Andy!
Great idea! Thank you.
No worries!
Nice. If you were to do an image noise reduction via resolve studio or something like neat image where do you think you'd put it? beginning of all nodes even prior to the qualifier parralel node?
Thanks for the comment! It does depend a little, especially if you're pulling a key. Normally though I would place a denoise node towards the end of my node tree 😊
U videos are so helpful 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
I love it keep it up ma boy
Glad to hear it mate 🤓
why did you choose resolve over baselight?
(i don't like resolve color science)
Thank you very much!!
You're welcome!